Songs like Le grand sommeil - 2014 Remaster by Étienne Daho
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Pierre Mader
Disparue
125 bpm • D min • 03:09 • -9db
42% Popularity • 85% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 85% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Richard Gotainer
Le Mambo Du Décalco
125 bpm • B min • 03:34 • -6db
40% Popularity • 85% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 85% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Michel Jonasz
L'homme orange
125 bpm • D Maj • 02:32 • -13.25db
33% Popularity • 64% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 64% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Louis Chedid
Ainsi soit-il
125 bpm • F min • 03:10 • -15db
34% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Jacques Higelin
Je ne peux plus dire ''je t'aime''
126 bpm • C Maj • 04:30 • -15.85db
33% Popularity • 52% Danceability • 26% Energy • 22% Liveness
34% Instrumentalness • 35% Positiveness
33% Popularity • 52% Danceability • 26% Energy • 22% Liveness
34% Instrumentalness • 35% Positiveness
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Étienne Daho
Le grand sommeil - 2014 Remaster
125 bpm • C Maj • 04:03 • -5db
40% Popularity • 84% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
40% Popularity • 84% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
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Jeanne Mas
Johnny, Johnny
124 bpm • E min • 04:24 • -11.8db
44% Popularity • 79% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 79% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Stephan Eicher
Combien de temps
126 bpm • C# Maj • 04:15 • -5.23db
38% Popularity • 64% Danceability • 91% Energy • 7% Liveness
9% Instrumentalness • 79% Positiveness
38% Popularity • 64% Danceability • 91% Energy • 7% Liveness
9% Instrumentalness • 79% Positiveness
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Michel Jonasz
Je voulais te dire que je t'attends
124 bpm • C Maj • 04:21 • -6db
49% Popularity • 46% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
49% Popularity • 46% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Francis Cabrel
Sarbacane - Remastered
126 bpm • E Maj • 04:07 • -7db
47% Popularity • 80% Danceability • 67% Energy • 8% Liveness
6% Instrumentalness • 93% Positiveness
47% Popularity • 80% Danceability • 67% Energy • 8% Liveness
6% Instrumentalness • 93% Positiveness
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Louis Chedid
Chanson pour une emmerdeuse
124 bpm • G# Maj • 03:15 • -17db
15% Popularity • 77% Danceability • 43% Energy • 21% Liveness
10% Instrumentalness • 82% Positiveness
15% Popularity • 77% Danceability • 43% Energy • 21% Liveness
10% Instrumentalness • 82% Positiveness
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Feu! Chatterton
La Malinche
126 bpm • A min • 03:56 • -5db
44% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Mylène Farmer
Désenchantée
126 bpm • A# min • 05:22 • -11.74db
60% Popularity • 61% Danceability • 66% Energy • 8% Liveness
13% Instrumentalness • 34% Positiveness
60% Popularity • 61% Danceability • 66% Energy • 8% Liveness
13% Instrumentalness • 34% Positiveness
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Clara Luciani
La baie
124 bpm • F# min • 03:50 • -5.24db
49% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
49% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Stephan Eicher
Déjeuner en paix
126 bpm • B min • 03:56 • -5.48db
57% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Jacques Dutronc
Les cactus
124 bpm • E Maj • 02:42 • -6.71db
41% Popularity • 56% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 56% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Jacques Higelin
J'suis qu'un grain de poussière
124 bpm • G Maj • 04:03 • -7db
27% Popularity • 39% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 39% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Maxime Le Forestier
San Francisco
126 bpm • C# Maj • 02:45 • -15.48db
57% Popularity • 59% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 59% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Lio
Les brunes comptent pas pour des prunes
126 bpm • G Maj • 03:09 • -5.44db
39% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Hubert-Félix Thiéfaine
Les dingues et les paumés - 2018 Remast...
