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Last Time
Songs like
Last Time
by
Adam Melchor
Based on a tempo of (+/- 10%) and a similar genre
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Adam Melchor
Last Time
146 bpm • G Maj • 03:13 • -11.35db
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
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Ivers
Push
145 bpm • B Maj • 03:24 • -8db
27% Popularity • 64% Danceability • 54% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
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Charlie Burg
Letter From Last Summer
145 bpm • D# Maj • 02:36 • -18.5db
37% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Bendigo Fletcher
Sugar in the Creek
145 bpm • B Maj • 04:11 • -7.84db
50% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Croix Du Nord
A Song for the Hills and You
147 bpm • D# Maj • 02:24 • -13.45db
28% Popularity • 71% Danceability • 35% Energy • 12% Liveness
58% Instrumentalness • 43% Positiveness
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Hailaker
Colorado
145 bpm • G Maj • 03:20 • -13.58db
42% Popularity • 56% Danceability • 18% Energy • 12% Liveness
60% Instrumentalness • 21% Positiveness
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Adam Melchor
not good for you
145 bpm • A Maj • 02:16 • -9.13db
45% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Sarah and the Sundays
Ruby Fields
145 bpm • C# min • 03:07 • -7db
51% Popularity • 54% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Bird and Byron
Where'd All the Time Go
147 bpm • E Maj • 04:01 • -4db
43% Popularity • 50% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Clairo
Blouse
145 bpm • G Maj • 03:15 • -20.33db
55% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Ezra Glatt
Pathways
144 bpm • A# Maj • 03:44 • -14.45db
31% Popularity • 38% Danceability • 34% Energy • 9% Liveness
27% Instrumentalness • 31% Positiveness
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Lucy Dacus
First Time
144 bpm • G# Maj • 04:14 • -5.95db
47% Popularity • 55% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Delaney Bailey
Oh Love
148 bpm • G# Maj • 02:45 • -14.92db
45% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Brook & The Bluff
Say Goodbye
144 bpm • D Maj • 03:28 • -7.4db
33% Popularity • 50% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Matilda Mann
The Loch Ness Monster
144 bpm • E Maj • 03:19 • -11.5db
37% Popularity • 53% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Philip Brooks
spend some time alone inside my head
144 bpm • A Maj • 02:34 • -8.04db
42% Popularity • 49% Danceability • 63% Energy • 11% Liveness
8% Instrumentalness • 37% Positiveness
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Ezra Glatt
Dust
148 bpm • E Maj • 02:47 • -15.25db
29% Popularity • 60% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 48% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
39% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Del Water Gap
Sorry I Am
149 bpm • D Maj • 04:01 • -8db
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
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Flyte
Everyone's A Winner
143 bpm • A Maj • 03:29 • -9.15db
47% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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Adam Melchor
Best Problem
150 bpm • E Maj • 03:58 • -9.04db
25% Popularity • 32% Danceability • 41% Energy • 18% Liveness
72% Instrumentalness • 13% Positiveness
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The Brummies
Lovers Do
150 bpm • G Maj • 03:10 • -8.6db
40% Popularity • 55% Danceability • 37% Energy • 35% Liveness
1% Instrumentalness • 30% Positiveness
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chloe moriondo
Manta Rays
150 bpm • E Maj • 03:31 • -3.81db
50% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Moses Sumney
Make Out in My Car - Sufjan Stevens Vers...
150 bpm • F Maj • 02:46 • -11.66db
52% Popularity • 55% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Del Water Gap
Chastain
150 bpm • F# Maj • 03:28 • -10.38db
42% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Japanese House
Dionne
150 bpm • E Maj • 04:44 • -6.1db
49% Popularity • 31% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Eleni Drake
King Street
150 bpm • E Maj • 03:38 • -11.58db
47% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Runnner
Ur Name on a Grain of Rice
150 bpm • C Maj • 05:01 • -8db
46% Popularity • 44% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
44% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
42% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Henry Jamison
I Forget Myself
142 bpm • A Maj • 03:32 • -12.14db
49% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Abraham
Nobody Wants To Hear Songs Anymore
150 bpm • F Maj • 03:30 • -14.92db
26% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Adam Melchor
Plan On You
142 bpm • G Maj • 03:28 • -12.72db
28% Popularity • 36% Danceability • 41% Energy • 12% Liveness
62% Instrumentalness • 49% Positiveness
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Charli Adams
Seventeen Again
141 bpm • D# Maj • 03:24 • -10.9db
39% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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The Japanese House
Chewing Cotton Wool
151 bpm • D Maj • 03:29 • -11.43db
47% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Squirrel Flower
So Hot You're Hurting My Feelings
141 bpm • F Maj • 03:29 • -7db
52% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Philip Brooks
red dress
141 bpm • C Maj • 02:42 • -15.32db
24% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Rosenthal
Have We Met Before?
