Songs like Lauda by Lisa Lynne & Aryeh Frankfurter
Based on a tempo of (+/- 10%) and a similar genre
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Nicostrauss
Leaving the Shire
120 bpm • A min • 01:46 • -9db
25% Popularity • 54% Danceability • 33% Energy • 12% Liveness
96% Instrumentalness • 51% Positiveness
25% Popularity • 54% Danceability • 33% Energy • 12% Liveness
96% Instrumentalness • 51% Positiveness
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Tartalo Music
The Healling Waterfall
120 bpm • C min • 03:30 • -15.53db
22% Popularity • 59% Danceability • 38% Energy • 11% Liveness
73% Instrumentalness • 7% Positiveness
22% Popularity • 59% Danceability • 38% Energy • 11% Liveness
73% Instrumentalness • 7% Positiveness
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Scottish Traditional
Feentanz (Fairy Dance)
120 bpm • D# min • 03:31 • -18.46db
15% Popularity • 54% Danceability • 6% Energy • 8% Liveness
5% Instrumentalness • 37% Positiveness
15% Popularity • 54% Danceability • 6% Energy • 8% Liveness
5% Instrumentalness • 37% Positiveness
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ASKII
The Legend of Falkenfels
120 bpm • E min • 02:16 • -12db
33% Popularity • 71% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
33% Popularity • 71% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Rolf Løvland
Lore Of The Loom
120 bpm • G Maj • 03:19 • -11.99db
22% Popularity • 33% Danceability • 49% Energy • 10% Liveness
81% Instrumentalness • 54% Positiveness
22% Popularity • 33% Danceability • 49% Energy • 10% Liveness
81% Instrumentalness • 54% Positiveness
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Erutan
Banish Misfortune
120 bpm • G Maj • 05:24 • -12db
26% Popularity • 50% Danceability • 23% Energy • 8% Liveness
4% Instrumentalness • 82% Positiveness
26% Popularity • 50% Danceability • 23% Energy • 8% Liveness
4% Instrumentalness • 82% Positiveness
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Nicostrauss
Athelas
120 bpm • D min • 02:56 • -8db
19% Popularity • 49% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 14% Positiveness
19% Popularity • 49% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 14% Positiveness
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Tartalo Music
The Breath of the Forest
120 bpm • A min • 02:18 • -11.46db
25% Popularity • 52% Danceability • 30% Energy • 35% Liveness
5% Instrumentalness • 24% Positiveness
25% Popularity • 52% Danceability • 30% Energy • 35% Liveness
5% Instrumentalness • 24% Positiveness
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Mychael Danna
Loch Etive
120 bpm • E min • 02:47 • -13.77db
21% Popularity • 20% Danceability • 41% Energy • 7% Liveness
2% Instrumentalness • 5% Positiveness
21% Popularity • 20% Danceability • 41% Energy • 7% Liveness
2% Instrumentalness • 5% Positiveness
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Arlene Faith
Night Amongst the Elves
120 bpm • C Maj • 02:56 • -13.08db
10% Popularity • 86% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 86% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Florie Brown
Headed for Home - Tune for a Found Harmo...
120 bpm • A# Maj • 03:51 • -6.05db
32% Popularity • 56% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 56% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Margie Butler
The Maid from the Parish of Penderyn
120 bpm • D Maj • 04:08 • -14.79db
19% Popularity • 52% Danceability • 13% Energy • 9% Liveness
28% Instrumentalness • 28% Positiveness
19% Popularity • 52% Danceability • 13% Energy • 9% Liveness
28% Instrumentalness • 28% Positiveness
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Nicostrauss
Die Ruhe vor der Sturm
120 bpm • C Maj • 02:48 • -11.15db
21% Popularity • 68% Danceability • 50% Energy • 50% Liveness
84% Instrumentalness • 94% Positiveness
21% Popularity • 68% Danceability • 50% Energy • 50% Liveness
84% Instrumentalness • 94% Positiveness
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John Doan
Sunset On Distant Castle
120 bpm • F# min • 03:59 • -16.21db
15% Popularity • 34% Danceability • 14% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
15% Popularity • 34% Danceability • 14% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Lisa Lynne & Aryeh Frankfurter
Lauda
120 bpm • E min • 04:42 • -13.52db
21% Popularity • 60% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
21% Popularity • 60% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Bonnie Shaljean
The Kilburn Jig / Diarmuid's Well / The ...
