Songs like Lay Me Down by City and Colour
Based on a tempo of (+/- 10%) and a similar genre
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Tyson Motsenbocker
I Miss The Old Days Too
121 bpm • G Maj • 05:57 • -8.98db
9% Popularity • 62% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 62% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Anthony Green
You'll Be Fine
121 bpm • D min • 05:02 • -7.35db
11% Popularity • 45% Danceability • 57% Energy • 66% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 45% Danceability • 57% Energy • 66% Liveness
0% Instrumentalness • 48% Positiveness
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From Indian Lakes
The Bells
121 bpm • D Maj • 04:44 • -15.65db
30% Popularity • 70% Danceability • 14% Energy • 14% Liveness
18% Instrumentalness • 47% Positiveness
30% Popularity • 70% Danceability • 14% Energy • 14% Liveness
18% Instrumentalness • 47% Positiveness
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Yoke Lore
Safe and Sound - Mahogany Sessions
121 bpm • G Maj • 05:04 • -10.67db
13% Popularity • 59% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
13% Popularity • 59% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
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City and Colour
Against The Grain
121 bpm • E Maj • 03:45 • -12.12db
10% Popularity • 50% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 50% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Of Rust & Bone
Reigns
121 bpm • D Maj • 06:58 • -14.18db
13% Popularity • 29% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 8% Positiveness
13% Popularity • 29% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 8% Positiveness
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Ten Kills the Pack
You Just Want to Feel Whole Again
122 bpm • G Maj • 03:18 • -6.99db
12% Popularity • 42% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 42% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Margot & The Nuclear So And So's
Broadripple Is Burning
122 bpm • B Maj • 04:21 • -8.62db
30% Popularity • 57% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 57% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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isaac gracie
hollow crown
122 bpm • D# Maj • 04:21 • -12.72db
33% Popularity • 49% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
33% Popularity • 49% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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William Ryan Key
Old Friends
122 bpm • F# min • 03:53 • -10.38db
13% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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City and Colour
Rain
122 bpm • F# Maj • 03:45 • -6.92db
18% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Bjéar
Nell
122 bpm • D Maj • 05:56 • -10.06db
9% Popularity • 31% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 31% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Of Monsters and Men
Under A Dome
120 bpm • G min • 04:33 • -9.38db
33% Popularity • 57% Danceability • 67% Energy • 9% Liveness
73% Instrumentalness • 30% Positiveness
33% Popularity • 57% Danceability • 67% Energy • 9% Liveness
73% Instrumentalness • 30% Positiveness
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The Almost
Hand Grenade - Acoustic
120 bpm • F Maj • 04:16 • -12.86db
8% Popularity • 60% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 60% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Bear's Den
Crow
120 bpm • A Maj • 04:56 • -9.08db
43% Popularity • 52% Danceability • 37% Energy • 5% Liveness
70% Instrumentalness • 14% Positiveness
43% Popularity • 52% Danceability • 37% Energy • 5% Liveness
70% Instrumentalness • 14% Positiveness
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Elder Brother
Weak Days
120 bpm • D Maj • 05:04 • -6.78db
25% Popularity • 58% Danceability • 53% Energy • 23% Liveness
4% Instrumentalness • 29% Positiveness
25% Popularity • 58% Danceability • 53% Energy • 23% Liveness
4% Instrumentalness • 29% Positiveness
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City and Colour
Constant Knot
120 bpm • E min • 04:03 • -9.19db
10% Popularity • 65% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 65% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Howard
Another Friday Night
120 bpm • C min • 04:36 • -16db
36% Popularity • 59% Danceability • 32% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
36% Popularity • 59% Danceability • 32% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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Old Sea Brigade
Seen a Ghost
120 bpm • G Maj • 03:54 • -13.79db
35% Popularity • 75% Danceability • 39% Energy • 12% Liveness
14% Instrumentalness • 30% Positiveness
35% Popularity • 75% Danceability • 39% Energy • 12% Liveness
14% Instrumentalness • 30% Positiveness
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Patrick Park
Everything Falls Apart
120 bpm • F# Maj • 03:10 • -8.89db
7% Popularity • 58% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 58% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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The Early November
I Dissolve
120 bpm • C Maj • 03:07 • -5.38db
10% Popularity • 59% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 59% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Moose Blood
Walk All Day With You
120 bpm • D Maj • 02:56 • -12.04db
