Songs like Last Love Letter by Craig Cardiff
Based on a tempo of (+/- 10%) and a similar genre
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Silver Lining
Heart and Mind Alike
140 bpm • D# Maj • 03:41 • -9db
30% Popularity • 59% Danceability • 28% Energy • 11% Liveness
9% Instrumentalness • 16% Positiveness
30% Popularity • 59% Danceability • 28% Energy • 11% Liveness
9% Instrumentalness • 16% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Rosemary & Garlic
Old Now
140 bpm • F Maj • 04:49 • -13db
44% Popularity • 49% Danceability • 41% Energy • 12% Liveness
24% Instrumentalness • 28% Positiveness
44% Popularity • 49% Danceability • 41% Energy • 12% Liveness
24% Instrumentalness • 28% Positiveness
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Rayland Baxter
The Mtn Song
140 bpm • C Maj • 03:58 • -9.17db
38% Popularity • 42% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 42% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Middleton
I See You
140 bpm • F Maj • 03:02 • -17.26db
38% Popularity • 71% Danceability • 19% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
38% Popularity • 71% Danceability • 19% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
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Mipso
Coming Down the Mountain
140 bpm • E Maj • 04:33 • -8.4db
45% Popularity • 58% Danceability • 36% Energy • 15% Liveness
9% Instrumentalness • 37% Positiveness
45% Popularity • 58% Danceability • 36% Energy • 15% Liveness
9% Instrumentalness • 37% Positiveness
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Craig Cardiff
Smallest Wingless
140 bpm • G Maj • 03:18 • -12.65db
13% Popularity • 34% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 34% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Hudson Taylor
Old Soul (acoustic)
141 bpm • D Maj • 04:42 • -8.33db
41% Popularity • 28% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
41% Popularity • 28% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Stu Larsen
Some Kind of Gypsy
141 bpm • D Maj • 03:57 • -8.49db
22% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Watchhouse
Amsterdam (Recorded at Spotify Studios N...
141 bpm • C Maj • 03:13 • -11db
48% Popularity • 53% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
48% Popularity • 53% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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KALEO
All the Pretty Girls - Recorded at Spoti...
139 bpm • C# Maj • 05:07 • -10.07db
46% Popularity • 47% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 47% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Joy Williams
The Trouble with Wanting
139 bpm • D Maj • 03:55 • -9db
55% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
55% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Craig Cardiff
Last Love Letter
140 bpm • F Maj • 04:12 • -13.35db
20% Popularity • 62% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 62% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Ben Howard
Everything
141 bpm • D# Maj • 04:45 • -16.4db
48% Popularity • 51% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 51% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Noah Reid
False Alarms
139 bpm • F Maj • 04:40 • -8.92db
37% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tori Forsyth
New Wall
138 bpm • G# Maj • 02:38 • -15.33db
25% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Old Sea Brigade
We Belong
138 bpm • D Maj • 03:49 • -13.68db
42% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jesse Cole
Same As the Sun
142 bpm • F Maj • 03:44 • -8db
24% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Rhiannon Giddens
Forever Young
138 bpm • G Maj • 04:21 • -11db
54% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Sweet Remains
Love Song
142 bpm • D# Maj • 03:26 • -8db
13% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Darlingside
The God of Loss
138 bpm • D Maj • 03:53 • -10.47db
30% Popularity • 38% Danceability • 33% Energy • 9% Liveness
20% Instrumentalness • 18% Positiveness
30% Popularity • 38% Danceability • 33% Energy • 9% Liveness
20% Instrumentalness • 18% Positiveness
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Henry Jamison
I Forget Myself
142 bpm • A Maj • 03:32 • -12.14db
50% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Combs
Lauralee
138 bpm • F# Maj • 03:55 • -8db
26% Popularity • 59% Danceability • 44% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
26% Popularity • 59% Danceability • 44% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
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Josh Ritter
Miles Away
138 bpm • D# Maj • 03:53 • -7.17db
38% Popularity • 56% Danceability • 58% Energy • 10% Liveness
36% Instrumentalness • 20% Positiveness
38% Popularity • 56% Danceability • 58% Energy • 10% Liveness
36% Instrumentalness • 20% Positiveness
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Lowland Hum
Vedauwoo
138 bpm • D# Maj • 02:39 • -15.58db
39% Popularity • 64% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 64% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Stu Larsen
The Black Tree
138 bpm • E Maj • 03:39 • -16.38db
26% Popularity • 49% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
26% Popularity • 49% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Darlingside
Go Back
138 bpm • A Maj • 02:58 • -8db
28% Popularity • 32% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 32% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
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Matt the Electrician
The Bear (Trio)
143 bpm • E Maj • 04:24 • -12.46db
34% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Denison Witmer
Constant Muse
137 bpm • E Maj • 03:50 • -14.97db
17% Popularity • 50% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 50% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jesse Cole
Can't Let Her Go
143 bpm • E Maj • 04:32 • -8.62db
8% Popularity • 49% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 49% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Ira Wolf
Sunscreen
137 bpm • G min • 02:58 • -14db
54% Popularity • 58% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 58% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ray LaMontagne
Like Rock & Roll and Radio
143 bpm • A# Maj • 06:03 • -11.93db
31% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Head And The Heart
Simple Man - Recorded at Spotify Studios...
