Songs like Last Year's Man by Leonard Cohen
Based on a tempo of (+/- 10%) and a similar genre
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Van Morrison
Slim Slow Slider - 1999 Remaster
134 bpm • G Maj • 03:17 • -18db
35% Popularity • 46% Danceability • 13% Energy • 23% Liveness
2% Instrumentalness • 18% Positiveness
35% Popularity • 46% Danceability • 13% Energy • 23% Liveness
2% Instrumentalness • 18% Positiveness
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Patti Smith
Birdland
134 bpm • E Maj • 09:13 • -11.32db
35% Popularity • 40% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 40% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Magnetic Fields
Reno Dakota
134 bpm • D Maj • 01:05 • -7.93db
45% Popularity • 63% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 93% Positiveness
45% Popularity • 63% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 93% Positiveness
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Leonard Cohen
Last Year's Man
134 bpm • D# Maj • 06:00 • -14.84db
35% Popularity • 46% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 46% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Karen Dalton
Reason to Believe
134 bpm • G Maj • 02:24 • -21db
43% Popularity • 36% Danceability • 7% Energy • 15% Liveness
59% Instrumentalness • 24% Positiveness
43% Popularity • 36% Danceability • 7% Energy • 15% Liveness
59% Instrumentalness • 24% Positiveness
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Jennifer Warnes
Joan of Arc - Digitally Remastered
135 bpm • F# Maj • 08:00 • -13db
31% Popularity • 55% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 55% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Van Morrison
Madame George - 1999 Remaster
134 bpm • G Maj • 09:45 • -16db
40% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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Nico
Somewhere There's A Feather
133 bpm • G# Maj • 02:16 • -13db
37% Popularity • 42% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 42% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Richard & Linda Thompson
Don't Renege on Our Love
133 bpm • G Maj • 04:18 • -14.83db
18% Popularity • 66% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
18% Popularity • 66% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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John Prine
Hello in There
135 bpm • C Maj • 04:32 • -17db
47% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
47% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Gene Clark
With Tomorrow
135 bpm • D Maj • 02:25 • -15db
39% Popularity • 54% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 58% Positiveness
39% Popularity • 54% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 58% Positiveness
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Leonard Cohen
Leaving Green Sleeves
135 bpm • A min • 02:39 • -14db
30% Popularity • 54% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 54% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Van Morrison
Ballerina - 1999 Remaster
135 bpm • G Maj • 07:03 • -15db
34% Popularity • 44% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 44% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Suzanne Vega
Story Of Isaac
136 bpm • D# Maj • 04:06 • -16.61db
22% Popularity • 53% Danceability • 22% Energy • 15% Liveness
4% Instrumentalness • 26% Positiveness
22% Popularity • 53% Danceability • 22% Energy • 15% Liveness
4% Instrumentalness • 26% Positiveness
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Roxy Music
Strictly Confidential
132 bpm • A# Maj • 03:48 • -7.63db
28% Popularity • 38% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 11% Positiveness
28% Popularity • 38% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 11% Positiveness
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Elliott Smith
Waltz #2 (XO)
132 bpm • A# Maj • 04:40 • -7.67db
60% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
60% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Belle and Sebastian
It Could Have Been a Brilliant Career
136 bpm • C# min • 02:23 • -16db
38% Popularity • 48% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 48% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Leonard Cohen
