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Last One Standing
Songs like
Last One Standing
by
Emerson Drive
Based on a tempo of (+/- 10%) and a similar genre
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Emerson Drive
Countrified Soul
119 bpm • D Maj • 03:00 • -5.5db
25% Popularity • 69% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Carolyn Dawn Johnson
Head Over High Heels
119 bpm • D Maj • 03:15 • -4.13db
9% Popularity • 57% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Chris Cummings
The Kind of Heart That Breaks
119 bpm • D Maj • 02:37 • -5.51db
20% Popularity • 65% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Big & Rich
Brand New Buzz
119 bpm • B Maj • 03:22 • -3.84db
26% Popularity • 64% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Brooks & Dunn
That's What It's All About
118 bpm • A Maj • 03:59 • -3.06db
36% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Boy Howdy
They Don't Make Them Like That Anymore
119 bpm • A Maj • 03:26 • -6.13db
26% Popularity • 69% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Emerson Drive
Last One Standing
119 bpm • C Maj • 03:30 • -5.5db
20% Popularity • 61% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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David Nail
The Sound Of A Million Dreams
120 bpm • E Maj • 03:55 • -7.33db
32% Popularity • 56% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Aaron Lines
The Lights Of My Hometown
120 bpm • C# Maj • 03:31 • -5.48db
13% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jason Michael Carroll
We Threw It All Away
120 bpm • G# Maj • 03:51 • -4.47db
13% Popularity • 61% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Brooks & Dunn
Proud of the House We Built
120 bpm • F# Maj • 03:46 • -4.97db
40% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Tebey
Wake Me up
120 bpm • D Maj • 04:35 • -4db
41% Popularity • 57% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Emerson Drive
I'll Die Trying
120 bpm • C Maj • 04:22 • -7.27db
8% Popularity • 54% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Adam Gregory
The World Could Use A Cowboy
120 bpm • G Maj • 03:48 • -5.21db
12% Popularity • 63% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Trick Pony
The Bride
120 bpm • C# Maj • 02:58 • -2.96db
19% Popularity • 59% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Aaron Pritchett
Done You Wrong
120 bpm • D Maj • 04:13 • -5.76db
9% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jason Michael Carroll
Let Me
118 bpm • G Maj • 03:56 • -3.37db
19% Popularity • 62% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Dallas Smith
Somebody Somewhere
118 bpm • B Maj • 03:30 • -2.78db
33% Popularity • 56% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Emerson Drive
That Kind of Beautiful
120 bpm • C Maj • 03:08 • -4db
30% Popularity • 73% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Jason Blaine
Spotlight
120 bpm • F# min • 04:36 • -6.96db
16% Popularity • 65% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Darryl Worley
Family Tree
120 bpm • A Maj • 03:22 • -6.79db
15% Popularity • 77% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Pritchett
My Way
118 bpm • E Maj • 03:44 • -7.17db
15% Popularity • 55% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Trick Pony
On a Night Like This
118 bpm • F Maj • 03:30 • -5db
34% Popularity • 60% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Darius Rucker
All I Want
120 bpm • E Maj • 03:49 • -4.51db
27% Popularity • 64% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Emerson Drive
We Ride
118 bpm • G# Maj • 03:05 • -3.83db
6% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Kira Isabella
A Real Good Radio
121 bpm • G Maj • 03:32 • -5.23db
15% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Aaron Lines
Waitin' On The Wonderful
117 bpm • G Maj • 03:57 • -4.64db
7% Popularity • 59% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Rodney Atkins
Doin' It Right
121 bpm • B Maj • 03:45 • -4.5db
26% Popularity • 65% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Heartland
Let's Get Dirty
121 bpm • D Maj • 04:07 • -5.68db
17% Popularity • 70% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Darius Rucker
Heartbreak Road
117 bpm • E Maj • 03:13 • -5.57db
29% Popularity • 72% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Kevin Sharp
Measure of a Man