144 bpm • C Maj • 02:18 • -11.12db
32% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Donovan Woods
May 21, 2012
144 bpm • D Maj • 03:29 • -11.01db
16% Popularity • 50% Danceability • 36% Energy • 10% Liveness
40% Instrumentalness • 44% Positiveness
16% Popularity • 50% Danceability • 36% Energy • 10% Liveness
40% Instrumentalness • 44% Positiveness
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Down Like Silver
Idaho
136 bpm • C# Maj • 03:30 • -15.05db
32% Popularity • 68% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 49% Positiveness
32% Popularity • 68% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 49% Positiveness
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Justin Rutledge
The Wire
144 bpm • F# Maj • 05:47 • -11.29db
9% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Mumford & Sons
Monster
144 bpm • D Maj • 03:56 • -10db
30% Popularity • 55% Danceability • 46% Energy • 10% Liveness
20% Instrumentalness • 15% Positiveness
30% Popularity • 55% Danceability • 46% Energy • 10% Liveness
20% Instrumentalness • 15% Positiveness
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Ben Taylor
I Try
144 bpm • F# Maj • 02:32 • -14db
43% Popularity • 55% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
43% Popularity • 55% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
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Robby Hecht
Pot of Gold
136 bpm • E Maj • 02:31 • -9.03db
24% Popularity • 70% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 70% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Montbleau
I Was Just Leaving
136 bpm • F# Maj • 02:58 • -10.44db
48% Popularity • 62% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 62% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Aisha Badru
Waiting Around - Acoustic
145 bpm • C Maj • 02:32 • -15db
51% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
51% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Ira Wolf
Fickle Heart
135 bpm • C# Maj • 03:21 • -12db
42% Popularity • 62% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 62% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Luke Sital-Singh
Nothing Stays the Same
145 bpm • B Maj • 04:01 • -5.72db
38% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Rose Cousins
Freedom
145 bpm • G# Maj • 04:28 • -8.86db
34% Popularity • 36% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 36% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Preston Miller
Ocean Eyes
135 bpm • A# Maj • 05:52 • -15.54db
1% Popularity • 51% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
1% Popularity • 51% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Lori McKenna
The Time I've Wasted
145 bpm • F Maj • 03:33 • -11.26db
52% Popularity • 47% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 47% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Aoife O'Donovan
Stanley Park
145 bpm • C# Maj • 02:50 • -11db
43% Popularity • 47% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
43% Popularity • 47% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Tiz McNamara
Steady as You Go
135 bpm • D Maj • 02:26 • -12.4db
35% Popularity • 70% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 70% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Brandon Jenner
I Believe
135 bpm • G Maj • 04:11 • -9.03db
23% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Howard
These Waters
145 bpm • A# Maj • 04:08 • -9.93db
42% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Brett Dennen
Ain't No Reason
146 bpm • F Maj • 03:40 • -9.69db
50% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Rod Ladgrove
How Many Times
146 bpm • G Maj • 02:39 • -6.74db
27% Popularity • 62% Danceability • 52% Energy • 30% Liveness
1% Instrumentalness • 26% Positiveness
27% Popularity • 62% Danceability • 52% Energy • 30% Liveness
1% Instrumentalness • 26% Positiveness
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Craig Cardiff
All This Time Running
134 bpm • E Maj • 03:05 • -13.26db
37% Popularity • 69% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 69% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Down Like Silver
Lazy Snow
146 bpm • G Maj • 03:44 • -15.45db
27% Popularity • 58% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness
27% Popularity • 58% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness
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Leeroy Stagger
Until the End of Time
134 bpm • G Maj • 05:06 • -12.16db
9% Popularity • 54% Danceability • 39% Energy • 7% Liveness
43% Instrumentalness • 18% Positiveness
9% Popularity • 54% Danceability • 39% Energy • 7% Liveness
43% Instrumentalness • 18% Positiveness
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The Sweet Remains
Spark
146 bpm • G# Maj • 03:27 • -8.33db
9% Popularity • 51% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 51% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Donovan Woods
They Don't Make Anything In That Town
134 bpm • D# Maj • 04:15 • -14.74db
18% Popularity • 35% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 25% Positiveness
18% Popularity • 35% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 25% Positiveness
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Andrew James & The Steady Tiger
Under the Umbrella
147 bpm • F Maj • 04:36 • -15.74db
23% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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The Lake Poets
Your Face
134 bpm • A# Maj • 03:12 • -9.92db
29% Popularity • 59% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 59% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Anthony da Costa
You're Free Now
148 bpm • E Maj • 04:19 • -13.52db
34% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Wild Rivers
Do Right
133 bpm • F Maj • 03:33 • -12db
46% Popularity • 71% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 71% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ira Wolf
One More Chance
133 bpm • B Maj • 04:13 • -12db
29% Popularity • 45% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 45% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Marc Scibilia
Seed of Joy
148 bpm • A Maj • 03:30 • -10db
40% Popularity • 59% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 59% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Good Old War
