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Last Boss
Songs like
Last Boss
by
No Joy
Based on a tempo of (+/- 10%) and a similar genre
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Indoor Voices
Still
140 bpm • C# Maj • 03:55 • -7.14db
10% Popularity • 40% Danceability • 98% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Blankenberge
We
140 bpm • D Maj • 04:09 • -5.9db
11% Popularity • 42% Danceability • 87% Energy • 27% Liveness
86% Instrumentalness • 24% Positiveness
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A Sunny Day In Glasgow
Never Nothing [It's Alright (It's Ok)]
140 bpm • D# Maj • 05:05 • -6.47db
9% Popularity • 42% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 16% Positiveness
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No Joy
Califone
140 bpm • B min • 03:25 • -5.26db
6% Popularity • 35% Danceability • 90% Energy • 10% Liveness
6% Instrumentalness • 57% Positiveness
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Film School
Don't Send My Love
140 bpm • F Maj • 03:18 • -6.21db
21% Popularity • 41% Danceability • 80% Energy • 12% Liveness
72% Instrumentalness • 40% Positiveness
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The Radio Dept.
The City Limit
140 bpm • G Maj • 05:53 • -6.7db
27% Popularity • 15% Danceability • 79% Energy • 32% Liveness
81% Instrumentalness • 13% Positiveness
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Tamaryn
Mild Confusion
140 bpm • G Maj • 04:15 • -5.06db
33% Popularity • 34% Danceability • 91% Energy • 30% Liveness
89% Instrumentalness • 19% Positiveness
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Pinkshinyultrablast
The Cherry Pit
140 bpm • A Maj • 05:42 • -5.32db
23% Popularity • 43% Danceability • 90% Energy • 8% Liveness
33% Instrumentalness • 40% Positiveness
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Nate Monsters
Surrender
140 bpm • E Maj • 03:39 • -7.58db
17% Popularity • 36% Danceability • 92% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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No Joy
Last Boss
140 bpm • F# Maj • 03:09 • -6.04db
2% Popularity • 56% Danceability • 96% Energy • 32% Liveness
91% Instrumentalness • 60% Positiveness
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Belong
Perfect Life
140 bpm • C Maj • 04:29 • -7.22db
22% Popularity • 30% Danceability • 74% Energy • 14% Liveness
77% Instrumentalness • 35% Positiveness
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Just Mustard
Tainted
140 bpm • C# min • 04:28 • -6.94db
21% Popularity • 27% Danceability • 45% Energy • 12% Liveness
41% Instrumentalness • 4% Positiveness
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Pia Fraus
Hidden Parks
140 bpm • E min • 03:54 • -8.37db
13% Popularity • 49% Danceability • 65% Energy • 35% Liveness
94% Instrumentalness • 32% Positiveness
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A Sunny Day In Glasgow
Slaughter killing carnage (The meaning o...