27% Popularity • 50% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 50% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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City and Colour
Hop a Plane
122 bpm • A min • 02:41 • -10.5db
19% Popularity • 62% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 62% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Anthony Green
A Little Death Reimagined
122 bpm • C Maj • 03:30 • -11.37db
10% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Bear's Den
Fuel on the Fire - Fragments
120 bpm • D Maj • 04:00 • -13db
24% Popularity • 49% Danceability • 30% Energy • 11% Liveness
98% Instrumentalness • 17% Positiveness
24% Popularity • 49% Danceability • 30% Energy • 11% Liveness
98% Instrumentalness • 17% Positiveness
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Matt Pond PA
Starlet - Acoustic
120 bpm • F# Maj • 03:34 • -10.41db
16% Popularity • 57% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 57% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Nothing But Thieves
Real Love Song - Alternative Version
120 bpm • F Maj • 03:37 • -10.92db
29% Popularity • 36% Danceability • 32% Energy • 7% Liveness
23% Instrumentalness • 15% Positiveness
29% Popularity • 36% Danceability • 32% Energy • 7% Liveness
23% Instrumentalness • 15% Positiveness
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Moose Blood
Can We Stay Like This (Acoustic)
120 bpm • G# Maj • 02:51 • -6.34db
16% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Mat Kerekes
They Appear At Night
120 bpm • C Maj • 03:27 • -11.72db
15% Popularity • 32% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 32% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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The Milk Carton Kids
I Meant Every Word I Said
120 bpm • D Maj • 04:14 • -13.96db
20% Popularity • 57% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 57% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Jimmy Eat World
Recommit
123 bpm • B min • 03:50 • -3.91db
23% Popularity • 52% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 52% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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You+Me
Love Gone Wrong
123 bpm • B min • 04:21 • -9.55db
36% Popularity • 52% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 52% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Brett Dennen
Comeback Kid (Acoustic)
123 bpm • C Maj • 04:37 • -13db
14% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Belle Mt.
Hollow (OurVinyl Sessions)
119 bpm • B Maj • 03:49 • -13.02db
18% Popularity • 67% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 67% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Night Beds
Blue Knuckle
123 bpm • F Maj • 04:09 • -10.93db
12% Popularity • 60% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 60% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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The Western Den
I Still Remain
119 bpm • C# Maj • 04:29 • -11.38db
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Coheed and Cambria
The Gutter - Acoustic
123 bpm • B min • 06:13 • -8.54db
22% Popularity • 52% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 52% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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David Gray
Hurricane Season
119 bpm • D Maj • 05:35 • -14.62db
12% Popularity • 54% Danceability • 35% Energy • 23% Liveness
79% Instrumentalness • 24% Positiveness
12% Popularity • 54% Danceability • 35% Energy • 23% Liveness
79% Instrumentalness • 24% Positiveness
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City and Colour
As Much As I Ever Could
119 bpm • A min • 05:25 • -12.61db
17% Popularity • 56% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 56% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Augustana
Lies
124 bpm • F# min • 03:33 • -6.7db
11% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Lonely The Brave
Your Heavy Heart
118 bpm • C Maj • 03:44 • -8.54db
19% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Andrew Belle
To Be Alone
118 bpm • F Maj • 04:38 • -11.49db
27% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Anthony Green
Keep Your Mouth Shut Reimagined
124 bpm • F Maj • 03:50 • -11.17db
16% Popularity • 38% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 38% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Donovan Woods
Way Way Back
124 bpm • D# Maj • 03:27 • -8.88db
21% Popularity • 65% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 65% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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David Gray
Mallory
124 bpm • D Maj • 04:45 • -13.12db
16% Popularity • 65% Danceability • 29% Energy • 24% Liveness
2% Instrumentalness • 21% Positiveness
16% Popularity • 65% Danceability • 29% Energy • 24% Liveness
2% Instrumentalness • 21% Positiveness
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The Airborne Toxic Event
All These Engagements
118 bpm • F Maj • 04:40 • -6.96db
30% Popularity • 56% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 56% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Copeland
Skywriter
124 bpm • F Maj • 04:13 • -11.86db
18% Popularity • 47% Danceability • 37% Energy • 45% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 47% Danceability • 37% Energy • 45% Liveness
0% Instrumentalness • 10% Positiveness
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The XCERTS
Feels Like Falling in Love - Alternate V...