Amazing Eyes
148 bpm • C Maj • 03:46 • -10.82db
32% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Robby Hecht
A Night Together
132 bpm • D# Maj • 02:46 • -8db
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Garrett Kato
Take It Slowly
132 bpm • F Maj • 03:52 • -14db
50% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Stu Larsen
The Mile
148 bpm • C Maj • 06:37 • -12.98db
15% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Darlingside
Hold Your Head Up High
132 bpm • A Maj • 03:37 • -11.31db
42% Popularity • 38% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
42% Popularity • 38% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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The Staves
Mexico
132 bpm • F Maj • 04:06 • -15db
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Molly Parden
Weather
132 bpm • B Maj • 05:00 • -8db
39% Popularity • 47% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 47% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Donovan Woods
Your Daughter, John
149 bpm • A Maj • 04:12 • -11.86db
22% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Hush Kids
All My Love
132 bpm • C Maj • 03:43 • -12db
31% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jamestown Revival
Who Hung the Moon
131 bpm • G# Maj • 05:02 • -12.96db
41% Popularity • 51% Danceability • 37% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
41% Popularity • 51% Danceability • 37% Energy • 12% Liveness
5% Instrumentalness • 24% Positiveness
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Terrible Sons
Tears Don’t Fall
149 bpm • G Maj • 03:10 • -12.69db
37% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
37% Popularity • 67% Danceability • 54% Energy • 15% Liveness
2% Instrumentalness • 85% Positiveness
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Craig Cardiff
Dance Me Outside
131 bpm • G Maj • 04:22 • -13.82db
9% Popularity • 56% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 56% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Wild Rivers
Paul Simon
150 bpm • B Maj • 03:51 • -14.04db
43% Popularity • 63% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 63% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Matthew And The Atlas
On A Midnight Street - Acoustic Version
150 bpm • D Maj • 03:33 • -13db
31% Popularity • 54% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
31% Popularity • 54% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Charlie Cunningham
Lights Off
150 bpm • G Maj • 03:53 • -11.67db
51% Popularity • 64% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 64% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Bob Schneider
Magic Wand
131 bpm • D Maj • 03:12 • -10.02db
15% Popularity • 50% Danceability • 36% Energy • 21% Liveness
28% Instrumentalness • 16% Positiveness
15% Popularity • 50% Danceability • 36% Energy • 21% Liveness
28% Instrumentalness • 16% Positiveness
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Brett Dennen
Jenny and Jill
150 bpm • E Maj • 04:45 • -7.28db
35% Popularity • 55% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 55% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Joshua James
Mystic
131 bpm • D Maj • 04:03 • -10.5db
15% Popularity • 39% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 39% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Craig Cardiff
Yellowknife
131 bpm • C# min • 03:01 • -13.22db
14% Popularity • 51% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 51% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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The Woodlands
Sudden Love - Acoustic
131 bpm • C Maj • 03:02 • -12.2db
40% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Lumineers
Angela - Single Version
130 bpm • E Maj • 02:58 • -7.99db
42% Popularity • 65% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 65% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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The Sweet Remains
Dance With Me
130 bpm • A Maj • 03:56 • -7.97db
28% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Dawes
Crack The Case
130 bpm • F Maj • 05:54 • -10db
41% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 54% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Darlingside
Singularity
130 bpm • D Maj • 03:42 • -10db
31% Popularity • 44% Danceability • 34% Energy • 29% Liveness
4% Instrumentalness • 18% Positiveness
31% Popularity • 44% Danceability • 34% Energy • 29% Liveness
4% Instrumentalness • 18% Positiveness
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Craig Cardiff
Revival Day
150 bpm • D# Maj • 02:41 • -13.42db
24% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Devine 44
Safe Here
130 bpm • C Maj • 04:00 • -11.86db
0% Popularity • 60% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 60% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Blind Pilot
Half Moon
151 bpm • G min • 03:28 • -9db
55% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
55% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Stu Larsen
Skin & Bone
151 bpm • C Maj • 05:51 • -9.84db
29% Popularity • 52% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 52% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Josienne Clarke and Ben Walker
Something Familiar
130 bpm • C Maj • 02:25 • -18.43db
30% Popularity • 50% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 50% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Elephant Revival
Down to the Sea
151 bpm • F# Maj • 04:07 • -13db
37% Popularity • 35% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
37% Popularity • 35% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Little May
Boardwalks - Remastered 2015/ Bonus Trac...
129 bpm • F# Maj • 03:19 • -13db
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Henry Jamison
Real Peach
152 bpm • C# Maj • 03:53 • -7db
49% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
49% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Austin Basham
See You Soon
152 bpm • A# Maj • 03:58 • -9.21db
27% Popularity • 29% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
27% Popularity • 29% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Meadowlark
Fly - Acoustic
152 bpm • D Maj • 03:31 • -13db
43% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