124 bpm • C min • 04:45 • -10.89db
39% Popularity • 67% Danceability • 32% Energy • 5% Liveness
59% Instrumentalness • 22% Positiveness
39% Popularity • 67% Danceability • 32% Energy • 5% Liveness
59% Instrumentalness • 22% Positiveness
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Michel Polnareff
Une simple mélodie
126 bpm • G min • 03:36 • -8.11db
34% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Philippe Chatel
Mr. Hyde
124 bpm • C min • 03:33 • -10db
22% Popularity • 71% Danceability • 64% Energy • 15% Liveness
1% Instrumentalness • 87% Positiveness
22% Popularity • 71% Danceability • 64% Energy • 15% Liveness
1% Instrumentalness • 87% Positiveness
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Daniel Darc
J'irai au Paradis
126 bpm • C# min • 03:51 • -6.12db
22% Popularity • 70% Danceability • 76% Energy • 3% Liveness
68% Instrumentalness • 69% Positiveness
22% Popularity • 70% Danceability • 76% Energy • 3% Liveness
68% Instrumentalness • 69% Positiveness
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Étienne Daho
Tombé pour la France
127 bpm • A Maj • 04:16 • -11.93db
42% Popularity • 71% Danceability • 72% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
42% Popularity • 71% Danceability • 72% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
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Louis Chedid
Hold-Up
123 bpm • E min • 04:14 • -15.48db
10% Popularity • 78% Danceability • 59% Energy • 14% Liveness
9% Instrumentalness • 32% Positiveness
10% Popularity • 78% Danceability • 59% Energy • 14% Liveness
9% Instrumentalness • 32% Positiveness
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Véronique Sanson
Ma révérence - Remasterisé en 2008
123 bpm • C min • 03:14 • -12db
38% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Laurent Voulzy
Hé ! P'tite blonde
127 bpm • A Maj • 04:04 • -15.27db
11% Popularity • 82% Danceability • 57% Energy • 23% Liveness
4% Instrumentalness • 96% Positiveness
11% Popularity • 82% Danceability • 57% Energy • 23% Liveness
4% Instrumentalness • 96% Positiveness
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Corine
Pourquoi pourquoi
123 bpm • E min • 03:54 • -4.43db
31% Popularity • 77% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 77% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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L'Affaire Louis' Trio
Chic Planète - Remix
127 bpm • C# min • 03:25 • -10.88db
18% Popularity • 71% Danceability • 56% Energy • 4% Liveness
23% Instrumentalness • 97% Positiveness
18% Popularity • 71% Danceability • 56% Energy • 4% Liveness
23% Instrumentalness • 97% Positiveness
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Nino Ferrer
La Rua Madureira
123 bpm • G Maj • 03:23 • -8.7db
47% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Françoise Hardy
Message personnel - Remasterisé en 2013
127 bpm • G min • 04:16 • -11.12db
51% Popularity • 37% Danceability • 41% Energy • 13% Liveness
7% Instrumentalness • 18% Positiveness
51% Popularity • 37% Danceability • 41% Energy • 13% Liveness
7% Instrumentalness • 18% Positiveness
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Étienne Daho
Tombé pour la France - Version maximum
127 bpm • D Maj • 06:30 • -5.43db
19% Popularity • 74% Danceability • 87% Energy • 36% Liveness
80% Instrumentalness • 97% Positiveness
19% Popularity • 74% Danceability • 87% Energy • 36% Liveness
80% Instrumentalness • 97% Positiveness
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Chagrin D'amour
Bonjour (V'là les nouvelles)
128 bpm • F min • 03:02 • -5.83db
17% Popularity • 76% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 76% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Michel Polnareff
Lettre à France
127 bpm • G min • 04:50 • -7.86db
52% Popularity • 27% Danceability • 44% Energy • 36% Liveness
13% Instrumentalness • 9% Positiveness
52% Popularity • 27% Danceability • 44% Energy • 36% Liveness
13% Instrumentalness • 9% Positiveness
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Dominique A
Le Courage des oiseaux
128 bpm • G Maj • 02:32 • -11db
31% Popularity • 72% Danceability • 41% Energy • 20% Liveness
50% Instrumentalness • 56% Positiveness
31% Popularity • 72% Danceability • 41% Energy • 20% Liveness
50% Instrumentalness • 56% Positiveness
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Patrick Juvet
Où sont les femmes
122 bpm • C Maj • 06:16 • -10.93db
39% Popularity • 53% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 89% Positiveness
39% Popularity • 53% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 89% Positiveness
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Lio
La reine des pommes
122 bpm • B min • 03:36 • -3.62db
16% Popularity • 80% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 80% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Étienne Daho
Il ne dira pas - Single Edit (2021 Remas...
122 bpm • D Maj • 03:25 • -4.54db
8% Popularity • 70% Danceability • 83% Energy • 9% Liveness
3% Instrumentalness • 83% Positiveness
8% Popularity • 70% Danceability • 83% Energy • 9% Liveness
3% Instrumentalness • 83% Positiveness
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Françoise Hardy
Moi vouloir toi
128 bpm • G# Maj • 03:48 • -9.48db
21% Popularity • 71% Danceability • 55% Energy • 14% Liveness
30% Instrumentalness • 81% Positiveness
21% Popularity • 71% Danceability • 55% Energy • 14% Liveness
30% Instrumentalness • 81% Positiveness
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Michèle Brousse
Dites, ça vous dirait... avec moi ?
