Songs like Last Dance (Necrodancer Fight Phase 2 Remix) by PrototypeRaptor
Based on a tempo of (+/- 10%) and a similar genre
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WayForward
Off to the Squidsmith
160 bpm • C Maj • 02:13 • -8.67db
7% Popularity • 57% Danceability • 67% Energy • 31% Liveness
93% Instrumentalness • 30% Positiveness
7% Popularity • 57% Danceability • 67% Energy • 31% Liveness
93% Instrumentalness • 30% Positiveness
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Danny Baranowsky
The Wight to Remain
160 bpm • C# min • 02:43 • -6db
29% Popularity • 50% Danceability • 96% Energy • 19% Liveness
33% Instrumentalness • 60% Positiveness
29% Popularity • 50% Danceability • 96% Energy • 19% Liveness
33% Instrumentalness • 60% Positiveness
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Pascal Michael Stiefel
Dead Bird Studio Basement
160 bpm • C# Maj • 02:24 • -13.82db
20% Popularity • 72% Danceability • 74% Energy • 11% Liveness
91% Instrumentalness • 63% Positiveness
20% Popularity • 72% Danceability • 74% Energy • 11% Liveness
91% Instrumentalness • 63% Positiveness
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Shirobon
On the Run
160 bpm • A# min • 04:28 • -3db
35% Popularity • 54% Danceability • 98% Energy • 3% Liveness
91% Instrumentalness • 77% Positiveness
35% Popularity • 54% Danceability • 98% Energy • 3% Liveness
91% Instrumentalness • 77% Positiveness
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Hyperduck Soundworks
Short Fuse
160 bpm • C# Maj • 02:27 • -9.84db
13% Popularity • 44% Danceability • 95% Energy • 25% Liveness
90% Instrumentalness • 51% Positiveness
13% Popularity • 44% Danceability • 95% Energy • 25% Liveness
90% Instrumentalness • 51% Positiveness
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Flexstyle
The Wight to Remain (4-3 Remix)
160 bpm • B min • 02:43 • -4.99db
14% Popularity • 51% Danceability • 98% Energy • 62% Liveness
7% Instrumentalness • 56% Positiveness
14% Popularity • 51% Danceability • 98% Energy • 62% Liveness
7% Instrumentalness • 56% Positiveness
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Phyrnna
Fight the Movement!
160 bpm • C min • 05:36 • -9.37db
21% Popularity • 41% Danceability • 88% Energy • 17% Liveness
96% Instrumentalness • 86% Positiveness
21% Popularity • 41% Danceability • 88% Energy • 17% Liveness
96% Instrumentalness • 86% Positiveness
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PrototypeRaptor
Days of Red
160 bpm • F# Maj • 03:45 • -4.95db
3% Popularity • 55% Danceability • 66% Energy • 14% Liveness
89% Instrumentalness • 37% Positiveness
3% Popularity • 55% Danceability • 66% Energy • 14% Liveness
89% Instrumentalness • 37% Positiveness
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Pascal Michael Stiefel
Rhythm Jump Studio Rift
160 bpm • A# min • 03:36 • -5.74db
24% Popularity • 62% Danceability • 94% Energy • 9% Liveness
95% Instrumentalness • 96% Positiveness
24% Popularity • 62% Danceability • 94% Energy • 9% Liveness
95% Instrumentalness • 96% Positiveness
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DM DOKURO
Threats of the Ocean Floor
160 bpm • B min • 04:00 • -6.27db
38% Popularity • 31% Danceability • 70% Energy • 42% Liveness
76% Instrumentalness • 6% Positiveness
38% Popularity • 31% Danceability • 70% Energy • 42% Liveness
76% Instrumentalness • 6% Positiveness
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Mudeth
Outside the Fold (Cellar)
160 bpm • D Maj • 04:30 • -6.88db
27% Popularity • 48% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 48% Positiveness
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flashygoodness
Lightning Pandemonium
160 bpm • B min • 02:13 • -4.14db
25% Popularity • 30% Danceability • 98% Energy • 34% Liveness
96% Instrumentalness • 41% Positiveness
25% Popularity • 30% Danceability • 98% Energy • 34% Liveness
96% Instrumentalness • 41% Positiveness
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_ensnare_
Yes, We Have Made It to the Dungeon of T...
