Songs like L'Assasymphonie by Mozart Opera Rock
Based on a tempo of (+/- 10%) and a similar genre
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Hoshi
Je partirai
130 bpm • F# Maj • 03:15 • -4.01db
57% Popularity • 72% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 72% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Max Boublil
J'aime les moches
130 bpm • C Maj • 03:02 • -4.99db
46% Popularity • 68% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 68% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Pierre de Maere
Enfant de
130 bpm • B Maj • 02:54 • -7.12db
60% Popularity • 66% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 66% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 56% Positiveness
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Clara Luciani
La grenade
130 bpm • B min • 03:14 • -6.59db
61% Popularity • 72% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 72% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Helmut Fritz
Ça m'énerve - Radio Edit
130 bpm • C Maj • 03:37 • -5.99db
53% Popularity • 66% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
53% Popularity • 66% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Ilona Mitrecey
Un monde parfait
130 bpm • E min • 03:07 • -5db
45% Popularity • 75% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
45% Popularity • 75% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
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Grégoire
Toi + Moi
130 bpm • C Maj • 03:02 • -7.45db
60% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
60% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Max Boublil
Chatroulette
130 bpm • E min • 03:01 • -7.55db
41% Popularity • 71% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 71% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Florent Mothe
Quelque chose de magique
130 bpm • F min • 03:25 • -5db
31% Popularity • 56% Danceability • 78% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 56% Danceability • 78% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
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Mozart Opera Rock
L'Assasymphonie
130 bpm • C# min • 03:50 • -5.41db
58% Popularity • 52% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
58% Popularity • 52% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Lujipeka
Poupée Russe
130 bpm • G min • 02:39 • -6.95db
54% Popularity • 83% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 83% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Guillaume Grand
Toi et moi
130 bpm • F# min • 03:46 • -10.99db
56% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
56% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Jacques Brel
Ces gens-lÃ
130 bpm • G# min • 04:38 • -18.45db
47% Popularity • 53% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 53% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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BB Brunes
Dis-moi
130 bpm • D Maj • 02:24 • -4.87db
62% Popularity • 58% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 58% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Pierre Bachelet
Les corons
129 bpm • F# min • 04:14 • -12db
20% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Patrick Bruel
Place des grands hommes
131 bpm • A Maj • 04:28 • -7.39db
57% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Jean-Pierre Mader
Macumba
131 bpm • E min • 03:39 • -8.14db
56% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
56% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Mylène Farmer
Sans contrefaçon - Mix 2001
131 bpm • A Maj • 04:16 • -4.7db
54% Popularity • 76% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
54% Popularity • 76% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Daniel Balavoine
Je ne suis pas un héros
129 bpm • D# Maj • 05:13 • -9.99db
52% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Marc Lavoine
Le parking des anges
129 bpm • G Maj • 03:56 • -11.33db
49% Popularity • 74% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
49% Popularity • 74% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Gilbert Montagné
On va s'aimer
131 bpm • A min • 04:06 • -6.97db
61% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Michel Sardou
Je vais t'aimer
131 bpm • A min • 05:27 • -14db
55% Popularity • 29% Danceability • 27% Energy • 58% Liveness
1% Instrumentalness • 15% Positiveness
55% Popularity • 29% Danceability • 27% Energy • 58% Liveness
1% Instrumentalness • 15% Positiveness
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Hélène Ségara
Loin du froid de décembre
132 bpm • G Maj • 03:28 • -12.22db
41% Popularity • 44% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
41% Popularity • 44% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Maëlle
L'effet de masse
132 bpm • G Maj • 03:27 • -12.92db
54% Popularity • 53% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 53% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Nekfeu
Dans l'univers
132 bpm • B Maj • 04:04 • -10db
63% Popularity • 64% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
63% Popularity • 64% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Juliette Armanet
Flamme
128 bpm • C Maj • 02:44 • -4.47db
52% Popularity • 75% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 75% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Mozart Opera Rock
Quand le rideau tombe
128 bpm • D min • 03:56 • -6.08db
31% Popularity • 56% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 56% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Trois Cafés Gourmands
On t'emmène
132 bpm • C Maj • 03:06 • -6db
59% Popularity • 79% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 79% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Hélène Ségara
Il y a trop de gens qui t'aiment
132 bpm • G min • 04:27 • -13.25db
47% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
47% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Pzk
Chuis Bo!
