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Lass die Musik an
Songs like
Lass die Musik an
by
Madsen
Based on a tempo of (+/- 10%) and a similar genre
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Montreal
Auf der faulen Haut
155 bpm • G min • 03:07 • -3.89db
39% Popularity • 60% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Madsen
Lass die Musik an
155 bpm • A# min • 04:00 • -4.18db
53% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Bakkushan
Baby, du siehst gut aus!
155 bpm • B min • 03:08 • -3.64db
48% Popularity • 43% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Broilers
Ihr da oben
155 bpm • G# min • 03:54 • -6.81db
42% Popularity • 51% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Die Fantastischen Vier
Ernten was wir säen
155 bpm • G Maj • 04:13 • -4.86db
42% Popularity • 65% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Lemo
Alte Seele (Pt. I)
155 bpm • A Maj • 03:45 • -5db
39% Popularity • 63% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Maxim
Meine Soldaten
154 bpm • B Maj • 03:26 • -4.72db
54% Popularity • 57% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Madsen
Lass die Musik an - Radio Edit
155 bpm • F min • 03:45 • -3.74db
23% Popularity • 51% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Querbeat
Randale & Hurra
154 bpm • G min • 03:30 • -4.92db
48% Popularity • 66% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Selig
Wir werden uns wiedersehen
154 bpm • F# min • 04:01 • -5.08db
41% Popularity • 42% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Tomte
Ich sang die ganze Zeit von dir
154 bpm • C# min • 04:22 • -6.32db
42% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Die Toten Hosen
Wannsee
156 bpm • C Maj • 03:04 • -4.42db
56% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Das Lumpenpack
Mein Hass
153 bpm • E min • 03:31 • -4db
47% Popularity • 59% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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Madsen
Ja oder nein
155 bpm • D# Maj • 03:25 • -2.01db
25% Popularity • 46% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Kraftklub
Songs für Liam
157 bpm • G min • 03:13 • -3.39db
60% Popularity • 52% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Donots
Calling
158 bpm • B Maj • 03:03 • -4.15db
46% Popularity • 26% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Tonbandgerät
Auf drei
158 bpm • A# Maj • 03:34 • -6db
23% Popularity • 57% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Tim Bendzko
Hoch
153 bpm • G Maj • 02:48 • -5.7db
55% Popularity • 65% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Die Ärzte
M&F
152 bpm • B Maj • 04:16 • -4.55db
58% Popularity • 59% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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Madsen
Ich rette die Welt
154 bpm • G Maj • 03:24 • -6.38db
26% Popularity • 40% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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KUMMER
Bei Dir
152 bpm • C# min • 03:42 • -6.62db
61% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Von Wegen Lisbeth
Alexa gib mir mein Geld zurück!
152 bpm • A min • 02:05 • -2.92db
41% Popularity • 80% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Trailerpark
Falsche Band
158 bpm • F# Maj • 03:32 • -3db
55% Popularity • 59% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Ferris MC
Was ist geblieben
152 bpm • D# min • 02:53 • -5.84db
47% Popularity • 52% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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KAFFKIEZ
Himmelblau
152 bpm • A# min • 03:23 • -4.63db
47% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Madsen
Mein erstes Lied
154 bpm • A# Maj • 04:13 • -5.99db
37% Popularity • 48% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Montreal
Pullover
152 bpm • A# Maj • 01:43 • -3.71db
39% Popularity • 56% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Von Wegen Lisbeth
Sushi
152 bpm • A# Maj • 03:11 • -5db
46% Popularity • 63% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Fettes Brot
An Tagen wie diesen
158 bpm • A min • 04:01 • -4db
59% Popularity • 66% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Feine Sahne Fischfilet
Zuhause
151 bpm • D min • 03:35 • -3db
42% Popularity • 51% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Deichkind
Porzellan und Elefanten
159 bpm • F# min • 03:36 • -9db
40% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Madsen
Nachtbaden
154 bpm • G Maj • 02:31 • -2db
42% Popularity • 31% Danceability • 92% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Montreal
Kino?!