160 bpm • D min • 02:37 • -5db
18% Popularity • 38% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 38% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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PrototypeRaptor
Last Dance (Necrodancer Fight Phase 2 Re...
160 bpm • C# Maj • 02:10 • -7.5db
12% Popularity • 62% Danceability • 95% Energy • 12% Liveness
78% Instrumentalness • 47% Positiveness
12% Popularity • 62% Danceability • 95% Energy • 12% Liveness
78% Instrumentalness • 47% Positiveness
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Danny Baranowsky
Last Dance
160 bpm • C# Maj • 02:22 • -8.89db
28% Popularity • 50% Danceability • 77% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
28% Popularity • 50% Danceability • 77% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
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Pascal Michael Stiefel
Dead Bird Studio
160 bpm • B Maj • 04:06 • -14.83db
25% Popularity • 62% Danceability • 60% Energy • 13% Liveness
82% Instrumentalness • 52% Positiveness
25% Popularity • 62% Danceability • 60% Energy • 13% Liveness
82% Instrumentalness • 52% Positiveness
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INTI CREATES
Straight Ahead
160 bpm • B Maj • 02:35 • -3db
17% Popularity • 52% Danceability • 91% Energy • 26% Liveness
92% Instrumentalness • 20% Positiveness
17% Popularity • 52% Danceability • 91% Energy • 26% Liveness
92% Instrumentalness • 20% Positiveness
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flashygoodness
Fire's Last Hope
160 bpm • A# min • 02:34 • -4.65db
23% Popularity • 38% Danceability • 98% Energy • 9% Liveness
42% Instrumentalness • 63% Positiveness
23% Popularity • 38% Danceability • 98% Energy • 9% Liveness
42% Instrumentalness • 63% Positiveness
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Bignic
Little Aliens
161 bpm • F min • 02:52 • -6.1db
29% Popularity • 54% Danceability • 92% Energy • 16% Liveness
76% Instrumentalness • 81% Positiveness
29% Popularity • 54% Danceability • 92% Energy • 16% Liveness
76% Instrumentalness • 81% Positiveness
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Waterflame
Supra Zone
158 bpm • C# min • 05:56 • -10.34db
12% Popularity • 46% Danceability • 94% Energy • 12% Liveness
90% Instrumentalness • 75% Positiveness
12% Popularity • 46% Danceability • 94% Energy • 12% Liveness
90% Instrumentalness • 75% Positiveness
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Mudeth
Memento Mori (Witness)
158 bpm • C# Maj • 03:43 • -7.81db
26% Popularity • 45% Danceability • 84% Energy • 44% Liveness
90% Instrumentalness • 54% Positiveness
26% Popularity • 45% Danceability • 84% Energy • 44% Liveness
90% Instrumentalness • 54% Positiveness
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Marika Suzuki
Torch Man Stage
162 bpm • B min • 02:36 • -8.09db
18% Popularity • 43% Danceability • 94% Energy • 23% Liveness
93% Instrumentalness • 85% Positiveness
18% Popularity • 43% Danceability • 94% Energy • 23% Liveness
93% Instrumentalness • 85% Positiveness
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Garoad
Through the Storm, We Will Find a Way
157 bpm • A Maj • 03:27 • -12.63db
26% Popularity • 45% Danceability • 92% Energy • 35% Liveness
93% Instrumentalness • 29% Positiveness
26% Popularity • 45% Danceability • 92% Energy • 35% Liveness
93% Instrumentalness • 29% Positiveness
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Bossfight
Steampunk Warlord
157 bpm • G Maj • 03:34 • -3.16db
28% Popularity • 69% Danceability • 97% Energy • 9% Liveness
82% Instrumentalness • 91% Positiveness
28% Popularity • 69% Danceability • 97% Energy • 9% Liveness
82% Instrumentalness • 91% Positiveness
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ClascyJitto
Overcooked Meat Lover
165 bpm • C# Maj • 02:07 • -10.23db
30% Popularity • 64% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 29% Positiveness
30% Popularity • 64% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 29% Positiveness
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AdhesiveWombat
Symphony of a Forgotten Sprite
165 bpm • D# Maj • 04:36 • -7.3db
28% Popularity • 23% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
28% Popularity • 23% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Mudeth
Fitnah (Lamb Fight)
163 bpm • G# Maj • 04:17 • -6.65db
20% Popularity • 36% Danceability • 86% Energy • 50% Liveness
71% Instrumentalness • 13% Positiveness
20% Popularity • 36% Danceability • 86% Energy • 50% Liveness
71% Instrumentalness • 13% Positiveness
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Marika Suzuki
Stage Select
157 bpm • G# Maj • 01:48 • -8.23db
20% Popularity • 18% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 18% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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Garoad
Go! Go! Steaming-Chan!
