Songs like Laudate pueri in D Major for Tenor, Trumpet, Strings and B.C., ZWV 81: III. Amen by Jan Dismas Zelenka
Based on a tempo of (+/- 10%) and a similar genre
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Jan Dismas Zelenka
6 Sonatas, ZWV 81, No. 1 in F Major: II....
119 bpm • F Maj • 04:43 • -18.45db
6% Popularity • 49% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 66% Positiveness
6% Popularity • 49% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 66% Positiveness
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Matthew Locke
Psyche, Act V Scene 3: Rustick musick of...
120 bpm • G# Maj • 01:06 • -17.53db
24% Popularity • 43% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 90% Positiveness
24% Popularity • 43% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 90% Positiveness
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Dietrich Buxtehude
Jesu, meines Lebens Leben in D Minor, Bu...
118 bpm • D min • 05:57 • -21.35db
13% Popularity • 28% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 28% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Alessandro Stradella
Sinfonia
120 bpm • C# Maj • 02:01 • -20.19db
23% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
23% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
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Georg Philipp Telemann
Ouverture-Suite in C Major, TWV 55:C6: I...
118 bpm • B Maj • 01:44 • -14.66db
11% Popularity • 54% Danceability • 35% Energy • 18% Liveness
95% Instrumentalness • 81% Positiveness
11% Popularity • 54% Danceability • 35% Energy • 18% Liveness
95% Instrumentalness • 81% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: IV. Pre...
121 bpm • F# min • 01:22 • -16.4db
23% Popularity • 49% Danceability • 24% Energy • 17% Liveness
93% Instrumentalness • 57% Positiveness
23% Popularity • 49% Danceability • 24% Energy • 17% Liveness
93% Instrumentalness • 57% Positiveness
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Jan Dismas Zelenka
Missa Votiva in E Minor, ZWV 18: XII. Cr...
119 bpm • G# Maj • 04:23 • -11.18db
2% Popularity • 41% Danceability • 44% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
2% Popularity • 41% Danceability • 44% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: No. 16, Da f�...
117 bpm • G# min • 03:57 • -17.31db
11% Popularity • 41% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 41% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: No. 1, Chorus, "...
117 bpm • F# min • 04:48 • -12.86db
7% Popularity • 38% Danceability • 41% Energy • 29% Liveness
40% Instrumentalness • 45% Positiveness
7% Popularity • 38% Danceability • 41% Energy • 29% Liveness
40% Instrumentalness • 45% Positiveness
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Michael Haydn
Missa Quadragesimalis, MH 552: Kyrie
117 bpm • G# min • 02:06 • -19.52db
18% Popularity • 23% Danceability • 14% Energy • 16% Liveness
3% Instrumentalness • 14% Positiveness
18% Popularity • 23% Danceability • 14% Energy • 16% Liveness
3% Instrumentalness • 14% Positiveness
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Georg Philipp Telemann
Siehe, ich verkündige euch, TWV 1:1333:...
117 bpm • C# Maj • 02:07 • -15.02db
8% Popularity • 45% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 45% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
116 bpm • B min • 01:20 • -18.99db
11% Popularity • 27% Danceability • 13% Energy • 23% Liveness
17% Instrumentalness • 19% Positiveness
11% Popularity • 27% Danceability • 13% Energy • 23% Liveness
17% Instrumentalness • 19% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Dona nobis pacem
120 bpm • C# Maj • 01:30 • -14.77db
12% Popularity • 28% Danceability • 27% Energy • 15% Liveness
93% Instrumentalness • 13% Positiveness
12% Popularity • 28% Danceability • 27% Energy • 15% Liveness
93% Instrumentalness • 13% Positiveness
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Johann Georg Pisendel
Sonata in C Minor, Jung III.2.B: II. All...
116 bpm • A Maj • 02:25 • -19.17db
10% Popularity • 44% Danceability • 26% Energy • 23% Liveness
94% Instrumentalness • 72% Positiveness
10% Popularity • 44% Danceability • 26% Energy • 23% Liveness
94% Instrumentalness • 72% Positiveness
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George Frideric Handel
Solomon, HWV 67, Act I Scene 1: No. 2 "Y...
