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Las Vegas
Songs like
Las Vegas
by
Houndmouth
Based on a tempo of (+/- 10%) and a similar genre
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BAILEN
I Was Wrong
138 bpm • B Maj • 03:14 • -6.11db
34% Popularity • 62% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Houndmouth
Gasoline
138 bpm • C Maj • 02:51 • -11db
28% Popularity • 57% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Fruition
Let's Take It Too Far
138 bpm • A Maj • 03:46 • -9.44db
40% Popularity • 60% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 64% Positiveness
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The Lumineers
A.M. RADIO
138 bpm • C# Maj • 03:57 • -6.4db
51% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Futurebirds
Olive Garden Daydream #47
138 bpm • G Maj • 04:28 • -8.95db
28% Popularity • 52% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 67% Positiveness
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Leif Vollebekk
Blood Brother
139 bpm • A# Maj • 04:23 • -9.05db
37% Popularity • 65% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Nathaniel Rateliff
Pretty Good
137 bpm • A Maj • 03:49 • -5.35db
29% Popularity • 49% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Houndmouth
Las Vegas
138 bpm • B Maj • 03:42 • -5.7db
35% Popularity • 48% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Michigander
Better
139 bpm • G# Maj • 04:54 • -3db
37% Popularity • 38% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Wilderado
Stranger
137 bpm • F Maj • 03:19 • -6.33db
37% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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The Head And The Heart
Virginia (Wind In The Night)
136 bpm • G Maj • 03:25 • -3.7db
46% Popularity • 26% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Mt. Joy
Johnson Song
136 bpm • G# Maj • 03:43 • -8.07db
50% Popularity • 63% Danceability • 62% Energy • 14% Liveness
67% Instrumentalness • 87% Positiveness
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Futurebirds
All Damn Night
140 bpm • A Maj • 03:59 • -8.65db
30% Popularity • 54% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Dustbowl Revival
Beside You
140 bpm • B Maj • 06:32 • -14.84db
25% Popularity • 56% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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Houndmouth
Modern Love
140 bpm • G Maj • 04:17 • -11.85db
24% Popularity • 29% Danceability • 36% Energy • 32% Liveness
2% Instrumentalness • 16% Positiveness
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Wilderado
Siren
140 bpm • E Maj • 03:59 • -5.14db
33% Popularity • 47% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Head And The Heart
Don't Show Your Weakness
136 bpm • G Maj • 03:54 • -5.38db
34% Popularity • 51% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Romany Rye
(Untitled) Love Song
140 bpm • B Maj • 05:23 • -12.71db
28% Popularity • 61% Danceability • 51% Energy • 18% Liveness
2% Instrumentalness • 50% Positiveness
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Nathaniel Rateliff
All Or Nothing
140 bpm • A Maj • 05:01 • -9.44db
36% Popularity • 45% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Fruition
Dawn
136 bpm • D Maj • 03:16 • -8.55db
25% Popularity • 61% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Robert Ellis
Nobody Smokes Anymore
135 bpm • F Maj • 03:24 • -7.15db
28% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Wilderado
Mr. Major
140 bpm • B Maj • 04:33 • -6.63db
30% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Dawes
Still Feel Like A Kid
135 bpm • G Maj • 03:12 • -5.25db
22% Popularity • 48% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Trampled by Turtles
Alone - Live at Red Rocks
135 bpm • C Maj • 04:38 • -4.83db
42% Popularity • 28% Danceability • 73% Energy • 75% Liveness
12% Instrumentalness • 16% Positiveness
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Houndmouth
Young Again - GH Demo
135 bpm • G# Maj • 03:38 • -12db
20% Popularity • 36% Danceability • 53% Energy • 24% Liveness
40% Instrumentalness • 20% Positiveness
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Del Water Gap
Lamplight
141 bpm • B Maj • 04:23 • -8db
39% Popularity • 64% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
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Nathaniel Rateliff & The Night Sweats
Parlor
135 bpm • B Maj • 02:42 • -2.39db
52% Popularity • 58% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Bahamas
I Got You Babe
135 bpm • C Maj • 02:34 • -4db
21% Popularity • 54% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Wilderado
Rubble To Rubble
135 bpm • A min • 03:24 • -8.38db
54% Popularity • 56% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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The Avett Brothers
Victory
135 bpm • A# Maj • 03:53 • -11.14db
50% Popularity • 62% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Houndmouth
Sedona
135 bpm • D# Maj • 03:59 • -8.24db
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Dead Tongues
Little Lies
141 bpm • F# min • 04:06 • -11.78db
17% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Head And The Heart
Our House
142 bpm • A Maj • 03:02 • -9.32db
38% Popularity • 52% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Fruition
Baby Let's Go
142 bpm • G Maj • 03:13 • -7.41db
27% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Ewan Currie
I'd Like to Live in California
142 bpm • G Maj • 03:05 • -6.77db
24% Popularity • 66% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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The Sheepdogs
Are You a Good Man?