Chelsea Hotel #2
132 bpm • F Maj • 03:06 • -20.18db
54% Popularity • 52% Danceability • 6% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
54% Popularity • 52% Danceability • 6% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
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John Martyn
Spencer The Rover
132 bpm • E Maj • 04:09 • -19db
33% Popularity • 41% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
33% Popularity • 41% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Van Morrison
Ballerina - Long Version
135 bpm • G Maj • 08:02 • -15.76db
21% Popularity • 44% Danceability • 36% Energy • 37% Liveness
1% Instrumentalness • 53% Positiveness
21% Popularity • 44% Danceability • 36% Energy • 37% Liveness
1% Instrumentalness • 53% Positiveness
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Phil Ochs
The Highwayman
137 bpm • G# min • 05:39 • -14.02db
22% Popularity • 56% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 56% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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George Harrison
Run of the Mill (2014 Remaster)
137 bpm • D Maj • 02:51 • -8db
50% Popularity • 54% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
50% Popularity • 54% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Judee Sill
The Donor - Remastered
131 bpm • E min • 08:05 • -10db
22% Popularity • 24% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 24% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Leonard Cohen
Is This What You Wanted
132 bpm • D Maj • 04:13 • -14.77db
40% Popularity • 57% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 57% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Nick Cave
Albuquerque
137 bpm • D# Maj • 03:56 • -16.57db
33% Popularity • 20% Danceability • 16% Energy • 8% Liveness
6% Instrumentalness • 6% Positiveness
33% Popularity • 20% Danceability • 16% Energy • 8% Liveness
6% Instrumentalness • 6% Positiveness
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Van Morrison
Slim Slow Slider - Long Version
136 bpm • G Maj • 04:53 • -16.01db
20% Popularity • 47% Danceability • 16% Energy • 5% Liveness
2% Instrumentalness • 16% Positiveness
20% Popularity • 47% Danceability • 16% Energy • 5% Liveness
2% Instrumentalness • 16% Positiveness
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The Incredible String Band
You Get Brighter - 2010 Remaster
131 bpm • C Maj • 05:46 • -13.3db
13% Popularity • 49% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 49% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Daniel Johnston
Don't Let the Sun Go Down on Your Grieva...
131 bpm • C Maj • 03:20 • -10db
18% Popularity • 51% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
18% Popularity • 51% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
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Smog
Truth Serum
131 bpm • C# Maj • 07:28 • -10.45db
20% Popularity • 57% Danceability • 56% Energy • 8% Liveness
28% Instrumentalness • 21% Positiveness
20% Popularity • 57% Danceability • 56% Energy • 8% Liveness
28% Instrumentalness • 21% Positiveness
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Leonard Cohen
Diamonds in the Mine
137 bpm • A Maj • 03:50 • -11.47db
35% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Simon & Garfunkel
Sparrow
131 bpm • F Maj • 02:47 • -15.76db
46% Popularity • 38% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 38% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Van Morrison
Madame George - Take 4
137 bpm • G Maj • 08:24 • -17.47db
21% Popularity • 49% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 49% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Nick Cave
Lucy (Version #2)
131 bpm • G Maj • 02:23 • -16.4db
31% Popularity • 30% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 30% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Tim Hardin
It'll Never Happen Again
138 bpm • A min • 02:37 • -18.34db
31% Popularity • 40% Danceability • 9% Energy • 19% Liveness
1% Instrumentalness • 24% Positiveness
31% Popularity • 40% Danceability • 9% Energy • 19% Liveness
1% Instrumentalness • 24% Positiveness
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Brian Eno
Fat Lady Of Limbourg - 2004 Digital Rema...
