Songs like Largo al factotum from Act I of Il Barbiere di Siviglia by Gioachino Rossini
Based on a tempo of (+/- 10%) and a similar genre
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Felix Mendelssohn
Midsummer Night's Dream, Incidental Musi...
74 bpm • C Maj • 05:06 • -12db
33% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
33% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
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Hector Berlioz
Berlioz: Symphonie fantastique, Op. 14, ...
74 bpm • A Maj • 06:44 • -18.12db
19% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
19% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
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Gioachino Rossini
Io sono docile
74 bpm • F Maj • 03:52 • -9.96db
20% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Treulich gef...
74 bpm • A# Maj • 05:08 • -32.9db
23% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
23% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Johannes Brahms
Hungarian Dances, WoO 1: No. 1 in G Mino...
73 bpm • G min • 03:11 • -20db
21% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
73 bpm • C# Maj • 05:30 • -20db
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Rossini: Stabat Mater: IX. Quando corpus...
74 bpm • D# Maj • 04:33 • -26.78db
9% Popularity • 10% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Marche funebre d'une marionnette (Funera...
75 bpm • A Maj • 05:49 • -27.8db
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
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Ludwig van Beethoven
Beethoven: Egmont, Op. 84: Overture
75 bpm • F min • 08:40 • -18.44db
22% Popularity • 21% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
22% Popularity • 21% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
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Bedřich Smetana
The Bartered Bride, JB 1:100: Dance of t...
75 bpm • C Maj • 04:22 • -18.21db
17% Popularity • 38% Danceability • 25% Energy • 68% Liveness
91% Instrumentalness • 17% Positiveness
17% Popularity • 38% Danceability • 25% Energy • 68% Liveness
91% Instrumentalness • 17% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Alessandro Parisotti
Se tu m'ami (formerly attributed to Perg...
76 bpm • F min • 02:31 • -22.73db
28% Popularity • 43% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 43% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Gioachino Rossini
La Cenerentola: Overture (Sinfonia)
74 bpm • D# Maj • 07:46 • -26.58db
15% Popularity • 31% Danceability • 8% Energy • 18% Liveness
4% Instrumentalness • 22% Positiveness
15% Popularity • 31% Danceability • 8% Energy • 18% Liveness
4% Instrumentalness • 22% Positiveness
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Umberto Giordano
Andrea Chénier / Act III: "La mamma mor...
76 bpm • D Maj • 04:58 • -17.91db
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
75 bpm • C Maj • 08:19 • -21.66db
12% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
12% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Das Rheingold: Einzug der Götter in Wal...
76 bpm • C# Maj • 08:43 • -20.73db
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Mikhail Glinka
Glinka: Overture from Ruslan and Ludmill...
76 bpm • D Maj • 05:50 • -18.41db
27% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
27% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: No. 3, C...
75 bpm • A min • 03:50 • -25.73db
6% Popularity • 36% Danceability • 10% Energy • 57% Liveness
0% Instrumentalness • 27% Positiveness
6% Popularity • 36% Danceability • 10% Energy • 57% Liveness
0% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
72 bpm • G# Maj • 09:58 • -22db
13% Popularity • 10% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
13% Popularity • 10% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
77 bpm • F Maj • 02:19 • -28.37db
35% Popularity • 41% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
35% Popularity • 41% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
37% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Arthur Fiedler
Le barbier de Séville Largo al factotum...
77 bpm • C Maj • 04:23 • -12db
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia, Act I, Scene Tw...
75 bpm • G# Maj • 03:02 • -21.01db
5% Popularity • 38% Danceability • 6% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
5% Popularity • 38% Danceability • 6% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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US Marine Band
Largo al factotum from The Barber of Sev...
77 bpm • A# Maj • 04:42 • -18.14db
15% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
75 bpm • C Maj • 04:33 • -16db
18% Popularity • 41% Danceability • 37% Energy • 35% Liveness
74% Instrumentalness • 48% Positiveness
18% Popularity • 41% Danceability • 37% Energy • 35% Liveness
74% Instrumentalness • 48% Positiveness
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Slovak Radio Symphony Orchestra
Lohengrin: Bridal Chorus
70 bpm • A# Maj • 04:48 • -21.42db
12% Popularity • 14% Danceability • 9% Energy • 9% Liveness
28% Instrumentalness • 8% Positiveness
12% Popularity • 14% Danceability • 9% Energy • 9% Liveness
28% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 9 in D Minor, Op...
71 bpm • D Maj • 06:18 • -23.9db
11% Popularity • 17% Danceability • 3% Energy • 49% Liveness
82% Instrumentalness • 10% Positiveness
11% Popularity • 17% Danceability • 3% Energy • 49% Liveness
82% Instrumentalness • 10% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Prelude
70 bpm • G Maj • 02:47 • -18.4db
17% Popularity • 34% Danceability • 14% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
17% Popularity • 34% Danceability • 14% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Nikolai Rimsky-Korsakov
Scheherezade, Op. 35: I. The Sea and Sin...
70 bpm • E min • 10:14 • -17db
29% Popularity • 9% Danceability • 14% Energy • 23% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 14% Energy • 23% Liveness
80% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Stabat Mater: X. Amen. In sempi...