140 bpm • G# Maj • 02:39 • -19db
52% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Stephen Day
Twenty Two and Some Change
140 bpm • G# Maj • 02:54 • -9.44db
44% Popularity • 66% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Flyte
White Roses
140 bpm • A# Maj • 03:26 • -7.08db
50% Popularity • 53% Danceability • 63% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
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Adam Melchor
Angel Numbers
152 bpm • D# Maj • 03:12 • -9db
25% Popularity • 60% Danceability • 58% Energy • 33% Liveness
2% Instrumentalness • 44% Positiveness
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Rayland Baxter
Without Me
152 bpm • G Maj • 05:44 • -9.82db
42% Popularity • 48% Danceability • 34% Energy • 56% Liveness
0% Instrumentalness • 39% Positiveness
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Wild Rivers
Amsterdam
140 bpm • C# Maj • 03:33 • -9.43db
61% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Orla Gartland
Heavy
140 bpm • F Maj • 04:04 • -12.02db
38% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Runnner
Snowplow
140 bpm • D Maj • 02:41 • -10.71db
40% Popularity • 60% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
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Ritt Momney
Golden Slumbers
140 bpm • C Maj • 02:58 • -12.31db
35% Popularity • 38% Danceability • 32% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
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Tall Heights
Keeps Me Light
140 bpm • D Maj • 03:46 • -6db
30% Popularity • 40% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Eloise
Intertwined
140 bpm • G Maj • 02:41 • -10db
45% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Hailaker
Iridesce
140 bpm • F Maj • 03:39 • -10.85db
27% Popularity • 40% Danceability • 33% Energy • 11% Liveness
7% Instrumentalness • 22% Positiveness
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Daniel Nunnelee
Listening
140 bpm • F Maj • 03:10 • -7.86db
18% Popularity • 34% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Runnner
Awash
140 bpm • D Maj • 03:09 • -10db
27% Popularity • 50% Danceability • 48% Energy • 31% Liveness
24% Instrumentalness • 21% Positiveness
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Christian Leave
Adult
139 bpm • D# Maj • 02:37 • -10db
45% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Flyte
Love is an Accident
153 bpm • F# Maj • 03:05 • -8.64db
39% Popularity • 65% Danceability • 42% Energy • 13% Liveness
26% Instrumentalness • 67% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Wallice
Punching Bag
139 bpm • C# min • 02:33 • -1.73db
46% Popularity • 62% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Philip Brooks
wait till u get home
153 bpm • B Maj • 02:26 • -15.3db
46% Popularity • 45% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Laura Elliott
Blue
139 bpm • D Maj • 04:12 • -13db
35% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Joy Oladokun
wish you the best
154 bpm • D Maj • 03:12 • -13db
28% Popularity • 29% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Adam Melchor
Means To A Mend
154 bpm • D Maj • 03:39 • -13.49db
26% Popularity • 38% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Hailaker
Oh, Boy
154 bpm • A Maj • 03:49 • -11.09db
29% Popularity • 52% Danceability • 27% Energy • 12% Liveness
67% Instrumentalness • 16% Positiveness
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Field Medic
i want you so bad it hurts
138 bpm • E Maj • 03:03 • -6.82db
33% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Delacey
Boy With The Blues
138 bpm • A Maj • 02:55 • -11.53db
41% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Laura Elliott
Grass Stains
138 bpm • G Maj • 04:00 • -6.58db
32% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Peter McPoland
Lady Bird
138 bpm • A Maj • 04:01 • -7.87db
37% Popularity • 49% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Adam Melchor
Three Hours Ahead
138 bpm • F Maj • 03:30 • -8.28db
24% Popularity • 46% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
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Zeph
Forever & Always
155 bpm • G# min • 04:09 • -24db
58% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Rusty Clanton
Comfort
138 bpm • A# Maj • 04:40 • -7.87db
27% Popularity • 47% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Christian Lee Hutson
Northsiders
137 bpm • A Maj • 03:43 • -14.45db
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Philip Brooks
didn't you believe in me?
