Songs like Laser Life - Nick Zinner Remix by The Blood Brothers
Based on a tempo of (+/- 10%) and a similar genre
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The Locust
Teenage Mustache
188 bpm • A Maj • 00:54 • -5.54db
17% Popularity • 15% Danceability • 98% Energy • 19% Liveness
86% Instrumentalness • 25% Positiveness
17% Popularity • 15% Danceability • 98% Energy • 19% Liveness
86% Instrumentalness • 25% Positiveness
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These Arms Are Snakes
The Shit Sisters
188 bpm • A min • 03:34 • -4.67db
24% Popularity • 28% Danceability • 94% Energy • 19% Liveness
23% Instrumentalness • 32% Positiveness
24% Popularity • 28% Danceability • 94% Energy • 19% Liveness
23% Instrumentalness • 32% Positiveness
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The Blood Brothers
Doctor! Doctor!
187 bpm • C min • 03:29 • -5.94db
12% Popularity • 28% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 28% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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Pretty Girls Make Graves
By the Throat
185 bpm • B min • 04:05 • -5.79db
18% Popularity • 30% Danceability • 94% Energy • 8% Liveness
76% Instrumentalness • 31% Positiveness
18% Popularity • 30% Danceability • 94% Energy • 8% Liveness
76% Instrumentalness • 31% Positiveness
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Reggie And The Full Effect
Something I'm Not
186 bpm • A Maj • 04:13 • -4.85db
10% Popularity • 41% Danceability • 75% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
10% Popularity • 41% Danceability • 75% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
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Engine Down
Rogue
192 bpm • C# min • 03:40 • -4.64db
13% Popularity • 22% Danceability • 86% Energy • 12% Liveness
4% Instrumentalness • 44% Positiveness
13% Popularity • 22% Danceability • 86% Energy • 12% Liveness
4% Instrumentalness • 44% Positiveness
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Touché Amoré
Negotiating the Charade
184 bpm • G# min • 01:15 • -3.83db
23% Popularity • 22% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 22% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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An Albatross
Electric Suits and Cowboy Boots
184 bpm • G Maj • 01:01 • -4.67db
21% Popularity • 12% Danceability • 91% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
21% Popularity • 12% Danceability • 91% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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Head Wound City
Born to Burn
183 bpm • A Maj • 01:44 • -6.12db
13% Popularity • 17% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
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Pretty Girls Make Graves
Head South
192 bpm • G Maj • 03:10 • -5.95db
7% Popularity • 13% Danceability • 95% Energy • 49% Liveness
94% Instrumentalness • 36% Positiveness
7% Popularity • 13% Danceability • 95% Energy • 49% Liveness
94% Instrumentalness • 36% Positiveness
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Brand New
Guernica
183 bpm • A# min • 03:23 • -6db
44% Popularity • 38% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 38% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Blood Brothers
Trash Flavored Trash
183 bpm • G# Maj • 02:37 • -3.07db
29% Popularity • 42% Danceability • 100% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 42% Danceability • 100% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Cursive
The Radiator Hums
183 bpm • A# Maj • 03:24 • -5.09db
30% Popularity • 32% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 32% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Mclusky
Icarus Smicarus
182 bpm • F# Maj • 01:51 • -4.42db
24% Popularity • 40% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 40% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Head Wound City
Closed Casket
183 bpm • E Maj • 02:10 • -5.83db
9% Popularity • 14% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
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Pretty Girls Make Graves
Speakers Push the Air
182 bpm • E Maj • 02:51 • -5.14db
