Songs like Le Mal de Vivre by Cécile McLorin Salvant
Based on a tempo of (+/- 10%) and a similar genre
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Cécile McLorin Salvant
One Step Ahead
85 bpm • C min • 02:09 • -16db
45% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Roberto Fonseca
Mercedes
85 bpm • G min • 04:58 • -14.33db
20% Popularity • 52% Danceability • 24% Energy • 10% Liveness
73% Instrumentalness • 8% Positiveness
20% Popularity • 52% Danceability • 24% Energy • 10% Liveness
73% Instrumentalness • 8% Positiveness
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Peter Cincotti
Fool On The Hill / Nature Boy
85 bpm • D min • 03:46 • -19db
41% Popularity • 40% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
41% Popularity • 40% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Gabi Hartmann
Always Seem to Get Things Wrong
85 bpm • E Maj • 03:11 • -13.99db
30% Popularity • 43% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
30% Popularity • 43% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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DANIEL ROURE
Deja (Cheek to Cheek)
85 bpm • C Maj • 04:59 • -10.98db
44% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Brigitte Bardot
Les hommes endormis
86 bpm • G min • 03:30 • -13.79db
25% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Cécile McLorin Salvant
Le Mal de Vivre
85 bpm • F min • 06:14 • -17db
47% Popularity • 51% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 51% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Archie Semple
I'm in the Market for You
86 bpm • C min • 03:46 • -19db
45% Popularity • 49% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 34% Positiveness
45% Popularity • 49% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 34% Positiveness
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Françoise Hardy
Le premier bonheur du jour
85 bpm • A min • 01:52 • -16db
48% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jill Barber
Tous mes rêves
84 bpm • C Maj • 02:35 • -11db
48% Popularity • 43% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 43% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Nikki Yanofsky
Quiet Nights Of Quiet Stars (Corcovado)
86 bpm • C min • 03:04 • -18.11db
31% Popularity • 43% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 43% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Pauline Croze
La Rua Madureira
86 bpm • G min • 03:17 • -10.66db
56% Popularity • 58% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
56% Popularity • 58% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Cécile McLorin Salvant
Wuthering Heights
86 bpm • A# Maj • 02:43 • -13.96db
33% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Gabi Hartmann
Lonely
84 bpm • F# Maj • 02:27 • -14.35db
26% Popularity • 44% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
26% Popularity • 44% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
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Françoise Hardy
Le premier bonheur du jour - Remastered
84 bpm • A min • 01:50 • -10db
46% Popularity • 47% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 47% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Cassandra Wilson
You Don't Know What Love Is
86 bpm • G# min • 06:05 • -18.26db
34% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Sinne Eeg
Spring Waltz
84 bpm • A# Maj • 03:26 • -16db
22% Popularity • 48% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 48% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Johnny Hartman
Charade
87 bpm • B min • 02:35 • -18db
33% Popularity • 39% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 39% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Cécile McLorin Salvant
Fascination
84 bpm • F min • 01:27 • -19.49db
16% Popularity • 32% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 32% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Gabi Hartmann
Maladie d'amour
86 bpm • C Maj • 03:25 • -10.65db
31% Popularity • 50% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 50% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Kurt Elling
Moonlight Serenade
87 bpm • D# Maj • 04:22 • -18.25db
48% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Viktor Lazlo
Ouvre
87 bpm • E min • 03:49 • -11.82db
22% Popularity • 71% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 71% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Paris Combo
Aquarium
83 bpm • B Maj • 04:31 • -10db
34% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Leon Parker
Radio Play
83 bpm • A Maj • 04:26 • -24.95db
4% Popularity • 74% Danceability • 9% Energy • 6% Liveness
2% Instrumentalness • 32% Positiveness
4% Popularity • 74% Danceability • 9% Energy • 6% Liveness
2% Instrumentalness • 32% Positiveness
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Cécile McLorin Salvant
Moon Song
86 bpm • F min • 03:04 • -14db
38% Popularity • 34% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 34% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Jacky Terrasson
Je Te Veux
83 bpm • F Maj • 05:24 • -18db
17% Popularity • 50% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 50% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Lisa Bassenge
Three Cigarettes in an Ashtray
83 bpm • F Maj • 03:07 • -11db
52% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
52% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
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Molly Johnson
You've Changed
88 bpm • A# min • 04:30 • -10.94db