142 bpm • A min • 02:34 • -5.47db
11% Popularity • 62% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Houndmouth
Comin' Round Again
141 bpm • F# Maj • 03:39 • -5.44db
29% Popularity • 36% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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GROUPLOVE
Oxygen Swimming
142 bpm • A# Maj • 03:32 • -6.72db
27% Popularity • 55% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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The Lumineers
BRIGHTSIDE
134 bpm • A# Maj • 03:49 • -7.01db
50% Popularity • 55% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Caamp
See the World
134 bpm • C# Maj • 02:18 • -10.34db
60% Popularity • 42% Danceability • 53% Energy • 8% Liveness
14% Instrumentalness • 40% Positiveness
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Dawes
Fisherman's Blues
134 bpm • C Maj • 04:49 • -10.08db
20% Popularity • 62% Danceability • 43% Energy • 14% Liveness
6% Instrumentalness • 34% Positiveness
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Shakey Graves
Counting Sheep
134 bpm • A min • 04:55 • -7.74db
41% Popularity • 54% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Houndmouth
Miracle Mile
142 bpm • F# Maj • 03:08 • -9.41db
54% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sam Burchfield
The Last of the Honey Bees
134 bpm • F# Maj • 03:50 • -6.93db
56% Popularity • 50% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Lucero
Back in Ohio
142 bpm • A Maj • 03:43 • -5.77db
26% Popularity • 58% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Futurebirds
Twentyseven
143 bpm • E Maj • 03:29 • -4.94db
32% Popularity • 49% Danceability • 85% Energy • 37% Liveness
1% Instrumentalness • 47% Positiveness
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Jeremy Ivey
Story Of A Fish
133 bpm • E min • 03:22 • -8.82db
23% Popularity • 60% Danceability • 50% Energy • 11% Liveness
23% Instrumentalness • 40% Positiveness
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DISPATCH
The Legend of Connie Hawkins
133 bpm • C Maj • 05:11 • -5.58db
18% Popularity • 56% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Houndmouth
Cool Jam
134 bpm • A Maj • 03:26 • -8.93db
44% Popularity • 79% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Oliver Hazard
Fly Right
133 bpm • A# Maj • 03:23 • -9.37db
36% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Boy Golden
A Little Space
133 bpm • G# Maj • 03:32 • -5.09db
23% Popularity • 55% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Dawes
Between The Zero And The One
144 bpm • C Maj • 04:50 • -6.3db
20% Popularity • 50% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Palm Palm
Automatic Attraction
144 bpm • D Maj • 04:47 • -4.39db
28% Popularity • 50% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Lula Wiles
Oh My God
132 bpm • A min • 04:38 • -7.07db
12% Popularity • 59% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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Houndmouth
Houston Train
133 bpm • E Maj • 03:10 • -5.8db
11% Popularity • 34% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 27% Positiveness
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Moon Taxi
Rooftops
144 bpm • A Maj • 03:49 • -9.22db
33% Popularity • 66% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Parker Millsap
Dammit
144 bpm • D Maj • 04:09 • -7.4db
14% Popularity • 64% Danceability • 66% Energy • 8% Liveness
46% Instrumentalness • 44% Positiveness
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Dustbowl Revival
The Exception
144 bpm • A# Maj • 04:07 • -7db
30% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Futurebirds
Buffet Days
132 bpm • F# min • 03:41 • -7.84db
24% Popularity • 49% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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Ryan Adams
Take It Back
132 bpm • A# Maj • 03:07 • -4.29db
18% Popularity • 52% Danceability • 80% Energy • 12% Liveness
35% Instrumentalness • 85% Positiveness
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Houndmouth
Long As You're At Home
133 bpm • G Maj • 03:45 • -5.6db
9% Popularity • 34% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Ben Kweller
American Cigarettes
144 bpm • G Maj • 03:38 • -5.37db
28% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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DISPATCH
Letter to Lady J
132 bpm • E Maj • 04:15 • -7db
39% Popularity • 50% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 33% Positiveness
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Mt. Joy
Silver Lining
144 bpm • C Maj • 03:18 • -6.53db
77% Popularity • 54% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Nathaniel Rateliff & The Night Sweats
Love Don’t
132 bpm • A Maj • 05:10 • -4.38db
43% Popularity • 60% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Cloud Cult
One Way Out of a Hole
145 bpm • E Maj • 05:01 • -12.01db
24% Popularity • 59% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Houndmouth
Some Paradise