165 bpm • C Maj • 01:33 • -11.88db
26% Popularity • 48% Danceability • 76% Energy • 32% Liveness
28% Instrumentalness • 30% Positiveness
26% Popularity • 48% Danceability • 76% Energy • 32% Liveness
28% Instrumentalness • 30% Positiveness
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flashygoodness
Howl of the Forest
165 bpm • E min • 02:12 • -4.21db
27% Popularity • 38% Danceability • 99% Energy • 14% Liveness
48% Instrumentalness • 50% Positiveness
27% Popularity • 38% Danceability • 99% Energy • 14% Liveness
48% Instrumentalness • 50% Positiveness
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DM DOKURO
Left Alone
165 bpm • F min • 05:14 • -4.12db
37% Popularity • 39% Danceability • 89% Energy • 15% Liveness
94% Instrumentalness • 16% Positiveness
37% Popularity • 39% Danceability • 89% Energy • 15% Liveness
94% Instrumentalness • 16% Positiveness
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Michael Staple
Miniboss 2
165 bpm • D Maj • 05:11 • -7.39db
14% Popularity • 50% Danceability • 95% Energy • 5% Liveness
83% Instrumentalness • 16% Positiveness
14% Popularity • 50% Danceability • 95% Energy • 5% Liveness
83% Instrumentalness • 16% Positiveness
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Karl Flodin
The Truckhold
165 bpm • E min • 06:03 • -6.4db
13% Popularity • 50% Danceability • 90% Energy • 25% Liveness
44% Instrumentalness • 91% Positiveness
13% Popularity • 50% Danceability • 90% Energy • 25% Liveness
44% Instrumentalness • 91% Positiveness
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Marika Suzuki
Fuse Man Stage
165 bpm • G Maj • 02:28 • -7.34db
26% Popularity • 35% Danceability • 91% Energy • 29% Liveness
96% Instrumentalness • 33% Positiveness
26% Popularity • 35% Danceability • 91% Energy • 29% Liveness
96% Instrumentalness • 33% Positiveness
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Garoad
All Systems, Go!
165 bpm • F Maj • 03:41 • -11.8db
30% Popularity • 48% Danceability • 79% Energy • 16% Liveness
29% Instrumentalness • 55% Positiveness
30% Popularity • 48% Danceability • 79% Energy • 16% Liveness
29% Instrumentalness • 55% Positiveness
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bLiNd
A Cold Sweat (3-3 Cold Remix)
155 bpm • G Maj • 02:58 • -6.4db
12% Popularity • 39% Danceability • 94% Energy • 20% Liveness
66% Instrumentalness • 42% Positiveness
12% Popularity • 39% Danceability • 94% Energy • 20% Liveness
66% Instrumentalness • 42% Positiveness
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Pascal Michael Stiefel
You Are All Bad Guys
155 bpm • B min • 09:34 • -9.02db
30% Popularity • 21% Danceability • 93% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
30% Popularity • 21% Danceability • 93% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
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flashygoodness
Neon Universe EX
155 bpm • D min • 04:27 • -4.64db
17% Popularity • 31% Danceability • 99% Energy • 24% Liveness
7% Instrumentalness • 38% Positiveness
17% Popularity • 31% Danceability • 99% Energy • 24% Liveness
7% Instrumentalness • 38% Positiveness
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Yoann Laulan
Bad Seeds (Dead Cells Animated)
155 bpm • G min • 04:42 • -13db
21% Popularity • 43% Danceability • 69% Energy • 8% Liveness
86% Instrumentalness • 26% Positiveness
21% Popularity • 43% Danceability • 69% Energy • 8% Liveness
86% Instrumentalness • 26% Positiveness
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Danny Baranowsky
Six Feet Thunder
155 bpm • G Maj • 03:04 • -5.3db
31% Popularity • 46% Danceability • 86% Energy • 15% Liveness
66% Instrumentalness • 24% Positiveness
31% Popularity • 46% Danceability • 86% Energy • 15% Liveness
66% Instrumentalness • 24% Positiveness
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STEEL_PLUS
Battle of Fire II