76 bpm • C min • 05:58 • -14.63db
14% Popularity • 12% Danceability • 53% Energy • 18% Liveness
90% Instrumentalness • 11% Positiveness
14% Popularity • 12% Danceability • 53% Energy • 18% Liveness
90% Instrumentalness • 11% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 7 in A Major, Op...
70 bpm • E min • 08:25 • -26db
32% Popularity • 12% Danceability • 3% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
32% Popularity • 12% Danceability • 3% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
79 bpm • B min • 05:04 • -18.9db
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Overture "The Italian Girl in Algiers: O...
79 bpm • C Maj • 07:11 • -15.15db
14% Popularity • 28% Danceability • 30% Energy • 15% Liveness
87% Instrumentalness • 51% Positiveness
14% Popularity • 28% Danceability • 30% Energy • 15% Liveness
87% Instrumentalness • 51% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • D# Maj • 05:40 • -11db
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
78 bpm • D Maj • 03:22 • -13db
32% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
32% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
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Ruggero Leoncavallo
Mattinata (Orch. Faris)
79 bpm • E Maj • 01:58 • -14.46db
38% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Dame Joan Sutherland
La traviata, Act 1: "Libiamo, ne' lieti ...
79 bpm • A# Maj • 03:15 • -19db
32% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
69 bpm • G min • 02:38 • -18db
40% Popularity • 31% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
40% Popularity • 31% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
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Gioachino Rossini
Il turco in Italia: Overture
72 bpm • D Maj • 08:58 • -20.24db
20% Popularity • 32% Danceability • 19% Energy • 15% Liveness
81% Instrumentalness • 14% Positiveness
20% Popularity • 32% Danceability • 19% Energy • 15% Liveness
81% Instrumentalness • 14% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
53% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
53% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
79 bpm • F Maj • 10:23 • -24db
21% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
21% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • E min • 01:17 • -19db
35% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
35% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
76 bpm • F Maj • 02:19 • -21.63db
3% Popularity • 70% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 70% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
80 bpm • F min • 09:35 • -15db
35% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
35% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
► Preview
Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
► Preview
Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
40% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
40% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
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Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
► Preview
Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
72 bpm • G Maj • 08:07 • -15.18db
3% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
3% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Jacques Offenbach
Orphée aux enfers: Overture (Arr. C. Bi...
81 bpm • G Maj • 08:53 • -19db
18% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
18% Popularity • 23% Danceability • 20% Energy • 6% Liveness
80% Instrumentalness • 16% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 3....
81 bpm • D Maj • 10:19 • -20db
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
► Preview
Gioachino Rossini
Stabat Mater: 3. Quis est homo qui non f...
72 bpm • E Maj • 07:21 • -22.28db
16% Popularity • 19% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
81 bpm • E min • 03:41 • -13db
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
► Preview
Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
76 bpm • C Maj • 04:31 • -17.38db
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Vincenzo Bellini
Norma / Act 1: Casta Diva
67 bpm • F Maj • 05:57 • -24db
36% Popularity • 24% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
36% Popularity • 24% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Chicago Symphony Orchestra
M. Glinka: Overture To Opera "Ruslan and...
82 bpm • A Maj • 05:16 • -24.88db
19% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
19% Popularity • 24% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 31% Positiveness
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Jacques Offenbach
The Can Can
82 bpm • D Maj • 01:49 • -15db
36% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
36% Popularity • 34% Danceability • 66% Energy • 7% Liveness
95% Instrumentalness • 88% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: III. ...
82 bpm • G# Maj • 05:09 • -20.73db
38% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
38% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
72 bpm • D min • 01:12 • -27.68db
6% Popularity • 58% Danceability • 15% Energy • 72% Liveness
0% Instrumentalness • 54% Positiveness
6% Popularity • 58% Danceability • 15% Energy • 72% Liveness
0% Instrumentalness • 54% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: III. Al...
83 bpm • A Maj • 04:41 • -14db
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
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Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
38% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
38% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: IV. A...
83 bpm • C Maj • 10:50 • -13.36db
29% Popularity • 25% Danceability • 35% Energy • 28% Liveness
86% Instrumentalness • 33% Positiveness
29% Popularity • 25% Danceability • 35% Energy • 28% Liveness
86% Instrumentalness • 33% Positiveness
► Preview
Gioachino Rossini
Il Barbiere di Siviglia: Largo al factot...
71 bpm • C Maj • 04:17 • -14.04db
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
83 bpm • A# Maj • 02:07 • -20db
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
► Preview
Mikhail Glinka
Ruslan and Lyudmila: Overture
83 bpm • D Maj • 04:56 • -17.01db
13% Popularity • 32% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 32% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
Egmont Overture, Op. 84 - Remastered
83 bpm • F min • 08:35 • -16.16db
41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 3:...
77 bpm • E Maj • 01:46 • -27.62db
4% Popularity • 51% Danceability • 10% Energy • 50% Liveness
0% Instrumentalness • 24% Positiveness
4% Popularity • 51% Danceability • 10% Energy • 50% Liveness
0% Instrumentalness • 24% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Frédéric Chopin
Les Sylphides: 3. Valse
84 bpm • G Maj • 02:25 • -15db
19% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
19% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Viennese version, 176...
65 bpm • C Maj • 02:11 • -35db
36% Popularity • 7% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
36% Popularity • 7% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