116 bpm • A Maj • 03:40 • -16.42db
10% Popularity • 28% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
10% Popularity • 28% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
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Georg Philipp Telemann
Concerto for 2 Flutes & Bassoon in G Maj...
117 bpm • C# Maj • 02:25 • -30.91db
21% Popularity • 33% Danceability • 2% Energy • 18% Liveness
83% Instrumentalness • 11% Positiveness
21% Popularity • 33% Danceability • 2% Energy • 18% Liveness
83% Instrumentalness • 11% Positiveness
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Baldassare Galuppi
Concerto primo in G Major: I. Andante - ...
122 bpm • G Maj • 02:08 • -17db
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
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Jan Dismas Zelenka
Missa Sanctae Caeciliae, ZWV 1: Gloria i...
120 bpm • F# Maj • 02:57 • -15.83db
12% Popularity • 26% Danceability • 26% Energy • 10% Liveness
21% Instrumentalness • 26% Positiveness
12% Popularity • 26% Danceability • 26% Energy • 10% Liveness
21% Instrumentalness • 26% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: V. Quis est homo
122 bpm • B min • 02:28 • -20.39db
13% Popularity • 30% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 30% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Air: ...
116 bpm • E Maj • 01:42 • -26.29db
22% Popularity • 42% Danceability • 4% Energy • 17% Liveness
34% Instrumentalness • 44% Positiveness
22% Popularity • 42% Danceability • 4% Energy • 17% Liveness
34% Instrumentalness • 44% Positiveness
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Alessandro Stradella
San Giovanni Battista: Deste un tempo
116 bpm • D Maj • 01:19 • -17db
21% Popularity • 33% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 33% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Johann Adam Reincken
Hortus Musicus "Sonata Prima" in A Minor...
116 bpm • A min • 01:22 • -21.54db
16% Popularity • 43% Danceability • 19% Energy • 12% Liveness
8% Instrumentalness • 76% Positiveness
16% Popularity • 43% Danceability • 19% Energy • 12% Liveness
8% Instrumentalness • 76% Positiveness
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Johann David Heinichen
Concerto a 7 in G Major - 2 Oboes, 2 Vio...
122 bpm • F# Maj • 02:34 • -17db
9% Popularity • 44% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 66% Positiveness
9% Popularity • 44% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 66% Positiveness
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Jan Dismas Zelenka
6 Sonatas, ZWV 81, No. 6 in C Minor: II....
120 bpm • C min • 04:04 • -18.31db
9% Popularity • 43% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 56% Positiveness
9% Popularity • 43% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 56% Positiveness
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Niccolò Jommelli
Requiem, Kyrie: III. Kyrie eleison
116 bpm • D# Maj • 01:06 • -20.68db
16% Popularity • 36% Danceability • 12% Energy • 24% Liveness
16% Instrumentalness • 22% Positiveness
16% Popularity • 36% Danceability • 12% Energy • 24% Liveness
16% Instrumentalness • 22% Positiveness
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Johann Bernhard Bach
Ouverture in G Major: I. Ouverture
123 bpm • F Maj • 03:10 • -14.71db
14% Popularity • 27% Danceability • 36% Energy • 21% Liveness
96% Instrumentalness • 44% Positiveness
14% Popularity • 27% Danceability • 36% Energy • 21% Liveness
96% Instrumentalness • 44% Positiveness
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George Frideric Handel
Concerto Grosso in G Minor, Op. 6, No. 6...
123 bpm • F# min • 01:42 • -23.84db
11% Popularity • 43% Danceability • 9% Energy • 18% Liveness
36% Instrumentalness • 34% Positiveness
11% Popularity • 43% Danceability • 9% Energy • 18% Liveness
36% Instrumentalness • 34% Positiveness
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Georg Philipp Telemann
Overture in D Major, TWV 55:D21: Overtur...
115 bpm • C# Maj • 05:12 • -21.53db
15% Popularity • 36% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 36% Positiveness
15% Popularity • 36% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 36% Positiveness
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Joseph Haydn
Missa in Angustiis "Lord Nelson Mass": I...