155 bpm • F# min • 02:37 • -9.5db
4% Popularity • 32% Danceability • 92% Energy • 33% Liveness
95% Instrumentalness • 55% Positiveness
4% Popularity • 32% Danceability • 92% Energy • 33% Liveness
95% Instrumentalness • 55% Positiveness
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Chris Christodoulou
Hailstorm
155 bpm • A Maj • 02:23 • -7.35db
27% Popularity • 54% Danceability • 98% Energy • 23% Liveness
68% Instrumentalness • 49% Positiveness
27% Popularity • 54% Danceability • 98% Energy • 23% Liveness
68% Instrumentalness • 49% Positiveness
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A Shell In The Pit
The Pishon Drylake
166 bpm • B min • 04:17 • -6.57db
11% Popularity • 49% Danceability • 74% Energy • 8% Liveness
6% Instrumentalness • 16% Positiveness
11% Popularity • 49% Danceability • 74% Energy • 8% Liveness
6% Instrumentalness • 16% Positiveness
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FantomenK
Goodbye Summer, Hello Winter
154 bpm • A Maj • 05:42 • -5.98db
28% Popularity • 52% Danceability • 86% Energy • 33% Liveness
85% Instrumentalness • 62% Positiveness
28% Popularity • 52% Danceability • 86% Energy • 33% Liveness
85% Instrumentalness • 62% Positiveness
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Pascal Michael Stiefel
Security Breach
154 bpm • B Maj • 04:22 • -8.56db
19% Popularity • 69% Danceability • 84% Energy • 9% Liveness
89% Instrumentalness • 60% Positiveness
19% Popularity • 69% Danceability • 84% Energy • 9% Liveness
89% Instrumentalness • 60% Positiveness
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ROCK-MEN
Mega Man 2 / Title
154 bpm • C Maj • 03:44 • -7.33db
11% Popularity • 37% Danceability • 96% Energy • 30% Liveness
76% Instrumentalness • 62% Positiveness
11% Popularity • 37% Danceability • 96% Energy • 30% Liveness
76% Instrumentalness • 62% Positiveness
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Karl Flodin
Final Truckdown
154 bpm • D Maj • 04:46 • -7.45db
8% Popularity • 38% Danceability • 97% Energy • 23% Liveness
85% Instrumentalness • 30% Positiveness
8% Popularity • 38% Danceability • 97% Energy • 23% Liveness
85% Instrumentalness • 30% Positiveness
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Marika Suzuki
Dr. Wily Stage
167 bpm • F# min • 03:03 • -7.89db
22% Popularity • 20% Danceability • 91% Energy • 33% Liveness
55% Instrumentalness • 82% Positiveness
22% Popularity • 20% Danceability • 91% Energy • 33% Liveness
55% Instrumentalness • 82% Positiveness
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Waterflame
Combo Breaker Japan
167 bpm • B min • 05:03 • -6.95db
13% Popularity • 44% Danceability • 98% Energy • 40% Liveness
4% Instrumentalness • 68% Positiveness
13% Popularity • 44% Danceability • 98% Energy • 40% Liveness
4% Instrumentalness • 68% Positiveness
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STEEL_PLUS
Shmup
168 bpm • D Maj • 01:40 • -10.69db
3% Popularity • 35% Danceability • 78% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
3% Popularity • 35% Danceability • 78% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
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Pascal Michael Stiefel
Battle of the Birds Time Rift
168 bpm • F# min • 03:03 • -12.66db
22% Popularity • 59% Danceability • 75% Energy • 8% Liveness
96% Instrumentalness • 47% Positiveness
22% Popularity • 59% Danceability • 75% Energy • 8% Liveness
96% Instrumentalness • 47% Positiveness
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Bossfight
Flirt Flirt Oh It Hurts
168 bpm • G# Maj • 03:31 • -3db
38% Popularity • 53% Danceability • 82% Energy • 6% Liveness
85% Instrumentalness • 75% Positiveness
38% Popularity • 53% Danceability • 82% Energy • 6% Liveness
85% Instrumentalness • 75% Positiveness
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Deniz Akbulut
Hack Your Way!