34% Popularity • 35% Danceability • 98% Energy • 14% Liveness
8% Instrumentalness • 15% Positiveness
34% Popularity • 35% Danceability • 98% Energy • 14% Liveness
8% Instrumentalness • 15% Positiveness
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Bear Vs. Shark
Rich Old People Say F*** Yeah Hey Hey
182 bpm • A Maj • 03:45 • -5.21db
14% Popularity • 43% Danceability • 92% Energy • 83% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 43% Danceability • 92% Energy • 83% Liveness
0% Instrumentalness • 61% Positiveness
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The Bled
She Calls Home
180 bpm • D# Maj • 02:34 • -5.28db
16% Popularity • 21% Danceability • 97% Energy • 42% Liveness
36% Instrumentalness • 57% Positiveness
16% Popularity • 21% Danceability • 97% Energy • 42% Liveness
36% Instrumentalness • 57% Positiveness
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Fear Before The March Of Flames
Lycanthropy
180 bpm • D Maj • 03:07 • -5.12db
18% Popularity • 16% Danceability • 89% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
18% Popularity • 16% Danceability • 89% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
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The Blood Brothers
Teen Heat
180 bpm • C min • 02:07 • -5.28db
20% Popularity • 40% Danceability • 95% Energy • 36% Liveness
15% Instrumentalness • 56% Positiveness
20% Popularity • 40% Danceability • 95% Energy • 36% Liveness
15% Instrumentalness • 56% Positiveness
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The Sound Of Animals Fighting
Act I: Chasing Suns
179 bpm • E min • 05:10 • -2.87db
28% Popularity • 12% Danceability • 96% Energy • 34% Liveness
1% Instrumentalness • 28% Positiveness
28% Popularity • 12% Danceability • 96% Energy • 34% Liveness
1% Instrumentalness • 28% Positiveness
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Pretty Girls Make Graves
The New Romance
181 bpm • D Maj • 04:10 • -5.75db
13% Popularity • 45% Danceability • 85% Energy • 9% Liveness
71% Instrumentalness • 50% Positiveness
13% Popularity • 45% Danceability • 85% Energy • 9% Liveness
71% Instrumentalness • 50% Positiveness
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Bear Vs. Shark
Antwan
181 bpm • E Maj • 02:45 • -5.72db
12% Popularity • 41% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 41% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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The Bled
We Are the Industry
180 bpm • G Maj • 05:53 • -4.39db
18% Popularity • 32% Danceability • 97% Energy • 77% Liveness
3% Instrumentalness • 10% Positiveness
18% Popularity • 32% Danceability • 97% Energy • 77% Liveness
3% Instrumentalness • 10% Positiveness
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Q And Not U
Line In The Sand
179 bpm • D Maj • 03:05 • -8.39db
26% Popularity • 31% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 31% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Million Dead
Charlie + the Propaganda Myth Machine
178 bpm • C Maj • 03:25 • -5.25db
17% Popularity • 18% Danceability • 88% Energy • 20% Liveness
1% Instrumentalness • 46% Positiveness
17% Popularity • 18% Danceability • 88% Energy • 20% Liveness
1% Instrumentalness • 46% Positiveness
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Head Wound City
I Wanna Be Your Original Sin
178 bpm • A# min • 00:54 • -6.34db
14% Popularity • 18% Danceability • 91% Energy • 33% Liveness
32% Instrumentalness • 39% Positiveness
14% Popularity • 18% Danceability • 91% Energy • 33% Liveness
32% Instrumentalness • 39% Positiveness
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The Anniversary
Without Panasos
178 bpm • G Maj • 04:46 • -5.99db
17% Popularity • 44% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 44% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Circle Takes the Square
Houdini Logic
177 bpm • C# min • 03:15 • -5.04db
11% Popularity • 21% Danceability • 94% Energy • 44% Liveness
1% Instrumentalness • 18% Positiveness
11% Popularity • 21% Danceability • 94% Energy • 44% Liveness
1% Instrumentalness • 18% Positiveness
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Fear Before The March Of Flames
Hey Kid I'm a Computer, Stop All the Dow...