120 bpm • G min • 03:35 • -23.1db
10% Popularity • 25% Danceability • 21% Energy • 14% Liveness
92% Instrumentalness • 44% Positiveness
10% Popularity • 25% Danceability • 21% Energy • 14% Liveness
92% Instrumentalness • 44% Positiveness
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Mairead Nesbitt
The First Sheaf
121 bpm • A min • 01:49 • -10.15db
27% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Margie Butler
The Knight's Blessing
120 bpm • D Maj • 03:38 • -19db
25% Popularity • 49% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
25% Popularity • 49% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
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Maggie Sansone
Down the Hill
121 bpm • G min • 03:45 • -17db
8% Popularity • 36% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 41% Positiveness
8% Popularity • 36% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 41% Positiveness
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Bill Douglas
Diamond Dance
119 bpm • C Maj • 02:40 • -15.88db
22% Popularity • 62% Danceability • 28% Energy • 7% Liveness
94% Instrumentalness • 68% Positiveness
22% Popularity • 62% Danceability • 28% Energy • 7% Liveness
94% Instrumentalness • 68% Positiveness
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Lisa Lynne & Aryeh Frankfurter
The Selkie
119 bpm • D Maj • 04:15 • -16.27db
28% Popularity • 56% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
28% Popularity • 56% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Chalmeris
Love's Messenger
121 bpm • F# min • 02:35 • -14.24db
30% Popularity • 29% Danceability • 11% Energy • 12% Liveness
76% Instrumentalness • 25% Positiveness
30% Popularity • 29% Danceability • 11% Energy • 12% Liveness
76% Instrumentalness • 25% Positiveness
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Kieran Fahy
The Auld Resting Chair
119 bpm • G Maj • 05:12 • -14db
16% Popularity • 34% Danceability • 20% Energy • 13% Liveness
44% Instrumentalness • 44% Positiveness
16% Popularity • 34% Danceability • 20% Energy • 13% Liveness
44% Instrumentalness • 44% Positiveness
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Adagio Trio
Bransle De La Torche
121 bpm • C Maj • 02:50 • -17.74db
24% Popularity • 52% Danceability • 13% Energy • 10% Liveness
82% Instrumentalness • 28% Positiveness
24% Popularity • 52% Danceability • 13% Energy • 10% Liveness
82% Instrumentalness • 28% Positiveness
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Erutan
Byrd One Brere
121 bpm • G Maj • 02:47 • -17.28db
23% Popularity • 43% Danceability • 11% Energy • 8% Liveness
96% Instrumentalness • 58% Positiveness
23% Popularity • 43% Danceability • 11% Energy • 8% Liveness
96% Instrumentalness • 58% Positiveness
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Karen Biehl
The Arrival
121 bpm • G min • 02:24 • -11.74db
36% Popularity • 47% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 46% Positiveness
36% Popularity • 47% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 46% Positiveness
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Florie Brown
Humours of Ennistymon - Monaghan Jig
118 bpm • E min • 04:07 • -6.87db
36% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Aine Minogue
King of the Faeries (Reprise)
122 bpm • E min • 05:57 • -19.38db
10% Popularity • 36% Danceability • 18% Energy • 7% Liveness
26% Instrumentalness • 21% Positiveness
10% Popularity • 36% Danceability • 18% Energy • 7% Liveness
26% Instrumentalness • 21% Positiveness
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Arlene Faith
Faerie Rings
122 bpm • G Maj • 02:52 • -12.93db
22% Popularity • 65% Danceability • 41% Energy • 14% Liveness
34% Instrumentalness • 92% Positiveness
22% Popularity • 65% Danceability • 41% Energy • 14% Liveness
34% Instrumentalness • 92% Positiveness
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Andrei Krylov
Autumn Music of the Loch Ness Water
118 bpm • D min • 01:07 • -18.02db
33% Popularity • 48% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 61% Positiveness
33% Popularity • 48% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 61% Positiveness
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The New England Irish Harp Orchestra
The Butterfly
118 bpm • E min • 04:13 • -20.14db
13% Popularity • 55% Danceability • 9% Energy • 7% Liveness
22% Instrumentalness • 20% Positiveness
13% Popularity • 55% Danceability • 9% Energy • 7% Liveness
22% Instrumentalness • 20% Positiveness
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Amy Krupski
Carolan's Welcome / Coleraine Jig
118 bpm • A min • 04:37 • -18.51db
29% Popularity • 42% Danceability • 18% Energy • 7% Liveness
52% Instrumentalness • 34% Positiveness
29% Popularity • 42% Danceability • 18% Energy • 7% Liveness
52% Instrumentalness • 34% Positiveness
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Celtic Muse
Off She Goes/ The Moon and Seven Stars
123 bpm • D Maj • 02:12 • -24.08db
21% Popularity • 64% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 50% Positiveness
21% Popularity • 64% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 50% Positiveness
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Kim Robertson
Butterfly Jig
123 bpm • E min • 02:22 • -19.57db
17% Popularity • 50% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
17% Popularity • 50% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 41% Positiveness
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Diana Rowan
O Voskos
117 bpm • D Maj • 03:25 • -21.49db
15% Popularity • 35% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
15% Popularity • 35% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Andrei Krylov
Branle of Apennine Mountains for Renaiss...