128 bpm • A# min • 03:31 • -3.19db
56% Popularity • 70% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 70% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Dracula
1, 2, 3
132 bpm • F# min • 02:39 • -2.11db
27% Popularity • 73% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 73% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Louise Attaque
Les nuits parisiennes
128 bpm • B min • 02:31 • -6.74db
59% Popularity • 41% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 41% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Léman
On attend
128 bpm • C# min • 02:51 • -4.5db
46% Popularity • 65% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 65% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Louisette
Mieux
128 bpm • C# Maj • 02:49 • -5.28db
46% Popularity • 77% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 77% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Patrick Bruel
J'te l'dis quand même
128 bpm • G Maj • 03:39 • -14.64db
55% Popularity • 51% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
55% Popularity • 51% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
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Pzk
Les filles adorent
128 bpm • A Maj • 03:04 • -4.22db
51% Popularity • 82% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 82% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Florent Pagny
Les murs porteurs
132 bpm • F# min • 04:45 • -8.01db
45% Popularity • 47% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 47% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
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Francis Cabrel
Petite Marie - Remastered
128 bpm • B min • 03:27 • -9.3db
55% Popularity • 55% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 55% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Michel Polnareff
Lettre à France
127 bpm • G min • 04:50 • -7.86db
51% Popularity • 27% Danceability • 44% Energy • 36% Liveness
13% Instrumentalness • 9% Positiveness
51% Popularity • 27% Danceability • 44% Energy • 36% Liveness
13% Instrumentalness • 9% Positiveness
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Gold
Capitaine abandonné
127 bpm • A Maj • 03:55 • -7.87db
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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BB Brunes
Stéréo
127 bpm • G min • 03:29 • -6.8db
40% Popularity • 38% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 38% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Zaho
Je te promets
133 bpm • A min • 04:18 • -14.34db
59% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Céphaz
On a mangé le soleil
127 bpm • C# min • 02:45 • -2.77db
52% Popularity • 56% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 56% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Mozart Opera Rock
C'est bientôt la fin
127 bpm • F# min • 03:46 • -5.35db
46% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Thierry Hazard
Le Jerk
133 bpm • A# Maj • 03:55 • -9.92db
54% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Le rouge et le noir
Dans le noir je vois rouge
127 bpm • C# Maj • 03:02 • -5.64db
30% Popularity • 58% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 58% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Gilbert Montagné
Les sunlights des tropiques
126 bpm • A# Maj • 03:57 • -6.84db
57% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
57% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Fatal Bazooka
Ce matin va être une pure soirée
134 bpm • F# min • 03:33 • -3.75db
54% Popularity • 75% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 75% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 31% Positiveness
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Maxime Le Forestier
San Francisco
126 bpm • C# Maj • 02:45 • -15.48db
56% Popularity • 59% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
56% Popularity • 59% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Ridan
Ulysse
134 bpm • D min • 03:39 • -7.36db
54% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Stephan Eicher
Déjeuner en paix
126 bpm • B min • 03:56 • -5.48db
57% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Florent Pagny
Chanter
134 bpm • G min • 03:48 • -7.83db
49% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Indochine
Un été français
126 bpm • F# Maj • 05:26 • -5.69db
49% Popularity • 64% Danceability • 88% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
49% Popularity • 64% Danceability • 88% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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MIKA
Elle me dit
126 bpm • A# Maj • 03:36 • -3.72db
53% Popularity • 79% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 79% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Dalida
Monday, Tuesday... Laissez-moi danser
134 bpm • D Maj • 03:53 • -6.82db
53% Popularity • 73% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 73% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Richard Anthony
Amoureux de ma femme
134 bpm • G min • 02:43 • -6.05db
45% Popularity • 61% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 61% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Les Dix Commandements
L'envie d'aimer
134 bpm • B Maj • 06:28 • -8db
57% Popularity • 41% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
57% Popularity • 41% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Vanessa Paradis
Divine idylle
135 bpm • C Maj • 02:39 • -4.91db
54% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Mylène Farmer
Oui mais... Non
135 bpm • D# min • 04:20 • -6.01db
47% Popularity • 75% Danceability • 66% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
47% Popularity • 75% Danceability • 66% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
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Renaud
Dès que le vent soufflera
125 bpm • D Maj • 04:27 • -5.85db
53% Popularity • 56% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 56% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Dalida
Mourir sur scène
126 bpm • F# min • 03:29 • -5.89db
38% Popularity • 66% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 66% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Clara Luciani
Bravo tu as gagné
125 bpm • E Maj • 03:15 • -8db
56% Popularity • 52% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 52% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Mozart Opera Rock
Les Solos sous les draps
135 bpm • D Maj • 03:44 • -5.08db
32% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Hervé Cristiani
Il Est Libre Max
135 bpm • A# min • 03:14 • -13db
46% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Black M
Sur ma route
125 bpm • G min • 04:12 • -7db
61% Popularity • 75% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 75% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Renaud
