Songs like Last Day of Our Acquaintance by Sinéad O'Connor
Based on a tempo of (+/- 10%) and a similar genre
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Sinéad O'Connor
Just Like U Said It Would B
83 bpm • A min • 04:31 • -12db
48% Popularity • 58% Danceability • 26% Energy • 4% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 58% Danceability • 26% Energy • 4% Liveness
0% Instrumentalness • 25% Positiveness
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Nick Cave & The Bad Seeds
Nobody's Baby Now
83 bpm • D# Maj • 03:52 • -9.29db
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Joan Osborne
St. Teresa
83 bpm • A min • 05:20 • -8db
41% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Elbow
Kindling (Fickle Flame)
83 bpm • D Maj • 03:43 • -8.54db
38% Popularity • 41% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 41% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 40% Positiveness
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Sharon Shannon
The Seven Rejoices of Mary
83 bpm • A Maj • 04:59 • -10.46db
6% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
6% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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k.d. lang
The Air That I Breathe
84 bpm • A# Maj • 05:58 • -13.6db
28% Popularity • 37% Danceability • 25% Energy • 12% Liveness
9% Instrumentalness • 7% Positiveness
28% Popularity • 37% Danceability • 25% Energy • 12% Liveness
9% Instrumentalness • 7% Positiveness
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Sinéad O'Connor
This Is to Mother You
83 bpm • G Maj • 03:12 • -10.98db
45% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Grant Lee Buffalo
Fuzzy
82 bpm • F min • 04:52 • -9db
53% Popularity • 49% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
53% Popularity • 49% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Mike Scott
Learning to Love Him
82 bpm • E Maj • 01:39 • -18.14db
46% Popularity • 58% Danceability • 11% Energy • 14% Liveness
16% Instrumentalness • 52% Positiveness
46% Popularity • 58% Danceability • 11% Energy • 14% Liveness
16% Instrumentalness • 52% Positiveness
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Nick Cave & The Bad Seeds
Bright Horses
82 bpm • C min • 04:52 • -12db
48% Popularity • 31% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
48% Popularity • 31% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Ferron
Ain't Life A Brook
82 bpm • D Maj • 03:29 • -19.92db
24% Popularity • 60% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 60% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Waterboys
In Search of a Rose - 2008 Remaster
82 bpm • E Maj • 01:20 • -14.84db
47% Popularity • 58% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 58% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Sinéad O'Connor
I Do Not Want What I Haven't Got
83 bpm • D# Maj • 05:48 • -12.59db
33% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Natacha Atlas
Simple Heart
84 bpm • A# min • 04:45 • -7.95db
10% Popularity • 57% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 57% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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k.d. lang
The Air That I Breathe - 2010 Remaster
84 bpm • A# Maj • 06:14 • -9.87db
32% Popularity • 37% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
32% Popularity • 37% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Edie Brickell & New Bohemians
Circle
82 bpm • D Maj • 03:10 • -13.61db
50% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Mike Scott
Iona Song
84 bpm • D Maj • 02:47 • -19.78db
30% Popularity • 40% Danceability • 9% Energy • 11% Liveness
13% Instrumentalness • 11% Positiveness
30% Popularity • 40% Danceability • 9% Energy • 11% Liveness
13% Instrumentalness • 11% Positiveness
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Crowded House
Into Temptation
84 bpm • E min • 04:33 • -15.88db
48% Popularity • 45% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 45% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Sinéad O'Connor
Last Day of Our Acquaintance
83 bpm • D# Maj • 04:38 • -13db
51% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Teddy Thompson
Tonight Will Be Fine
84 bpm • F# Maj • 03:36 • -9db
39% Popularity • 30% Danceability • 35% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 30% Danceability • 35% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
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John Martyn
Couldn't Love You More
82 bpm • C# Maj • 03:07 • -19db
39% Popularity • 56% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 56% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Edie Brickell & New Bohemians
Now
84 bpm • C Maj • 06:02 • -14.97db
26% Popularity • 40% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 40% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Robbie Robertson
Somewhere Down The Crazy River
82 bpm • F min • 04:55 • -17.76db
49% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Lemonheads
The Outdoor Type
85 bpm • B min • 02:36 • -9db
41% Popularity • 43% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
