Songs like Lawes: Consort Set No. 8 a 6 in F Major: II. Fantasia "The Sunrise" by William Lawes
Based on a tempo of (+/- 10%) and a similar genre
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Francesco da Milano
La Spagna: La spagna
102 bpm • G min • 01:40 • -31.45db
14% Popularity • 42% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
14% Popularity • 42% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: V. Prest...
102 bpm • C# Maj • 01:47 • -16.27db
12% Popularity • 34% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 34% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Giovanni Battista Bassani
Sonata a tre in re maggiore: II. Adagio
102 bpm • C# Maj • 01:25 • -26db
14% Popularity • 19% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 5% Positiveness
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Robert de Visée
Suite in E Minor: I. Prelude
102 bpm • D min • 01:05 • -29db
24% Popularity • 34% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Tobias Hume
The First Part of Ayres, French, Pollish...
102 bpm • F# Maj • 01:19 • -27.25db
9% Popularity • 30% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
9% Popularity • 30% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 29% Positiveness
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Godfrey Finger
A Ground in D Minor for Recorder
102 bpm • D Maj • 03:20 • -27db
9% Popularity • 33% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
9% Popularity • 33% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Giovanni Paolo Foscarini
Passacaglia
102 bpm • G# min • 02:55 • -34.32db
10% Popularity • 42% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
10% Popularity • 42% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
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![Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: IV. [Solo-Andante] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Becker
Sonata & Suite in D-Dur: Sonata & Suite ...
102 bpm • C# Maj • 01:33 • -20.54db
10% Popularity • 26% Danceability • 8% Energy • 9% Liveness
25% Instrumentalness • 37% Positiveness
10% Popularity • 26% Danceability • 8% Energy • 9% Liveness
25% Instrumentalness • 37% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: III. Vi...
103 bpm • C# Maj • 03:14 • -28.31db
16% Popularity • 34% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
16% Popularity • 34% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Francesco Corbetta
Concert en e mi la: V. Menüet
103 bpm • D# min • 01:17 • -22.07db
20% Popularity • 54% Danceability • 14% Energy • 11% Liveness
17% Instrumentalness • 70% Positiveness
20% Popularity • 54% Danceability • 14% Energy • 11% Liveness
17% Instrumentalness • 70% Positiveness
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Joan Ambrosio Dalza
Piva ala venetiana - Intabulatura de lau...
103 bpm • G# Maj • 03:13 • -26.87db
12% Popularity • 50% Danceability • 13% Energy • 24% Liveness
86% Instrumentalness • 55% Positiveness
12% Popularity • 50% Danceability • 13% Energy • 24% Liveness
86% Instrumentalness • 55% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: I. Prélude
101 bpm • C Maj • 01:19 • -15.77db
16% Popularity • 44% Danceability • 44% Energy • 46% Liveness
89% Instrumentalness • 77% Positiveness
16% Popularity • 44% Danceability • 44% Energy • 46% Liveness
89% Instrumentalness • 77% Positiveness
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Alessandro Scarlatti
Cello Sonata No. 3 in C Major: III. Amor...
101 bpm • C Maj • 01:55 • -25.81db
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Dietrich Buxtehude
Sonata in D-Dur, BuxWV 267: Sonata in D-...
101 bpm • C# Maj • 01:51 • -20.05db
9% Popularity • 34% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
9% Popularity • 34% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 76% Positiveness
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Domenico Scarlatti
Scarlatti, D: Keyboard Sonata in D Minor...
103 bpm • C# min • 01:32 • -23.65db
12% Popularity • 58% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 58% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 5 in G Major, WeissSW 5:...
103 bpm • C# Maj • 01:30 • -22.77db
17% Popularity • 51% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
17% Popularity • 51% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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William Lawes
Lawes: Corant, for Lyra Viol, VdGS No. 4...
103 bpm • G Maj • 01:19 • -25.41db
1% Popularity • 47% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
1% Popularity • 47% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
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Christopher Simpson
Ground in G Major
103 bpm • F# Maj • 02:31 • -17db
8% Popularity • 32% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
8% Popularity • 32% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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William Byrd
Who made thee, Hob, forsake the Plough?
101 bpm • G# Maj • 01:12 • -15.09db
19% Popularity • 41% Danceability • 19% Energy • 10% Liveness
6% Instrumentalness • 74% Positiveness
19% Popularity • 41% Danceability • 19% Energy • 10% Liveness
6% Instrumentalness • 74% Positiveness
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Dietrich Buxtehude
Trio Sonata in A Minor, BuxWV 254: I. Ad...