130 bpm • A min • 05:05 • -16.38db
29% Popularity • 73% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 73% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Daniel Johnston
Syrup of Tears
138 bpm • C Maj • 04:11 • -9db
9% Popularity • 30% Danceability • 47% Energy • 11% Liveness
64% Instrumentalness • 21% Positiveness
9% Popularity • 30% Danceability • 47% Energy • 11% Liveness
64% Instrumentalness • 21% Positiveness
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Smog
Palimpsest
138 bpm • D# min • 02:52 • -17.2db
37% Popularity • 56% Danceability • 19% Energy • 16% Liveness
19% Instrumentalness • 29% Positiveness
37% Popularity • 56% Danceability • 19% Energy • 16% Liveness
19% Instrumentalness • 29% Positiveness
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Loudon Wainwright III
The Man Who Couldn't Cry
130 bpm • D Maj • 06:15 • -13.96db
27% Popularity • 69% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 69% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Nick Cave
Lavender Fields
138 bpm • A# Maj • 04:33 • -16.07db
34% Popularity • 16% Danceability • 18% Energy • 8% Liveness
46% Instrumentalness • 20% Positiveness
34% Popularity • 16% Danceability • 18% Energy • 8% Liveness
46% Instrumentalness • 20% Positiveness
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Leonard Cohen
A Singer Must Die
130 bpm • F Maj • 03:17 • -18.17db
33% Popularity • 47% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
33% Popularity • 47% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Simon & Garfunkel
Bookends Theme - Reprise
138 bpm • E Maj • 01:20 • -23.51db
59% Popularity • 47% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
59% Popularity • 47% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
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Michael Chapman
Rabbit Hills - 2011 Remaster
138 bpm • D Maj • 04:09 • -12.31db
12% Popularity • 42% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 42% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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Nico
My Only Child
138 bpm • B Maj • 03:30 • -17.99db
23% Popularity • 43% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 43% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Loudon Wainwright III
New Paint
130 bpm • G Maj • 03:00 • -17.72db
27% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Belle and Sebastian
If You're Feeling Sinister
130 bpm • F# Maj • 05:21 • -13.36db
41% Popularity • 58% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 58% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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The Magnetic Fields
A Chicken With Its Head Cut Off
138 bpm • C Maj • 02:41 • -8db
47% Popularity • 74% Danceability • 85% Energy • 11% Liveness
79% Instrumentalness • 87% Positiveness
47% Popularity • 74% Danceability • 85% Energy • 11% Liveness
79% Instrumentalness • 87% Positiveness
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Bruce Springsteen
Nebraska
129 bpm • F# Maj • 04:29 • -15.9db
44% Popularity • 38% Danceability • 7% Energy • 38% Liveness
2% Instrumentalness • 15% Positiveness
44% Popularity • 38% Danceability • 7% Energy • 38% Liveness
2% Instrumentalness • 15% Positiveness
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Leonard Cohen
If It Be Your Will
139 bpm • E Maj • 03:44 • -15.89db
47% Popularity • 43% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 43% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Warren Zevon
Hasten Down the Wind
139 bpm • E Maj • 02:32 • -11.5db
45% Popularity • 42% Danceability • 30% Energy • 14% Liveness
41% Instrumentalness • 30% Positiveness
45% Popularity • 42% Danceability • 30% Energy • 14% Liveness
41% Instrumentalness • 30% Positiveness
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David Byrne
Au Fond du Temple Saint
139 bpm • D# Maj • 04:49 • -9.63db
21% Popularity • 19% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 19% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Silver Jews
What Is Not But Could Be If
129 bpm • G Maj • 03:07 • -12.78db
28% Popularity • 49% Danceability • 40% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
28% Popularity • 49% Danceability • 40% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
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Belle and Sebastian
The Fox in the Snow
129 bpm • C# Maj • 04:11 • -15.01db
41% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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The Modern Lovers
Girlfriend
128 bpm • G Maj • 03:55 • -10.88db
27% Popularity • 62% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 62% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Yusuf / Cat Stevens
Trouble
140 bpm • F# Maj • 02:52 • -15.08db
57% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Richard & Linda Thompson
The Great Valerio
128 bpm • E Maj • 05:26 • -16.24db
17% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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David Byrne
Everything That Happens