118 bpm • D Maj • 03:58 • -13db
28% Popularity • 58% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 58% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Anthony Green
Breaker
118 bpm • D# Maj • 05:19 • -12.54db
10% Popularity • 44% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 44% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Right Away, Great Captain!
I Was a Cage
118 bpm • D# Maj • 04:29 • -8.34db
28% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lonely The Brave
Things Will Matter
118 bpm • G Maj • 02:54 • -13db
18% Popularity • 45% Danceability • 16% Energy • 12% Liveness
15% Instrumentalness • 8% Positiveness
18% Popularity • 45% Danceability • 16% Energy • 12% Liveness
15% Instrumentalness • 8% Positiveness
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The Howl & The Hum
Until I Found A Rose - Alternate
118 bpm • A Maj • 03:50 • -8.04db
9% Popularity • 24% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 24% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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George Ogilvie
Nowhere - Acoustic
118 bpm • D# Maj • 05:02 • -11db
26% Popularity • 43% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 43% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Moreton
See Yourself
117 bpm • G Maj • 04:04 • -8.68db
25% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Anthony Green
Keep Your Mouth Shut
124 bpm • D min • 03:44 • -6.81db
30% Popularity • 53% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 53% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Yoke Lore
Chin Up - Mahogany Sessions
125 bpm • C# Maj • 04:35 • -7.14db
14% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Moose Blood
Knuckles (Acoustic)
125 bpm • F# Maj • 03:47 • -7.97db
37% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
37% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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This Wild Life
You Changed Everything
125 bpm • F Maj • 04:06 • -9.49db
24% Popularity • 61% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 61% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Hayden Calnin
Caution Cares - Rework
125 bpm • C# Maj • 04:49 • -13.23db
7% Popularity • 53% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 21% Positiveness
7% Popularity • 53% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 21% Positiveness
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Lovedrug
Thieving
125 bpm • A# min • 03:17 • -7.5db
25% Popularity • 47% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
25% Popularity • 47% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
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Anthony Green
When I Come Home Reimagined
125 bpm • F Maj • 03:47 • -10.55db
14% Popularity • 32% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 32% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 13% Positiveness
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Taking Back Sunday
A Song For Dan
125 bpm • E min • 04:59 • -5.54db
18% Popularity • 59% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
18% Popularity • 59% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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flora cash
For A While
125 bpm • G Maj • 03:31 • -12.47db
18% Popularity • 57% Danceability • 17% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
18% Popularity • 57% Danceability • 17% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
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SYML
Everything All At Once
126 bpm • G# Maj • 05:10 • -12db
34% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
34% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Copeland
Strange Flower
126 bpm • C# min • 04:35 • -9.52db
16% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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You+Me
No Ordinary Love
126 bpm • B min • 04:09 • -10.66db
41% Popularity • 58% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 58% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Anthony Green
When I Come Home
125 bpm • F Maj • 03:48 • -7.59db
25% Popularity • 50% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 50% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Wild Rivers
Moving Target
126 bpm • B Maj • 03:32 • -8db
40% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Listener
There's Money in the Walls
126 bpm • G Maj • 05:42 • -9.3db
20% Popularity • 35% Danceability • 53% Energy • 9% Liveness
14% Instrumentalness • 10% Positiveness
20% Popularity • 35% Danceability • 53% Energy • 9% Liveness
14% Instrumentalness • 10% Positiveness
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City and Colour
Blood
126 bpm • E Maj • 05:16 • -11.62db
15% Popularity • 55% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 55% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Circa Waves
Sad Happy - Acoustic
126 bpm • C# min • 03:04 • -10db
32% Popularity • 72% Danceability • 34% Energy • 93% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 72% Danceability • 34% Energy • 93% Liveness
0% Instrumentalness • 44% Positiveness
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You+Me
Second Guess
126 bpm • D# min • 03:27 • -10.82db
29% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Bear's Den
Breaker / Keeper
126 bpm • E Maj • 04:31 • -10.39db
23% Popularity • 63% Danceability • 51% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
23% Popularity • 63% Danceability • 51% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
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Dashboard Confessional
Screaming Infidelities - Recorded at Ele...
