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Late In The Day
Songs like
Late In The Day
by
Supergrass
Based on a tempo of (+/- 10%) and a similar genre
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Supergrass
Velvetine
86 bpm • G Maj • 03:39 • -12.89db
5% Popularity • 28% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Arctic Monkeys
Do I Wanna Know?
85 bpm • F Maj • 04:32 • -7.6db
87% Popularity • 55% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Red Hot Chili Peppers
Under the Bridge
85 bpm • E Maj • 04:24 • -13.5db
83% Popularity • 56% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Radiohead
High and Dry
88 bpm • E Maj • 04:17 • -11.78db
77% Popularity • 42% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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a-ha
Take on Me
84 bpm • F# min • 03:45 • -7.64db
89% Popularity • 57% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Oasis
Married With Children - Remastered
88 bpm • E Maj • 03:15 • -10.85db
57% Popularity • 59% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Supergrass
Late in the Day
86 bpm • A min • 04:43 • -10.52db
36% Popularity • 29% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Ocean Colour Scene
The Day We Caught The Train
89 bpm • D Maj • 03:06 • -7.76db
57% Popularity • 52% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Red Hot Chili Peppers
Scar Tissue
89 bpm • C Maj • 03:35 • -4.8db
83% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Daryl Hall & John Oates
Maneater
89 bpm • B min • 04:33 • -13.08db
84% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Verve
Sonnet
89 bpm • C Maj • 04:21 • -7.3db
65% Popularity • 43% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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The Strokes
Hard To Explain
82 bpm • G Maj • 03:44 • -6.28db
63% Popularity • 41% Danceability • 68% Energy • 10% Liveness
85% Instrumentalness • 62% Positiveness
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Wham!
Wake Me Up Before You Go-Go
82 bpm • C Maj • 03:51 • -11.89db
81% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Sublime
Santeria
91 bpm • C# min • 03:02 • -5.02db
80% Popularity • 68% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Razorlight
America
91 bpm • D Maj • 04:09 • -4.98db
65% Popularity • 45% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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The Stone Roses
Love Spreads
91 bpm • D Maj • 05:47 • -8.45db
58% Popularity • 44% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 59% Positiveness
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Supergrass
Tales of Endurance, Pt. 4, 5 & 6
91 bpm • A min • 05:31 • -7.6db
40% Popularity • 28% Danceability • 65% Energy • 22% Liveness
39% Instrumentalness • 12% Positiveness
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Pixies
Where Is My Mind? - 2007 Remaster
81 bpm • E Maj • 03:54 • -14.18db
78% Popularity • 52% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Red Hot Chili Peppers
Can't Stop
91 bpm • A Maj • 04:29 • -3.44db
84% Popularity • 62% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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George Michael
Freedom! '90 - Remastered
92 bpm • F Maj • 06:30 • -10.35db
66% Popularity • 67% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Radiohead
Creep
92 bpm • G Maj • 03:58 • -9.94db
87% Popularity • 52% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Semisonic
Closing Time
92 bpm • G Maj • 04:34 • -5.45db
74% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Arctic Monkeys
Why'd You Only Call Me When You're High?
92 bpm • D Maj • 02:41 • -6.48db
87% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Supergrass
Sad Girl
92 bpm • G# min • 03:36 • -7.71db
26% Popularity • 54% Danceability • 65% Energy • 11% Liveness
71% Instrumentalness • 54% Positiveness
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The La's
Feelin'
92 bpm • C Maj • 01:44 • -13db
50% Popularity • 50% Danceability • 88% Energy • 12% Liveness
31% Instrumentalness • 92% Positiveness
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The Monkees
I'm a Believer - 2006 Remaster
80 bpm • C Maj • 02:47 • -6.05db
75% Popularity • 53% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Cold War Kids
Hang Me Up To Dry
92 bpm • A min • 03:38 • -2.82db
67% Popularity • 51% Danceability • 92% Energy • 50% Liveness
0% Instrumentalness • 64% Positiveness
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The Lumineers
Ho Hey
80 bpm • C Maj • 02:43 • -9.07db
81% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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TOTO
Africa
93 bpm • A Maj • 04:55 • -18.06db
84% Popularity • 67% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Supergrass
Evening of the Day (Helioscentric Demo)
92 bpm • G Maj • 03:35 • -12.05db
5% Popularity • 57% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
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Outkast
Hey Ya!