118 bpm • A Maj • 02:26 • -11.25db
27% Popularity • 57% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
27% Popularity • 57% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
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Kieran Fahy
Fairy Queen
117 bpm • G Maj • 05:08 • -12.14db
19% Popularity • 34% Danceability • 20% Energy • 16% Liveness
23% Instrumentalness • 30% Positiveness
19% Popularity • 34% Danceability • 20% Energy • 16% Liveness
23% Instrumentalness • 30% Positiveness
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Ensemble Galilei
Sitting in the Stern / Whistle O'er the ...
123 bpm • G Maj • 08:13 • -16.32db
10% Popularity • 46% Danceability • 13% Energy • 5% Liveness
27% Instrumentalness • 13% Positiveness
10% Popularity • 46% Danceability • 13% Energy • 5% Liveness
27% Instrumentalness • 13% Positiveness
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Nadia Birkenstock
A Trip to the Islands
123 bpm • E min • 05:27 • -16.83db
30% Popularity • 41% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
30% Popularity • 41% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Faun
Keridwen & Gwion
123 bpm • A min • 03:07 • -11.49db
27% Popularity • 54% Danceability • 34% Energy • 11% Liveness
76% Instrumentalness • 69% Positiveness
27% Popularity • 54% Danceability • 34% Energy • 11% Liveness
76% Instrumentalness • 69% Positiveness
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Alessandro Penna
Hiking in Auriels Forest
123 bpm • A# min • 02:10 • -15.55db
32% Popularity • 70% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
32% Popularity • 70% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
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Howard Baer
Highland Dance
123 bpm • G Maj • 03:44 • -13db
18% Popularity • 47% Danceability • 35% Energy • 12% Liveness
72% Instrumentalness • 40% Positiveness
18% Popularity • 47% Danceability • 35% Energy • 12% Liveness
72% Instrumentalness • 40% Positiveness
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Kieran Fahy
Molly Saint George
123 bpm • D Maj • 03:20 • -8.04db
20% Popularity • 26% Danceability • 23% Energy • 11% Liveness
67% Instrumentalness • 24% Positiveness
20% Popularity • 26% Danceability • 23% Energy • 11% Liveness
67% Instrumentalness • 24% Positiveness
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Lisa Lynne & Aryeh Frankfurter
Spirit Dance
117 bpm • B min • 04:23 • -15db
31% Popularity • 50% Danceability • 16% Energy • 10% Liveness
28% Instrumentalness • 10% Positiveness
31% Popularity • 50% Danceability • 16% Energy • 10% Liveness
28% Instrumentalness • 10% Positiveness
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Tim Janis
Fairy Glen
123 bpm • D Maj • 03:21 • -12.27db
16% Popularity • 38% Danceability • 53% Energy • 14% Liveness
85% Instrumentalness • 3% Positiveness
16% Popularity • 38% Danceability • 53% Energy • 14% Liveness
85% Instrumentalness • 3% Positiveness
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Tartalo Music
Forest of Souls
117 bpm • C# min • 03:55 • -15db
20% Popularity • 39% Danceability • 49% Energy • 23% Liveness
41% Instrumentalness • 12% Positiveness
20% Popularity • 39% Danceability • 49% Energy • 23% Liveness
41% Instrumentalness • 12% Positiveness
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Ryan Stewart
Celtic Spell
117 bpm • A min • 06:33 • -15.74db
17% Popularity • 20% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
17% Popularity • 20% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
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Kim Robertson
By Love, And by Beauty
123 bpm • E min • 04:38 • -13.98db
30% Popularity • 47% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
30% Popularity • 47% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Alessandro Penna
Campfire Tales
124 bpm • D min • 02:30 • -19.3db
37% Popularity • 44% Danceability • 35% Energy • 36% Liveness
95% Instrumentalness • 19% Positiveness
37% Popularity • 44% Danceability • 35% Energy • 36% Liveness
95% Instrumentalness • 19% Positiveness
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Joanie Madden
The Mountain of Women
116 bpm • A# Maj • 04:20 • -14.59db
