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Last to Know
Songs like
Last to Know
by
Nicki Bluhm
Based on a tempo of (+/- 10%) and a similar genre
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Amanda Shires
Shake the Walls
126 bpm • A Maj • 03:20 • -9.69db
15% Popularity • 75% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Ordinary Elephant
Another Day
126 bpm • A Maj • 04:55 • -12db
21% Popularity • 69% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Caroline Spence
Long Haul
126 bpm • D Maj • 04:01 • -6db
26% Popularity • 62% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Justin Townes Earle
15-25
126 bpm • C Maj • 04:02 • -7.19db
12% Popularity • 54% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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The Be Good Tanyas
Light Enough to Travel
126 bpm • G Maj • 04:58 • -9db
33% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Yola
What You Do
126 bpm • G Maj • 03:16 • -4.52db
23% Popularity • 55% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Nicki Bluhm
Last to Know
126 bpm • A# Maj • 04:33 • -12.35db
4% Popularity • 44% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Yarn
Undone
125 bpm • G Maj • 03:27 • -8.75db
29% Popularity • 72% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Smither
Lonely Time
127 bpm • E Maj • 03:22 • -10.38db
33% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Los Colognes
Jumpin' Jack Flash
127 bpm • C Maj • 04:15 • -7.09db
23% Popularity • 55% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Parker Millsap
Your Water
125 bpm • G Maj • 02:42 • -20db
42% Popularity • 94% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Front Country
If Something Breaks
125 bpm • A# Maj • 04:56 • -8.4db
26% Popularity • 78% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Nicki Bluhm
The Beat Goes On
127 bpm • C# Maj • 03:39 • -11db
6% Popularity • 75% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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Andrew Combs
Emily
127 bpm • G# Maj • 03:59 • -9.61db
23% Popularity • 82% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Honeycutters
On the Ropes
125 bpm • A Maj • 03:15 • -5.98db
17% Popularity • 76% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Smooth Hound Smith
The Boots That Got Us There
125 bpm • A# Maj • 04:11 • -5.48db
8% Popularity • 62% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Bonnie Raitt
Angel from Montgomery
127 bpm • G# Maj • 04:11 • -9.54db
23% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Shovels & Rope
Patience
125 bpm • G Maj • 05:26 • -7.34db
27% Popularity • 52% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Waylon Payne
Santa Ana Winds
125 bpm • G Maj • 04:16 • -9.1db
32% Popularity • 56% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Erik Koskinen
First Time in Years
125 bpm • C Maj • 03:52 • -8db
17% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Shinyribs
Change Is Gonna Come
127 bpm • G Maj • 02:51 • -11.06db
35% Popularity • 68% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Buddy & Julie Miller
Chalk
125 bpm • F Maj • 03:40 • -8.26db
9% Popularity • 60% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Yarn
Life Is Weird
128 bpm • C Maj • 04:06 • -9.21db
29% Popularity • 67% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Crooked Still
We Can Work It Out
128 bpm • F Maj • 02:21 • -7.23db
23% Popularity • 49% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Caitlin Cary
The Battle
124 bpm • G Maj • 03:00 • -9.73db
29% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ray Bonneville
Funny 'Bout Love
128 bpm • C Maj • 03:44 • -11.02db
30% Popularity • 68% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 74% Positiveness
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Nicki Bluhm
Staring At The Sun
128 bpm • D Maj • 05:32 • -6.69db
4% Popularity • 43% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Aoife O'Donovan
Red & White & Blue & Gold
128 bpm • B Maj • 03:20 • -10db
47% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Bob Weir
Only a River
128 bpm • D Maj • 05:28 • -9db
33% Popularity • 52% Danceability • 46% Energy • 11% Liveness
7% Instrumentalness • 45% Positiveness
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Catherine MacLellan
Take A Break
124 bpm • E Maj • 02:46 • -10.49db
16% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Shannon McNally
Banshee Moan
128 bpm • G min • 04:01 • -12.81db
31% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Kirby Brown
Broken Bell
128 bpm • F Maj • 04:07 • -6.14db
0% Popularity • 44% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Nicki Bluhm
Friends (How To Do It)
124 bpm • D Maj • 03:34 • -7.81db
9% Popularity • 65% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
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Molly Tuttle
Lightning In A Jar
129 bpm • A Maj • 03:12 • -16.9db
23% Popularity • 46% Danceability • 17% Energy • 28% Liveness
2% Instrumentalness • 33% Positiveness
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Ray Bonneville
Good Times
123 bpm • G# Maj • 03:55 • -9.99db
36% Popularity • 72% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Birds of Chicago
Color of Love
123 bpm • C Maj • 03:24 • -10.91db
20% Popularity • 69% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Shannon McNally
It Makes No Difference
123 bpm • C Maj • 05:27 • -10db
18% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Buddy Miller
Angel From Montgomery
129 bpm • F Maj • 04:47 • -11.76db
28% Popularity • 53% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lukas Nelson and Promise of the Real
Forget About Georgia
129 bpm • C# Maj • 08:17 • -6.53db
42% Popularity • 62% Danceability • 60% Energy • 18% Liveness
3% Instrumentalness • 30% Positiveness
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Nicki Bluhm
Needles and Pins
129 bpm • G# Maj • 02:43 • -11.57db
3% Popularity • 61% Danceability • 70% Energy • 17% Liveness
18% Instrumentalness • 86% Positiveness
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Josh Ritter
Feels Like Lightning
123 bpm • C Maj • 03:02 • -8db
31% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Ray LaMontagne
God Willin' & the Creek Don't Rise
123 bpm • G Maj • 03:09 • -7.97db
39% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Birds of Chicago
Remember Wild Horses
123 bpm • C Maj • 04:46 • -9.62db
16% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jam in the Van
It's Ok Not to Be Ok - Live Session, Nas...