121 bpm • D Maj • 03:08 • -5.4db
17% Popularity • 72% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Big & Rich
Big Time
121 bpm • D Maj • 03:56 • -1.39db
37% Popularity • 66% Danceability • 93% Energy • 51% Liveness
0% Instrumentalness • 72% Positiveness
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Emerson Drive
Simple Miracles
122 bpm • D min • 04:19 • -8.08db
5% Popularity • 52% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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Chad Brock
She Does
122 bpm • A Maj • 04:02 • -4db
11% Popularity • 68% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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James Wesley
Didn't I
122 bpm • B Maj • 03:26 • -3.96db
21% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Jason Blaine
Cool
122 bpm • A Maj • 03:08 • -3.89db
22% Popularity • 62% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Ty Herndon
Loved Too Much
122 bpm • F Maj • 03:40 • -8.02db
30% Popularity • 64% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Aaron Pritchett
Big Wheel
122 bpm • G# Maj • 04:40 • -4.69db
13% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Tyler Farr
Hello Goodbye
116 bpm • D Maj • 03:41 • -6.52db
24% Popularity • 54% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Lady A
Lookin' For A Good Time
122 bpm • G Maj • 03:07 • -3db
42% Popularity • 66% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Luke Bryan
Every Time I See You
116 bpm • G Maj • 04:05 • -4.38db
31% Popularity • 49% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Emerson Drive
Til the Summer's Gone
116 bpm • C# Maj • 03:40 • -3.95db
10% Popularity • 60% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Bucky Covington
The Bible And The Belt
116 bpm • D Maj • 03:37 • -3.18db
18% Popularity • 56% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Brian McComas
99.9% Sure (I've Never Been Here Before)
116 bpm • G Maj • 03:13 • -3.41db
33% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Trick Pony
Just What I Do
122 bpm • F Maj • 03:22 • -5.65db
29% Popularity • 67% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Trent Tomlinson
Angels Like Her
122 bpm • G Maj • 04:06 • -4.32db
21% Popularity • 32% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Mindy McCready
The Other Side Of This Kiss
116 bpm • E Maj • 03:04 • -5.75db
21% Popularity • 69% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Emerson Drive
You're Like Coming Home
116 bpm • C Maj • 03:26 • -5.72db
15% Popularity • 63% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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Bucky Covington
Gotta Be Somebody
116 bpm • A Maj • 03:48 • -3.26db
24% Popularity • 53% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Love and Theft
Thinking Of You (And Me)
123 bpm • G# Maj • 03:25 • -7.45db
21% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Darius Rucker
Forever Road
115 bpm • G Maj • 04:01 • -4.77db
29% Popularity • 59% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Andy Griggs
Waitin' On Sundown
115 bpm • G# Maj • 03:48 • -7.45db
16% Popularity • 75% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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James Otto
For You
124 bpm • D Maj • 03:24 • -6.15db
21% Popularity • 56% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Emerson Drive
Waitin' On Me
123 bpm • G Maj • 02:54 • -4.69db
9% Popularity • 67% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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SHeDAISY
God Bless The American Housewife
114 bpm • D Maj • 03:10 • -4.27db
19% Popularity • 54% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Bucky Covington
Carolina Blue
114 bpm • G Maj • 03:51 • -4.61db
10% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Darius Rucker
Might Get Lucky
115 bpm • D# Maj • 03:45 • -5.07db
27% Popularity • 64% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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Tracy Lawrence
It's All How You Look At It
114 bpm • C Maj • 03:04 • -6.02db
18% Popularity • 76% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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James Otto
Where Angels Hang Around
124 bpm • F# Maj • 04:18 • -8.81db
15% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Brooks & Dunn
You Can't Take the Honky Tonk out of the...