128 bpm • D min • 03:29 • -6db
11% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Brigitte
Battez-vous
122 bpm • C Maj • 04:03 • -7.39db
53% Popularity • 63% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 63% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Hubert-Félix Thiéfaine
Lorelei sébasto cha - 2018 Remastered V...
122 bpm • E min • 04:06 • -10db
38% Popularity • 82% Danceability • 65% Energy • 36% Liveness
1% Instrumentalness • 77% Positiveness
38% Popularity • 82% Danceability • 65% Energy • 36% Liveness
1% Instrumentalness • 77% Positiveness
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Feu! Chatterton
Boeing
122 bpm • E min • 04:16 • -5.79db
35% Popularity • 64% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 64% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 28% Positiveness
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Charlelie Couture
Jacobi marchait
128 bpm • G Maj • 03:38 • -11.48db
36% Popularity • 86% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 73% Positiveness
36% Popularity • 86% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 73% Positiveness
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Françoise Hardy
Le danger
128 bpm • C# min • 03:32 • -10.32db
18% Popularity • 72% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 19% Positiveness
18% Popularity • 72% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 19% Positiveness
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Laurent Voulzy
Le pouvoir des fleurs
122 bpm • A# Maj • 03:35 • -14db
52% Popularity • 62% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 62% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Brigitte
L'échappée belle
122 bpm • A# Maj • 06:02 • -7db
24% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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L'Affaire Louis' Trio
Bois ton café
122 bpm • F min • 02:48 • -11db
26% Popularity • 93% Danceability • 46% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
26% Popularity • 93% Danceability • 46% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
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Véronique Sanson
Le Maudit
128 bpm • F# min • 04:17 • -6db
32% Popularity • 57% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 57% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Feu! Chatterton
L'ivresse
122 bpm • D min • 03:42 • -11db
37% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Nino Ferrer
Je veux être noir
122 bpm • C Maj • 03:21 • -4.74db
22% Popularity • 69% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 69% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Laurent Voulzy
Cocktail chez mademoiselle
128 bpm • G min • 06:34 • -18.9db
32% Popularity • 82% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 82% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Michel Jonasz
Lucille
122 bpm • D min • 03:57 • -8db
29% Popularity • 66% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 66% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Michel Berger
Message personnel - Remasterisé en 2002
129 bpm • C Maj • 02:37 • -16db
40% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Mikado
LA FILLE DU SOLEIL
122 bpm • E Maj • 03:58 • -6.19db
9% Popularity • 72% Danceability • 65% Energy • 13% Liveness
4% Instrumentalness • 35% Positiveness
9% Popularity • 72% Danceability • 65% Energy • 13% Liveness
4% Instrumentalness • 35% Positiveness
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Jacques Dutronc
J'aime les filles
121 bpm • A Maj • 02:57 • -6.41db
51% Popularity • 62% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 62% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Marc Lavoine
Le parking des anges
129 bpm • G Maj • 03:56 • -11.33db
49% Popularity • 74% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
49% Popularity • 74% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Étienne Daho
Jack tu n'es pas un ange - 2014 Remaster
129 bpm • B min • 03:28 • -4.84db
14% Popularity • 77% Danceability • 89% Energy • 15% Liveness
10% Instrumentalness • 97% Positiveness
14% Popularity • 77% Danceability • 89% Energy • 15% Liveness
10% Instrumentalness • 97% Positiveness
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Françoise Hardy
La sieste (Version album)
121 bpm • A# min • 03:54 • -6.75db
4% Popularity • 59% Danceability • 92% Energy • 10% Liveness
64% Instrumentalness • 75% Positiveness
4% Popularity • 59% Danceability • 92% Energy • 10% Liveness
64% Instrumentalness • 75% Positiveness
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Laurent Voulzy
Rockollection
129 bpm • C Maj • 04:07 • -3db
45% Popularity • 76% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 76% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Michel Berger
Mademoiselle Chang - Remasterisé en 200...