101 bpm • G# min • 01:43 • -16.38db
17% Popularity • 16% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
17% Popularity • 16% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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Hopkinson Smith
Concerto In a Major for Lute/2 Violins/a...
104 bpm • F min • 04:32 • -26.64db
8% Popularity • 35% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 8% Positiveness
8% Popularity • 35% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 8% Positiveness
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Robert de Visée
Suite in A Major: I. Prelude
103 bpm • G Maj • 01:20 • -29.96db
23% Popularity • 36% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
23% Popularity • 36% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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William Lawes
Lawes: Aire, for Lyra Viol, VdGS No. 462
103 bpm • G min • 02:15 • -26db
10% Popularity • 33% Danceability • 2% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
10% Popularity • 33% Danceability • 2% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Suite in E Minor, BWV 996: IV. Sarabande
104 bpm • F min • 03:42 • -24.47db
10% Popularity • 40% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
10% Popularity • 40% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Diego Ortiz
Recercada No. 1: Recercada primera
104 bpm • D min • 01:14 • -27.06db
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
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Dietrich Buxtehude
Sonata in D-Dur, BuxWV 267: Sonata in D-...
104 bpm • C# Maj • 01:15 • -21.69db
9% Popularity • 21% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
9% Popularity • 21% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Matthew Locke
The Little Consort, Suite No. 10 in D Mi...
100 bpm • C# Maj • 01:14 • -20.03db
19% Popularity • 35% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 52% Positiveness
19% Popularity • 35% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 52% Positiveness
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Giovanni Battista Fontana
18 Sonatas in 1, 2, 3 Parts: Sonata seco...
104 bpm • D Maj • 06:41 • -19.9db
8% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 27% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Francesco Corbetta
Gigue in A Minor
100 bpm • G# min • 01:38 • -32.83db
15% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
15% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Johann Sebastian Bach
Polonaise in G Minor, BWV Anh. 119
104 bpm • F# min • 01:12 • -38.37db
10% Popularity • 48% Danceability • 2% Energy • 10% Liveness
76% Instrumentalness • 11% Positiveness
10% Popularity • 48% Danceability • 2% Energy • 10% Liveness
76% Instrumentalness • 11% Positiveness
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Jacques Champion de Chambonnières
Pavane L'entretien des Dieux
105 bpm • G# Maj • 06:04 • -20.69db
8% Popularity • 15% Danceability • 6% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 6% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
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William Lawes
Lawes: Consort Set No. 6 for 6 Viols in ...
104 bpm • G min • 07:05 • -20.27db
1% Popularity • 15% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Marthe Perl
Prelude Feuer
105 bpm • G# min • 01:03 • -28.32db
12% Popularity • 47% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 58% Positiveness
12% Popularity • 47% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 58% Positiveness
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Lucas Ruiz de Ribayaz
Luz y norte musical: Pabanas
99 bpm • C# Maj • 02:20 • -35db
10% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Minuet
99 bpm • E Maj • 01:58 • -24.18db
16% Popularity • 64% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
16% Popularity • 64% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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Johann Sebastian Bach
Suite in E Minor, BWV 996: II. Allemande
104 bpm • F min • 03:13 • -26.26db
14% Popularity • 35% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
14% Popularity • 35% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
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Luigi Rossi
Rossi: L'Orfeo, Act 3: Dormite, begl'occ...
105 bpm • C min • 02:19 • -23.7db
11% Popularity • 16% Danceability • 4% Energy • 12% Liveness
60% Instrumentalness • 17% Positiveness
11% Popularity • 16% Danceability • 4% Energy • 12% Liveness
60% Instrumentalness • 17% Positiveness
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Thomas Morley
Canzonets to Three Voyces: XI. O Fly Not
105 bpm • B Maj • 01:18 • -18.31db
18% Popularity • 40% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
18% Popularity • 40% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
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Nicolas Chédeville
Les Saisons amsusantes, Op. 8: Concerto ...
99 bpm • F# Maj • 02:33 • -21.77db
7% Popularity • 13% Danceability • 16% Energy • 5% Liveness
87% Instrumentalness • 38% Positiveness
7% Popularity • 13% Danceability • 16% Energy • 5% Liveness
87% Instrumentalness • 38% Positiveness
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Arcangelo Corelli
Sonata da chiesa a tre in F Major, Op. 1...