114 bpm • F Maj • 03:41 • -3.92db
32% Popularity • 63% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Emerson Drive
If You Were My Girl
123 bpm • D Maj • 03:23 • -5.58db
16% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Steve Holy
Put Your Best Dress On
114 bpm • E Maj • 03:18 • -6.79db
11% Popularity • 54% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Andy Griggs
I Don't Know A Thing
114 bpm • D Maj • 03:36 • -6.29db
14% Popularity • 71% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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JT Hodges
Sleepy Little Town
114 bpm • D Maj • 03:34 • -5db
27% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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James Otto
These Are the Good Ole Days
114 bpm • C Maj • 03:35 • -6.03db
20% Popularity • 74% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Chris Cummings
That'll Teach Her
125 bpm • E Maj • 02:32 • -4.12db
17% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Aaron Lines
Love Changes Everything
125 bpm • G Maj • 03:13 • -6.39db
12% Popularity • 57% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Pritchett
Lucky for Me
125 bpm • B min • 03:09 • -6.99db
11% Popularity • 59% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Chad Brock
Ordinary Life
125 bpm • D# Maj • 03:56 • -9db
20% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Kennon
The Man I Used To be
125 bpm • F Maj • 03:49 • -4.9db
9% Popularity • 58% Danceability • 90% Energy • 48% Liveness
0% Instrumentalness • 58% Positiveness
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Brooks & Dunn
My Heart Is Lost to You
126 bpm • D Maj • 02:59 • -7.37db
28% Popularity • 55% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Jason McCoy
Born Again in Dixieland
113 bpm • B Maj • 03:25 • -7.62db
32% Popularity • 67% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Darryl Worley
Awful Beautiful Life
113 bpm • D Maj • 03:52 • -7db
44% Popularity • 63% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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SHeDAISY
I Will... But
113 bpm • D Maj • 03:39 • -5.11db
37% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Chuck Wicks
Fix Me
126 bpm • D# Maj • 03:43 • -7.98db
11% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Jason Blaine
Friends of Mine
126 bpm • E Maj • 03:32 • -4.26db
13% Popularity • 65% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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James Otto
Since You Brought It Up
112 bpm • G Maj • 03:45 • -6.15db
27% Popularity • 69% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Doc Walker
She Hasn't Always Been This Way
126 bpm • G Maj • 03:27 • -5db
21% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Chad Brock
The Visit
112 bpm • D Maj • 03:22 • -6.5db
11% Popularity • 63% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Blaine Larsen
Spoken Like A Man
112 bpm • E Maj • 02:45 • -2.85db
13% Popularity • 75% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Keith Anderson
Your Town for Now
112 bpm • C Maj • 03:16 • -5.96db
17% Popularity • 68% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Deric Ruttan
Up All Night
127 bpm • E Maj • 03:39 • -4db
23% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Dierks Bentley
Trying To Stop Your Leaving
112 bpm • G Maj • 03:38 • -5.56db
33% Popularity • 62% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jason McCoy
This Used to Be Our Town
127 bpm • D Maj • 03:47 • -7.3db
15% Popularity • 71% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Chad Brock
Yes!
127 bpm • D Maj • 03:26 • -6db
44% Popularity • 67% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Bobby Wills
Somebody Will
111 bpm • D Maj • 03:10 • -8db
13% Popularity • 62% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Jeff Bates
The Woman He Walked On
111 bpm • A# Maj • 03:03 • -7.39db
14% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Andy Griggs
I'll Go Crazy
111 bpm • D Maj • 03:04 • -9.03db
25% Popularity • 68% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Lila McCann
With You
128 bpm • E Maj • 03:32 • -6db
28% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Aaron Pritchett
You Can't Say That I Didn't Love You
128 bpm • A Maj • 04:12 • -4.99db
6% Popularity • 56% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Jason Blaine
On a Night Like This
128 bpm • G# Maj • 03:31 • -3.63db
16% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Luke Bryan
Apologize
128 bpm • D# Maj • 02:52 • -5.07db
36% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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David Nail
Desiree
128 bpm • G Maj • 04:52 • -4.14db
3% Popularity • 44% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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The Washboard Union
Feel Like That
128 bpm • A# Maj • 03:10 • -5db
26% Popularity • 55% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Dierks Bentley
Sweet & Wild
110 bpm • C# Maj • 04:49 • -4.01db
18% Popularity • 56% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Ty Herndon
A Man Holdin' On (To a Woman Lettin' Go)
128 bpm • A Maj • 03:37 • -8db
31% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Emerson Drive
I Love This Road
110 bpm • G# Maj • 03:47 • -3.05db
19% Popularity • 65% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Little Texas
Life Goes On
129 bpm • G Maj • 02:38 • -5.67db
24% Popularity • 71% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Love and Theft
Girls Love to Shake It
129 bpm • D Maj • 03:20 • -5db
19% Popularity • 68% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Dean Brody
Love Would Be Enough
129 bpm • G Maj • 02:54 • -3.87db
32% Popularity • 67% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Last One Standing