Songs like Lauv by Greywood
Based on a tempo of (+/- 10%) and a similar genre
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Hiroshi Takaki
Nana Wonda
157 bpm • F Maj • 02:12 • -12.26db
16% Popularity • 14% Danceability • 21% Energy • 32% Liveness
1% Instrumentalness • 3% Positiveness
16% Popularity • 14% Danceability • 21% Energy • 32% Liveness
1% Instrumentalness • 3% Positiveness
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Beaudrix
Perder Traccion
158 bpm • C# min • 02:21 • -22.1db
12% Popularity • 18% Danceability • 18% Energy • 34% Liveness
88% Instrumentalness • 8% Positiveness
12% Popularity • 18% Danceability • 18% Energy • 34% Liveness
88% Instrumentalness • 8% Positiveness
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Hiromitsu Maeba
Floating Indoors
156 bpm • B min • 02:12 • -16.19db
13% Popularity • 39% Danceability • 38% Energy • 16% Liveness
69% Instrumentalness • 9% Positiveness
13% Popularity • 39% Danceability • 38% Energy • 16% Liveness
69% Instrumentalness • 9% Positiveness
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Sarah Schachner
Strike
156 bpm • D Maj • 05:44 • -15db
31% Popularity • 18% Danceability • 34% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 34% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Castlevania Sound Team
Dark Palace of Waterfalls
156 bpm • A# min • 03:18 • -12.74db
22% Popularity • 49% Danceability • 46% Energy • 11% Liveness
64% Instrumentalness • 64% Positiveness
22% Popularity • 49% Danceability • 46% Energy • 11% Liveness
64% Instrumentalness • 64% Positiveness
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Steve Pardo
Devil's Crossing
155 bpm • C# Maj • 03:08 • -21.79db
18% Popularity • 35% Danceability • 40% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
18% Popularity • 35% Danceability • 40% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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加藤達也
Irritation
160 bpm • D min • 03:08 • -12.86db
16% Popularity • 30% Danceability • 51% Energy • 31% Liveness
90% Instrumentalness • 16% Positiveness
16% Popularity • 30% Danceability • 51% Energy • 31% Liveness
90% Instrumentalness • 16% Positiveness
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Tobias Lilja
A Room with a View
154 bpm • C Maj • 03:30 • -20db
34% Popularity • 11% Danceability • 11% Energy • 21% Liveness
84% Instrumentalness • 3% Positiveness
34% Popularity • 11% Danceability • 11% Energy • 21% Liveness
84% Instrumentalness • 3% Positiveness
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Chris Murguia
Tomahawk
160 bpm • F# Maj • 01:31 • -21.12db
11% Popularity • 56% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
11% Popularity • 56% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Antiguo Futuro
Enigmas Circulares
160 bpm • A# Maj • 02:25 • -26.15db
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Ludvig Forssell
Trickster
160 bpm • D Maj • 02:45 • -22.35db
12% Popularity • 50% Danceability • 13% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 50% Danceability • 13% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Erik Desiderio
The Precipice
160 bpm • A# Maj • 03:13 • -13.64db
10% Popularity • 36% Danceability • 50% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
10% Popularity • 36% Danceability • 50% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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The Gaslamp Killer
Forged by Fire
153 bpm • A# Maj • 02:46 • -12.03db
14% Popularity • 29% Danceability • 51% Energy • 42% Liveness
63% Instrumentalness • 13% Positiveness
14% Popularity • 29% Danceability • 51% Energy • 42% Liveness
63% Instrumentalness • 13% Positiveness
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Kyle Dixon & Michael Stein
Making Contact
160 bpm • D# Maj • 02:01 • -15.25db
14% Popularity • 19% Danceability • 26% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 26% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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ORIGINS
Koto
153 bpm • C# Maj • 01:12 • -27.43db
23% Popularity • 14% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Halo
Xenoarchaeology
152 bpm • A# min • 01:46 • -12.84db
17% Popularity • 33% Danceability • 38% Energy • 11% Liveness
76% Instrumentalness • 26% Positiveness
17% Popularity • 33% Danceability • 38% Energy • 11% Liveness
76% Instrumentalness • 26% Positiveness
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塞壬唱片-MSR
共振
152 bpm • D Maj • 01:57 • -17.48db
14% Popularity • 18% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
14% Popularity • 18% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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梶浦 由記
Anima mala
150 bpm • C Maj • 01:46 • -16.37db
23% Popularity • 46% Danceability • 35% Energy • 28% Liveness
78% Instrumentalness • 16% Positiveness
23% Popularity • 46% Danceability • 35% Energy • 28% Liveness
78% Instrumentalness • 16% Positiveness
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Chris Benstead
Back Door
165 bpm • C min • 03:36 • -16.53db
21% Popularity • 45% Danceability • 34% Energy • 9% Liveness
75% Instrumentalness • 5% Positiveness
21% Popularity • 45% Danceability • 34% Energy • 9% Liveness
75% Instrumentalness • 5% Positiveness
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Alpine Universe
Ruta Quaranta
150 bpm • D Maj • 01:57 • -15.54db
29% Popularity • 44% Danceability • 30% Energy • 38% Liveness
88% Instrumentalness • 24% Positiveness
29% Popularity • 44% Danceability • 30% Energy • 38% Liveness
88% Instrumentalness • 24% Positiveness
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Callisto
The Dead Layer