177 bpm • A# Maj • 03:08 • -4.51db
19% Popularity • 14% Danceability • 98% Energy • 84% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 14% Danceability • 98% Energy • 84% Liveness
0% Instrumentalness • 34% Positiveness
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Cursive
Shallow Means, Deep Ends
177 bpm • G Maj • 03:36 • -4.6db
26% Popularity • 37% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 37% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Planes Mistaken For Stars
Never Felt Prettier
177 bpm • D min • 02:43 • -3.29db
10% Popularity • 17% Danceability • 99% Energy • 31% Liveness
1% Instrumentalness • 37% Positiveness
10% Popularity • 17% Danceability • 99% Energy • 31% Liveness
1% Instrumentalness • 37% Positiveness
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Hopesfall
Decoys Like Curves
177 bpm • D Maj • 04:15 • -4.47db
19% Popularity • 15% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 15% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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United Nations
Meanwhile On Main Street
200 bpm • A min • 03:00 • -6.22db
8% Popularity • 16% Danceability • 84% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
8% Popularity • 16% Danceability • 84% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
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Small Brown Bike
Sleeping Weather
176 bpm • C# Maj • 03:47 • -6db
17% Popularity • 20% Danceability • 97% Energy • 31% Liveness
79% Instrumentalness • 59% Positiveness
17% Popularity • 20% Danceability • 97% Energy • 31% Liveness
79% Instrumentalness • 59% Positiveness
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The Blood Brothers
This Adultery Is Ripe
175 bpm • C Maj • 01:37 • -7.17db
11% Popularity • 37% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 37% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 39% Positiveness
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Touché Amoré
Just Exist
175 bpm • D# min • 02:17 • -4.04db
30% Popularity • 17% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 17% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 60% Positiveness
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Pretty Girls Make Graves
Bring It on Golden Pond
175 bpm • A min • 02:56 • -5.95db
24% Popularity • 61% Danceability • 72% Energy • 4% Liveness
94% Instrumentalness • 50% Positiveness
24% Popularity • 61% Danceability • 72% Energy • 4% Liveness
94% Instrumentalness • 50% Positiveness
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Hopesfall
Dead In Magazines
175 bpm • A Maj • 03:31 • -4.95db
21% Popularity • 23% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
21% Popularity • 23% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Every Time I Die
Apocalypse Now And Then
175 bpm • E min • 02:33 • -3.8db
31% Popularity • 25% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 25% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Rival Schools
Travel By Telephone
174 bpm • A Maj • 02:47 • -3.97db
36% Popularity • 12% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 12% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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The Bled
You Know Who's Seatbelt
175 bpm • D Maj • 03:01 • -3.95db
32% Popularity • 41% Danceability • 98% Energy • 43% Liveness
2% Instrumentalness • 18% Positiveness
32% Popularity • 41% Danceability • 98% Energy • 43% Liveness
2% Instrumentalness • 18% Positiveness
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Far
Mother Mary
174 bpm • C Maj • 02:15 • -5.92db
26% Popularity • 34% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 34% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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The Blood Brothers
Feed Me to the Forest
174 bpm • C Maj • 02:23 • -5db
22% Popularity • 27% Danceability • 92% Energy • 53% Liveness
3% Instrumentalness • 50% Positiveness
22% Popularity • 27% Danceability • 92% Energy • 53% Liveness
3% Instrumentalness • 50% Positiveness
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Thursday
Counting 5-4-3-2-1
174 bpm • A Maj • 03:19 • -2db
38% Popularity • 12% Danceability • 91% Energy • 3% Liveness
2% Instrumentalness • 44% Positiveness
38% Popularity • 12% Danceability • 91% Energy • 3% Liveness
2% Instrumentalness • 44% Positiveness
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No Knife
Permanent For Now
174 bpm • A# Maj • 03:44 • -5.91db
18% Popularity • 33% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 33% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Head Wound City
Radical Friends
173 bpm • A Maj • 01:40 • -5db
9% Popularity • 14% Danceability • 99% Energy • 36% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 99% Energy • 36% Liveness
2% Instrumentalness • 4% Positiveness
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Q And Not U
We Heart Our Hive
172 bpm • A min • 04:36 • -11.68db
18% Popularity • 42% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 32% Positiveness
18% Popularity • 42% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 32% Positiveness
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Rolo Tomassi
I Love Turbulence
172 bpm • C Maj • 02:47 • -4.33db
17% Popularity • 12% Danceability • 91% Energy • 35% Liveness
16% Instrumentalness • 38% Positiveness
17% Popularity • 12% Danceability • 91% Energy • 35% Liveness
16% Instrumentalness • 38% Positiveness
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The Blood Brothers
Huge Gold AK-47
173 bpm • D Maj • 02:31 • -3db
12% Popularity • 22% Danceability • 96% Energy • 5% Liveness
19% Instrumentalness • 46% Positiveness
12% Popularity • 22% Danceability • 96% Energy • 5% Liveness
19% Instrumentalness • 46% Positiveness
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At the Drive-In
Enfilade
171 bpm • A Maj • 05:01 • -4db