152 bpm • F min • 01:48 • -8.39db
17% Popularity • 43% Danceability • 97% Energy • 82% Liveness
92% Instrumentalness • 65% Positiveness
17% Popularity • 43% Danceability • 97% Energy • 82% Liveness
92% Instrumentalness • 65% Positiveness
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flashygoodness
Nihil Redux (Omega Ver.)
152 bpm • A Maj • 02:33 • -4.83db
12% Popularity • 33% Danceability • 98% Energy • 22% Liveness
43% Instrumentalness • 22% Positiveness
12% Popularity • 33% Danceability • 98% Energy • 22% Liveness
43% Instrumentalness • 22% Positiveness
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Waterflame
Another Try
153 bpm • B Maj • 04:08 • -9.2db
8% Popularity • 51% Danceability • 89% Energy • 12% Liveness
84% Instrumentalness • 71% Positiveness
8% Popularity • 51% Danceability • 89% Energy • 12% Liveness
84% Instrumentalness • 71% Positiveness
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STEEL_PLUS
Battle of Ice I
168 bpm • C# Maj • 03:24 • -9.87db
13% Popularity • 10% Danceability • 91% Energy • 36% Liveness
84% Instrumentalness • 57% Positiveness
13% Popularity • 10% Danceability • 91% Energy • 36% Liveness
84% Instrumentalness • 57% Positiveness
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Shirobon
(ノ◕ヮ◕)ノ*:・゚✧
152 bpm • A min • 02:35 • -4.31db
12% Popularity • 58% Danceability • 90% Energy • 13% Liveness
88% Instrumentalness • 84% Positiveness
12% Popularity • 58% Danceability • 90% Energy • 13% Liveness
88% Instrumentalness • 84% Positiveness
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Mudeth
Howl (Hush Fight)
169 bpm • C# Maj • 04:24 • -10.09db
23% Popularity • 21% Danceability • 84% Energy • 20% Liveness
86% Instrumentalness • 35% Positiveness
23% Popularity • 21% Danceability • 84% Energy • 20% Liveness
86% Instrumentalness • 35% Positiveness
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zabutom
Final Blast
151 bpm • D# min • 03:18 • -8.7db
33% Popularity • 50% Danceability • 98% Energy • 5% Liveness
93% Instrumentalness • 92% Positiveness
33% Popularity • 50% Danceability • 98% Energy • 5% Liveness
93% Instrumentalness • 92% Positiveness
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Jukio Kallio
Biggest Bandit
170 bpm • F# min • 01:30 • -4.97db
16% Popularity • 28% Danceability • 98% Energy • 19% Liveness
67% Instrumentalness • 9% Positiveness
16% Popularity • 28% Danceability • 98% Energy • 19% Liveness
67% Instrumentalness • 9% Positiveness
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Pascal Michael Stiefel
Death Wish
170 bpm • E min • 03:57 • -7.36db
38% Popularity • 34% Danceability • 94% Energy • 28% Liveness
93% Instrumentalness • 44% Positiveness
38% Popularity • 34% Danceability • 94% Energy • 28% Liveness
93% Instrumentalness • 44% Positiveness
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STEEL_PLUS
White Knight - Reva's Theme
168 bpm • A# min • 03:50 • -8.96db
6% Popularity • 34% Danceability • 88% Energy • 30% Liveness
94% Instrumentalness • 62% Positiveness
6% Popularity • 34% Danceability • 88% Energy • 30% Liveness
94% Instrumentalness • 62% Positiveness
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Deniz Akbulut
CrossCounter!