80 bpm • E min • 03:55 • -2.26db
84% Popularity • 73% Danceability • 97% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Kaiser Chiefs
Ruby
93 bpm • F min • 03:24 • -2.82db
61% Popularity • 45% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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The Stranglers
Golden Brown
94 bpm • F# Maj • 03:26 • -15.47db
70% Popularity • 56% Danceability • 38% Energy • 14% Liveness
12% Instrumentalness • 60% Positiveness
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Kasabian
Club Foot
95 bpm • C Maj • 03:35 • -6.86db
55% Popularity • 18% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Primal Scream
Movin' on Up
94 bpm • F Maj • 03:48 • -12.44db
60% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Green Day
Good Riddance (Time of Your Life)
95 bpm • G Maj • 02:33 • -7.84db
79% Popularity • 48% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Wheatus
Teenage Dirtbag
95 bpm • E Maj • 04:01 • -3.9db
79% Popularity • 62% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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The Cranberries
Linger
95 bpm • G Maj • 04:34 • -14.92db
85% Popularity • 44% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Tears For Fears
Head Over Heels - Dave Bascombe 7" N.Mix
95 bpm • G Maj • 04:17 • -8.12db
72% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Cage The Elephant
Trouble
78 bpm • C Maj • 03:45 • -5.66db
72% Popularity • 47% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Razorlight
Golden Touch - Full Length
95 bpm • C# min • 03:25 • -4.17db
61% Popularity • 61% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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The Verve
The Drugs Don't Work
77 bpm • C Maj • 05:04 • -8.65db
63% Popularity • 44% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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The White Stripes
Fell In Love With a Girl
96 bpm • E min • 01:50 • -1.57db
73% Popularity • 36% Danceability • 98% Energy • 94% Liveness
0% Instrumentalness • 30% Positiveness
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Queen
Crazy Little Thing Called Love - Remaste...
77 bpm • C Maj • 02:43 • -6.89db
83% Popularity • 60% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Natalie Imbruglia
Torn
96 bpm • F Maj • 04:04 • -5.18db
80% Popularity • 57% Danceability • 89% Energy • 71% Liveness
0% Instrumentalness • 61% Positiveness
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Red Hot Chili Peppers
Californication
96 bpm • A min • 05:29 • -2.79db
85% Popularity • 59% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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The Who
My Generation - Stereo Version
97 bpm • D min • 03:18 • -9.19db
63% Popularity • 41% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 70% Positiveness
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Radiohead
No Surprises
76 bpm • F Maj • 03:49 • -10.65db
83% Popularity • 26% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Violent Femmes
Blister In The Sun
97 bpm • C Maj • 02:25 • -8.9db
73% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Queen
Good Old-Fashioned Lover Boy - Remastere...
97 bpm • D# Maj • 02:53 • -6.72db
71% Popularity • 54% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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The White Stripes
We're Going to Be Friends
97 bpm • G Maj • 02:20 • -5.75db
67% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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No Doubt
Don't Speak
76 bpm • F min • 04:23 • -7.13db
80% Popularity • 52% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Arctic Monkeys
R U Mine?
97 bpm • F# min • 03:21 • -5.69db
82% Popularity • 29% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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The Lumineers
Ophelia
76 bpm • F Maj • 02:40 • -6.52db
76% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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The Verve
Lucky Man
76 bpm • D Maj • 04:53 • -7.59db
68% Popularity • 41% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Phoenix
Lisztomania
98 bpm • C Maj • 04:01 • -6.69db
70% Popularity • 64% Danceability • 79% Energy • 53% Liveness
0% Instrumentalness • 31% Positiveness
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Green Day
When I Come Around
98 bpm • B Maj • 02:58 • -4.24db
79% Popularity • 53% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Eels
My Beloved Monster
98 bpm • A Maj • 02:12 • -13db
54% Popularity • 48% Danceability • 28% Energy • 65% Liveness
43% Instrumentalness • 46% Positiveness
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Pulp
Mile End
98 bpm • F Maj • 04:30 • -8.92db
48% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Oasis
Stop Crying Your Heart Out
75 bpm • D Maj • 05:03 • -5.33db
74% Popularity • 38% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Supergrass
Going Out
98 bpm • D min • 04:16 • -7.36db
29% Popularity • 36% Danceability • 67% Energy • 12% Liveness
52% Instrumentalness • 47% Positiveness
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Radiohead
Karma Police
75 bpm • G Maj • 04:24 • -9.13db
79% Popularity • 36% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Pixies
Hey
100 bpm • G Maj • 03:30 • -12.37db
67% Popularity • 59% Danceability • 37% Energy • 32% Liveness
1% Instrumentalness • 31% Positiveness
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Sixpence None The Richer
Kiss Me
100 bpm • D# Maj • 03:28 • -6.96db
84% Popularity • 53% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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The Kooks
Naive
100 bpm • G# min • 03:23 • -6.21db
77% Popularity • 39% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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KT Tunstall
Suddenly I See
100 bpm • C Maj • 03:21 • -5.71db
78% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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ABBA
Dancing Queen