155 bpm • B min • 02:15 • -11.14db
37% Popularity • 51% Danceability • 52% Energy • 7% Liveness
46% Instrumentalness • 77% Positiveness
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Oshima Brothers
Lost at Sea
156 bpm • F Maj • 03:18 • -11.34db
29% Popularity • 45% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
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Adam Melchor
RESOLUTION
137 bpm • D Maj • 04:36 • -8.07db
24% Popularity • 40% Danceability • 34% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
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Ethan Gruska
Teenage Drug
156 bpm • G Maj • 03:40 • -10db
35% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Field Guide
Tupperware
156 bpm • E Maj • 03:06 • -12.44db
38% Popularity • 64% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Christian Lee Hutson
Lose This Number
137 bpm • B Maj • 03:56 • -11.73db
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
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Hailaker
Famous
136 bpm • C# Maj • 03:53 • -12.56db
44% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Oshima Brothers
Dance With Me
156 bpm • E Maj • 03:25 • -6.49db
27% Popularity • 77% Danceability • 63% Energy • 33% Liveness
4% Instrumentalness • 73% Positiveness
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Adam Melchor
Rest Of My Night
156 bpm • A# Maj • 03:35 • -9.79db
22% Popularity • 34% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 31% Positiveness
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Samia
As You Are
136 bpm • B Maj • 02:21 • -11db
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Roo Panes
Remember Fall In Montreal
136 bpm • C Maj • 05:00 • -12db
47% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Lucy Dacus
Hot & Heavy
135 bpm • C Maj • 04:10 • -6.66db
60% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Sammy Copley
Growing Pains
135 bpm • D Maj • 04:15 • -24db
26% Popularity • 50% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Adam Melchor
I CHOOSE YOU
135 bpm • B Maj • 03:37 • -4.9db
42% Popularity • 56% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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Madi Diaz
New Person, Old Place
135 bpm • C Maj • 04:06 • -8db
36% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Matilda Mann
Japan
134 bpm • A# Maj • 02:14 • -12db
40% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Etta Marcus
Hide & Seek
159 bpm • G Maj • 03:41 • -8db
43% Popularity • 47% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
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Peter McPoland
News At 9
134 bpm • D# Maj • 03:13 • -6db
43% Popularity • 34% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Rusty Clanton
Oh, Isabella
134 bpm • E Maj • 02:55 • -8.71db
26% Popularity • 33% Danceability • 30% Energy • 85% Liveness
4% Instrumentalness • 12% Positiveness
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The Brazen Youth
If These Wild Winds Are Yours
134 bpm • F# Maj • 03:32 • -11.07db
20% Popularity • 55% Danceability • 44% Energy • 16% Liveness
14% Instrumentalness • 18% Positiveness
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EASHA
Dying Is a Beautiful Thing to Do
159 bpm • C Maj • 03:05 • -15.28db
40% Popularity • 44% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Field Medic
uuu
134 bpm • E Maj • 03:31 • -7db
45% Popularity • 53% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Phoebe Bridgers
Summer's End - Spotify Singles
134 bpm • C# Maj • 03:54 • -13.72db
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Angelo De Augustine
Blue
160 bpm • D Maj • 02:36 • -15db
39% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Rusty Clanton
I Hope It's You
134 bpm • B Maj • 03:57 • -8.96db
32% Popularity • 37% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Christian Leave
Hard Wad Body
133 bpm • C Maj • 03:26 • -8.53db
32% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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Ethan Gruska
Maybe I'll Go Nowhere
161 bpm • C# Maj • 04:03 • -17.42db
30% Popularity • 56% Danceability • 29% Energy • 9% Liveness
12% Instrumentalness • 45% Positiveness
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Last Time