160 bpm • C min • 02:39 • -2db
38% Popularity • 51% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Von Wegen Lisbeth
Westkreuz
159 bpm • C Maj • 03:47 • -3.8db
44% Popularity • 68% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Moop Mama
Alle Kinder
160 bpm • D Maj • 03:27 • -7.05db
38% Popularity • 80% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Die Prinzen
Alles nur geklaut
160 bpm • B min • 03:11 • -10.43db
67% Popularity • 64% Danceability • 62% Energy • 35% Liveness
16% Instrumentalness • 43% Positiveness
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Die Ärzte
Himmelblau
160 bpm • G# min • 03:18 • -6.21db
52% Popularity • 48% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Madsen
Ein bisschen Lärm
151 bpm • D Maj • 03:04 • -4.73db
40% Popularity • 44% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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CRO
Einmal um die Welt
160 bpm • A Maj • 02:22 • -4db
70% Popularity • 73% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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KAFFKIEZ
Alles Nur Gelogen
150 bpm • D Maj • 02:49 • -6.95db
53% Popularity • 70% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Sido
Astronaut
150 bpm • G# min • 03:58 • -6.87db
64% Popularity • 66% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Die Toten Hosen
Steh auf, wenn du am Boden bist
150 bpm • E Maj • 03:52 • -4.29db
48% Popularity • 35% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Feine Sahne Fischfilet
Wut
149 bpm • D min • 03:45 • -5.6db
42% Popularity • 48% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Madsen
Sommerferien
160 bpm • B Maj • 03:31 • -4.69db
32% Popularity • 43% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Faber
Tausendfrankenlang
149 bpm • G# min • 03:48 • -7.56db
45% Popularity • 33% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Milliarden
Milliardär
161 bpm • C Maj • 03:14 • -3.6db
28% Popularity • 50% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Von Wegen Lisbeth
Elon
161 bpm • D Maj • 03:09 • -6.45db
46% Popularity • 79% Danceability • 93% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
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Farin Urlaub Racing Team
AWG
149 bpm • F# Maj • 02:41 • -3.05db
29% Popularity • 52% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Feine Sahne Fischfilet
Diese eine Liebe
161 bpm • F min • 03:59 • -3.73db
44% Popularity • 56% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Madsen
Liebeslied
162 bpm • C Maj • 03:23 • -1.98db
27% Popularity • 43% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Hi! Spencer
Richtung Norden
148 bpm • A min • 04:03 • -5.5db
32% Popularity • 42% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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KUMMER
DER LETZTE SONG (ALLES WIRD GUT)
148 bpm • E min • 02:44 • -8db
62% Popularity • 65% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Grossstadtgeflüster
Fickt-Euch-Allee
148 bpm • C Maj • 03:17 • -6.72db
53% Popularity • 66% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Farin Urlaub Racing Team
Herz? Verloren
162 bpm • F# min • 03:22 • -3.37db
44% Popularity • 43% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Feine Sahne Fischfilet
Wir haben immer noch uns
148 bpm • F Maj • 03:22 • -3.81db
45% Popularity • 57% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Madsen
Good bye Logik
148 bpm • B min • 03:44 • -5.53db
33% Popularity • 51% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Das Lumpenpack
Ford Fiesta
164 bpm • A min • 03:57 • -4.35db
50% Popularity • 62% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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KUMMER
DER LETZTE SONG (ALLES WIRD GUT)
148 bpm • G Maj • 02:51 • -6.72db
63% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Die Fantastischen Vier
Einfach Sein
147 bpm • C# Maj • 03:37 • -6db
45% Popularity • 82% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Falco
Egoist
164 bpm • C Maj • 03:27 • -5.52db
58% Popularity • 76% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Montreal
Katharine Katharine
164 bpm • D Maj • 03:41 • -6db
44% Popularity • 53% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Madsen
Du schreibst Geschichte
165 bpm • F min • 03:11 • -5.66db
55% Popularity • 49% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Das Lumpenpack
7 von 10
146 bpm • G Maj • 03:34 • -5.94db
38% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Elen
Liegen ist Frieden
146 bpm • B Maj • 03:23 • -4.72db
48% Popularity • 61% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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KUMMER
DER LETZTE SONG (ALLES WIRD GUT)
148 bpm • G Maj • 02:58 • -5.18db
48% Popularity • 65% Danceability • 85% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
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Broilers
Ist da jemand?
165 bpm • A# Maj • 04:14 • -3.78db
53% Popularity • 44% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
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Danger Dan
Das ist alles von der Kunstfreiheit gede...