21% Popularity • 39% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
21% Popularity • 39% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Celia Briar
Farewell To Craigie Dhu
124 bpm • G Maj • 02:13 • -23.48db
34% Popularity • 55% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
34% Popularity • 55% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
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Bill Douglas
Return to Inishmore
124 bpm • G Maj • 03:23 • -12.89db
28% Popularity • 36% Danceability • 22% Energy • 5% Liveness
90% Instrumentalness • 24% Positiveness
28% Popularity • 36% Danceability • 22% Energy • 5% Liveness
90% Instrumentalness • 24% Positiveness
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Andrei Krylov
Viking Boaters Dancing in Scotland
124 bpm • C# Maj • 03:02 • -18db
36% Popularity • 60% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
36% Popularity • 60% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Florie Brown
Garrai na bhFeileoig - The Hunters Purse...
116 bpm • D Maj • 05:01 • -6db
36% Popularity • 38% Danceability • 73% Energy • 5% Liveness
1% Instrumentalness • 87% Positiveness
36% Popularity • 38% Danceability • 73% Energy • 5% Liveness
1% Instrumentalness • 87% Positiveness
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Harpers Hall Ensemble
Chanters Tune - La Rotta
124 bpm • G Maj • 03:30 • -5.42db
29% Popularity • 66% Danceability • 43% Energy • 10% Liveness
19% Instrumentalness • 56% Positiveness
29% Popularity • 66% Danceability • 43% Energy • 10% Liveness
19% Instrumentalness • 56% Positiveness
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Chalmeris
The Death of King Arthur
124 bpm • D min • 02:52 • -15.89db
32% Popularity • 23% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
32% Popularity • 23% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
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Alessandro Penna
Ancient Knowledge
124 bpm • A min • 02:08 • -16.05db
43% Popularity • 40% Danceability • 22% Energy • 13% Liveness
79% Instrumentalness • 22% Positiveness
43% Popularity • 40% Danceability • 22% Energy • 13% Liveness
79% Instrumentalness • 22% Positiveness
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Howard Baer
Foggy Dew
116 bpm • E min • 03:14 • -19.82db
12% Popularity • 30% Danceability • 7% Energy • 7% Liveness
79% Instrumentalness • 9% Positiveness
12% Popularity • 30% Danceability • 7% Energy • 7% Liveness
79% Instrumentalness • 9% Positiveness
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Edward Martin
Pieces in A Minor: II. Courante
116 bpm • B Maj • 01:38 • -15db
24% Popularity • 66% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
24% Popularity • 66% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
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Ean Grimm
Sir Castlestrong
116 bpm • D min • 03:31 • -13db
13% Popularity • 54% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
13% Popularity • 54% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
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Florie Brown
Fair Haired Child
116 bpm • B min • 02:13 • -7.65db
30% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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John Doan
Saint Patrick in the Spirit
116 bpm • E Maj • 04:59 • -8.67db
24% Popularity • 34% Danceability • 53% Energy • 9% Liveness
8% Instrumentalness • 17% Positiveness
24% Popularity • 34% Danceability • 53% Energy • 9% Liveness
8% Instrumentalness • 17% Positiveness
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Declan Masterson
Spanish Point
124 bpm • G min • 04:09 • -19.19db
19% Popularity • 29% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
19% Popularity • 29% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
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Traditional
Helen Douglas Waltz
116 bpm • A min • 02:43 • -20.04db
13% Popularity • 48% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
13% Popularity • 48% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
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Northern Lights
Pyramid / In The Wood / In The Bright Li...
