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Last Night The Moon Came
Songs like
Last Night The Moon Came
by
Jon Hassell
Based on a tempo of (+/- 10%) and a similar genre
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Jon Hassell
Delta Rain Dream
80 bpm • F# Maj • 03:29 • -24db
30% Popularity • 50% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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Joseph Shabason
Forest Run
80 bpm • D# min • 04:28 • -12.86db
31% Popularity • 38% Danceability • 26% Energy • 52% Liveness
89% Instrumentalness • 10% Positiveness
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K. Leimer
My Timid Desires
80 bpm • D min • 03:56 • -9.73db
17% Popularity • 69% Danceability • 59% Energy • 12% Liveness
39% Instrumentalness • 85% Positiveness
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Harold Budd
Steal Away - Remastered 2004
80 bpm • A# Maj • 01:29 • -37.57db
49% Popularity • 49% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
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Jeremiah Chiu
Snåcko
80 bpm • C Maj • 04:47 • -18db
18% Popularity • 14% Danceability • 26% Energy • 48% Liveness
29% Instrumentalness • 7% Positiveness
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Arp
Ozu
80 bpm • D Maj • 02:18 • -21.16db
22% Popularity • 14% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 31% Positiveness
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Jon Hassell
Last Night The Moon Came
80 bpm • E min • 11:15 • -25.89db
34% Popularity • 16% Danceability • 8% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Don Cherry
Utopia and Visions
80 bpm • D# min • 06:33 • -19db
29% Popularity • 27% Danceability • 39% Energy • 10% Liveness
76% Instrumentalness • 60% Positiveness
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DjRUM
Creature, Pt. 1
80 bpm • C min • 04:43 • -19db
37% Popularity • 12% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Gaussian Curve
The Longest Road
79 bpm • A# min • 07:18 • -12.47db
20% Popularity • 16% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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Mary Lattimore
Jimmy V
79 bpm • F min • 05:57 • -16.56db
29% Popularity • 34% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Harold Budd
A Stream With Bright Fish - 2005 Digital...
81 bpm • D# Maj • 03:56 • -33.4db
43% Popularity • 8% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Yasuaki Shimizu
Umi No Ue Kara
79 bpm • C Maj • 08:18 • -14db
36% Popularity • 66% Danceability • 32% Energy • 31% Liveness
83% Instrumentalness • 58% Positiveness
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Jon Balke
Zahori
79 bpm • C# min • 04:56 • -21.67db
5% Popularity • 14% Danceability • 6% Energy • 10% Liveness
59% Instrumentalness • 6% Positiveness
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Actress
N.E.W.
79 bpm • E Maj • 04:14 • -9.81db
22% Popularity • 17% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Visible Cloaks
Wheel
81 bpm • F# Maj • 03:35 • -16.29db
24% Popularity • 19% Danceability • 24% Energy • 30% Liveness
62% Instrumentalness • 41% Positiveness
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Alice Coltrane
Wisdom Eye
81 bpm • E min • 03:10 • -30.41db
40% Popularity • 35% Danceability • 2% Energy • 8% Liveness
83% Instrumentalness • 10% Positiveness
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Laraaji
Meditation No. 2
81 bpm • D min • 07:50 • -26.77db
33% Popularity • 13% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Ana Roxanne
Take the Thorn, Leave the Rose
81 bpm • A# min • 06:04 • -21db
25% Popularity • 16% Danceability • 9% Energy • 24% Liveness
96% Instrumentalness • 33% Positiveness
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Bing & Ruth
TWTGA
81 bpm • A# Maj • 05:55 • -30.65db
34% Popularity • 11% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
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yes/and
Centered Shell
81 bpm • G Maj • 02:36 • -19db
42% Popularity • 62% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
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Harold Budd
Juno
79 bpm • D# Maj • 08:20 • -30.8db
27% Popularity • 13% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Alice Coltrane
Ganesha
81 bpm • D Maj • 02:43 • -29.57db
31% Popularity • 14% Danceability • 6% Energy • 28% Liveness
14% Instrumentalness • 12% Positiveness
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Wilson Tanner
Further Than Your Headlights
79 bpm • G Maj • 07:08 • -29.83db
17% Popularity • 10% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Floating Points
Sea-Watch
81 bpm • F min • 04:04 • -19db
33% Popularity • 14% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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h hunt
C U Soon
79 bpm • F# Maj • 05:05 • -33.7db
37% Popularity • 36% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Patricia Wolf
Psychic Sweeping
81 bpm • G min • 01:14 • -19.29db
48% Popularity • 55% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Meredith Monk
Fear And Loathing In Gotham: Gotham Lull...