41% Popularity • 43% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Sheryl Crow
Leaving Las Vegas
81 bpm • D Maj • 05:09 • -9.92db
43% Popularity • 68% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 68% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Peter Gabriel
Don't Give Up
81 bpm • D# Maj • 06:34 • -14.2db
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Counting Crows
Sullivan Street
81 bpm • D Maj • 04:28 • -7.71db
50% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Nathan Cook
The Other Side And Back
85 bpm • G Maj • 05:23 • -6.23db
12% Popularity • 32% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 32% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 48% Positiveness
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World Party
Hawaiian Island World
80 bpm • E Maj • 04:20 • -7.84db
24% Popularity • 58% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 58% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Sinéad O'Connor
Fire on Babylon
80 bpm • F# min • 05:11 • -8.3db
38% Popularity • 47% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 47% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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'Til Tuesday
Coming Up Close
80 bpm • G# Maj • 04:40 • -15db
36% Popularity • 37% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 37% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Armand Amar
A New Born Child
80 bpm • D# min • 03:29 • -13db
33% Popularity • 40% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
33% Popularity • 40% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Talk Talk
I Don't Believe in You - 1997 Remaster
86 bpm • B min • 05:02 • -10.83db
44% Popularity • 66% Danceability • 42% Energy • 4% Liveness
11% Instrumentalness • 38% Positiveness
44% Popularity • 66% Danceability • 42% Energy • 4% Liveness
11% Instrumentalness • 38% Positiveness
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Grant Lee Buffalo
It's the Life
79 bpm • C# Maj • 02:57 • -16.04db
29% Popularity • 40% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 40% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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U2
I'm Not Your Baby
86 bpm • G# min • 05:49 • -11.03db
17% Popularity • 58% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 58% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Sinéad O'Connor
Scorn Not His Simplicity
80 bpm • C Maj • 04:26 • -20.21db
31% Popularity • 44% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 44% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Rickie Lee Jones
Nobody Knows My Name
87 bpm • F Maj • 03:26 • -6.56db
7% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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PJ Harvey
C'mon Billy
79 bpm • D min • 02:47 • -8db
51% Popularity • 56% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 56% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Mike Scott
Long Way to the Light
87 bpm • E Maj • 06:32 • -9.25db
25% Popularity • 51% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 51% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Sheila Nicholls
Fallen for You
79 bpm • G# Maj • 03:16 • -7.05db
21% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Edie Brickell & New Bohemians
Nothing
88 bpm • C Maj • 04:49 • -12.64db
39% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Liz Phair
Polyester Bride
88 bpm • C Maj • 04:05 • -5.39db
37% Popularity • 51% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 51% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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World Party
She's the One
78 bpm • A# Maj • 04:54 • -10db
40% Popularity • 33% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 33% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Judee Sill
The Kiss - Remastered
78 bpm • C Maj • 04:36 • -11.71db
36% Popularity • 19% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 19% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Mazzy Star
Rhymes Of An Hour
78 bpm • G Maj • 04:12 • -18.25db
46% Popularity • 56% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
46% Popularity • 56% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
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Bruce Springsteen
The Ghost of Tom Joad
88 bpm • B min • 04:23 • -16.91db
52% Popularity • 44% Danceability • 10% Energy • 14% Liveness
28% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 10% Energy • 14% Liveness
28% Instrumentalness • 8% Positiveness
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Sheryl Crow
No One Said It Would Be Easy
89 bpm • D Maj • 05:28 • -17db
32% Popularity • 58% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 58% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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jemima price
Under The Ivy
89 bpm • A Maj • 02:16 • -18db
14% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Leonard Cohen
Who by Fire
78 bpm • A min • 02:33 • -15db
57% Popularity • 46% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 46% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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k.d. lang