126 bpm • F# Maj • 04:47 • -8.71db
18% Popularity • 63% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 63% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Greg Laswell
Choice in the Matter
126 bpm • G Maj • 04:27 • -6.87db
10% Popularity • 40% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 40% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Ten Kills the Pack
When I Say You Are Killing Me
116 bpm • A# min • 03:13 • -8.79db
37% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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William Ryan Key
Form and Figure
126 bpm • G# min • 03:44 • -10.91db
11% Popularity • 59% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 59% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
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SONTALK
I Am a Mountain
116 bpm • A# Maj • 05:01 • -7.58db
11% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 52% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Airborne Toxic Event
Everything I Love Is Broken
116 bpm • A Maj • 03:50 • -7.94db
26% Popularity • 56% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 56% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Chonny and Clyde
I, the Hurricane
116 bpm • A Maj • 04:39 • -7.85db
10% Popularity • 54% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 54% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Coheed and Cambria
Lucky Stars
116 bpm • C Maj • 05:09 • -10.41db
33% Popularity • 58% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 58% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Maeson
I Just Don't Care That Much - Stripped
116 bpm • F# Maj • 03:47 • -10.92db
33% Popularity • 59% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 59% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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George Ogilvie
Exiting
116 bpm • D# Maj • 06:36 • -10.8db
16% Popularity • 27% Danceability • 27% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
16% Popularity • 27% Danceability • 27% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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You+Me
Unbeliever
127 bpm • B Maj • 03:41 • -11.04db
31% Popularity • 59% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 59% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sawyer Fredericks
Half a Mind
127 bpm • D# Maj • 06:05 • -9.52db
13% Popularity • 81% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 81% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Early November
Call Off The Bells
127 bpm • F# Maj • 04:23 • -4.62db
33% Popularity • 40% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 40% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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The Airborne Toxic Event
The Place We Meet A Thousand Feet Beneat...
127 bpm • A Maj • 02:21 • -15.79db
16% Popularity • 24% Danceability • 24% Energy • 44% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 24% Danceability • 24% Energy • 44% Liveness
92% Instrumentalness • 4% Positiveness
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This Wild Life
Heart-Shaped Box
115 bpm • A min • 03:28 • -8.33db
23% Popularity • 55% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 55% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Brian Fallon
21 Days
115 bpm • B min • 03:32 • -6.86db
32% Popularity • 60% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 60% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Of Monsters and Men
Circles
115 bpm • C Maj • 03:43 • -7.29db
49% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
49% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Northlane
Solar - Acoustic
115 bpm • G# min • 03:21 • -6.12db
28% Popularity • 27% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 27% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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George Ogilvie
Birdsong
114 bpm • A# Maj • 05:26 • -9db
35% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Our Lady Peace
In Repair - Acoustic Live
128 bpm • F Maj • 04:53 • -15.81db
9% Popularity • 60% Danceability • 17% Energy • 13% Liveness
6% Instrumentalness • 12% Positiveness
9% Popularity • 60% Danceability • 17% Energy • 13% Liveness
6% Instrumentalness • 12% Positiveness
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Nothing But Thieves
Sorry - Acoustic
128 bpm • G# min • 03:34 • -7.36db
49% Popularity • 67% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 67% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Raine Maida
Earthless
128 bpm • G Maj • 03:00 • -10.83db
18% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Desert Noises
Don't Really Know What to Say
128 bpm • D Maj • 03:46 • -5.44db
33% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Margot & The Nuclear So And So's
Talking In Code
128 bpm • C Maj • 03:44 • -5.96db
19% Popularity • 33% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 33% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Anthony Green
Changing Shape Reimagined
114 bpm • G min • 03:48 • -13.64db
10% Popularity • 31% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
10% Popularity • 31% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