170 bpm • C# Maj • 01:42 • -9.38db
15% Popularity • 49% Danceability • 88% Energy • 11% Liveness
56% Instrumentalness • 94% Positiveness
15% Popularity • 49% Danceability • 88% Energy • 11% Liveness
56% Instrumentalness • 94% Positiveness
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Mudeth
The Turn (Mom fight)
151 bpm • G# Maj • 04:37 • -8.61db
21% Popularity • 39% Danceability • 85% Energy • 40% Liveness
63% Instrumentalness • 23% Positiveness
21% Popularity • 39% Danceability • 85% Energy • 40% Liveness
63% Instrumentalness • 23% Positiveness
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WayForward
Sea Vent Labyrinth
170 bpm • B min • 01:44 • -8.68db
17% Popularity • 54% Danceability • 84% Energy • 13% Liveness
72% Instrumentalness • 47% Positiveness
17% Popularity • 54% Danceability • 84% Energy • 13% Liveness
72% Instrumentalness • 47% Positiveness
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PrototypeRaptor
Golden Idols
170 bpm • B Maj • 04:21 • -4.42db
9% Popularity • 44% Danceability • 93% Energy • 11% Liveness
41% Instrumentalness • 75% Positiveness
9% Popularity • 44% Danceability • 93% Energy • 11% Liveness
41% Instrumentalness • 75% Positiveness
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Olivier Deriviere
Ti un fou
170 bpm • E Maj • 05:21 • -7db
20% Popularity • 59% Danceability • 89% Energy • 9% Liveness
95% Instrumentalness • 40% Positiveness
20% Popularity • 59% Danceability • 89% Energy • 9% Liveness
95% Instrumentalness • 40% Positiveness
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STEEL_PLUS
Battle of Eden
152 bpm • G# min • 02:01 • -10.1db
5% Popularity • 39% Danceability • 92% Energy • 19% Liveness
67% Instrumentalness • 88% Positiveness
5% Popularity • 39% Danceability • 92% Energy • 19% Liveness
67% Instrumentalness • 88% Positiveness
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Jun Senoue (SEGA SOUND TEAM)
Digital Circuit
170 bpm • A# min • 02:59 • -5.8db
31% Popularity • 41% Danceability • 99% Energy • 20% Liveness
90% Instrumentalness • 90% Positiveness
31% Popularity • 41% Danceability • 99% Energy • 20% Liveness
90% Instrumentalness • 90% Positiveness
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ROCK-MEN
Mega Man / Cut Man Stage
150 bpm • A Maj • 01:46 • -7.43db
24% Popularity • 40% Danceability • 94% Energy • 34% Liveness
19% Instrumentalness • 55% Positiveness
24% Popularity • 40% Danceability • 94% Energy • 34% Liveness
19% Instrumentalness • 55% Positiveness
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ベイシスケイプ
Beware of No Man More Than Thyself(BOOME...
150 bpm • E min • 04:26 • -8db
11% Popularity • 40% Danceability • 75% Energy • 8% Liveness
67% Instrumentalness • 39% Positiveness
11% Popularity • 40% Danceability • 75% Energy • 8% Liveness
67% Instrumentalness • 39% Positiveness
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PrototypeRaptor
Spooky Tune
170 bpm • C# Maj • 03:37 • -5db
27% Popularity • 61% Danceability • 82% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
27% Popularity • 61% Danceability • 82% Energy • 10% Liveness
6% Instrumentalness • 22% Positiveness
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flashygoodness
Fighter Select Final
150 bpm • F# min • 01:36 • -4.54db
24% Popularity • 33% Danceability • 97% Energy • 30% Liveness
42% Instrumentalness • 53% Positiveness
24% Popularity • 33% Danceability • 97% Energy • 30% Liveness
42% Instrumentalness • 53% Positiveness
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Rainbowdragoneyes
Hills of Intent (Autumn Hills)
150 bpm • G min • 01:25 • -7.25db
28% Popularity • 65% Danceability • 88% Energy • 9% Liveness
83% Instrumentalness • 94% Positiveness
28% Popularity • 65% Danceability • 88% Energy • 9% Liveness
83% Instrumentalness • 94% Positiveness
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Foreign Gnomes
Vampires Invading Heaven
150 bpm • C# Maj • 02:36 • -6db