120 bpm • G min • 04:49 • -8db
31% Popularity • 85% Danceability • 82% Energy • 33% Liveness
5% Instrumentalness • 97% Positiveness
31% Popularity • 85% Danceability • 82% Energy • 33% Liveness
5% Instrumentalness • 97% Positiveness
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Daniel Darc
La seule fille sur terre
120 bpm • F Maj • 04:11 • -7db
18% Popularity • 67% Danceability • 65% Energy • 21% Liveness
55% Instrumentalness • 59% Positiveness
18% Popularity • 67% Danceability • 65% Energy • 21% Liveness
55% Instrumentalness • 59% Positiveness
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Louis Chedid
Les absents ont toujours tort
120 bpm • C Maj • 04:43 • -12.49db
11% Popularity • 81% Danceability • 25% Energy • 6% Liveness
46% Instrumentalness • 31% Positiveness
11% Popularity • 81% Danceability • 25% Energy • 6% Liveness
46% Instrumentalness • 31% Positiveness
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Étienne Daho
Comme un igloo - 2016 Remaster
121 bpm • A min • 03:53 • -4.18db
26% Popularity • 67% Danceability • 88% Energy • 6% Liveness
7% Instrumentalness • 96% Positiveness
26% Popularity • 67% Danceability • 88% Energy • 6% Liveness
7% Instrumentalness • 96% Positiveness
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Taxi Girl
Jardin chinois
130 bpm • G Maj • 03:26 • -6.64db
18% Popularity • 67% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 67% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Laurent Voulzy
Les nuits sans Kim Wilde
121 bpm • A min • 05:12 • -6.97db
28% Popularity • 65% Danceability • 81% Energy • 9% Liveness
3% Instrumentalness • 87% Positiveness
28% Popularity • 65% Danceability • 81% Energy • 9% Liveness
3% Instrumentalness • 87% Positiveness
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Véronique Sanson
Amoureuse - Remasterisé en 2008
130 bpm • C Maj • 03:41 • -6.06db
51% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Izïa
La vague
130 bpm • C Maj • 03:55 • -8.4db
43% Popularity • 63% Danceability • 54% Energy • 14% Liveness
20% Instrumentalness • 19% Positiveness
43% Popularity • 63% Danceability • 54% Energy • 14% Liveness
20% Instrumentalness • 19% Positiveness
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Michel Jonasz
Dites-moi
120 bpm • D min • 03:18 • -12db
53% Popularity • 54% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
53% Popularity • 54% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Étienne Daho
En Surface
130 bpm • D Maj • 02:19 • -9.05db
35% Popularity • 74% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 74% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Malik Djoudi
A tes côtés (En duo avec Etienne Daho)
130 bpm • E Maj • 03:34 • -9.34db
33% Popularity • 78% Danceability • 70% Energy • 11% Liveness
8% Instrumentalness • 68% Positiveness
33% Popularity • 78% Danceability • 70% Energy • 11% Liveness
8% Instrumentalness • 68% Positiveness
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Clara Luciani
La grenade
130 bpm • B min • 03:14 • -6.59db
61% Popularity • 72% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 72% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Daniel Darc
C'était mieux avant
130 bpm • A min • 04:13 • -11db
18% Popularity • 66% Danceability • 66% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
18% Popularity • 66% Danceability • 66% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Bertrand Belin
Nuits bleues
130 bpm • G Maj • 03:20 • -9db
26% Popularity • 53% Danceability • 56% Energy • 15% Liveness
46% Instrumentalness • 58% Positiveness
26% Popularity • 53% Danceability • 56% Energy • 15% Liveness
46% Instrumentalness • 58% Positiveness
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Feu! Chatterton
Fou à lier
130 bpm • C# Maj • 04:30 • -5.97db
37% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Étienne Daho
En Surface
130 bpm • G Maj • 02:41 • -5.6db
24% Popularity • 75% Danceability • 76% Energy • 8% Liveness
88% Instrumentalness • 91% Positiveness
24% Popularity • 75% Danceability • 76% Energy • 8% Liveness
88% Instrumentalness • 91% Positiveness
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Jane Birkin
La grippe
130 bpm • F# min • 02:41 • -11.71db
14% Popularity • 84% Danceability • 44% Energy • 10% Liveness
8% Instrumentalness • 50% Positiveness
14% Popularity • 84% Danceability • 44% Energy • 10% Liveness
8% Instrumentalness • 50% Positiveness
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Mansfield.TYA
Bleu lagon
120 bpm • B Maj • 02:44 • -12db
40% Popularity • 72% Danceability • 61% Energy • 11% Liveness
10% Instrumentalness • 30% Positiveness
40% Popularity • 72% Danceability • 61% Energy • 11% Liveness
10% Instrumentalness • 30% Positiveness
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Maxime Le Forestier
Passer ma route
120 bpm • D# Maj • 08:05 • -10db