140 bpm • D Maj • 03:43 • -8.74db
28% Popularity • 32% Danceability • 32% Energy • 11% Liveness
67% Instrumentalness • 28% Positiveness
28% Popularity • 32% Danceability • 32% Energy • 11% Liveness
67% Instrumentalness • 28% Positiveness
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Donovan
Sunny Goodge Street
128 bpm • C min • 02:54 • -15.72db
29% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 34% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Bragg
Ingrid Bergman
128 bpm • E Maj • 01:50 • -14.51db
42% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Michael Chapman
Postcards Of Scarborough - 2011 Remaster
141 bpm • F# min • 05:19 • -10.3db
17% Popularity • 39% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 39% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Van Morrison
The Way Young Lovers Do - 1999 Remaster
127 bpm • A min • 03:17 • -12.24db
43% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Brian Eno
Here He Comes - 2004 Digital Remaster
127 bpm • D Maj • 05:38 • -11.89db
30% Popularity • 41% Danceability • 44% Energy • 26% Liveness
12% Instrumentalness • 19% Positiveness
30% Popularity • 41% Danceability • 44% Energy • 26% Liveness
12% Instrumentalness • 19% Positiveness
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Pete Seeger
We Shall Overcome
127 bpm • C Maj • 04:44 • -12.36db
23% Popularity • 40% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 40% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Joni Mitchell
All I Want
141 bpm • F# Maj • 03:34 • -10.52db
50% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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The Kinks
Strangers (2020 Stereo Remaster)
127 bpm • C Maj • 03:21 • -8.65db
55% Popularity • 46% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 46% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Daniel Johnston
Cold Hard World
142 bpm • G Maj • 03:10 • -9.69db
12% Popularity • 39% Danceability • 41% Energy • 11% Liveness
53% Instrumentalness • 52% Positiveness
12% Popularity • 39% Danceability • 41% Energy • 11% Liveness
53% Instrumentalness • 52% Positiveness
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Van Morrison
Cyprus Avenue - 1999 Remaster
127 bpm • A# Maj • 06:59 • -14.63db
42% Popularity • 48% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 48% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Tim Hardin
Bird On the Wire
126 bpm • G Maj • 05:27 • -13db
25% Popularity • 43% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 43% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Leonard Cohen
The Captain
126 bpm • C Maj • 04:07 • -13.55db
33% Popularity • 67% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 67% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Elvis Costello & The Attractions
Shipbuilding
143 bpm • G Maj • 04:52 • -14db
40% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Tom Verlaine
Last Night
126 bpm • C Maj • 04:37 • -11.78db
12% Popularity • 55% Danceability • 50% Energy • 16% Liveness
13% Instrumentalness • 40% Positiveness
12% Popularity • 55% Danceability • 50% Energy • 16% Liveness
13% Instrumentalness • 40% Positiveness
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Television
Guiding Light
143 bpm • B Maj • 05:32 • -14.12db
36% Popularity • 55% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 53% Positiveness
36% Popularity • 55% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 53% Positiveness
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Palace Brothers
You Will Miss Me When I Burn
125 bpm • A Maj • 03:18 • -17db
25% Popularity • 48% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 48% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Yusuf / Cat Stevens
How Can I Tell You - Remastered 2021
125 bpm • D Maj • 04:26 • -14.65db
56% Popularity • 55% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
56% Popularity • 55% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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Richard & Linda Thompson
Down Where The Drunkards Roll
125 bpm • A# Maj • 04:06 • -14.1db
25% Popularity • 44% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
25% Popularity • 44% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Roxy Music
Sea Breezes
143 bpm • B min • 07:03 • -10.43db
19% Popularity • 42% Danceability • 27% Energy • 31% Liveness
6% Instrumentalness • 4% Positiveness
19% Popularity • 42% Danceability • 27% Energy • 31% Liveness
6% Instrumentalness • 4% Positiveness
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The Magnetic Fields
When You're Old and Lonely
125 bpm • G Maj • 01:57 • -16db
44% Popularity • 43% Danceability • 24% Energy • 11% Liveness
71% Instrumentalness • 17% Positiveness
44% Popularity • 43% Danceability • 24% Energy • 11% Liveness
71% Instrumentalness • 17% Positiveness
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Bruce Springsteen
Mansion On the Hill
125 bpm • D Maj • 04:04 • -16.8db