165 bpm • A min • 01:49 • -17.83db
15% Popularity • 9% Danceability • 28% Energy • 17% Liveness
93% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 28% Energy • 17% Liveness
93% Instrumentalness • 3% Positiveness
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Enigma Hermético
Preocupaciones Claras
166 bpm • F Maj • 02:15 • -24.9db
12% Popularity • 12% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Jaranda Mills
Levitance
148 bpm • C Maj • 02:47 • -12.38db
13% Popularity • 15% Danceability • 21% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 21% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Derek Duke
The Kalu'ak
148 bpm • D min • 02:23 • -21.06db
32% Popularity • 28% Danceability • 30% Energy • 62% Liveness
93% Instrumentalness • 9% Positiveness
32% Popularity • 28% Danceability • 30% Energy • 62% Liveness
93% Instrumentalness • 9% Positiveness
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Volker Bertelmann
Search Party
148 bpm • C Maj • 02:17 • -23.77db
31% Popularity • 16% Danceability • 8% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 8% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Hiroshi Takaki
Twin Bros
167 bpm • D# Maj • 01:58 • -13.33db
15% Popularity • 9% Danceability • 44% Energy • 23% Liveness
83% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 44% Energy • 23% Liveness
83% Instrumentalness • 3% Positiveness
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Woodkid
Shoot Them Down
168 bpm • F# Maj • 02:10 • -8.16db
25% Popularity • 13% Danceability • 68% Energy • 12% Liveness
75% Instrumentalness • 13% Positiveness
25% Popularity • 13% Danceability • 68% Energy • 12% Liveness
75% Instrumentalness • 13% Positiveness
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Hildur Guðnadóttir
Shipping Forecast
146 bpm • G Maj • 02:30 • -18.7db
13% Popularity • 18% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Sabled Sun
Abandoned
147 bpm • C Maj • 05:22 • -23db
10% Popularity • 17% Danceability • 29% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 29% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Dept. Mind
Decay
170 bpm • D# Maj • 01:02 • -17.52db
19% Popularity • 8% Danceability • 12% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 12% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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物語シリーズ
外法
146 bpm • C# Maj • 01:44 • -16.48db
11% Popularity • 88% Danceability • 25% Energy • 7% Liveness
71% Instrumentalness • 14% Positiveness
11% Popularity • 88% Danceability • 25% Energy • 7% Liveness
71% Instrumentalness • 14% Positiveness
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Lorne Balfe
Wolf Ambush
170 bpm • D Maj • 02:15 • -11.14db
12% Popularity • 22% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
12% Popularity • 22% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
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Natalia Tsupryk
Vaara
145 bpm • G# Maj • 05:09 • -22.31db
34% Popularity • 13% Danceability • 21% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
34% Popularity • 13% Danceability • 21% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Son Lux
The Boxcutter
145 bpm • C min • 02:20 • -14.88db
19% Popularity • 32% Danceability • 22% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
19% Popularity • 32% Danceability • 22% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
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Max Richter
The Chopra Cloud
144 bpm • A# Maj • 04:12 • -23.46db
30% Popularity • 27% Danceability • 25% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 27% Danceability • 25% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Jeremy Zuckerman
Commander Zhao
170 bpm • D# Maj • 02:22 • -22.84db
33% Popularity • 8% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Dead Melodies
All That's Left Behind
171 bpm • E min • 06:03 • -27.06db
25% Popularity • 10% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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アトラスサウンドチーム
The Only Righteous Path
143 bpm • D Maj • 01:31 • -15.56db
13% Popularity • 20% Danceability • 16% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 16% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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Oiseaux-Tempête
Terminal Velocity
143 bpm • A min • 02:13 • -22.46db
27% Popularity • 15% Danceability • 5% Energy • 7% Liveness
42% Instrumentalness • 3% Positiveness
27% Popularity • 15% Danceability • 5% Energy • 7% Liveness
42% Instrumentalness • 3% Positiveness
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Sonya Belousova
Lovely Rendez-vous à la Montagne
172 bpm • B min • 02:39 • -13.9db
22% Popularity • 8% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 8% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 4% Positiveness
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Thom Yorke
Volk
172 bpm • G min • 06:24 • -14.29db
30% Popularity • 28% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
30% Popularity • 28% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Jeff Beal
Suspicion & Hubris
173 bpm • D# Maj • 04:24 • -19.24db
17% Popularity • 23% Danceability • 24% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
17% Popularity • 23% Danceability • 24% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
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Bohren & Der Club Of Gore
Grave Wisdom
174 bpm • G# Maj • 06:33 • -18db
24% Popularity • 30% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
24% Popularity • 30% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Car Sounds
Straight piped Lamborghini Aventador SV ...