41% Popularity • 36% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 36% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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ARTEMIS
Cry, Buttercup, Cry
88 bpm • A# min • 05:29 • -15.96db
12% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kat Edmonson
Oh My Love
82 bpm • B min • 02:46 • -11.56db
48% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Tord Gustavsen Trio
Edges Of Happiness
82 bpm • A# Maj • 03:03 • -23.73db
44% Popularity • 63% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
44% Popularity • 63% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Cécile McLorin Salvant
Monday
88 bpm • F min • 02:01 • -15.47db
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Keren Ann
L'illusionniste
88 bpm • A min • 04:05 • -14db
30% Popularity • 66% Danceability • 25% Energy • 12% Liveness
46% Instrumentalness • 30% Positiveness
30% Popularity • 66% Danceability • 25% Energy • 12% Liveness
46% Instrumentalness • 30% Positiveness
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Ellen Andersson
Once Upon a Summertime
88 bpm • B Maj • 04:39 • -16.83db
33% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Lara Louise
La complainte de la butte
82 bpm • B Maj • 03:18 • -13.04db
36% Popularity • 56% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 56% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Birgit Minichmayr
Let Me Not to the Marriage of True Minds...
82 bpm • G min • 04:40 • -12.19db
12% Popularity • 66% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 66% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jazzmeia Horn
Time
82 bpm • G Maj • 01:55 • -18.02db
34% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Rachael & Vilray
I've Drawn Your Face
81 bpm • D# Maj • 03:41 • -13.37db
41% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Enzo Enzo
Les yeux ouverts
89 bpm • F Maj • 03:28 • -20.3db
51% Popularity • 69% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 69% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sarah McKenzie
You Only Live Twice
88 bpm • F Maj • 04:39 • -15.36db
26% Popularity • 59% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 59% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Marion Rampal
Où sont passées les roses
81 bpm • A# Maj • 03:26 • -13.71db
33% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Gabi Hartmann
Nos contradictions
89 bpm • A# Maj • 03:19 • -16.62db
25% Popularity • 52% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
25% Popularity • 52% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Cécile McLorin Salvant
Easy Come, Easy Go Blues
89 bpm • A Maj • 02:32 • -15.94db
35% Popularity • 56% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 56% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Helen Merrill
Summertime
90 bpm • F min • 03:28 • -18.4db
17% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Robin Mckelle
Old Devil Moon
81 bpm • F Maj • 04:19 • -10.7db
14% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Lizz Wright
Stars Fell On Alabama
90 bpm • D Maj • 03:52 • -14.39db
50% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
50% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Yaron Herman
No Surprises
81 bpm • F Maj • 02:55 • -23db
28% Popularity • 57% Danceability • 10% Energy • 6% Liveness
47% Instrumentalness • 22% Positiveness
28% Popularity • 57% Danceability • 10% Energy • 6% Liveness
47% Instrumentalness • 22% Positiveness
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Mayra Andrade
Comme s'il en pleuvait
90 bpm • A min • 03:42 • -11.26db
50% Popularity • 63% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
50% Popularity • 63% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Cécile McLorin Salvant
Look at Me
81 bpm • A min • 02:44 • -20.28db
24% Popularity • 43% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 43% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Benjamin Biolay
J’ai ta main
80 bpm • F# Maj • 03:14 • -8.85db
47% Popularity • 32% Danceability • 43% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
47% Popularity • 32% Danceability • 43% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
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Ben Wendel
I Loves You Porgy
80 bpm • A# Maj • 05:40 • -12db
14% Popularity • 18% Danceability • 21% Energy • 13% Liveness
4% Instrumentalness • 10% Positiveness
14% Popularity • 18% Danceability • 21% Energy • 13% Liveness
4% Instrumentalness • 10% Positiveness
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Rose
J'ai 18 Ans
80 bpm • A# Maj • 03:05 • -14db
45% Popularity • 57% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 57% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lauren Henderson
FrÃa
80 bpm • E min • 02:54 • -16.95db
24% Popularity • 57% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
24% Popularity • 57% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Márcio Faraco
À quoi ça sert l'amour
90 bpm • D Maj • 04:14 • -17.11db
50% Popularity • 81% Danceability • 39% Energy • 7% Liveness
78% Instrumentalness • 91% Positiveness
50% Popularity • 81% Danceability • 39% Energy • 7% Liveness
78% Instrumentalness • 91% Positiveness
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Stéfi Celma
Qui
90 bpm • F# min • 02:11 • -14db
34% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Makali
Il Faut Du Temps Au Temps
80 bpm • G Maj • 02:30 • -13.49db
50% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Gretchen Parlato
What Does a Lion Say?