116 bpm • B min • 05:26 • -23.55db
10% Popularity • 49% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
10% Popularity • 49% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Aine Minogue
Far Beyond Yon Mountain
115 bpm • C Maj • 06:08 • -21db
22% Popularity • 39% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
22% Popularity • 39% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
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Golden Bough
Fog on the Bay
125 bpm • G Maj • 02:55 • -13db
42% Popularity • 40% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 68% Positiveness
42% Popularity • 40% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 68% Positiveness
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Lynn Saoirse
Marches of the O'Neill's
125 bpm • E min • 02:29 • -9.26db
28% Popularity • 37% Danceability • 54% Energy • 11% Liveness
76% Instrumentalness • 33% Positiveness
28% Popularity • 37% Danceability • 54% Energy • 11% Liveness
76% Instrumentalness • 33% Positiveness
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Ean Grimm
Celtic Fairytale
125 bpm • D min • 03:50 • -9.79db
19% Popularity • 43% Danceability • 73% Energy • 14% Liveness
88% Instrumentalness • 7% Positiveness
19% Popularity • 43% Danceability • 73% Energy • 14% Liveness
88% Instrumentalness • 7% Positiveness
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Gary Stadler with Stephannie
HeartMagic
115 bpm • C Maj • 04:12 • -24.58db
22% Popularity • 34% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
22% Popularity • 34% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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David Davidson
The Fianna Battle Song
125 bpm • C Maj • 03:17 • -9.38db
8% Popularity • 45% Danceability • 42% Energy • 21% Liveness
16% Instrumentalness • 73% Positiveness
8% Popularity • 45% Danceability • 42% Energy • 21% Liveness
16% Instrumentalness • 73% Positiveness
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Adagio Trio
Brian Boru's March (Traditional Irish)
115 bpm • G Maj • 02:17 • -16db
18% Popularity • 46% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 43% Positiveness
18% Popularity • 46% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 43% Positiveness
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Golden Bough
The Collaraine Jig - Sharks' Favorite - ...
125 bpm • E min • 04:39 • -7.43db
32% Popularity • 48% Danceability • 63% Energy • 6% Liveness
12% Instrumentalness • 96% Positiveness
32% Popularity • 48% Danceability • 63% Energy • 6% Liveness
12% Instrumentalness • 96% Positiveness
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Sowulo
Dageraad - Acoustic
115 bpm • E min • 03:09 • -13.02db
23% Popularity • 46% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
23% Popularity • 46% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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Enaid
Road to Camelot
115 bpm • D Maj • 03:40 • -7.73db
48% Popularity • 66% Danceability • 44% Energy • 26% Liveness
1% Instrumentalness • 40% Positiveness
48% Popularity • 66% Danceability • 44% Energy • 26% Liveness
1% Instrumentalness • 40% Positiveness
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William Coulter & Friends
Cità Na GCumman
115 bpm • A# Maj • 04:59 • -14db
29% Popularity • 52% Danceability • 21% Energy • 11% Liveness
81% Instrumentalness • 26% Positiveness
29% Popularity • 52% Danceability • 21% Energy • 11% Liveness
81% Instrumentalness • 26% Positiveness
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Bill Douglas
Sweet Rain
115 bpm • E min • 04:25 • -17.83db
30% Popularity • 30% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 20% Positiveness
30% Popularity • 30% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 20% Positiveness
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Andrei Krylov
London Branle
126 bpm • A# Maj • 02:04 • -15.49db
24% Popularity • 40% Danceability • 38% Energy • 10% Liveness
87% Instrumentalness • 57% Positiveness
24% Popularity • 40% Danceability • 38% Energy • 10% Liveness
87% Instrumentalness • 57% Positiveness
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Nadia Birkenstock
The Tenpenny Bit
126 bpm • A min • 03:28 • -10.93db
32% Popularity • 67% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
32% Popularity • 67% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
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Carol Thompson
King of the Fairies
126 bpm • E min • 02:48 • -24.93db
28% Popularity • 40% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
28% Popularity • 40% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Enaid
The Wedding
115 bpm • C Maj • 04:11 • -8.59db
34% Popularity • 59% Danceability • 48% Energy • 16% Liveness
20% Instrumentalness • 26% Positiveness
34% Popularity • 59% Danceability • 48% Energy • 16% Liveness