173 bpm • A# min • 04:43 • -8.65db
27% Popularity • 24% Danceability • 66% Energy • 14% Liveness
72% Instrumentalness • 16% Positiveness
27% Popularity • 24% Danceability • 66% Energy • 14% Liveness
72% Instrumentalness • 16% Positiveness
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Brian Reitzell
Hackers
174 bpm • D min • 06:10 • -18.3db
14% Popularity • 18% Danceability • 19% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 19% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Soundscape
Hidden Realm
141 bpm • E min • 02:45 • -14.26db
11% Popularity • 55% Danceability • 50% Energy • 14% Liveness
93% Instrumentalness • 30% Positiveness
11% Popularity • 55% Danceability • 50% Energy • 14% Liveness
93% Instrumentalness • 30% Positiveness
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Avi Belleli
Western 2
141 bpm • C Maj • 01:15 • -11.23db
14% Popularity • 51% Danceability • 52% Energy • 10% Liveness
36% Instrumentalness • 16% Positiveness
14% Popularity • 51% Danceability • 52% Energy • 10% Liveness
36% Instrumentalness • 16% Positiveness
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Critical Role
Umbra Hills
140 bpm • G# Maj • 02:56 • -15db
23% Popularity • 14% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Atrium Carceri
Miles to Midnight
140 bpm • C Maj • 05:55 • -25.22db
22% Popularity • 21% Danceability • 11% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 11% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Resina
Night Time
176 bpm • G# Maj • 03:27 • -14.34db
13% Popularity • 43% Danceability • 37% Energy • 11% Liveness
75% Instrumentalness • 6% Positiveness
13% Popularity • 43% Danceability • 37% Energy • 11% Liveness
75% Instrumentalness • 6% Positiveness
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Marcin Przybyłowicz
Been Good To Know Ya
140 bpm • F Maj • 04:14 • -12.94db
49% Popularity • 15% Danceability • 37% Energy • 18% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 15% Danceability • 37% Energy • 18% Liveness
84% Instrumentalness • 3% Positiveness
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Epic Mountain
G M O S
176 bpm • A min • 08:06 • -21.42db
15% Popularity • 55% Danceability • 21% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
15% Popularity • 55% Danceability • 21% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Rob
Inform 221 bis
140 bpm • C Maj • 05:25 • -18.09db
16% Popularity • 30% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 30% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Mikko Tarmia
Crouching Bunny, Hidden Cat
140 bpm • A min • 01:06 • -23.94db
10% Popularity • 37% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 37% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Éric Serra
A Bomb In The Hotel
176 bpm • G# Maj • 02:15 • -20.24db
21% Popularity • 42% Danceability • 21% Energy • 10% Liveness
80% Instrumentalness • 23% Positiveness
21% Popularity • 42% Danceability • 21% Energy • 10% Liveness
80% Instrumentalness • 23% Positiveness
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Leopold Ross
Scrubbing
140 bpm • C Maj • 03:36 • -19.16db
13% Popularity • 48% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 48% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Yoann Laulan
Toxic Sewers
140 bpm • C min • 04:34 • -21.83db
21% Popularity • 58% Danceability • 34% Energy • 34% Liveness
84% Instrumentalness • 18% Positiveness
21% Popularity • 58% Danceability • 34% Energy • 34% Liveness
84% Instrumentalness • 18% Positiveness
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Kota Suzuki
Echoes-oes-oes
140 bpm • C min • 02:07 • -17.85db
18% Popularity • 54% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
18% Popularity • 54% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Almater
Sistemi In Allerta
140 bpm • E min • 02:13 • -18.96db
8% Popularity • 23% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Caos Ancestral
Calculando
140 bpm • D Maj • 02:26 • -26.61db
10% Popularity • 46% Danceability • 4% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
10% Popularity • 46% Danceability • 4% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Steven Lynn
Vengeance
140 bpm • G# Maj • 08:21 • -13.16db
12% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 48% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Avery Alexander
Pmc
140 bpm • G Maj • 05:18 • -23.71db
10% Popularity • 54% Danceability • 6% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 54% Danceability • 6% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Gary Numan
Into Battle
176 bpm • F Maj • 05:03 • -13.32db
8% Popularity • 39% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