33% Popularity • 72% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 72% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Bertrand Belin
La nouvelle
120 bpm • F# Maj • 02:42 • -14.2db
42% Popularity • 99% Danceability • 23% Energy • 8% Liveness
89% Instrumentalness • 75% Positiveness
42% Popularity • 99% Danceability • 23% Energy • 8% Liveness
89% Instrumentalness • 75% Positiveness
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Michel Polnareff
L'amour avec toi
120 bpm • D Maj • 03:07 • -8.64db
39% Popularity • 46% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 46% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Étienne Daho
Duel au soleil - 2006 Remaster
120 bpm • B Maj • 04:21 • -5db
39% Popularity • 66% Danceability • 86% Energy • 5% Liveness
29% Instrumentalness • 88% Positiveness
39% Popularity • 66% Danceability • 86% Energy • 5% Liveness
29% Instrumentalness • 88% Positiveness
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Florent Marchet
Des hauts, des bas
120 bpm • E min • 04:02 • -6.56db
31% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Isabelle Adjani
Samouraï
120 bpm • E min • 03:44 • -10.53db
21% Popularity • 68% Danceability • 61% Energy • 16% Liveness
3% Instrumentalness • 73% Positiveness
21% Popularity • 68% Danceability • 61% Energy • 16% Liveness
3% Instrumentalness • 73% Positiveness
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Véronique Sanson
Une nuit sur son épaule - Remasterisé ...
130 bpm • G Maj • 03:09 • -10.19db
34% Popularity • 48% Danceability • 37% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
34% Popularity • 48% Danceability • 37% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
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Taxi Girl
Aussi belle qu'une balle
120 bpm • B min • 03:46 • -10.16db
23% Popularity • 67% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 67% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Dominique A
J'avais oublié que tu m'aimais autant
120 bpm • E Maj • 02:33 • -8.78db
38% Popularity • 76% Danceability • 51% Energy • 10% Liveness
56% Instrumentalness • 53% Positiveness
38% Popularity • 76% Danceability • 51% Energy • 10% Liveness
56% Instrumentalness • 53% Positiveness
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Étienne Daho
Un homme à la mer - 2016 Remaster
120 bpm • E Maj • 03:53 • -4db
27% Popularity • 66% Danceability • 87% Energy • 16% Liveness
25% Instrumentalness • 81% Positiveness
27% Popularity • 66% Danceability • 87% Energy • 16% Liveness
25% Instrumentalness • 81% Positiveness
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Michel Berger
Seras-tu là - Remasterisé en 2002
120 bpm • C# Maj • 03:43 • -9db
43% Popularity • 49% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
43% Popularity • 49% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Jeanne Mas
Toute première fois
120 bpm • F# min • 04:18 • -12db
52% Popularity • 80% Danceability • 70% Energy • 6% Liveness
14% Instrumentalness • 90% Positiveness
52% Popularity • 80% Danceability • 70% Energy • 6% Liveness
14% Instrumentalness • 90% Positiveness
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Michel Jonasz
Du blues, du blues, du blues
120 bpm • C Maj • 02:42 • -14.39db
30% Popularity • 69% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 69% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Jane Birkin
Je m'appelle Jane
120 bpm • A min • 03:29 • -7.75db
39% Popularity • 93% Danceability • 74% Energy • 5% Liveness
90% Instrumentalness • 96% Positiveness
39% Popularity • 93% Danceability • 74% Energy • 5% Liveness
90% Instrumentalness • 96% Positiveness
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Alain Souchon
La ballade de Jim
131 bpm • D# Maj • 04:25 • -12db
53% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
53% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Richard Gotainer
Le sampa
119 bpm • E Maj • 03:36 • -3db
35% Popularity • 90% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 90% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Raphaël
Sur la route
131 bpm • D min • 03:52 • -11db
51% Popularity • 63% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 63% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Izïa
La ballade de Jim
131 bpm • C Maj • 04:07 • -11.38db
31% Popularity • 81% Danceability • 42% Energy • 20% Liveness
29% Instrumentalness • 33% Positiveness
31% Popularity • 81% Danceability • 42% Energy • 20% Liveness
29% Instrumentalness • 33% Positiveness
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Julien Clerc
Laissons entrer le soleil
119 bpm • B min • 03:44 • -7db
48% Popularity • 54% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 54% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Mylène Farmer
Sans contrefaçon - Mix 2001
131 bpm • A Maj • 04:16 • -4.7db
54% Popularity • 76% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
54% Popularity • 76% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