24% Popularity • 61% Danceability • 85% Energy • 30% Liveness
86% Instrumentalness • 87% Positiveness
24% Popularity • 61% Danceability • 85% Energy • 30% Liveness
86% Instrumentalness • 87% Positiveness
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A_rival
Metallic Madness Zone
150 bpm • F# min • 03:06 • -3.88db
24% Popularity • 65% Danceability • 99% Energy • 86% Liveness
54% Instrumentalness • 70% Positiveness
24% Popularity • 65% Danceability • 99% Energy • 86% Liveness
54% Instrumentalness • 70% Positiveness
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Yoann Laulan
(Not) Pan Master Slash
150 bpm • G min • 03:53 • -11.66db
8% Popularity • 45% Danceability • 68% Energy • 17% Liveness
95% Instrumentalness • 35% Positiveness
8% Popularity • 45% Danceability • 68% Energy • 17% Liveness
95% Instrumentalness • 35% Positiveness
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DM DOKURO
Toxic Wisdom
171 bpm • C Maj • 03:56 • -6.4db
37% Popularity • 13% Danceability • 95% Energy • 15% Liveness
87% Instrumentalness • 29% Positiveness
37% Popularity • 13% Danceability • 95% Energy • 15% Liveness
87% Instrumentalness • 29% Positiveness
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flashygoodness
Formless Onslaught
150 bpm • E min • 02:48 • -5.13db
17% Popularity • 29% Danceability • 98% Energy • 41% Liveness
98% Instrumentalness • 41% Positiveness
17% Popularity • 29% Danceability • 98% Energy • 41% Liveness
98% Instrumentalness • 41% Positiveness
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Tee Lopes
A.I. Supply
150 bpm • A# min • 04:01 • -6db
16% Popularity • 55% Danceability • 98% Energy • 10% Liveness
86% Instrumentalness • 53% Positiveness
16% Popularity • 55% Danceability • 98% Energy • 10% Liveness
86% Instrumentalness • 53% Positiveness
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Rainbowdragoneyes
The Frozen Light (Glacial Peak)
150 bpm • C# min • 02:01 • -4.72db
25% Popularity • 60% Danceability • 100% Energy • 30% Liveness
62% Instrumentalness • 29% Positiveness
25% Popularity • 60% Danceability • 100% Energy • 30% Liveness
62% Instrumentalness • 29% Positiveness
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_ensnare_
Meagre Man
150 bpm • D min • 02:46 • -2.76db
16% Popularity • 59% Danceability • 94% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
16% Popularity • 59% Danceability • 94% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
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Curtis Schweitzer
Swansong
150 bpm • G Maj • 03:28 • -11.39db
11% Popularity • 49% Danceability • 92% Energy • 10% Liveness
87% Instrumentalness • 44% Positiveness
11% Popularity • 49% Danceability • 92% Energy • 10% Liveness
87% Instrumentalness • 44% Positiveness
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GlitchxCity
Radio Tower Takeover! (GlitchxCity)
150 bpm • G# Maj • 04:04 • -6.81db
18% Popularity • 55% Danceability • 82% Energy • 13% Liveness
83% Instrumentalness • 31% Positiveness
18% Popularity • 55% Danceability • 82% Energy • 13% Liveness
83% Instrumentalness • 31% Positiveness
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Foreign Gnomes
The Final Battle
150 bpm • E Maj • 02:36 • -5.69db
26% Popularity • 27% Danceability • 94% Energy • 34% Liveness
94% Instrumentalness • 49% Positiveness
26% Popularity • 27% Danceability • 94% Energy • 34% Liveness
94% Instrumentalness • 49% Positiveness
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STEEL_PLUS
Cloak and Revolver - Shiso's Theme
150 bpm • A Maj • 03:32 • -8.49db
9% Popularity • 49% Danceability • 92% Energy • 15% Liveness
83% Instrumentalness • 93% Positiveness
9% Popularity • 49% Danceability • 92% Energy • 15% Liveness
83% Instrumentalness • 93% Positiveness
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Rainbowdragoneyes
A Melody to Break the Curse (Music Box)
150 bpm • A# min • 02:02 • -3.8db