8% Popularity • 39% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Corvus
Vintage Gothic
140 bpm • C min • 02:04 • -20.09db
18% Popularity • 21% Danceability • 47% Energy • 28% Liveness
74% Instrumentalness • 32% Positiveness
18% Popularity • 21% Danceability • 47% Energy • 28% Liveness
74% Instrumentalness • 32% Positiveness
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Roya
Invocation
140 bpm • C min • 03:03 • -12.4db
10% Popularity • 17% Danceability • 45% Energy • 10% Liveness
48% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 45% Energy • 10% Liveness
48% Instrumentalness • 3% Positiveness
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Dan Lucore
Quest
177 bpm • A min • 01:06 • -9.37db
9% Popularity • 16% Danceability • 72% Energy • 24% Liveness
94% Instrumentalness • 15% Positiveness
9% Popularity • 16% Danceability • 72% Energy • 24% Liveness
94% Instrumentalness • 15% Positiveness
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Rev 3
Cinematic hip hop beat 182
139 bpm • A Maj • 02:00 • -19.26db
11% Popularity • 14% Danceability • 28% Energy • 11% Liveness
99% Instrumentalness • 8% Positiveness
11% Popularity • 14% Danceability • 28% Energy • 11% Liveness
99% Instrumentalness • 8% Positiveness
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Jacky
Trouble
139 bpm • C# Maj • 02:08 • -17.2db
28% Popularity • 37% Danceability • 13% Energy • 12% Liveness
72% Instrumentalness • 13% Positiveness
28% Popularity • 37% Danceability • 13% Energy • 12% Liveness
72% Instrumentalness • 13% Positiveness
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Noddy
Love
139 bpm • C# Maj • 02:08 • -17.2db
27% Popularity • 37% Danceability • 13% Energy • 12% Liveness
72% Instrumentalness • 13% Positiveness
27% Popularity • 37% Danceability • 13% Energy • 12% Liveness
72% Instrumentalness • 13% Positiveness
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Delo
Paper
139 bpm • C# Maj • 02:08 • -17.2db
26% Popularity • 37% Danceability • 13% Energy • 12% Liveness
72% Instrumentalness • 13% Positiveness
26% Popularity • 37% Danceability • 13% Energy • 12% Liveness
72% Instrumentalness • 13% Positiveness
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Flowers for Bodysnatchers
Tristesse
138 bpm • B Maj • 02:24 • -24.22db
22% Popularity • 23% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
22% Popularity • 23% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Project Divinity
Androids Dreaming of Electric Sheep
138 bpm • A min • 02:00 • -21.69db
25% Popularity • 15% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Vitalic
Lost Times
138 bpm • C# Maj • 04:31 • -12.47db
27% Popularity • 29% Danceability • 57% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
27% Popularity • 29% Danceability • 57% Energy • 9% Liveness
80% Instrumentalness • 19% Positiveness
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Dario Marianelli
Chopper Rescue
138 bpm • E min • 02:20 • -16.84db
19% Popularity • 58% Danceability • 58% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
19% Popularity • 58% Danceability • 58% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Chernoburkv
Freezzze
178 bpm • F# Maj • 06:00 • -24.51db
7% Popularity • 15% Danceability • 12% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 12% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Manjughosha
Montain Mystery
179 bpm • F min • 01:21 • -22.74db
13% Popularity • 18% Danceability • 20% Energy • 15% Liveness
91% Instrumentalness • 10% Positiveness
13% Popularity • 18% Danceability • 20% Energy • 15% Liveness
91% Instrumentalness • 10% Positiveness
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![Nibiru [432Hz] [Loopable] cover art](https://i.scdn.co/image/ab67616d00001e02043e9cad809d29a99eb5b988)
Megaviolin
Nibiru [432Hz] [Loopable]
137 bpm • A min • 01:11 • -14.39db
22% Popularity • 15% Danceability • 43% Energy • 80% Liveness
83% Instrumentalness • 12% Positiveness
22% Popularity • 15% Danceability • 43% Energy • 80% Liveness
83% Instrumentalness • 12% Positiveness
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The Kilimanjaro Darkjazz Ensemble
Amygdhala
180 bpm • A Maj • 04:00 • -20.12db
13% Popularity • 12% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 16% Positiveness
13% Popularity • 12% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 16% Positiveness
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PATIL
Institution
180 bpm • E Maj • 01:02 • -21.79db
27% Popularity • 19% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 13% Positiveness
27% Popularity • 19% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 13% Positiveness
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Um Kiyup