39% Popularity • 34% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 34% Danceability • 9% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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John Martyn
May You Never
125 bpm • E Maj • 03:40 • -15db
48% Popularity • 67% Danceability • 17% Energy • 11% Liveness
79% Instrumentalness • 73% Positiveness
48% Popularity • 67% Danceability • 17% Energy • 11% Liveness
79% Instrumentalness • 73% Positiveness
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Brian Eno
I'll Come Running - 2004 Remaster
125 bpm • A Maj • 03:49 • -13.17db
41% Popularity • 59% Danceability • 49% Energy • 9% Liveness
5% Instrumentalness • 81% Positiveness
41% Popularity • 59% Danceability • 49% Energy • 9% Liveness
5% Instrumentalness • 81% Positiveness
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RodrÃguez
Sandrevan Lullaby - Lifestyles
144 bpm • D min • 06:37 • -5.36db
43% Popularity • 37% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 37% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Mary Margaret O'Hara
To Cry About
125 bpm • B Maj • 03:24 • -21.95db
22% Popularity • 42% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 42% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Belle and Sebastian
The State I Am In
145 bpm • F# Maj • 04:57 • -13.19db
40% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Arthur Russell
Close My Eyes
124 bpm • G Maj • 02:33 • -13.82db
40% Popularity • 66% Danceability • 24% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
40% Popularity • 66% Danceability • 24% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
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John Martyn
Go Down Easy
144 bpm • D Maj • 03:35 • -20.56db
34% Popularity • 48% Danceability • 10% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
34% Popularity • 48% Danceability • 10% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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Brian Eno
Backwater - 2004 Digital Remaster
125 bpm • A# Maj • 03:43 • -11.43db
31% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 66% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Van Morrison
Beside You - 1999 Remaster
145 bpm • E min • 05:16 • -15.15db
36% Popularity • 43% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 43% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Roxy Music
Psalm
145 bpm • C Maj • 08:04 • -10.31db
25% Popularity • 37% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 37% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Tim Hardin
The Lady Came From Baltimore
145 bpm • C Maj • 01:49 • -14db
40% Popularity • 57% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 57% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Love
Live and Let Live - 2015 Remaster
123 bpm • D min • 05:26 • -14.78db
31% Popularity • 59% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 59% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Vic Chesnutt
You Are Never Alone
123 bpm • A Maj • 05:45 • -12db
14% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Gillian Welch
Revelator
146 bpm • A min • 06:21 • -9.79db
30% Popularity • 56% Danceability • 26% Energy • 35% Liveness
1% Instrumentalness • 18% Positiveness
30% Popularity • 56% Danceability • 26% Energy • 35% Liveness
1% Instrumentalness • 18% Positiveness
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Patti Smith
Wing
146 bpm • D Maj • 04:53 • -16.37db
19% Popularity • 52% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 52% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Leonard Cohen
Our Lady of Solitude
122 bpm • A Maj • 03:13 • -16.1db
21% Popularity • 56% Danceability • 22% Energy • 11% Liveness
6% Instrumentalness • 22% Positiveness
21% Popularity • 56% Danceability • 22% Energy • 11% Liveness
6% Instrumentalness • 22% Positiveness
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Richard & Linda Thompson
The End Of The Rainbow
123 bpm • C min • 03:57 • -15.76db
23% Popularity • 59% Danceability • 21% Energy • 12% Liveness
38% Instrumentalness • 16% Positiveness
23% Popularity • 59% Danceability • 21% Energy • 12% Liveness
38% Instrumentalness • 16% Positiveness
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Yusuf / Cat Stevens
Hard Headed Woman
147 bpm • C Maj • 03:46 • -12.48db
54% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Tia Blake
The Rising of the Moon
147 bpm • E min • 03:55 • -22.84db
44% Popularity • 51% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 51% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Smog
Let Me See The Colts
122 bpm • B Maj • 06:39 • -11.43db
24% Popularity • 52% Danceability • 39% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
24% Popularity • 52% Danceability • 39% Energy • 11% Liveness
4% Instrumentalness • 38% Positiveness
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PJ Harvey
Angelene
122 bpm • C Maj • 03:34 • -12db
46% Popularity • 59% Danceability • 30% Energy • 39% Liveness
4% Instrumentalness • 17% Positiveness
46% Popularity • 59% Danceability • 30% Energy • 39% Liveness
4% Instrumentalness • 17% Positiveness