123 bpm • D Maj • 02:44 • -19db
13% Popularity • 35% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 35% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Jan Dismas Zelenka
Confitebor tibi Domine, ZWV 72: Magna op...
117 bpm • B Maj • 04:53 • -21.09db
9% Popularity • 38% Danceability • 19% Energy • 35% Liveness
29% Instrumentalness • 42% Positiveness
9% Popularity • 38% Danceability • 19% Energy • 35% Liveness
29% Instrumentalness • 42% Positiveness
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Anonymous
Salve Regina, S. 308: No. 1, Salve Regin...
124 bpm • F Maj • 04:38 • -21.94db
9% Popularity • 25% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 7% Positiveness
9% Popularity • 25% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 7% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue: Ou...
114 bpm • F# Maj • 02:32 • -19.21db
8% Popularity • 28% Danceability • 19% Energy • 12% Liveness
66% Instrumentalness • 60% Positiveness
8% Popularity • 28% Danceability • 19% Energy • 12% Liveness
66% Instrumentalness • 60% Positiveness
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Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Tilge, Höchster, meine Sünden, BWV 108...
114 bpm • F# min • 02:02 • -15.89db
8% Popularity • 27% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 27% Danceability • 12% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Johann Bernhard Bach
Ouverture in E Minor: II. Les plaisirs
114 bpm • D min • 01:52 • -19.61db
23% Popularity • 26% Danceability • 20% Energy • 34% Liveness
92% Instrumentalness • 35% Positiveness
23% Popularity • 26% Danceability • 20% Energy • 34% Liveness
92% Instrumentalness • 35% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
118 bpm • E Maj • 01:10 • -19.12db
17% Popularity • 29% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
17% Popularity • 29% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
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Johann Adolf Hasse
Mass in D Minor: Kyrie: Kyrie I
125 bpm • C# min • 02:33 • -20.65db
20% Popularity • 20% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt I. "Lamentat...
114 bpm • F# min • 03:26 • -16.71db
8% Popularity • 33% Danceability • 16% Energy • 11% Liveness
14% Instrumentalness • 16% Positiveness
8% Popularity • 33% Danceability • 16% Energy • 11% Liveness
14% Instrumentalness • 16% Positiveness
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Anónimo
Pasión: O Vos Omnes. Coro.
114 bpm • F# Maj • 02:04 • -14.8db
8% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
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Joseph Haydn
Symphony No. 15 in D Major, Hob. I:15: 4...
113 bpm • D Maj • 02:13 • -18.88db
10% Popularity • 61% Danceability • 15% Energy • 20% Liveness
1% Instrumentalness • 86% Positiveness
10% Popularity • 61% Danceability • 15% Energy • 20% Liveness
1% Instrumentalness • 86% Positiveness
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Francesco Durante
Magnificat in B flat major: Sicut erat i...
125 bpm • A Maj • 01:56 • -18db
15% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
117 bpm • C# min • 02:22 • -20.03db
14% Popularity • 18% Danceability • 19% Energy • 12% Liveness
41% Instrumentalness • 10% Positiveness
14% Popularity • 18% Danceability • 19% Energy • 12% Liveness
41% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232, Kyrie: No. 2, ...
125 bpm • C# Maj • 05:38 • -19db
18% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Carl Philipp Emanuel Bach
Magnificat in D Major, Wq. 215: No. 1, M...
125 bpm • C# Maj • 03:08 • -17db
14% Popularity • 34% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 59% Positiveness
14% Popularity • 34% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 59% Positiveness
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Petronio Franceschini
Sonata a 7 for 2 Trumpets in D Major: I....
113 bpm • C# Maj • 00:58 • -15.35db
16% Popularity • 22% Danceability • 10% Energy • 12% Liveness
66% Instrumentalness • 49% Positiveness
16% Popularity • 22% Danceability • 10% Energy • 12% Liveness
66% Instrumentalness • 49% Positiveness
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Niccolò Jommelli
Libera me in C Minor, HocJ E.2: IV. Trem...