19% Popularity • 50% Danceability • 95% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 50% Danceability • 95% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Thursday
Resuscitation of a Dead Man
203 bpm • E min • 03:22 • -3.4db
23% Popularity • 22% Danceability • 95% Energy • 9% Liveness
35% Instrumentalness • 18% Positiveness
23% Popularity • 22% Danceability • 95% Energy • 9% Liveness
35% Instrumentalness • 18% Positiveness
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Head Wound City
New Soak for an Empty Pocket
172 bpm • C# Maj • 01:18 • -4.98db
10% Popularity • 20% Danceability • 99% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 20% Danceability • 99% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Sparta
RX Coup
171 bpm • D Maj • 03:13 • -4.18db
25% Popularity • 32% Danceability • 91% Energy • 27% Liveness
1% Instrumentalness • 56% Positiveness
25% Popularity • 32% Danceability • 91% Energy • 27% Liveness
1% Instrumentalness • 56% Positiveness
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Horse The Band
Kangarooster Meadows
171 bpm • G Maj • 01:23 • -7.47db
16% Popularity • 28% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 28% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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The Blood Brothers
Nausea Shreds Yr Head
172 bpm • A# min • 02:10 • -2db
13% Popularity • 27% Danceability • 95% Energy • 24% Liveness
35% Instrumentalness • 40% Positiveness
13% Popularity • 27% Danceability • 95% Energy • 24% Liveness
35% Instrumentalness • 40% Positiveness
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Heavy Heavy Low Low
Kids, Kids, Kids
170 bpm • F# min • 01:43 • -5.13db
16% Popularity • 20% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 20% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Cursive
The Martyr
170 bpm • D min • 03:57 • -5db
33% Popularity • 30% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 30% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Pretty Girls Make Graves
More Sweet Soul
170 bpm • C# min • 03:14 • -3.4db
19% Popularity • 38% Danceability • 92% Energy • 28% Liveness
58% Instrumentalness • 54% Positiveness
19% Popularity • 38% Danceability • 92% Energy • 28% Liveness
58% Instrumentalness • 54% Positiveness
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The Jonbenét
Eating Lightning Pt. I
170 bpm • C# Maj • 02:51 • -4db
16% Popularity • 41% Danceability • 99% Energy • 39% Liveness
33% Instrumentalness • 35% Positiveness
16% Popularity • 41% Danceability • 99% Energy • 39% Liveness
33% Instrumentalness • 35% Positiveness
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Thursday
Concealer
170 bpm • A min • 02:19 • -5db
39% Popularity • 20% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 20% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Number Twelve Looks Like You
El Piñata de la Muerte
169 bpm • A Maj • 02:18 • -4.11db
15% Popularity • 28% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 28% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Single Mothers
Overdose
168 bpm • E min • 02:10 • -3.48db
22% Popularity • 26% Danceability • 99% Energy • 48% Liveness
3% Instrumentalness • 12% Positiveness
22% Popularity • 26% Danceability • 99% Energy • 48% Liveness
3% Instrumentalness • 12% Positiveness
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Fear Before The March Of Flames
High As A Horse
168 bpm • E Maj • 02:36 • -5.61db
23% Popularity • 55% Danceability • 85% Energy • 10% Liveness
22% Instrumentalness • 55% Positiveness
23% Popularity • 55% Danceability • 85% Energy • 10% Liveness
22% Instrumentalness • 55% Positiveness
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The Kinison
New Way To Dance
169 bpm • C Maj • 02:59 • -6.58db
11% Popularity • 41% Danceability • 89% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 41% Danceability • 89% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
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Heavy Heavy Low Low
Buddy, You're Making No Sense
167 bpm • A Maj • 02:27 • -5.29db
13% Popularity • 27% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 27% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Head Wound City
Scraper
168 bpm • B Maj • 02:39 • -6.88db
11% Popularity • 32% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 32% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Neon Blonde
Headlines
166 bpm • C Maj • 03:25 • -7.54db
12% Popularity • 60% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 88% Positiveness
12% Popularity • 60% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 88% Positiveness
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Thursday
Steps Ascending
166 bpm • A min • 04:26 • -4.08db
32% Popularity • 25% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 25% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Cursive
Making Friends and Acquaintances
165 bpm • D min • 02:58 • -5.83db
27% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Small Brown Bike
Kingfisher
165 bpm • G min • 03:55 • -5.74db
9% Popularity • 23% Danceability • 93% Energy • 21% Liveness
70% Instrumentalness • 54% Positiveness
9% Popularity • 23% Danceability • 93% Energy • 21% Liveness
70% Instrumentalness • 54% Positiveness
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At the Drive-In
Rolodex Propaganda
165 bpm • C Maj • 02:55 • -2.17db
17% Popularity • 30% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 30% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Head Wound City
Old Age Takes Too Long
167 bpm • A# min • 02:02 • -8.81db
12% Popularity • 46% Danceability • 91% Energy • 20% Liveness
83% Instrumentalness • 42% Positiveness
12% Popularity • 46% Danceability • 91% Energy • 20% Liveness
83% Instrumentalness • 42% Positiveness
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Sparta
Sans Cosm
163 bpm • A Maj • 03:59 • -4.55db
26% Popularity • 40% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 40% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Thursday
Division St.