Hexagone
125 bpm • D Maj • 05:32 • -7.3db
45% Popularity • 52% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 52% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Daniel Balavoine
Le chanteur
125 bpm • A Maj • 03:54 • -10.44db
60% Popularity • 57% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 57% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Clara Luciani
Ma sœur
135 bpm • G min • 03:36 • -6.75db
47% Popularity • 54% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 54% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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-M-
Qui de nous deux
125 bpm • G min • 03:45 • -5.67db
53% Popularity • 63% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 63% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 73% Positiveness
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Jena Lee
US Boy
125 bpm • F Maj • 03:37 • -4.52db
42% Popularity • 71% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 71% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Florent Pagny
Et un jour une femme
136 bpm • A min • 05:19 • -10.52db
52% Popularity • 63% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 63% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Fatal Bazooka
Parle à ma main
124 bpm • C# Maj • 03:40 • -5.96db
50% Popularity • 96% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 96% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 96% Positiveness
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Amir
On dirait
124 bpm • D# Maj • 03:15 • -5.04db
51% Popularity • 55% Danceability • 81% Energy • 69% Liveness
0% Instrumentalness • 65% Positiveness
51% Popularity • 55% Danceability • 81% Energy • 69% Liveness
0% Instrumentalness • 65% Positiveness
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Joyce Jonathan
Les filles d'aujourd'hui
124 bpm • E Maj • 04:22 • -7.61db
57% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
57% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Superbus
Lola
124 bpm • B min • 02:58 • -4.04db
49% Popularity • 63% Danceability • 87% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 63% Danceability • 87% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
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Fréro Delavega
Le chant des sirènes
124 bpm • G Maj • 02:58 • -9.54db
64% Popularity • 73% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
64% Popularity • 73% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Daniel Balavoine
L'Aziza
124 bpm • C min • 04:20 • -9.43db
59% Popularity • 67% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
59% Popularity • 67% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Fatal Bazooka
J'aime trop ton boule
124 bpm • A Maj • 03:37 • -5db
49% Popularity • 83% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 83% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Louise Attaque
J't'emmène au vent
137 bpm • F# Maj • 03:04 • -5.58db
69% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Diam's
DJ
123 bpm • E Maj • 04:30 • -7.65db
57% Popularity • 92% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 92% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Indochine
Trois nuits par semaine
137 bpm • A min • 05:12 • -13.73db
58% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
58% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Superbus
Ça mousse
123 bpm • B min • 03:11 • -8.46db
39% Popularity • 70% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
39% Popularity • 70% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Mozart Opera Rock
Tatoue moi
123 bpm • D# Maj • 03:21 • -6.46db
53% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Fauve
INFIRMIERE
123 bpm • C# min • 04:42 • -7.53db
51% Popularity • 76% Danceability • 60% Energy • 30% Liveness
1% Instrumentalness • 71% Positiveness
51% Popularity • 76% Danceability • 60% Energy • 30% Liveness
1% Instrumentalness • 71% Positiveness
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Dracula
Qui peut le juger ?
138 bpm • E min • 03:58 • -6db
27% Popularity • 49% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 49% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
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Enrique Iglesias
Tired Of Being Sorry (Laisse Le Destin L...
122 bpm • C min • 04:01 • -1.56db
47% Popularity • 62% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 62% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Indochine
Trois nuits par semaine
138 bpm • A min • 04:49 • -10.77db
50% Popularity • 68% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 68% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Renaud
Laisse béton
138 bpm • A# Maj • 02:30 • -7.63db
53% Popularity • 66% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 66% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Francis Cabrel
Gardien de nuit - Extrait du "Soldat Ros...
138 bpm • G min • 02:59 • -11db
50% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
50% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Florent Pagny
Savoir aimer
138 bpm • F# min • 04:41 • -8db
55% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
55% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Joyce Jonathan
Ça ira
138 bpm • D Maj • 03:44 • -4db
54% Popularity • 69% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
54% Popularity • 69% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Christophe
Les mots bleus
138 bpm • B Maj • 04:10 • -4.41db
56% Popularity • 34% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 34% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 39% Positiveness
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Vianney
beau-papa
122 bpm • A# min • 03:17 • -6.02db
62% Popularity • 75% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
62% Popularity • 75% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Amir
Carrousel
122 bpm • G min • 03:38 • -8.57db
57% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Laurent Voulzy
Le pouvoir des fleurs
122 bpm • A# Maj • 03:35 • -14db
52% Popularity • 62% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 62% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Kyo
Le Graal
122 bpm • C Maj • 03:11 • -4.14db
58% Popularity • 62% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 62% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Mozart Opera Rock
Si je défaille
122 bpm • A min • 03:08 • -6.47db
32% Popularity • 62% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 62% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Début De Soirée
Nuit de folie
122 bpm • D# min • 04:14 • -10.09db
56% Popularity • 77% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 77% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