105 bpm • D# Maj • 01:32 • -18.44db
14% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 31% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Robert de Visée
De Visée: Pièces de théorbe et de lut...
106 bpm • C# min • 01:13 • -26.08db
19% Popularity • 51% Danceability • 18% Energy • 7% Liveness
76% Instrumentalness • 51% Positiveness
19% Popularity • 51% Danceability • 18% Energy • 7% Liveness
76% Instrumentalness • 51% Positiveness
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Johann Sebastian Bach
Johannes-Passion, BWV 245.1: 30. Aria: E...
105 bpm • A# min • 04:54 • -27.76db
30% Popularity • 19% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 19% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Antonio Caldara
Sinfonia No. 6 in G minor (arrangement o...
99 bpm • D Maj • 04:49 • -23.65db
15% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 30% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Francesco Corbetta
La Guitarre Royalle: Gigue 'cherie du Ro...
106 bpm • C# min • 01:17 • -24.96db
25% Popularity • 61% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
25% Popularity • 61% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
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Francesco Valdambrini
Intavolatura di chitarra a cinque ordini...
98 bpm • C# Maj • 02:57 • -32.32db
8% Popularity • 55% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
8% Popularity • 55% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
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Christopher Simpson
Ground in A Minor
98 bpm • B Maj • 02:09 • -15db
10% Popularity • 33% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 61% Positiveness
10% Popularity • 33% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 61% Positiveness
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Robert Parsons
Pour down, you pow'rs divine
106 bpm • G# min • 05:14 • -22.22db
7% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Henry Purcell
Fantasias and In Nomines: Fantazia I in ...
98 bpm • C# min • 02:36 • -22.03db
19% Popularity • 23% Danceability • 7% Energy • 10% Liveness
70% Instrumentalness • 28% Positiveness
19% Popularity • 23% Danceability • 7% Energy • 10% Liveness
70% Instrumentalness • 28% Positiveness
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William Lawes
Lawes: Saraband, for Lyra Viol, VdGS No....
98 bpm • G Maj • 01:05 • -25.45db
1% Popularity • 46% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 46% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Francesco Corbetta
Partie de Chaconne en ut majeur
98 bpm • B Maj • 02:38 • -24.94db
13% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
13% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Matthew Locke
The Little Consort, Suite No. 7 in G Min...
98 bpm • F# Maj • 01:05 • -19.89db
18% Popularity • 30% Danceability • 10% Energy • 20% Liveness
3% Instrumentalness • 51% Positiveness
18% Popularity • 30% Danceability • 10% Energy • 20% Liveness
3% Instrumentalness • 51% Positiveness
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António Pereira da Costa
Concerto V in G Minor: III. Grave
97 bpm • A# Maj • 01:36 • -21.14db
8% Popularity • 22% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
8% Popularity • 22% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Francesco Cavalli
Cavalli: Il Giasone: Sinfonia
98 bpm • C Maj • 02:31 • -16.69db
10% Popularity • 20% Danceability • 16% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
10% Popularity • 20% Danceability • 16% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
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Carl Friedrich Abel
Viola da gamba Sonata in D Major, A2:50:...
97 bpm • C# Maj • 01:57 • -16.56db
17% Popularity • 51% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
17% Popularity • 51% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Ennemond Gaultier
Prelude in D Minor
107 bpm • G# min • 01:15 • -29.5db
11% Popularity • 43% Danceability • 13% Energy • 34% Liveness
72% Instrumentalness • 64% Positiveness
11% Popularity • 43% Danceability • 13% Energy • 34% Liveness
72% Instrumentalness • 64% Positiveness
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Tarquinio Merula
Op.12, No.4: Canzon La Treccia
107 bpm • G# min • 04:56 • -18db
23% Popularity • 28% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 28% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Matthew Locke
Psyche, Act I: Overture
97 bpm • C# Maj • 02:16 • -13db
13% Popularity • 23% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 52% Positiveness
13% Popularity • 23% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 52% Positiveness
► Preview
Dietrich Buxtehude
Trio Sonata in D Major, BuxWV 267
97 bpm • D Maj • 08:18 • -29db
9% Popularity • 22% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 28% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 28% Positiveness
► Preview
Salomone Rossi
Sinfonie et gagliarde, Libro 1: Gagliard...