101 bpm • A Maj • 03:50 • -6.51db
85% Popularity • 54% Danceability • 87% Energy • 79% Liveness
0% Instrumentalness • 75% Positiveness
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Radiohead
Fake Plastic Trees
74 bpm • D Maj • 04:50 • -12.59db
74% Popularity • 46% Danceability • 23% Energy • 20% Liveness
10% Instrumentalness • 14% Positiveness
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David Bowie
Starman - 2012 Remaster
100 bpm • F Maj • 04:14 • -10.3db
78% Popularity • 49% Danceability • 45% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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MGMT
Time to Pretend
101 bpm • D Maj • 04:21 • -3.25db
79% Popularity • 44% Danceability • 94% Energy • 30% Liveness
8% Instrumentalness • 42% Positiveness
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Kasabian
Underdog
101 bpm • F min • 04:37 • -5.41db
61% Popularity • 53% Danceability • 90% Energy • 58% Liveness
0% Instrumentalness • 66% Positiveness
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Chumbawamba
Tubthumping
101 bpm • D Maj • 04:38 • -7.37db
70% Popularity • 35% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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U2
Sunday Bloody Sunday - Remastered 2008
101 bpm • F# Maj • 04:39 • -7.5db
72% Popularity • 54% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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The Jam
Town Called Malice
102 bpm • G Maj • 02:53 • -8.92db
68% Popularity • 54% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
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Third Eye Blind
Semi-Charmed Life
102 bpm • G Maj • 04:28 • -6.58db
76% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Supergrass
What Went Wrong (In Your Head)
102 bpm • E min • 04:05 • -6.23db
26% Popularity • 52% Danceability • 76% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
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The Charlatans
One To Another
103 bpm • A# Maj • 04:29 • -5db
32% Popularity • 44% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
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Of Monsters and Men
Little Talks
103 bpm • C# Maj • 04:26 • -5.18db
81% Popularity • 46% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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The Bluetones
Slight Return
103 bpm • D Maj • 03:21 • -6.58db
53% Popularity • 43% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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MGMT
Electric Feel
103 bpm • C# Maj • 03:49 • -3.71db
81% Popularity • 76% Danceability • 80% Energy • 35% Liveness
28% Instrumentalness • 56% Positiveness
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Arctic Monkeys
I Bet You Look Good On The Dancefloor
103 bpm • F# min • 02:53 • -4.19db
75% Popularity • 54% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Bob Marley & The Wailers
Could You Be Loved
103 bpm • C Maj • 03:57 • -8.55db
84% Popularity • 92% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Stone Roses
Waterfall - Remastered 2009
104 bpm • B Maj • 04:38 • -8.22db
62% Popularity • 49% Danceability • 69% Energy • 45% Liveness
26% Instrumentalness • 44% Positiveness
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The Smiths
This Charming Man - 2011 Remaster
104 bpm • B Maj • 02:42 • -5.9db
79% Popularity • 61% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Smash Mouth
All Star
104 bpm • B Maj • 03:20 • -5.88db
81% Popularity • 73% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Strokes
Last Nite
104 bpm • C Maj • 03:13 • -5.7db
75% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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EMF
Unbelievable
104 bpm • C# Maj • 03:29 • -6.85db
65% Popularity • 64% Danceability • 85% Energy • 14% Liveness
4% Instrumentalness • 93% Positiveness
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Pink Floyd
Another Brick in the Wall, Pt. 2
104 bpm • C Maj • 03:58 • -15.88db
76% Popularity • 69% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Franz Ferdinand
Take Me Out
105 bpm • E min • 03:57 • -8.82db
81% Popularity • 28% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Red Hot Chili Peppers
Snow (Hey Oh)
105 bpm • B Maj • 05:34 • -3.67db
79% Popularity • 43% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Happy Mondays
Step On - 2007 Remaster
105 bpm • G Maj • 05:18 • -7.16db
57% Popularity • 60% Danceability • 89% Energy • 12% Liveness
55% Instrumentalness • 45% Positiveness
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The Strokes
Machu Picchu
105 bpm • C# Maj • 03:29 • -5.29db
65% Popularity • 70% Danceability • 82% Energy • 6% Liveness
10% Instrumentalness • 87% Positiveness
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Kasabian
L.S.F.
105 bpm • A Maj • 03:16 • -7.4db
55% Popularity • 62% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Mark Ronson
Valerie - Version Revisited
106 bpm • C# Maj • 03:39 • -4.9db
82% Popularity • 70% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Franz Ferdinand
No You Girls
105 bpm • D min • 03:43 • -4.1db
62% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Dandy Warhols
We Used To Be Friends
105 bpm • F# min • 03:19 • -4.88db
57% Popularity • 71% Danceability • 66% Energy • 31% Liveness
19% Instrumentalness • 59% Positiveness
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Bee Gees
More Than A Woman
106 bpm • G Maj • 03:17 • -6.43db
79% Popularity • 63% Danceability • 68% Energy • 85% Liveness
0% Instrumentalness • 70% Positiveness
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The Strokes
Someday
106 bpm • A Maj • 03:03 • -7.48db
72% Popularity • 54% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Arctic Monkeys
Crying Lightning
107 bpm • E min • 03:44 • -4.42db
71% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Dexys Midnight Runners
Come On Eileen
107 bpm • D Maj • 04:47 • -7.05db
78% Popularity • 45% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Late In The Day