126 bpm • D Maj • 01:01 • -21.42db
17% Popularity • 33% Danceability • 14% Energy • 8% Liveness
8% Instrumentalness • 18% Positiveness
17% Popularity • 33% Danceability • 14% Energy • 8% Liveness
8% Instrumentalness • 18% Positiveness
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Jean-Philippe Rameau
Suite in E Minor, RCT 2: VIII. Tambourin
113 bpm • A# min • 01:24 • -12.66db
8% Popularity • 51% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 62% Positiveness
8% Popularity • 51% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 62% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Sicut erat in pri...
117 bpm • F# Maj • 02:04 • -16.12db
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
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Johann Sebastian Bach
Nach dir, Herr, verlanget mich, BWV 150:...
113 bpm • A# min • 03:12 • -13.19db
11% Popularity • 24% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 24% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Kuhnau
Kuhnau: Magnificat in C Major: XIII. Cho...
112 bpm • B Maj • 01:15 • -18.5db
11% Popularity • 34% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
11% Popularity • 34% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
126 bpm • C min • 01:33 • -20.73db
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
112 bpm • F# min • 01:04 • -19.15db
22% Popularity • 23% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
22% Popularity • 23% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
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Antonio Caldara
Missa Dolorosa: V. Benedictus
112 bpm • C# Maj • 01:54 • -20.97db
18% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Jan Dismas Zelenka
Litaniae Omnium Sanctorum, ZWV 153: Pate...
117 bpm • C# min • 06:24 • -23.17db
8% Popularity • 38% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 21% Positiveness
8% Popularity • 38% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 21% Positiveness
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Georg Philipp Telemann
Dich rühmen die Welten, TWV 1:329: No. ...
112 bpm • C# Maj • 04:14 • -16.49db
10% Popularity • 41% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
10% Popularity • 41% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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Johann Sebastian Bach
Christ lag in Todesbanden, BWV 4: III. D...
127 bpm • D# min • 03:27 • -25.2db
15% Popularity • 23% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
15% Popularity • 23% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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George Frideric Handel
L'Allegro, il Penseroso ed il Moderato, ...
127 bpm • G# Maj • 01:18 • -18.54db
8% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Michel Richard Delalande
Dies iræ, S. 31: Tuba mirum spargens so...
127 bpm • B min • 01:15 • -16.99db
10% Popularity • 28% Danceability • 22% Energy • 21% Liveness
13% Instrumentalness • 50% Positiveness
10% Popularity • 28% Danceability • 22% Energy • 21% Liveness
13% Instrumentalness • 50% Positiveness
► Preview
Arcangelo Corelli
Concerto grosso in D Major, Op. 6 No. 4 ...
112 bpm • C# Maj • 04:02 • -18.34db
8% Popularity • 42% Danceability • 18% Energy • 38% Liveness
6% Instrumentalness • 26% Positiveness
8% Popularity • 42% Danceability • 18% Energy • 38% Liveness
6% Instrumentalness • 26% Positiveness
► Preview
Jan Dismas Zelenka
Missa Charitatis, ZWV 10: Credo in unum ...
121 bpm • G# Maj • 01:41 • -13.53db
6% Popularity • 31% Danceability • 27% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
6% Popularity • 31% Danceability • 27% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": I. O...
112 bpm • A Maj • 03:02 • -22.52db
17% Popularity • 39% Danceability • 18% Energy • 26% Liveness
72% Instrumentalness • 53% Positiveness
17% Popularity • 39% Danceability • 18% Energy • 26% Liveness
72% Instrumentalness • 53% Positiveness
► Preview
Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, BWV...
112 bpm • E Maj • 02:32 • -24.45db
30% Popularity • 18% Danceability • 5% Energy • 10% Liveness
63% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 5% Energy • 10% Liveness
63% Instrumentalness • 7% Positiveness
► Preview
George Frideric Handel
Israel in Egypt, HWV 54: Part I: Part I:...