123 bpm • D Maj • 03:38 • -7.88db
0% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Lukas Nelson and Promise of the Real
Set Me Down On A Cloud
123 bpm • F# Maj • 07:16 • -6.03db
35% Popularity • 48% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Nicki Bluhm
Juniper Woodsmoke
129 bpm • D Maj • 03:52 • -10.56db
3% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Kelley Mickwee
River Girl
129 bpm • D Maj • 04:47 • -9db
28% Popularity • 41% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Jeffrey Foucault
Lodi
122 bpm • F# Maj • 02:53 • -14db
51% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Jamestown Revival
This Too Shall Pass
130 bpm • A Maj • 04:29 • -9db
33% Popularity • 76% Danceability • 54% Energy • 6% Liveness
5% Instrumentalness • 56% Positiveness
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Rainbow Girls
Helplessly Hoping
130 bpm • C Maj • 03:08 • -9.57db
18% Popularity • 47% Danceability • 25% Energy • 9% Liveness
4% Instrumentalness • 20% Positiveness
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Lukas Nelson and Promise of the Real
Turn Off The News (Build A Garden)
130 bpm • D Maj • 03:43 • -6db
23% Popularity • 29% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Nicki Bluhm
Things I've Done
122 bpm • F Maj • 03:21 • -6.33db
3% Popularity • 55% Danceability • 78% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
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The Waybacks
Lyin' Eyes
130 bpm • D Maj • 06:18 • -14.49db
0% Popularity • 56% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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Martha Scanlan
The West Was Burning
122 bpm • C Maj • 04:59 • -12.58db
14% Popularity • 63% Danceability • 40% Energy • 9% Liveness
4% Instrumentalness • 52% Positiveness
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Jamestown Revival
Mayday Man
122 bpm • E Maj • 03:58 • -7.79db
17% Popularity • 73% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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The Gourds
Everybody's Missing the Sun
122 bpm • G Maj • 02:59 • -9.4db
30% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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David Rawlings
Midnight Train
131 bpm • A Maj • 03:18 • -11db
27% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Nicki Bluhm
You Stopped Loving Me
123 bpm • E min • 04:39 • -10.11db
4% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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David Gray
Money (That's What I Want)
121 bpm • F Maj • 03:54 • -6db
42% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Justin Townes Earle
What's Goin' Wrong
131 bpm • D Maj • 03:25 • -10.46db
8% Popularity • 48% Danceability • 45% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
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The Mastersons
Perfect
121 bpm • C Maj • 04:03 • -6.03db
8% Popularity • 53% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Caroline Spence
Hotel Amarillo
121 bpm • C Maj • 04:00 • -7.09db
31% Popularity • 65% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Della Mae
Bourbon Hound
121 bpm • E Maj • 03:11 • -7.43db
27% Popularity • 70% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Nicki Bluhm
Danny's Song
129 bpm • F Maj • 04:02 • -9.7db
31% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Maia Sharp
Nothing But the Radio
132 bpm • F Maj • 03:19 • -6.04db
31% Popularity • 72% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Leon Majcen
Love and Misery
120 bpm • D min • 04:10 • -6.78db
30% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Ritter
When Will I Be Changed
120 bpm • F# Maj • 05:52 • -9.73db
23% Popularity • 48% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Scot Sax
Off the Mat
120 bpm • F min • 02:38 • -9.34db
0% Popularity • 81% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Dave Rawlings Machine
Ruby
120 bpm • A Maj • 04:54 • -10db
24% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Nicki Bluhm
Mountain out of Nothing
122 bpm • C# Maj • 03:11 • -6.16db
3% Popularity • 56% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Andrew Duhon
Easy Ways
120 bpm • G Maj • 04:19 • -6.54db
18% Popularity • 48% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Wynonna
Ramble On Rose
120 bpm • B Maj • 05:37 • -6.43db
13% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Sam Lewis
3/4 Time
132 bpm • F# Maj • 03:39 • -10.3db
27% Popularity • 60% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 94% Positiveness
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Molly Tuttle
Good Enough
133 bpm • C Maj • 02:55 • -13db
32% Popularity • 53% Danceability • 41% Energy • 18% Liveness
3% Instrumentalness • 57% Positiveness
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Watchhouse
Belly of the Beast
120 bpm • D Maj • 03:15 • -9.88db
41% Popularity • 68% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Nicki Bluhm
Baby Don't Go
120 bpm • C Maj • 03:38 • -12.39db
3% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jonah Tolchin
The Grateful Song (Thanksgiving)
133 bpm • G Maj • 04:11 • -14db
15% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Honeycutters
Me Oh My
120 bpm • C# Maj • 04:04 • -8.75db
18% Popularity • 67% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Birds of Chicago
Cannonball
133 bpm • C# Maj • 04:06 • -8.2db
20% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Milk Carton Kids
White Girl
133 bpm • D Maj • 03:44 • -12.14db
20% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Sam Lewis
Natural Disaster
133 bpm • G Maj • 05:29 • -7.41db
10% Popularity • 56% Danceability • 57% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
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Dave Alvin
King Of California
133 bpm • D# Maj • 04:50 • -12db
36% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Nicki Bluhm
Something Really Mean
119 bpm • G# Maj • 02:00 • -9.81db
3% Popularity • 54% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Waybacks
Tequila Sunrise > Working in a Coal Mine
119 bpm • G Maj • 06:01 • -17.69db
0% Popularity • 71% Danceability • 36% Energy • 74% Liveness
0% Instrumentalness • 82% Positiveness
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Birds of Chicago
Travelers
119 bpm • E Maj • 04:40 • -9.7db
11% Popularity • 60% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Anna Ash
Sister Golden Hair
119 bpm • F# Maj • 03:30 • -9.86db
30% Popularity • 69% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Frankie Lee
East Side Blues
134 bpm • E Maj • 05:30 • -10.5db
11% Popularity • 53% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Amanda Anne Platt & the Honeycutters
Desert Flowers
134 bpm • A Maj • 05:09 • -12.04db
7% Popularity • 60% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Travis Book
It’s Ok Not to be Ok (Live)
118 bpm • D Maj • 03:26 • -9.99db
0% Popularity • 70% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 63% Positiveness
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Justin Townes Earle
One More Night In Brooklyn
118 bpm • A Maj • 03:04 • -10.55db
50% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Birds of Chicago
Dim Star of the Palisades
119 bpm • E Maj • 02:58 • -9.51db
20% Popularity • 78% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Waybacks
Purple Rain
119 bpm • A# Maj • 06:30 • -11.02db
0% Popularity • 35% Danceability • 57% Energy • 94% Liveness
3% Instrumentalness • 46% Positiveness
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Caitlin Canty
Leaping Out
118 bpm • B Maj • 03:55 • -13.13db
25% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Frank Solivan and Dirty Kitchen
Rikki Don't Lose That Number
118 bpm • D Maj • 04:12 • -9.36db
12% Popularity • 85% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Ray LaMontagne
Blue Canadian Rockies - Recorded at Soun...
118 bpm • D# Maj • 02:16 • -11.09db
34% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Lilly Hiatt
You Must Go
118 bpm • C Maj • 05:02 • -8.91db
4% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Sarah Jarosz
Pay It No Mind
118 bpm • E min • 03:16 • -11.8db
33% Popularity • 79% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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The Waybacks
Desperado
118 bpm • B Maj • 04:43 • -18.51db
0% Popularity • 45% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Robert Bradley's Blackwater Surprise
Once Upon A Time
135 bpm • A Maj • 03:20 • -7db
32% Popularity • 63% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Fruition
Northern Town
135 bpm • A# Maj • 04:06 • -7.15db
24% Popularity • 58% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Last to Know