79 bpm • A min • 04:17 • -18.93db
20% Popularity • 35% Danceability • 8% Energy • 12% Liveness
27% Instrumentalness • 9% Positiveness
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Roedelius
By This River
78 bpm • C Maj • 04:07 • -24.46db
32% Popularity • 18% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Slow Attack Ensemble
Early Dawning
78 bpm • B min • 02:39 • -22db
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Bitchin Bajas
Angels and Demons at Play
82 bpm • C Maj • 06:17 • -20db
23% Popularity • 46% Danceability • 21% Energy • 12% Liveness
79% Instrumentalness • 20% Positiveness
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Angel Bat Dawid
London
82 bpm • D# Maj • 02:46 • -13db
31% Popularity • 20% Danceability • 29% Energy • 18% Liveness
81% Instrumentalness • 43% Positiveness
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Sarah Davachi
Play The Ghost
78 bpm • B min • 05:01 • -19.27db
27% Popularity • 14% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Jon Hassell
Slipstream
82 bpm • F# min • 02:54 • -15db
20% Popularity • 34% Danceability • 46% Energy • 42% Liveness
66% Instrumentalness • 25% Positiveness
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Wilson Tanner
Long Water
78 bpm • D min • 06:30 • -31.61db
29% Popularity • 26% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 5% Positiveness
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GAS
Pop 1
83 bpm • F Maj • 05:11 • -18.58db
39% Popularity • 7% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
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Roedelius
Le jardin
78 bpm • G min • 04:28 • -22.8db
30% Popularity • 20% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Shida Shahabi
Pretty In Plums
77 bpm • G# min • 04:40 • -25.33db
34% Popularity • 56% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
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Jonny Nash
Time, Being
77 bpm • G# min • 02:42 • -19.32db
37% Popularity • 57% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
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Jon Hassell
Empire II
77 bpm • B Maj • 04:53 • -34.32db
12% Popularity • 11% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
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Wilson Tanner
My Gull
84 bpm • G min • 02:10 • -24db
31% Popularity • 24% Danceability • 9% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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Pete La Roca
Bliss
83 bpm • B Maj • 05:01 • -26db
21% Popularity • 41% Danceability • 10% Energy • 7% Liveness
94% Instrumentalness • 34% Positiveness
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Bennie Maupin
Ensenada
84 bpm • C Maj • 08:15 • -18.64db
26% Popularity • 27% Danceability • 37% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Roberto Musci
Lidia After The Snow
84 bpm • D# Maj • 02:22 • -11.41db
23% Popularity • 65% Danceability • 72% Energy • 10% Liveness
90% Instrumentalness • 91% Positiveness
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Jon Balke
Tuchia
84 bpm • E Maj • 04:56 • -19db
8% Popularity • 16% Danceability • 10% Energy • 9% Liveness
26% Instrumentalness • 5% Positiveness
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Laraaji
Introspection - Edit
76 bpm • A min • 02:35 • -21.8db
34% Popularity • 14% Danceability • 12% Energy • 7% Liveness
63% Instrumentalness • 3% Positiveness
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Arp
Wild Grass II (for Robert Wyatt)
76 bpm • A# Maj • 03:23 • -13.21db
17% Popularity • 7% Danceability • 20% Energy • 12% Liveness
75% Instrumentalness • 5% Positiveness
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Bing & Ruth
Reflector
76 bpm • A# Maj • 07:20 • -26.22db
30% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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The Vernon Spring
The Hum II
76 bpm • D# Maj • 02:04 • -25.18db
48% Popularity • 28% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
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Felicia Atkinson
ME
76 bpm • C Maj • 04:21 • -27.35db
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Nala Sinephro
Space 5
76 bpm • F min • 04:00 • -17.26db
34% Popularity • 35% Danceability • 37% Energy • 6% Liveness
93% Instrumentalness • 52% Positiveness
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Roger Eno
Spring Frost
75 bpm • D# Maj • 04:07 • -31db
30% Popularity • 9% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Nailah Hunter
Bassin Bleu
85 bpm • A# Maj • 05:59 • -16db
21% Popularity • 8% Danceability • 19% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Laurie Spiegel
Pentachrome
75 bpm • A min • 07:18 • -18db
14% Popularity • 6% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Hailu Mergia
Yefikir Engurguro
85 bpm • G min • 06:15 • -13db
33% Popularity • 34% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Kali Malone
Spectacle Of Ritual
85 bpm • B min • 10:53 • -26.59db
32% Popularity • 13% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
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Jon Hassell
Griot (Over "Contagious Magic") - Live F...
86 bpm • C Maj • 04:02 • -31.27db
16% Popularity • 66% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 41% Positiveness
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Biosphere
Dissolving Clouds
75 bpm • D# Maj • 04:28 • -30db
39% Popularity • 6% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Tom Rogerson
Idea of Order at Kyson Point
74 bpm • G Maj • 03:30 • -22.23db
22% Popularity • 27% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Alabaster DePlume
Not My Ask
86 bpm • B min • 03:31 • -11.75db
32% Popularity • 21% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
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Iasos
Lueena Coast
86 bpm • G min • 04:12 • -15.67db
25% Popularity • 23% Danceability • 40% Energy • 19% Liveness
94% Instrumentalness • 6% Positiveness
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Patricia Brennan
Solar
74 bpm • C# Maj • 04:10 • -28.48db
20% Popularity • 21% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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William Basinski
92982.3
74 bpm • D# min • 07:03 • -20.8db
35% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Tara Clerkin
Castlefields
74 bpm • B Maj • 08:14 • -20db
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
85% Instrumentalness • 17% Positiveness
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Harold Budd
The Pearl - 2005 Digital Remaster
74 bpm • G min • 03:14 • -41.16db
37% Popularity • 7% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Jon Hassell
Rising Thermal 14° 16' N; 32° 28' E
74 bpm • D# Maj • 03:08 • -35.06db
26% Popularity • 9% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 25% Positiveness
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Carlos Niño
Pleasewakeupalittlefaster please . . .
87 bpm • C min • 03:49 • -17.69db
27% Popularity • 15% Danceability • 15% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
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Wilma Archer
Cures and Wounds
87 bpm • E min • 04:01 • -13.35db
19% Popularity • 50% Danceability • 20% Energy • 18% Liveness
72% Instrumentalness • 20% Positiveness
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John Abercrombie
Timeless
87 bpm • A Maj • 11:57 • -23.2db
34% Popularity • 32% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Sam Gendel
Mouthfeel 5
73 bpm • F min • 03:15 • -18.69db
27% Popularity • 12% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Popol Vuh
Ah!