97 bpm • D# min • 01:11 • -22.18db
27% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
27% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
► Preview
Giovanni Felice Sances
Lagrimosa beltÃ
107 bpm • G Maj • 03:33 • -25db
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
► Preview
Johann Sebastian Bach
Die Kunst der Fuge, BWV 1080: XII. Contr...
97 bpm • F# min • 03:54 • -21.08db
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
62% Instrumentalness • 31% Positiveness
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
62% Instrumentalness • 31% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in E Major, Op. 5 No. 11 (...
97 bpm • C# Maj • 02:11 • -14.22db
19% Popularity • 35% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 35% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Giovanni Antonio Terzi
Jouissance
96 bpm • C Maj • 05:02 • -38db
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
► Preview
Daniel Purcell
Sonata Sexta in F Minor for Violin: II. ...
96 bpm • E min • 01:04 • -16.49db
23% Popularity • 44% Danceability • 28% Energy • 12% Liveness
62% Instrumentalness • 79% Positiveness
23% Popularity • 44% Danceability • 28% Energy • 12% Liveness
62% Instrumentalness • 79% Positiveness
► Preview
Christopher Tye
In Nomine à 5 "Crye"
96 bpm • C min • 01:56 • -22.21db
10% Popularity • 28% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
10% Popularity • 28% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
► Preview
Henry Purcell
Fantasias & In Nomines: No. 15 in G Mino...
108 bpm • F# min • 02:10 • -18.92db
11% Popularity • 21% Danceability • 8% Energy • 12% Liveness
59% Instrumentalness • 6% Positiveness
11% Popularity • 21% Danceability • 8% Energy • 12% Liveness
59% Instrumentalness • 6% Positiveness
► Preview
Johann Sebastian Bach
Prelude in C Minor, BWV 999
108 bpm • F# min • 01:20 • -29.34db
22% Popularity • 21% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
22% Popularity • 21% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
William Lawes
Royal Consort Sett No. 6 in D: III. Cora...
108 bpm • C# Maj • 02:08 • -19.7db
0% Popularity • 20% Danceability • 10% Energy • 13% Liveness
18% Instrumentalness • 27% Positiveness
0% Popularity • 20% Danceability • 10% Energy • 13% Liveness
18% Instrumentalness • 27% Positiveness
► Preview
Barbara Strozzi
Primo libro de' madrigali, Op. 1: Volano...
96 bpm • D min • 04:21 • -17.21db
9% Popularity • 26% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 26% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Dietrich Becker
Sonata & Suite in D-Dur: Sonata & Suite ...
108 bpm • C# Maj • 01:46 • -20.13db
11% Popularity • 22% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
11% Popularity • 22% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in F Major, Op. 5 No. 4: I...
109 bpm • F# Maj • 02:34 • -20.13db
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
► Preview
Heinrich Bach
Ich danke dir Gott
109 bpm • C Maj • 05:44 • -17.42db
8% Popularity • 35% Danceability • 16% Energy • 11% Liveness
16% Instrumentalness • 25% Positiveness
8% Popularity • 35% Danceability • 16% Energy • 11% Liveness
16% Instrumentalness • 25% Positiveness
► Preview
Giovanni Battista Domenico
Bergamasco
109 bpm • E Maj • 03:22 • -17.45db
15% Popularity • 51% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 51% Positiveness
15% Popularity • 51% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 51% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
109 bpm • C min • 01:39 • -20db
19% Popularity • 27% Danceability • 12% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
19% Popularity • 27% Danceability • 12% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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William Lawes
Lawes: Consort Set No. 3 for 5 Viols in ...
96 bpm • C Maj • 06:37 • -21.41db
1% Popularity • 12% Danceability • 4% Energy • 20% Liveness
3% Instrumentalness • 6% Positiveness
1% Popularity • 12% Danceability • 4% Energy • 20% Liveness
3% Instrumentalness • 6% Positiveness
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Alonso Mudarra
Tres libros de musica en cifras para vih...
96 bpm • F# Maj • 01:34 • -22.59db
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
16% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
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John Johnson
Rogero
109 bpm • G Maj • 01:40 • -27.25db
20% Popularity • 44% Danceability • 14% Energy • 13% Liveness
87% Instrumentalness • 30% Positiveness
20% Popularity • 44% Danceability • 14% Energy • 13% Liveness
87% Instrumentalness • 30% Positiveness
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William Byrd
Byrd: Christe redemptor a 4
95 bpm • A# Maj • 02:58 • -26.8db
12% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
12% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Giovanni Girolamo Kapsberger
Libro quarto d'intavolatura di chitarone...