165 bpm • D# min • 03:48 • -12.79db
59% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Oimara
Bierle in da Sun - Oimara mit Band
145 bpm • B min • 03:32 • -6.18db
46% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Die Schwarzwälder Kirschtorten
Glück gehabt
165 bpm • C Maj • 03:36 • -5.48db
38% Popularity • 54% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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CRO
Nie Mehr
145 bpm • F# Maj • 03:03 • -7.04db
65% Popularity • 71% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Montreal
Das falsche Pferd
145 bpm • F Maj • 03:35 • -2.84db
29% Popularity • 55% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Broilers
Alice und Sarah
165 bpm • C# Maj • 03:16 • -3.68db
46% Popularity • 60% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Alligatoah
Alli-Alligatoah
145 bpm • F Maj • 03:55 • -7.64db
54% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Die Ärzte
Lied vom Scheitern
145 bpm • D# Maj • 03:29 • -4.68db
49% Popularity • 52% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
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Heisskalt
Hallo
166 bpm • F# min • 03:27 • -4.21db
44% Popularity • 36% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Revolverheld
Halt dich an mir fest - Duett Version
166 bpm • A# Maj • 03:31 • -3.92db
54% Popularity • 45% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Ohrbooten
Autobahn
166 bpm • G Maj • 03:58 • -5.23db
48% Popularity • 66% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Feine Sahne Fischfilet
Für diese eine Nacht
166 bpm • F Maj • 03:23 • -5db
39% Popularity • 25% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Olli Schulz
Phase
144 bpm • E Maj • 03:29 • -8.7db
41% Popularity • 70% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Die Toten Hosen
Alles aus Liebe
144 bpm • C Maj • 04:32 • -4.91db
59% Popularity • 31% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Ich + Ich
Pflaster
144 bpm • C# Maj • 03:24 • -5db
56% Popularity • 65% Danceability • 87% Energy • 53% Liveness
0% Instrumentalness • 39% Positiveness
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Sondaschule
Amsterdam
144 bpm • A min • 03:22 • -4.8db
37% Popularity • 82% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Marteria
Lila Wolken
144 bpm • C# Maj • 03:48 • -6.43db
65% Popularity • 54% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
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Madsen
Die Perfektion
144 bpm • G Maj • 03:17 • -5.12db
35% Popularity • 30% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Feine Sahne Fischfilet
Wenn's morgen vorbei ist
167 bpm • E min • 03:33 • -2.6db
46% Popularity • 50% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Die Toten Hosen
Bonnie & Clyde
167 bpm • C Maj • 03:31 • -2.41db
58% Popularity • 31% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Olli Schulz
H.D.F.K.K.
167 bpm • D Maj • 02:16 • -7db
36% Popularity • 57% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Antilopen Gang
Verliebt
168 bpm • F# Maj • 04:02 • -9.39db
44% Popularity • 66% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Tonbandgerät
Alles geht
143 bpm • G# Maj • 03:05 • -5.77db
28% Popularity • 60% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Alligatoah
Lass liegen
143 bpm • D Maj • 03:52 • -7db
53% Popularity • 67% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Die Ärzte
Schrei nach Liebe
168 bpm • D min • 04:13 • -6.72db
60% Popularity • 32% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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SYSTEMFEHLER
Wenn Inge tanzt - Single Version
168 bpm • A min • 03:15 • -3.25db
42% Popularity • 41% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Milliarden
Freiheit is ne Hure
142 bpm • G Maj • 03:40 • -4.83db
30% Popularity • 30% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Kraftklub
Schüsse in die Luft
142 bpm • B min • 04:08 • -3.4db
61% Popularity • 57% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Tonbandgerät
Irgendwie anders
142 bpm • A Maj • 03:20 • -4.52db
32% Popularity • 68% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Beatsteaks
Hand In Hand
142 bpm • C# Maj • 02:49 • -5.06db
51% Popularity • 47% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Neonschwarz
Atmen
142 bpm • D# Maj • 04:10 • -7.69db
35% Popularity • 74% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Das Lumpenpack
Kann es sein, dass du dumm bist?
142 bpm • A Maj • 03:25 • -6.7db
49% Popularity • 53% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Fettes Brot
Kannste kommen
142 bpm • C Maj • 02:18 • -3.03db
36% Popularity • 72% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Danger Dan
Eine gute Nachricht
142 bpm • D# Maj • 03:20 • -13.52db
57% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lass die Musik an