140 bpm • E min • 02:12 • -9.91db
10% Popularity • 15% Danceability • 42% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
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Echo Lake
Waves
140 bpm • D Maj • 06:25 • -8.71db
14% Popularity • 37% Danceability • 68% Energy • 14% Liveness
79% Instrumentalness • 53% Positiveness
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Blankenberge
Disappear
140 bpm • D Maj • 04:36 • -7.71db
14% Popularity • 28% Danceability • 65% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Belong
Make Me Return
140 bpm • C# Maj • 04:33 • -8.83db
13% Popularity • 26% Danceability • 78% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
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The Meeting Places
Blur The Lines
140 bpm • G Maj • 04:20 • -3.94db
13% Popularity • 30% Danceability • 89% Energy • 17% Liveness
79% Instrumentalness • 54% Positiveness
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Creepoid
Yellow Wallpaper
141 bpm • E min • 03:30 • -7.89db
15% Popularity • 14% Danceability • 70% Energy • 17% Liveness
87% Instrumentalness • 23% Positiveness
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Violens
When to Let Go
139 bpm • G Maj • 03:08 • -5.26db
18% Popularity • 35% Danceability • 92% Energy • 32% Liveness
14% Instrumentalness • 55% Positiveness
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Lower Dens
Holy Water
141 bpm • D Maj • 02:20 • -4.8db
19% Popularity • 40% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 70% Positiveness
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Vivian Girls
Where Do You Run To
141 bpm • B min • 03:15 • -6db
30% Popularity • 42% Danceability • 82% Energy • 21% Liveness
1% Instrumentalness • 71% Positiveness
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Be Forest
You, Nothing
139 bpm • D Maj • 03:53 • -8.94db
8% Popularity • 47% Danceability • 48% Energy • 12% Liveness
61% Instrumentalness • 24% Positiveness
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Indoor Voices
So Smart
141 bpm • F Maj • 03:22 • -8.08db
16% Popularity • 34% Danceability • 61% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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No Joy
Theme Song
139 bpm • D Maj • 03:15 • -8.42db
5% Popularity • 36% Danceability • 78% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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The Meeting Places
Stay the Same
142 bpm • C# min • 02:22 • -6.78db
14% Popularity • 24% Danceability • 78% Energy • 9% Liveness
77% Instrumentalness • 12% Positiveness
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A Sunny Day In Glasgow
A Mundane Phonecall to Jack Parsons
139 bpm • A# Maj • 03:21 • -2.48db
8% Popularity • 33% Danceability • 85% Energy • 13% Liveness
68% Instrumentalness • 28% Positiveness
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Blankenberge
Different
142 bpm • A Maj • 04:31 • -7.35db
16% Popularity • 39% Danceability • 79% Energy • 23% Liveness
95% Instrumentalness • 13% Positiveness
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Tamaryn
Cascades
138 bpm • D Maj • 02:33 • -6.87db
31% Popularity • 32% Danceability • 89% Energy • 30% Liveness
96% Instrumentalness • 10% Positiveness
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Mumrunner
Shawshank
142 bpm • G Maj • 04:20 • -4.8db
11% Popularity • 44% Danceability • 82% Energy • 14% Liveness
26% Instrumentalness • 26% Positiveness
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Film School
Time to Listen
142 bpm • D Maj • 03:54 • -7.79db
17% Popularity • 42% Danceability • 65% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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The Meeting Places
Same Lies As Yesterday
138 bpm • G Maj • 04:18 • -6.02db
15% Popularity • 32% Danceability • 59% Energy • 5% Liveness
75% Instrumentalness • 40% Positiveness
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Lower Dens
Rosie
142 bpm • B min • 03:10 • -6.74db
24% Popularity • 25% Danceability • 72% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Deserta
Be So Blue
138 bpm • G# Maj • 05:30 • -8.99db
17% Popularity • 54% Danceability • 83% Energy • 7% Liveness
80% Instrumentalness • 40% Positiveness
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Be Forest
Wild Brain
138 bpm • D Maj • 03:10 • -4.6db
10% Popularity • 45% Danceability • 76% Energy • 25% Liveness
95% Instrumentalness • 17% Positiveness
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Pinkshinyultrablast
Metamorphosis
138 bpm • E min • 06:41 • -8.77db
22% Popularity • 26% Danceability • 84% Energy • 27% Liveness
89% Instrumentalness • 6% Positiveness
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Autolux
Blanket
142 bpm • D# Maj • 04:49 • -4.7db
24% Popularity • 52% Danceability • 89% Energy • 8% Liveness
9% Instrumentalness • 48% Positiveness
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The Meeting Places
On Our Own
138 bpm • D# Maj • 03:37 • -5.13db
29% Popularity • 34% Danceability • 89% Energy • 9% Liveness
82% Instrumentalness • 72% Positiveness
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No Joy
A Thorn in Garland's Side
137 bpm • D Maj • 03:06 • -8db
25% Popularity • 26% Danceability • 94% Energy • 14% Liveness
95% Instrumentalness • 20% Positiveness
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Film School
He's a DeepDeep Lake