133 bpm • G Maj • 03:31 • -9db
42% Popularity • 70% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Bendigo Fletcher
Sugar in the Creek
145 bpm • B Maj • 04:11 • -7.84db
50% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Wilderado
Head Right
145 bpm • F Maj • 03:17 • -3.52db
43% Popularity • 54% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Hiss Golden Messenger
Hardlytown
145 bpm • C# Maj • 03:17 • -10.93db
38% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Sean Rowe
Squid Tattoo
145 bpm • B Maj • 04:30 • -6db
22% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Mt. Joy
Come With Me
131 bpm • G Maj • 03:08 • -7.26db
36% Popularity • 58% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Houndmouth
Honey Slider
132 bpm • G# Maj • 03:36 • -8db
30% Popularity • 31% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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John Craigie
Rough Johns
131 bpm • G# Maj • 03:52 • -7.06db
44% Popularity • 74% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Wilderado
Astronaut
145 bpm • G Maj • 03:33 • -5.94db
34% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Band of Horses
Warning Signs
131 bpm • A Maj • 04:20 • -7.3db
42% Popularity • 46% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Pete Yorn
Elizabeth Taylor
131 bpm • G Maj • 03:15 • -5.95db
30% Popularity • 54% Danceability • 83% Energy • 16% Liveness
1% Instrumentalness • 51% Positiveness
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Fruit Bats
Rips Me Up
146 bpm • G Maj • 03:11 • -9db
30% Popularity • 54% Danceability • 56% Energy • 20% Liveness
3% Instrumentalness • 33% Positiveness
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Houndmouth
Halfway to Hardinsburg
144 bpm • E Maj • 04:07 • -7.9db
12% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Sure Sure
Warm Animal (Acoustic)
146 bpm • F Maj • 03:00 • -9db
38% Popularity • 68% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Ray LaMontagne
Strong Enough
131 bpm • D Maj • 03:34 • -8.61db
50% Popularity • 72% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Band of Horses
Crutch
145 bpm • D Maj • 03:43 • -5.38db
46% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Briston Maroney
Sinkin'
130 bpm • E Maj • 03:09 • -7db
40% Popularity • 59% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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The Ballroom Thieves
The Lightning
146 bpm • F Maj • 04:01 • -8.06db
18% Popularity • 49% Danceability • 67% Energy • 18% Liveness
14% Instrumentalness • 59% Positiveness
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Houndmouth
Ride Or Die
131 bpm • G# Maj • 03:41 • -7.15db
25% Popularity • 61% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Fruit Bats
The Balcony
130 bpm • D# Maj • 04:08 • -8db
44% Popularity • 65% Danceability • 84% Energy • 12% Liveness
35% Instrumentalness • 78% Positiveness
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The Avett Brothers
Untitled #4
147 bpm • A# Maj • 04:04 • -8.29db
46% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Ghost of Paul Revere
Eleanor
147 bpm • D Maj • 03:39 • -3.45db
15% Popularity • 50% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Mt. Joy
Let Loose
147 bpm • C Maj • 03:41 • -6.94db
59% Popularity • 51% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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The Way Down Wanderers
All My Words
147 bpm • C Maj • 04:05 • -6.39db
30% Popularity • 62% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Houndmouth
For No One
130 bpm • D# Maj • 03:49 • -11.18db
36% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Bendigo Fletcher
Birding
147 bpm • F# min • 03:40 • -8.4db
30% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Bird and Byron
Where'd All the Time Go
147 bpm • E Maj • 04:01 • -4db
43% Popularity • 50% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Briscoe
Dirty Shoes
129 bpm • D Maj • 03:15 • -11.16db
33% Popularity • 76% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Sumbuck
Sy*z*y*gy
129 bpm • D Maj • 03:48 • -11.77db
37% Popularity • 74% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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Low Cut Connie
Help Me
129 bpm • C# Maj • 03:24 • -3.85db
28% Popularity • 58% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Houndmouth
Penitentiary
129 bpm • D Maj • 04:04 • -6.53db
10% Popularity • 47% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Michigander
Let Down
129 bpm • A# Maj • 02:56 • -3.12db
43% Popularity • 47% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Blitzen Trapper
Big Black Bird
148 bpm • G Maj • 02:47 • -5db
36% Popularity • 65% Danceability • 79% Energy • 11% Liveness
10% Instrumentalness • 90% Positiveness
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Boy Golden
Any Way It Works
148 bpm • F# Maj • 02:27 • -7.08db
20% Popularity • 63% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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