20% Instrumentalness • 26% Positiveness
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Kate Price
Andalusia
126 bpm • B min • 06:17 • -10.42db
16% Popularity • 59% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
16% Popularity • 59% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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Lisa Lynne & Aryeh Frankfurter
Reverie
114 bpm • G Maj • 05:12 • -16db
20% Popularity • 68% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 34% Positiveness
20% Popularity • 68% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 34% Positiveness
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Andrei Krylov
Highlander Love Story
115 bpm • G# min • 03:14 • -15db
38% Popularity • 28% Danceability • 39% Energy • 31% Liveness
27% Instrumentalness • 26% Positiveness
38% Popularity • 28% Danceability • 39% Energy • 31% Liveness
27% Instrumentalness • 26% Positiveness
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Margie Butler
Celia Conallon - Sunday Morning
126 bpm • D Maj • 04:39 • -8.38db
34% Popularity • 44% Danceability • 28% Energy • 12% Liveness
11% Instrumentalness • 50% Positiveness
34% Popularity • 44% Danceability • 28% Energy • 12% Liveness
11% Instrumentalness • 50% Positiveness
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Llewellyn
Avalon – Place of Apples
114 bpm • C# Maj • 07:25 • -19.15db
8% Popularity • 44% Danceability • 29% Energy • 8% Liveness
91% Instrumentalness • 39% Positiveness
8% Popularity • 44% Danceability • 29% Energy • 8% Liveness
91% Instrumentalness • 39% Positiveness
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Enaid
Merlin's Secret
115 bpm • D Maj • 04:09 • -11db
34% Popularity • 25% Danceability • 46% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
34% Popularity • 25% Danceability • 46% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Stonecircle
Far Away - Hidden Track
127 bpm • B min • 04:15 • -11.74db
10% Popularity • 31% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 31% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Ean Grimm
Lands of Magic
127 bpm • G min • 05:32 • -18.78db
19% Popularity • 62% Danceability • 26% Energy • 11% Liveness
97% Instrumentalness • 76% Positiveness
19% Popularity • 62% Danceability • 26% Energy • 11% Liveness
97% Instrumentalness • 76% Positiveness
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William Coulter
Gol na mBan san Ar
127 bpm • A Maj • 04:10 • -17.29db
29% Popularity • 36% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
29% Popularity • 36% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
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Lisa Lynne & Aryeh Frankfurter
Gone Away
127 bpm • G Maj • 05:12 • -12.97db
20% Popularity • 42% Danceability • 18% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
20% Popularity • 42% Danceability • 18% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
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An Lar
Gäbelbachiana
128 bpm • E Maj • 05:50 • -8.2db
32% Popularity • 39% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 39% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Sue Richards
The Celt
128 bpm • E min • 02:54 • -18.1db
29% Popularity • 35% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
29% Popularity • 35% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
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Alessandro Penna
Return to Greenflower
113 bpm • G min • 02:30 • -17db
36% Popularity • 61% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
36% Popularity • 61% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Cantiga
La Rotta
113 bpm • B min • 02:36 • -14.36db
14% Popularity • 52% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
14% Popularity • 52% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
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![[bonus] Dragonland (Simple Version) cover art](https://i.scdn.co/image/ab67616d00001e02a28bc56545a531d03c3e2df9)
BrunuhVille
[bonus] Dragonland (Simple Version)
113 bpm • A min • 04:42 • -13.03db
8% Popularity • 24% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
8% Popularity • 24% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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Nadia Birkenstock
The Parting
128 bpm • G Maj • 02:46 • -17.86db
31% Popularity • 64% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 42% Positiveness
31% Popularity • 64% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 42% Positiveness
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Alasdair Fraser
First Light/Dawn Rant
113 bpm • D Maj • 05:47 • -11.55db
16% Popularity • 23% Danceability • 43% Energy • 6% Liveness
2% Instrumentalness • 41% Positiveness
16% Popularity • 23% Danceability • 43% Energy • 6% Liveness
2% Instrumentalness • 41% Positiveness