137 bpm • E min • 05:02 • -7.05db
11% Popularity • 26% Danceability • 65% Energy • 12% Liveness
88% Instrumentalness • 26% Positiveness
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Luby Sparks
Depression - No Joy Remix
143 bpm • A min • 02:57 • -6.03db
3% Popularity • 55% Danceability • 91% Energy • 44% Liveness
17% Instrumentalness • 36% Positiveness
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Preoccupations
Pointless Experience
137 bpm • C Maj • 02:59 • -6.58db
21% Popularity • 43% Danceability • 92% Energy • 81% Liveness
55% Instrumentalness • 62% Positiveness
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Autolux
Robots In The Garden
143 bpm • A# min • 02:05 • -5.95db
32% Popularity • 39% Danceability • 92% Energy • 9% Liveness
31% Instrumentalness • 6% Positiveness
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The Fauns
Understand
143 bpm • A# Maj • 04:09 • -5.88db
14% Popularity • 48% Danceability • 85% Energy • 25% Liveness
1% Instrumentalness • 82% Positiveness
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Blouse
Videotapes
143 bpm • C Maj • 03:00 • -6db
28% Popularity • 37% Danceability • 83% Energy • 10% Liveness
69% Instrumentalness • 36% Positiveness
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Tamaryn
Prizma
137 bpm • C Maj • 04:47 • -4.29db
19% Popularity • 15% Danceability • 86% Energy • 14% Liveness
64% Instrumentalness • 37% Positiveness
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The Meeting Places
Wide Awake
137 bpm • A Maj • 03:01 • -4.16db
17% Popularity • 35% Danceability • 85% Energy • 15% Liveness
13% Instrumentalness • 34% Positiveness
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Broadcast
America's Boy
136 bpm • B min • 03:34 • -6.5db
39% Popularity • 43% Danceability • 70% Energy • 51% Liveness
96% Instrumentalness • 64% Positiveness
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Blushing
Blame
143 bpm • G Maj • 04:53 • -8.67db
14% Popularity • 33% Danceability • 89% Energy • 22% Liveness
89% Instrumentalness • 38% Positiveness
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Wray
Dymaxion Dream
136 bpm • F# Maj • 01:31 • -11.25db
25% Popularity • 45% Danceability • 62% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Amusement Parks On Fire
To the Shade
144 bpm • C Maj • 04:05 • -7.55db
10% Popularity • 34% Danceability • 66% Energy • 40% Liveness
76% Instrumentalness • 43% Positiveness
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Helen
Motorcycle
136 bpm • F Maj • 01:50 • -10.23db
15% Popularity • 15% Danceability • 64% Energy • 14% Liveness
98% Instrumentalness • 40% Positiveness
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Tears Run Rings
A Question and an Answer
144 bpm • G# min • 05:11 • -6.83db
15% Popularity • 13% Danceability • 52% Energy • 59% Liveness
94% Instrumentalness • 17% Positiveness
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Ulrika Spacek
Airportism
136 bpm • E min • 02:06 • -10.59db
18% Popularity • 50% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Blushing
So Many
136 bpm • G Maj • 04:03 • -13.34db
16% Popularity • 43% Danceability • 13% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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A Sunny Day In Glasgow
Shy
145 bpm • G Maj • 05:44 • -6.87db
15% Popularity • 40% Danceability • 76% Energy • 20% Liveness
69% Instrumentalness • 17% Positiveness
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Atlas Sound
Recent Bedroom
145 bpm • A Maj • 03:46 • -5db
22% Popularity • 13% Danceability • 79% Energy • 39% Liveness
90% Instrumentalness • 31% Positiveness
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Young Prisms
Runner
135 bpm • D Maj • 04:33 • -6.98db
31% Popularity • 46% Danceability • 84% Energy • 21% Liveness
91% Instrumentalness • 78% Positiveness
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Blouse
Firestarter
135 bpm • A Maj • 04:11 • -9.85db
26% Popularity • 45% Danceability • 60% Energy • 30% Liveness
64% Instrumentalness • 32% Positiveness
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Tears Run Rings
Run Run Run
135 bpm • G Maj • 04:43 • -5.3db
8% Popularity • 24% Danceability • 83% Energy • 10% Liveness
68% Instrumentalness • 17% Positiveness
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Blushing
Running
135 bpm • G Maj • 04:08 • -8.11db
10% Popularity • 44% Danceability • 50% Energy • 21% Liveness
84% Instrumentalness • 12% Positiveness
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A Sunny Day In Glasgow
Crushin'
135 bpm • A# min • 04:43 • -7.02db
15% Popularity • 61% Danceability • 49% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
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Tamaryn
Choirs of Winter
145 bpm • G Maj • 04:34 • -5.27db
26% Popularity • 27% Danceability • 67% Energy • 17% Liveness
87% Instrumentalness • 37% Positiveness
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No Joy
Prodigy
146 bpm • A# Maj • 02:36 • -6.02db
6% Popularity • 33% Danceability • 96% Energy • 31% Liveness
24% Instrumentalness • 25% Positiveness
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Wray
May 23rd
146 bpm • F# Maj • 02:49 • -6.67db
11% Popularity • 35% Danceability • 78% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
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Tears Run Rings
How Will the Others Survive?