110 bpm • A min • 01:20 • -23.89db
11% Popularity • 30% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
11% Popularity • 30% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
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Francesco Corbetta
La Guitarre Royalle: Fanfare
110 bpm • B Maj • 01:04 • -27.11db
19% Popularity • 64% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
19% Popularity • 64% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
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James Paisible
Sonata for Recorder and Continuo in D Mi...
95 bpm • C Maj • 00:58 • -20db
8% Popularity • 36% Danceability • 39% Energy • 70% Liveness
90% Instrumentalness • 89% Positiveness
8% Popularity • 36% Danceability • 39% Energy • 70% Liveness
90% Instrumentalness • 89% Positiveness
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Tobias Hume
Adue Sweet Love
110 bpm • C# min • 02:14 • -30.26db
23% Popularity • 32% Danceability • 1% Energy • 10% Liveness
56% Instrumentalness • 20% Positiveness
23% Popularity • 32% Danceability • 1% Energy • 10% Liveness
56% Instrumentalness • 20% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
95 bpm • D min • 01:42 • -27.15db
29% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
29% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Claudio Monteverdi
Monteverdi: Ottavo libro di madrigali "G...
95 bpm • A min • 03:43 • -23.91db
8% Popularity • 38% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
8% Popularity • 38% Danceability • 2% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
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Monsieur de Sainte-Colombe
III. Le tendre: (Ouverture) Le tendre - ...
110 bpm • F min • 05:54 • -23.33db
8% Popularity • 23% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
8% Popularity • 23% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Isabella Leonarda
12 Sonatas, Opera XVI, Op. 16 No. 1 (Exc...
95 bpm • F# Maj • 02:42 • -26.39db
14% Popularity • 21% Danceability • 5% Energy • 21% Liveness
6% Instrumentalness • 26% Positiveness
14% Popularity • 21% Danceability • 5% Energy • 21% Liveness
6% Instrumentalness • 26% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
94 bpm • C Maj • 01:42 • -23.93db
2% Popularity • 23% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
2% Popularity • 23% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
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Antonio de Cabezón
Canción Francesca (Clemens Non Papa)
110 bpm • D min • 02:06 • -21.81db
13% Popularity • 41% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
13% Popularity • 41% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Giovanni Girolamo Kapsberger
Canarios. Tablature Di Chitarrone Livre ...
111 bpm • G Maj • 02:15 • -34.82db
16% Popularity • 43% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
16% Popularity • 43% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
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Antonio de Santa Cruz
Canarios
111 bpm • D Maj • 03:03 • -24.49db
14% Popularity • 44% Danceability • 15% Energy • 7% Liveness
88% Instrumentalness • 77% Positiveness
14% Popularity • 44% Danceability • 15% Energy • 7% Liveness
88% Instrumentalness • 77% Positiveness
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Giovanni Maria Bononcini
Sonata a tre in sol minore: II. Adagio
111 bpm • F# min • 01:01 • -22.04db
14% Popularity • 23% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 23% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
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Jan AntonÃn Losy
Lute Suite in A Minor: II. Allemande
111 bpm • G min • 03:03 • -28.37db
15% Popularity • 33% Danceability • 4% Energy • 17% Liveness
94% Instrumentalness • 42% Positiveness
15% Popularity • 33% Danceability • 4% Energy • 17% Liveness
94% Instrumentalness • 42% Positiveness
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William Lawes
Lawes: Almaine, for Lyra Viol, VdGS No. ...
94 bpm • G Maj • 02:35 • -29.38db
1% Popularity • 28% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 28% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Carlo Calvi
Espanoletta
93 bpm • G# min • 03:55 • -30.74db
11% Popularity • 42% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
11% Popularity • 42% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
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Jacques Gallot
Folies d'Espagne
93 bpm • G# min • 06:10 • -30db
13% Popularity • 41% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
13% Popularity • 41% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
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Henry Purcell
The Gordion Knot Unty'd, Z. 597: Second ...
93 bpm • F# min • 01:41 • -29.35db
20% Popularity • 23% Danceability • 2% Energy • 10% Liveness
76% Instrumentalness • 18% Positiveness
20% Popularity • 23% Danceability • 2% Energy • 10% Liveness
76% Instrumentalness • 18% Positiveness
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Thomas Tallis
In Nomine
93 bpm • C# min • 02:45 • -29.04db
14% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