112 bpm • D Maj • 01:00 • -16.89db
16% Popularity • 25% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 25% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
André Campra
Messe de requiem: II. Kyrie
111 bpm • D# min • 03:58 • -19db
11% Popularity • 22% Danceability • 18% Energy • 9% Liveness
11% Instrumentalness • 5% Positiveness
11% Popularity • 22% Danceability • 18% Energy • 9% Liveness
11% Instrumentalness • 5% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: X. Fac, ut portem
111 bpm • F# min • 03:37 • -22.34db
11% Popularity • 29% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 29% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 01:19 • -15.26db
23% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
23% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
► Preview
Johann Bernhard Bach
Overture In G Minor: I. Ouverture
128 bpm • G Maj • 04:36 • -28.52db
13% Popularity • 55% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
13% Popularity • 55% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
► Preview
Johann Sebastian Bach
Magnificat in E-Flat Major, BWV 243a: Et...
127 bpm • A min • 03:29 • -24.91db
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Ode for the Birthday of Queen Anne, HWV ...
128 bpm • A Maj • 02:29 • -21.11db
9% Popularity • 32% Danceability • 8% Energy • 20% Liveness
2% Instrumentalness • 40% Positiveness
9% Popularity • 32% Danceability • 8% Energy • 20% Liveness
2% Instrumentalness • 40% Positiveness
► Preview
Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
128 bpm • B min • 02:32 • -21.08db
12% Popularity • 20% Danceability • 8% Energy • 26% Liveness
32% Instrumentalness • 18% Positiveness
12% Popularity • 20% Danceability • 8% Energy • 26% Liveness
32% Instrumentalness • 18% Positiveness
► Preview
Henry Purcell
The Fairy Queen, Z. 629, Act I: Hornpipe
110 bpm • F# min • 01:22 • -17.5db
14% Popularity • 47% Danceability • 16% Energy • 7% Liveness
96% Instrumentalness • 53% Positiveness
14% Popularity • 47% Danceability • 16% Energy • 7% Liveness
96% Instrumentalness • 53% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Judicabit - After...
121 bpm • F# min • 01:00 • -15.36db
28% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
28% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
110 bpm • B min • 00:55 • -14db
18% Popularity • 30% Danceability • 28% Energy • 22% Liveness
1% Instrumentalness • 61% Positiveness
18% Popularity • 30% Danceability • 28% Energy • 22% Liveness
1% Instrumentalness • 61% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: IV. A...
111 bpm • D# min • 01:40 • -15.73db
14% Popularity • 37% Danceability • 42% Energy • 36% Liveness
4% Instrumentalness • 71% Positiveness
14% Popularity • 37% Danceability • 42% Energy • 36% Liveness
4% Instrumentalness • 71% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act III Scene 11: Batta...
127 bpm • C# Maj • 01:35 • -18.85db
34% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
34% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: Kyrie
129 bpm • G Maj • 03:01 • -24.31db
15% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
15% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
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Alessandro Scarlatti
La Giuditta: Part I: Aria: Turbe timide,...
109 bpm • B Maj • 00:56 • -18.26db
17% Popularity • 53% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 53% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Jan Dismas Zelenka
6 Trio Sonatas, ZWV 181, No. 1 in F Majo...
121 bpm • F Maj • 04:37 • -18.82db
6% Popularity • 52% Danceability • 19% Energy • 32% Liveness
89% Instrumentalness • 66% Positiveness
6% Popularity • 52% Danceability • 19% Energy • 32% Liveness
89% Instrumentalness • 66% Positiveness
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Francesco Maria Veracini
Concerto à otto stromenti in D Major: I...
109 bpm • B min • 04:11 • -24.34db
14% Popularity • 23% Danceability • 5% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 5% Energy • 22% Liveness
6% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Harpsichord Concerto No. 1 in D Minor, B...
110 bpm • F# min • 08:18 • -15.72db
11% Popularity • 39% Danceability • 28% Energy • 8% Liveness
81% Instrumentalness • 43% Positiveness
11% Popularity • 39% Danceability • 28% Energy • 8% Liveness
81% Instrumentalness • 43% Positiveness
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Unico Wilhelm van Wassenaer
Sonata Prima in F Major: IV. Giga Presto
109 bpm • E Maj • 01:30 • -22.13db
10% Popularity • 41% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 41% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
109 bpm • C min • 01:39 • -20db
19% Popularity • 27% Danceability • 12% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
19% Popularity • 27% Danceability • 12% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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Benedetto Marcello
Sinfonia a quattro No. 5 in D Major, SF ...