134 bpm • F min • 04:26 • -3.92db
10% Popularity • 21% Danceability • 65% Energy • 41% Liveness
90% Instrumentalness • 15% Positiveness
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Blushing
Sour Punch
134 bpm • F Maj • 02:32 • -8db
22% Popularity • 30% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Star Horse
147
134 bpm • D Maj • 05:06 • -10.45db
10% Popularity • 50% Danceability • 79% Energy • 36% Liveness
95% Instrumentalness • 42% Positiveness
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A Sunny Day In Glasgow
In Love with Useless (The Timless Geomet...
134 bpm • G# Maj • 05:07 • -1.64db
14% Popularity • 36% Danceability • 83% Energy • 26% Liveness
4% Instrumentalness • 16% Positiveness
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No Joy
Teenager
134 bpm • A Maj • 04:06 • -10.87db
1% Popularity • 22% Danceability • 36% Energy • 12% Liveness
75% Instrumentalness • 9% Positiveness
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Air Formation
Cold Morning
134 bpm • A Maj • 05:18 • -6.83db
21% Popularity • 15% Danceability • 67% Energy • 5% Liveness
84% Instrumentalness • 30% Positiveness
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Stella Luna
Change
134 bpm • E Maj • 06:35 • -10.09db
14% Popularity • 24% Danceability • 68% Energy • 16% Liveness
85% Instrumentalness • 21% Positiveness
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Protomartyr
Trust Me Billy
147 bpm • F min • 02:14 • -7.82db
29% Popularity • 39% Danceability • 66% Energy • 55% Liveness
82% Instrumentalness • 62% Positiveness
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Girls Names
Tear Me Down
134 bpm • G Maj • 02:00 • -10.37db
16% Popularity • 48% Danceability • 50% Energy • 25% Liveness
74% Instrumentalness • 50% Positiveness
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Violens
Watch the Streams
147 bpm • E Maj • 02:29 • -4.99db
14% Popularity • 50% Danceability • 91% Energy • 42% Liveness
0% Instrumentalness • 42% Positiveness
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Wray
Pined
133 bpm • B Maj • 04:20 • -8.21db
7% Popularity • 52% Danceability • 82% Energy • 12% Liveness
88% Instrumentalness • 64% Positiveness
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Blushing
Control
133 bpm • D min • 03:06 • -6db
27% Popularity • 52% Danceability • 70% Energy • 7% Liveness
62% Instrumentalness • 43% Positiveness
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Helen
Felt This Way
147 bpm • F Maj • 04:00 • -11.4db
12% Popularity • 22% Danceability • 60% Energy • 24% Liveness
97% Instrumentalness • 21% Positiveness
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Blouse
Shadow
133 bpm • D min • 03:15 • -8db
18% Popularity • 46% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Vivian Girls
Such A Joke
148 bpm • D Maj • 01:43 • -5.96db
27% Popularity • 18% Danceability • 65% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
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Cheatahs
The Swan
148 bpm • E Maj • 04:22 • -3db
13% Popularity • 12% Danceability • 91% Energy • 13% Liveness
77% Instrumentalness • 14% Positiveness
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Wray
Below
148 bpm • F# Maj • 02:50 • -12.04db
17% Popularity • 51% Danceability • 72% Energy • 13% Liveness
72% Instrumentalness • 45% Positiveness
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Be Forest
NTR
132 bpm • A Maj • 01:32 • -6.18db
18% Popularity • 44% Danceability • 68% Energy • 10% Liveness
81% Instrumentalness • 57% Positiveness
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Froth
a2
132 bpm • D Maj • 05:05 • -6.7db
11% Popularity • 60% Danceability • 86% Energy • 11% Liveness
79% Instrumentalness • 27% Positiveness
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Blouse
Imperium
132 bpm • B Maj • 03:12 • -6db
23% Popularity • 54% Danceability • 81% Energy • 17% Liveness
75% Instrumentalness • 61% Positiveness
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Air Formation
A.M.