87 bpm • G# Maj • 04:46 • -16.75db
26% Popularity • 19% Danceability • 19% Energy • 14% Liveness
79% Instrumentalness • 7% Positiveness
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Pablo's Eye
That Night Together With Her
88 bpm • C Maj • 05:08 • -18db
25% Popularity • 18% Danceability • 19% Energy • 34% Liveness
70% Instrumentalness • 8% Positiveness
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David Behrman
On the Other Ocean
73 bpm • C Maj • 06:50 • -14.73db
29% Popularity • 7% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • C min • 09:23 • -28.43db
37% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Arp
Wild Grass I (for Arthur Russell)
73 bpm • D Maj • 03:18 • -16db
16% Popularity • 12% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Carlos Niño & Friends
Calimayan
73 bpm • F min • 02:31 • -18.69db
27% Popularity • 22% Danceability • 22% Energy • 16% Liveness
95% Instrumentalness • 58% Positiveness
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Visible Cloaks
Terrazzo
88 bpm • D# min • 03:40 • -17.66db
28% Popularity • 15% Danceability • 23% Energy • 21% Liveness
90% Instrumentalness • 11% Positiveness
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William Basinski
Melancholia II
73 bpm • D# Maj • 06:49 • -31db
43% Popularity • 18% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
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Roberto Musci
Tamatave
88 bpm • C Maj • 04:18 • -18.59db
22% Popularity • 30% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Yasuaki Shimizu
Seiko 2
88 bpm • F min • 01:08 • -20.17db
35% Popularity • 32% Danceability • 28% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Jonny Nash
Photo With Grey Sky, White Clouds
72 bpm • A min • 08:29 • -27db
46% Popularity • 18% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Roger Eno
Verdigris
72 bpm • D# Maj • 04:03 • -32.42db
29% Popularity • 20% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Julianna Barwick
Inspirit
89 bpm • B Maj • 04:12 • -11.74db
39% Popularity • 17% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Mary Lattimore
Silver Ladders
89 bpm • F# min • 03:45 • -19.7db
33% Popularity • 33% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Jon Hassell
Ba-benzélé
89 bpm • C Maj • 06:17 • -29.44db
24% Popularity • 22% Danceability • 11% Energy • 33% Liveness
92% Instrumentalness • 29% Positiveness
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Stuart Dempster
Deep Hockets
89 bpm • D min • 03:42 • -27db
23% Popularity • 13% Danceability • 8% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Jon Balke
Ya Andalucin
72 bpm • A Maj • 02:25 • -18.43db
14% Popularity • 12% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Slow Attack Ensemble
In Blue Unsure Dawn
72 bpm • E min • 03:51 • -16db
31% Popularity • 34% Danceability • 17% Energy • 7% Liveness
84% Instrumentalness • 18% Positiveness
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Jeremiah Chiu
In Ã…land Air
90 bpm • A min • 03:14 • -22.99db
32% Popularity • 24% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 5% Positiveness
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Biosphere
Adagiati
90 bpm • C Maj • 01:51 • -30.43db
36% Popularity • 10% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Harold Budd
First Light - Remastered 2004
71 bpm • C Maj • 07:06 • -32db
44% Popularity • 12% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 16% Positiveness
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Carmen Villain
Agua Azul
90 bpm • C Maj • 05:16 • -17.37db
23% Popularity • 55% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Jon Hassell
Amsterdam Blue
71 bpm • C Maj • 09:19 • -27.59db
0% Popularity • 14% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Boozoo Bajou
Jan Mayen
71 bpm • G Maj • 07:28 • -18db
16% Popularity • 20% Danceability • 24% Energy • 37% Liveness
74% Instrumentalness • 17% Positiveness
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Paul Dresher
Channels Passing
90 bpm • A# Maj • 09:51 • -20.42db
8% Popularity • 43% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 18% Positiveness
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Laurie Spiegel
The Unquestioned Answer
71 bpm • G# Maj • 06:30 • -26.15db
34% Popularity • 11% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Harold Budd
Afar
71 bpm • C# Maj • 02:34 • -26db
30% Popularity • 14% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Jason Kolà r
Corners
90 bpm • B min • 02:53 • -19.34db
37% Popularity • 40% Danceability • 28% Energy • 8% Liveness
95% Instrumentalness • 28% Positiveness
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Mica Levi
Blue Shit
90 bpm • D# min • 04:41 • -21.55db
32% Popularity • 48% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Brian Eno
Always Returning - Remastered 2005
71 bpm • A# Maj • 04:04 • -24.36db
44% Popularity • 30% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
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Last Night The Moon Came