80 bpm • D Maj • 05:55 • -15.01db
13% Popularity • 57% Danceability • 21% Energy • 26% Liveness
1% Instrumentalness • 28% Positiveness
13% Popularity • 57% Danceability • 21% Energy • 26% Liveness
1% Instrumentalness • 28% Positiveness
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Presque Oui
Et j'aime bien
91 bpm • A Maj • 03:14 • -11.56db
47% Popularity • 72% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 72% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Cécile McLorin Salvant
J’ai L’Cafard
91 bpm • F# min • 03:00 • -16.46db
13% Popularity • 49% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 49% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Laura Fygi
Le Temps Qui Passe
79 bpm • F# Maj • 03:37 • -14.79db
50% Popularity • 47% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 47% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Indra Rios-Moore
Azure
79 bpm • D Maj • 03:20 • -16db
26% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Kurt Elling
Practical Arrangement
79 bpm • B min • 09:47 • -17.35db
27% Popularity • 32% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 32% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Connie Lansberg
What'll I Do
91 bpm • A# Maj • 04:05 • -14db
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Kurt Weill
Marie Galante: Youkali
91 bpm • G min • 04:14 • -17.93db
16% Popularity • 30% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 30% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Cécile McLorin Salvant
Obsession
91 bpm • C# Maj • 03:10 • -18.57db
18% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Kat Edmonson
What a Wonderful World
79 bpm • G# Maj • 02:44 • -15db
45% Popularity • 56% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
45% Popularity • 56% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Norma Winstone
Distance
79 bpm • A# min • 05:42 • -19.67db
11% Popularity • 27% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 27% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Tierney Sutton
You Must Believe in Spring
79 bpm • C# min • 03:27 • -21.68db
24% Popularity • 45% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
24% Popularity • 45% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Connie Lansberg
You Hit the Spot
92 bpm • C Maj • 02:14 • -11db
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Helen Merrill
Comes Love
92 bpm • D min • 03:01 • -16.16db
28% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Cécile McLorin Salvant
Thunderclouds
79 bpm • A Maj • 03:36 • -12.63db
31% Popularity • 41% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 41% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Aldo Romano
Il voyage en solitaire
78 bpm • C Maj • 04:10 • -14.91db
14% Popularity • 39% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 39% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Heather Rigdon
My Mother Would Like You
78 bpm • B min • 04:05 • -12.05db
49% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
49% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Veronica Swift
Confession / The Other Woman
78 bpm • G min • 06:43 • -15.4db
39% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Charles Trenet
Verlaine - Remasterisé en 2017
93 bpm • D# Maj • 03:24 • -11.5db
38% Popularity • 53% Danceability • 27% Energy • 16% Liveness
28% Instrumentalness • 47% Positiveness
38% Popularity • 53% Danceability • 27% Energy • 16% Liveness
28% Instrumentalness • 47% Positiveness
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Lucy Yeghiazaryan
Only the Lonely
93 bpm • F Maj • 03:12 • -15.26db
22% Popularity • 41% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 41% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Cécile McLorin Salvant
Until
92 bpm • C# Maj • 06:31 • -12.89db
27% Popularity • 44% Danceability • 34% Energy • 7% Liveness
2% Instrumentalness • 26% Positiveness
27% Popularity • 44% Danceability • 34% Energy • 7% Liveness
2% Instrumentalness • 26% Positiveness
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Robin Mckelle
I Won't Dance
77 bpm • F Maj • 04:17 • -10.74db
25% Popularity • 62% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 62% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Heaven is Shining