149 bpm • A min • 04:22 • -5.57db
15% Popularity • 19% Danceability • 68% Energy • 11% Liveness
66% Instrumentalness • 25% Positiveness
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The Meeting Places
See Through You
131 bpm • A min • 02:52 • -8.26db
23% Popularity • 38% Danceability • 65% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
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Diamond Day
Noisemaker - No Joy Remix
131 bpm • G Maj • 03:15 • -12.11db
5% Popularity • 29% Danceability • 56% Energy • 12% Liveness
86% Instrumentalness • 13% Positiveness
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No Age
Things I Did When I Was Dead
149 bpm • E Maj • 02:27 • -13.1db
29% Popularity • 45% Danceability • 40% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
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Lower Dens
Blue & Silver
131 bpm • E Maj • 03:11 • -7.87db
25% Popularity • 48% Danceability • 72% Energy • 8% Liveness
80% Instrumentalness • 15% Positiveness
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Blouse
Eyesight
149 bpm • D Maj • 03:42 • -4.47db
15% Popularity • 27% Danceability • 87% Energy • 20% Liveness
23% Instrumentalness • 21% Positiveness
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Trementina
All I Wanted
150 bpm • C# min • 03:41 • -12.92db
9% Popularity • 54% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 39% Positiveness
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Women
Locust Valley
131 bpm • A min • 04:14 • -7.62db
25% Popularity • 62% Danceability • 76% Energy • 20% Liveness
95% Instrumentalness • 70% Positiveness
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Black Tambourine
Black Car
131 bpm • F Maj • 03:27 • -6.25db
25% Popularity • 30% Danceability • 59% Energy • 27% Liveness
88% Instrumentalness • 39% Positiveness
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The Depreciation Guild
November
150 bpm • D Maj • 04:30 • -7.2db
13% Popularity • 50% Danceability • 89% Energy • 11% Liveness
82% Instrumentalness • 25% Positiveness
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Blankenberge
Islands
150 bpm • D Maj • 03:45 • -5.54db
14% Popularity • 31% Danceability • 72% Energy • 10% Liveness
83% Instrumentalness • 35% Positiveness
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Pia Fraus
Pretend to Be Here
150 bpm • A Maj • 03:37 • -7db
29% Popularity • 38% Danceability • 69% Energy • 18% Liveness
43% Instrumentalness • 55% Positiveness
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Star Horse
Of the Universe
150 bpm • F# Maj • 02:23 • -8.81db
20% Popularity • 33% Danceability • 93% Energy • 35% Liveness
76% Instrumentalness • 53% Positiveness
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Pinkshinyultrablast
Initial
150 bpm • F# min • 03:51 • -8.69db
22% Popularity • 52% Danceability • 67% Energy • 7% Liveness
89% Instrumentalness • 33% Positiveness
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Young Prisms
Gone
150 bpm • F# min • 02:50 • -5.18db
9% Popularity • 46% Danceability • 84% Energy • 18% Liveness
82% Instrumentalness • 94% Positiveness
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Last Boss