165 bpm • D min • 04:14 • -4.42db
35% Popularity • 27% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 27% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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The Number Twelve Looks Like You
Like a Cat
162 bpm • G min • 03:27 • -6.14db
18% Popularity • 24% Danceability • 93% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 24% Danceability • 93% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
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The Anniversary
Till We Earned a Holiday
163 bpm • G Maj • 04:32 • -6.93db
18% Popularity • 35% Danceability • 80% Energy • 17% Liveness
1% Instrumentalness • 38% Positiveness
18% Popularity • 35% Danceability • 80% Energy • 17% Liveness
1% Instrumentalness • 38% Positiveness
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At the Drive-In
Sleepwalk Capsules
163 bpm • G Maj • 03:27 • -2.61db
20% Popularity • 30% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 30% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Million Dead
Bread & Circuses
162 bpm • E min • 02:33 • -6db
12% Popularity • 32% Danceability • 83% Energy • 49% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 32% Danceability • 83% Energy • 49% Liveness
0% Instrumentalness • 93% Positiveness
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The Plot to Blow Up the Eiffel Tower
Drake The Fake
162 bpm • C# min • 03:05 • -5.03db
8% Popularity • 18% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 18% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 11% Positiveness
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Thursday
Signals Over The Air
162 bpm • A min • 04:10 • -3.39db
42% Popularity • 43% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 43% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Dangers
Stay-At-Home Mom
162 bpm • C min • 02:23 • -6db
27% Popularity • 21% Danceability • 99% Energy • 46% Liveness
69% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 99% Energy • 46% Liveness
69% Instrumentalness • 4% Positiveness
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Duck Duck Goose
Hellevator
162 bpm • D# min • 02:54 • -1.71db
14% Popularity • 24% Danceability • 98% Energy • 69% Liveness
1% Instrumentalness • 17% Positiveness
14% Popularity • 24% Danceability • 98% Energy • 69% Liveness
1% Instrumentalness • 17% Positiveness
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Comadre
King Worm
162 bpm • B min • 01:54 • -4.48db
11% Popularity • 37% Danceability • 98% Energy • 33% Liveness
2% Instrumentalness • 43% Positiveness
11% Popularity • 37% Danceability • 98% Energy • 33% Liveness
2% Instrumentalness • 43% Positiveness
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The Blood Brothers
Marooned On Piano Island
161 bpm • C Maj • 01:55 • -7db
8% Popularity • 28% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 28% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Heavy Heavy Low Low
There's a Bat
161 bpm • D Maj • 01:12 • -4.91db
21% Popularity • 21% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 21% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Botch
Transitions from Persona to Object
161 bpm • G# Maj • 06:04 • -3.09db
31% Popularity • 24% Danceability • 94% Energy • 16% Liveness
82% Instrumentalness • 30% Positiveness
31% Popularity • 24% Danceability • 94% Energy • 16% Liveness
82% Instrumentalness • 30% Positiveness
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Thursday
A Hole In The World
160 bpm • A# Maj • 03:27 • -6db
35% Popularity • 27% Danceability • 80% Energy • 14% Liveness
23% Instrumentalness • 39% Positiveness
35% Popularity • 27% Danceability • 80% Energy • 14% Liveness
23% Instrumentalness • 39% Positiveness