Save Me
89 bpm • C Maj • 04:32 • -13.9db
33% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Emily Barker
Despite the Snow
89 bpm • D Maj • 03:08 • -16.56db
15% Popularity • 37% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 37% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Crowded House
Four Seasons In One Day
89 bpm • G Maj • 02:50 • -17.2db
57% Popularity • 52% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 52% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Joan Armatrading
Somebody Who Loves You
89 bpm • A# Maj • 03:32 • -20db
34% Popularity • 45% Danceability • 22% Energy • 8% Liveness
11% Instrumentalness • 50% Positiveness
34% Popularity • 45% Danceability • 22% Energy • 8% Liveness
11% Instrumentalness • 50% Positiveness
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The Be Good Tanyas
Human Thing
77 bpm • A Maj • 04:08 • -11.12db
43% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Willie Nelson
Don't Give Up
89 bpm • C min • 06:58 • -14db
36% Popularity • 57% Danceability • 33% Energy • 8% Liveness
3% Instrumentalness • 18% Positiveness
36% Popularity • 57% Danceability • 33% Energy • 8% Liveness
3% Instrumentalness • 18% Positiveness
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Simon & Garfunkel
The Only Living Boy in New York
77 bpm • B Maj • 03:58 • -12.36db
62% Popularity • 41% Danceability • 38% Energy • 13% Liveness
26% Instrumentalness • 52% Positiveness
62% Popularity • 41% Danceability • 38% Energy • 13% Liveness
26% Instrumentalness • 52% Positiveness
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Ron Sexsmith
Secret Heart
77 bpm • C Maj • 03:15 • -12.72db
40% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Dar Williams
After All
90 bpm • C Maj • 04:48 • -11.31db
33% Popularity • 51% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 51% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Sinéad O'Connor
Dancing Lessons
90 bpm • A Maj • 04:17 • -6db
25% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Phillips
Go Down
90 bpm • E min • 03:38 • -15.36db
16% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Nick Drake
Northern Sky
90 bpm • F min • 03:44 • -18db
64% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
64% Popularity • 53% Danceability • 26% Energy • 13% Liveness
69% Instrumentalness • 49% Positiveness
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Beth Orton
This One's Gonna Bruise
76 bpm • F# Maj • 04:44 • -12.9db
16% Popularity • 38% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 38% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Peter Gabriel
Blood Of Eden
76 bpm • D# Maj • 06:38 • -14db
42% Popularity • 53% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
42% Popularity • 53% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Rickie Lee Jones
Flying Cowboys
91 bpm • C# Maj • 05:05 • -14.4db
26% Popularity • 58% Danceability • 39% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
26% Popularity • 58% Danceability • 39% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
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The Chieftains
The Foggy Dew
91 bpm • E min • 05:21 • -12.09db
46% Popularity • 26% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 26% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Thompson
Persuasion
92 bpm • C Maj • 04:38 • -11.77db
38% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Nick Drake
One Of These Things First
90 bpm • E Maj • 04:50 • -18.45db
57% Popularity • 60% Danceability • 37% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
57% Popularity • 60% Danceability • 37% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
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Joni Mitchell
Carey
75 bpm • C# Maj • 03:02 • -7.66db
53% Popularity • 63% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
53% Popularity • 63% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Grant Lee Buffalo
The Hook
92 bpm • C# Maj • 04:07 • -9.33db
42% Popularity • 72% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 72% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Edie Brickell
Lost In The Moment
92 bpm • D Maj • 06:04 • -15.87db
17% Popularity • 67% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 67% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Neko Case
Calling Cards
92 bpm • F# Maj • 02:36 • -12.1db
39% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Moby
Harbour
92 bpm • D Maj • 06:27 • -13.11db
38% Popularity • 55% Danceability • 38% Energy • 9% Liveness
47% Instrumentalness • 10% Positiveness
38% Popularity • 55% Danceability • 38% Energy • 9% Liveness
47% Instrumentalness • 10% Positiveness
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U2
So Cruel
92 bpm • A Maj • 05:49 • -10.89db
48% Popularity • 60% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
48% Popularity • 60% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Alanis Morissette
Thank U
92 bpm • C Maj • 04:18 • -5.76db
65% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
65% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Fleetwood Mac
Songbird - 2004 Remaster
92 bpm • F Maj • 03:20 • -15.52db
66% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
66% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Mike Scott
Love Anyway
93 bpm • E Maj • 06:41 • -5.76db
27% Popularity • 36% Danceability • 83% Energy • 42% Liveness
1% Instrumentalness • 47% Positiveness
27% Popularity • 36% Danceability • 83% Energy • 42% Liveness
1% Instrumentalness • 47% Positiveness
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Badly Drawn Boy
The Shining
93 bpm • E Maj • 05:18 • -14db
45% Popularity • 42% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 18% Positiveness
45% Popularity • 42% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 18% Positiveness
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Peter Gabriel
Mercy Street
93 bpm • C# min • 06:17 • -16.68db
47% Popularity • 57% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 57% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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World Party
Sunshine
74 bpm • A Maj • 04:30 • -8.53db
31% Popularity • 54% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 54% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Alanis Morissette
Hand in My Pocket - 2015 Remaster
92 bpm • C Maj • 03:42 • -8.3db
69% Popularity • 66% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
69% Popularity • 66% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Fiona Apple
Shadowboxer
74 bpm • D min • 05:24 • -7.3db
55% Popularity • 30% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 30% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Edie Brickell & New Bohemians
She
93 bpm • C Maj • 05:07 • -11.14db
28% Popularity • 58% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 58% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Kathleen Edwards
Goodnight, California
93 bpm • G min • 06:28 • -8db
35% Popularity • 46% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 42% Positiveness
35% Popularity • 46% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 42% Positiveness
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Joan Armatrading
Love And Affection
93 bpm • E Maj • 04:28 • -13.25db
53% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Sinéad O'Connor
I Am Stretched on Your Grave
94 bpm • G# min • 05:33 • -8.04db
40% Popularity • 71% Danceability • 65% Energy • 13% Liveness
7% Instrumentalness • 55% Positiveness
40% Popularity • 71% Danceability • 65% Energy • 13% Liveness
7% Instrumentalness • 55% Positiveness
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Laura Marling
Rambling Man
94 bpm • F Maj • 03:16 • -8.89db
45% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Kate & Anna McGarrigle
I Eat Dinner
94 bpm • G Maj • 04:56 • -17.2db
20% Popularity • 53% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 53% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Edie Brickell & New Bohemians
Mama Help Me
93 bpm • C Maj • 04:04 • -10.26db
26% Popularity • 63% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 63% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Katell Keineg
One Hell Of A Life
94 bpm • D Maj • 03:35 • -6.94db
14% Popularity • 58% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 58% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Nick Cave & The Bad Seeds
Into My Arms
94 bpm • C Maj • 04:16 • -17.8db
65% Popularity • 48% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
65% Popularity • 48% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
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Sinéad O'Connor
Hold Back the Night
73 bpm • G Maj • 04:10 • -7.92db
25% Popularity • 13% Danceability • 78% Energy • 34% Liveness
32% Instrumentalness • 12% Positiveness
25% Popularity • 13% Danceability • 78% Energy • 34% Liveness
32% Instrumentalness • 12% Positiveness
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Elvis Costello
Don't Let Me Be Misunderstood
94 bpm • B min • 03:21 • -9.27db
42% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Mike Scott
She Is so Beautiful
95 bpm • D Maj • 03:56 • -10db
40% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Edie Brickell & New Bohemians
Woyaho
94 bpm • E min • 02:34 • -10.7db
29% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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U2
Running To Stand Still
95 bpm • D Maj • 04:17 • -19db
56% Popularity • 54% Danceability • 20% Energy • 33% Liveness
3% Instrumentalness • 23% Positiveness
56% Popularity • 54% Danceability • 20% Energy • 33% Liveness
3% Instrumentalness • 23% Positiveness
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The Cranberries
Linger
95 bpm • G Maj • 04:34 • -14.92db
85% Popularity • 44% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
85% Popularity • 44% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Laura Marling
Kathy’s Song - Recorded at Spotify Stu...
95 bpm • A Maj • 02:44 • -14.83db
38% Popularity • 61% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 61% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sinéad O'Connor
'Til I Whisper U Something
95 bpm • E min • 06:07 • -4.49db
24% Popularity • 56% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 56% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