Dongshik's reeled memories
180 bpm • G Maj • 01:38 • -15.4db
7% Popularity • 20% Danceability • 24% Energy • 30% Liveness
63% Instrumentalness • 5% Positiveness
7% Popularity • 20% Danceability • 24% Energy • 30% Liveness
63% Instrumentalness • 5% Positiveness
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Marcin Przybyłowicz
The Hunter's Path
180 bpm • G min • 02:52 • -15.13db
24% Popularity • 26% Danceability • 36% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 36% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Freedomdeus Mostart
hunt the bounty
180 bpm • F min • 02:57 • -15.02db
12% Popularity • 36% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 9% Positiveness
12% Popularity • 36% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 9% Positiveness
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Woody Jackson
Everybody Wake Up
180 bpm • C Maj • 01:47 • -22.95db
35% Popularity • 37% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
35% Popularity • 37% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Bolton Dark
Fall
137 bpm • C# Maj • 02:29 • -24.81db
20% Popularity • 27% Danceability • 11% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
20% Popularity • 27% Danceability • 11% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
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Rob Simonsen
Taking the Court
180 bpm • C min • 02:04 • -27.63db
15% Popularity • 42% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 42% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Jesper Kyd
Jotunheim
180 bpm • G Maj • 02:28 • -16.75db
11% Popularity • 22% Danceability • 57% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 57% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
The Hunter's Path
180 bpm • G min • 02:52 • -15.13db
48% Popularity • 26% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
48% Popularity • 26% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Yasuharu Takanasha
Fukashiki
136 bpm • A Maj • 02:21 • -19.05db
7% Popularity • 20% Danceability • 23% Energy • 14% Liveness
49% Instrumentalness • 3% Positiveness
7% Popularity • 20% Danceability • 23% Energy • 14% Liveness
49% Instrumentalness • 3% Positiveness
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Capcom Sound Team
The Front Hall
136 bpm • F Maj • 01:55 • -16.83db
18% Popularity • 18% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Víkingur Ólafsson
Kyriena
136 bpm • B min • 02:57 • -29db
21% Popularity • 16% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Tobias Lilja
Little Nightmares II (Main Theme)
181 bpm • G# Maj • 02:44 • -18db
45% Popularity • 11% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 11% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Oleksa Lozowchuk
The Edge of Battle
136 bpm • D Maj • 02:02 • -15.92db
18% Popularity • 59% Danceability • 69% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
18% Popularity • 59% Danceability • 69% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
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震樂堂
起鼓
135 bpm • G min • 01:46 • -13.8db
13% Popularity • 34% Danceability • 44% Energy • 56% Liveness
90% Instrumentalness • 17% Positiveness
13% Popularity • 34% Danceability • 44% Energy • 56% Liveness
90% Instrumentalness • 17% Positiveness
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SeZon
Crashed Ship Frigate Orpheon
134 bpm • A min • 05:10 • -9.07db
17% Popularity • 35% Danceability • 54% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
17% Popularity • 35% Danceability • 54% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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马晓田
风情意面
135 bpm • E min • 01:20 • -16.66db
12% Popularity • 64% Danceability • 34% Energy • 11% Liveness
54% Instrumentalness • 40% Positiveness
12% Popularity • 64% Danceability • 34% Energy • 11% Liveness
54% Instrumentalness • 40% Positiveness
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Namco Sounds
The Dark Black Sumi Picture 1 (TEKKEN 1)
184 bpm • G Maj • 01:06 • -23.35db
6% Popularity • 25% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
6% Popularity • 25% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Clint Mansell
Parallel Universe
134 bpm • D min • 05:05 • -18.09db
10% Popularity • 20% Danceability • 21% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 21% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Thomas Newman
Spartanette
185 bpm • A# Maj • 00:59 • -17.11db
26% Popularity • 36% Danceability • 56% Energy • 22% Liveness
43% Instrumentalness • 15% Positiveness
26% Popularity • 36% Danceability • 56% Energy • 22% Liveness
43% Instrumentalness • 15% Positiveness