La Vie en Rose
94 bpm • C Maj • 03:49 • -9.08db
0% Popularity • 25% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 25% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Bria Skonberg
Sway
94 bpm • A min • 03:15 • -13db
32% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Coralie Clement
Ces matins d'été
94 bpm • A# Maj • 02:53 • -11.14db
27% Popularity • 44% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 44% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Albin de la Simone
Ici hier
94 bpm • C Maj • 02:57 • -11db
40% Popularity • 81% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 81% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Cécile McLorin Salvant
À Clef
92 bpm • F min • 02:05 • -26.97db
16% Popularity • 38% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
16% Popularity • 38% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Fabrice Lecomte
B.-Loved - French Version
77 bpm • C Maj • 01:59 • -16db
29% Popularity • 24% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 24% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Rigmor Gustafsson
Close to You
94 bpm • C# Maj • 04:03 • -15.55db
41% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Keren Ann
Au coin du monde - Streets Go Down
94 bpm • C Maj • 03:21 • -14.69db
48% Popularity • 58% Danceability • 24% Energy • 13% Liveness
43% Instrumentalness • 15% Positiveness
48% Popularity • 58% Danceability • 24% Energy • 13% Liveness
43% Instrumentalness • 15% Positiveness
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Marion Rampal
Calling to the Forest
95 bpm • A# Maj • 02:24 • -17.9db
23% Popularity • 40% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 40% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Mathieu Boogaerts
Bas de laine
95 bpm • B Maj • 02:32 • -15db
34% Popularity • 59% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 54% Positiveness
34% Popularity • 59% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 54% Positiveness
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Cécile McLorin Salvant
Nobody
93 bpm • F Maj • 03:24 • -11.92db
21% Popularity • 57% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 57% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Cassandra Wilson
The Way You Look Tonight
95 bpm • D# Maj • 03:50 • -17.12db
34% Popularity • 24% Danceability • 21% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
34% Popularity • 24% Danceability • 21% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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Jill Barber
Je cherche un homme
95 bpm • A# min • 02:47 • -14.18db
49% Popularity • 65% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 65% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Lauren Henderson
Dindi
96 bpm • C Maj • 03:43 • -15db
36% Popularity • 73% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
36% Popularity • 73% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
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Molly Johnson
Miss Celie's Blues
96 bpm • C Maj • 03:44 • -13.2db
39% Popularity • 62% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 62% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Mathieu Boogaerts
Une bonne nouvelle
76 bpm • G# min • 03:06 • -16.07db
35% Popularity • 69% Danceability • 28% Energy • 11% Liveness
17% Instrumentalness • 77% Positiveness
35% Popularity • 69% Danceability • 28% Energy • 11% Liveness
17% Instrumentalness • 77% Positiveness
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Cécile McLorin Salvant
St. Louis Gal
76 bpm • G Maj • 03:01 • -13.36db
29% Popularity • 59% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 59% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Alex Tyché
into your eyes
96 bpm • F min • 03:43 • -11.25db
39% Popularity • 42% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 42% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Jill Barber
Be My Man
76 bpm • A Maj • 03:00 • -11db
55% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Raphaël Imbert
L'albatros
96 bpm • D min • 03:25 • -14.94db
14% Popularity • 47% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 47% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