25% Popularity • 68% Danceability • 97% Energy • 6% Liveness
89% Instrumentalness • 93% Positiveness
25% Popularity • 68% Danceability • 97% Energy • 6% Liveness
89% Instrumentalness • 93% Positiveness
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Joshua Morse
Necrosis
150 bpm • C Maj • 03:45 • -3.57db
11% Popularity • 52% Danceability • 98% Energy • 34% Liveness
85% Instrumentalness • 34% Positiveness
11% Popularity • 52% Danceability • 98% Energy • 34% Liveness
85% Instrumentalness • 34% Positiveness
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Tee Lopes
Stainless Kill
150 bpm • A# min • 04:13 • -6.48db
14% Popularity • 56% Danceability • 91% Energy • 4% Liveness
79% Instrumentalness • 57% Positiveness
14% Popularity • 56% Danceability • 91% Energy • 4% Liveness
79% Instrumentalness • 57% Positiveness
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Mudeth
Tandava (Boss)
150 bpm • C# Maj • 04:08 • -4.79db
24% Popularity • 42% Danceability • 95% Energy • 19% Liveness
90% Instrumentalness • 29% Positiveness
24% Popularity • 42% Danceability • 95% Energy • 19% Liveness
90% Instrumentalness • 29% Positiveness
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Chris Christodoulou
Surface Tension
150 bpm • G# Maj • 03:42 • -10db
29% Popularity • 59% Danceability • 84% Energy • 8% Liveness
63% Instrumentalness • 34% Positiveness
29% Popularity • 59% Danceability • 84% Energy • 8% Liveness
63% Instrumentalness • 34% Positiveness
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Dubmood
Cydonian Sky part 1
150 bpm • B min • 02:50 • -8.3db
30% Popularity • 41% Danceability • 81% Energy • 12% Liveness
88% Instrumentalness • 50% Positiveness
30% Popularity • 41% Danceability • 81% Energy • 12% Liveness
88% Instrumentalness • 50% Positiveness
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Yoshiya Terayama
Gr-00-00-00-vy
150 bpm • A# min • 02:17 • -5.96db
18% Popularity • 54% Danceability • 98% Energy • 38% Liveness
74% Instrumentalness • 78% Positiveness
18% Popularity • 54% Danceability • 98% Energy • 38% Liveness
74% Instrumentalness • 78% Positiveness
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flashygoodness
Decisive Encounter (Omega Ver.)
150 bpm • D# min • 02:08 • -4.91db
17% Popularity • 43% Danceability • 98% Energy • 16% Liveness
17% Instrumentalness • 74% Positiveness
17% Popularity • 43% Danceability • 98% Energy • 16% Liveness
17% Instrumentalness • 74% Positiveness
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![Through Time and Space (Main Theme Remix) [feat. Gario] cover art](https://i.scdn.co/image/ab67616d00001e026d63b4b75c51b992dda0981d)
Pascal Michael Stiefel
Through Time and Space (Main Theme Remix...
148 bpm • C Maj • 04:13 • -6.69db
14% Popularity • 60% Danceability • 88% Energy • 4% Liveness
74% Instrumentalness • 78% Positiveness
14% Popularity • 60% Danceability • 88% Energy • 4% Liveness
74% Instrumentalness • 78% Positiveness
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ROCK-MEN
Mega Man 5 / Dark Man Stage (SIDE-D)
148 bpm • C# Maj • 02:43 • -7.98db
10% Popularity • 48% Danceability • 95% Energy • 22% Liveness
50% Instrumentalness • 89% Positiveness
10% Popularity • 48% Danceability • 95% Energy • 22% Liveness
50% Instrumentalness • 89% Positiveness
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zircon
Necromancy
173 bpm • C# min • 03:07 • -4.29db
32% Popularity • 42% Danceability • 97% Energy • 16% Liveness
75% Instrumentalness • 18% Positiveness
32% Popularity • 42% Danceability • 97% Energy • 16% Liveness
75% Instrumentalness • 18% Positiveness
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Stuart Ferguson
Huoshan (Tianhuos Stage)
173 bpm • D Maj • 02:34 • -8.66db
9% Popularity • 47% Danceability • 80% Energy • 27% Liveness
84% Instrumentalness • 50% Positiveness
9% Popularity • 47% Danceability • 80% Energy • 27% Liveness
84% Instrumentalness • 50% Positiveness