109 bpm • C# Maj • 01:14 • -12.31db
15% Popularity • 41% Danceability • 48% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
15% Popularity • 41% Danceability • 48% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 02:52 • -16db
13% Popularity • 27% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
13% Popularity • 27% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Arcangelo Corelli
Violin Sonata in F Major, Op. 5 No. 4: I...
109 bpm • F# Maj • 02:34 • -20.13db
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
109 bpm • A# min • 01:17 • -17.96db
19% Popularity • 31% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 31% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Pasquale Anfossi
Salve Regina: No. 3., Ad te suspiramus
108 bpm • G Maj • 02:37 • -22.94db
19% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
19% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Georg Philipp Telemann
Ich fahre auf zu meinem Vater, TWV 1:825...
108 bpm • E Maj • 03:38 • -18.09db
23% Popularity • 47% Danceability • 22% Energy • 24% Liveness
3% Instrumentalness • 47% Positiveness
23% Popularity • 47% Danceability • 22% Energy • 24% Liveness
3% Instrumentalness • 47% Positiveness
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António Pereira da Costa
Concerto IX in A Major: I. Grave
108 bpm • A Maj • 01:24 • -16.31db
11% Popularity • 20% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 25% Positiveness
11% Popularity • 20% Danceability • 24% Energy • 15% Liveness
90% Instrumentalness • 25% Positiveness
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Jan Dismas Zelenka
Missa Charitatis, ZWV 10: Et in Spiritum...
121 bpm • C# Maj • 03:19 • -14.54db
5% Popularity • 29% Danceability • 29% Energy • 14% Liveness
80% Instrumentalness • 8% Positiveness
5% Popularity • 29% Danceability • 29% Energy • 14% Liveness
80% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Antigono, Wq. 21 (Excerpts): Già che mo...
131 bpm • B Maj • 05:49 • -25.12db
11% Popularity • 21% Danceability • 6% Energy • 22% Liveness
75% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 6% Energy • 22% Liveness
75% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: No. 2, Jesus ...
109 bpm • B min • 02:15 • -20.69db
14% Popularity • 47% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 47% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Henri Desmarets
Te Deum "de Lyon": IV. Te martyrum candi...
131 bpm • F Maj • 01:09 • -16.55db
15% Popularity • 26% Danceability • 49% Energy • 19% Liveness
99% Instrumentalness • 30% Positiveness
15% Popularity • 26% Danceability • 49% Energy • 19% Liveness
99% Instrumentalness • 30% Positiveness
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Georg Philipp Telemann
Die Donnerode, TWV 6:3, Pt. 1: No. 5, Di...
131 bpm • F# Maj • 01:42 • -18.76db
8% Popularity • 39% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 39% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Johann Kuhnau
Kuhnau: Magnificat in C Major: I. Chorus...
108 bpm • B Maj • 01:41 • -20db
12% Popularity • 58% Danceability • 19% Energy • 27% Liveness
92% Instrumentalness • 52% Positiveness
12% Popularity • 58% Danceability • 19% Energy • 27% Liveness
92% Instrumentalness • 52% Positiveness
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Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Kyrie elei...
116 bpm • C# Maj • 01:21 • -13.32db
17% Popularity • 28% Danceability • 35% Energy • 9% Liveness
64% Instrumentalness • 33% Positiveness
17% Popularity • 28% Danceability • 35% Energy • 9% Liveness
64% Instrumentalness • 33% Positiveness
► Preview
Charles Avison
Concerto in D Major, Op. 6 No. 6: I. Lar...
108 bpm • C# Maj • 02:36 • -16db
20% Popularity • 30% Danceability • 12% Energy • 32% Liveness
4% Instrumentalness • 18% Positiveness
20% Popularity • 30% Danceability • 12% Energy • 32% Liveness
4% Instrumentalness • 18% Positiveness
