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Le Mans 66
Songs like
Le Mans 66
by
Marco Beltrami
Based on a tempo of (+/- 10%) and a similar genre
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Howard Goodall
Car Chase
132 bpm • C Maj • 03:06 • -14.9db
14% Popularity • 64% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Dylan Parsons
Wildfire
132 bpm • A# min • 02:55 • -9.45db
17% Popularity • 37% Danceability • 76% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Marco Beltrami
Le Mans 66
132 bpm • E Maj • 05:42 • -11.67db
36% Popularity • 30% Danceability • 62% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Thomas Wander
Pearl Harbour
132 bpm • C Maj • 01:09 • -27db
11% Popularity • 22% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Blake Neely
Nightfall Dangers
133 bpm • D Maj • 04:47 • -16.68db
14% Popularity • 23% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Brad Fiedel
Terminator Revives - Remastered 2017
133 bpm • C# Maj • 02:15 • -13.18db
28% Popularity • 20% Danceability • 53% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
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John Williams
Finale & End Credits
131 bpm • A# Maj • 10:39 • -10.19db
34% Popularity • 32% Danceability • 39% Energy • 5% Liveness
86% Instrumentalness • 11% Positiveness
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Matt Morton
Transearth Injection
131 bpm • A# min • 02:28 • -17.1db
12% Popularity • 64% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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VWLS
Emergence
131 bpm • A# Maj • 02:52 • -14db
19% Popularity • 47% Danceability • 47% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Natalie Holt
Gobi, 2012
133 bpm • C# Maj • 03:00 • -16.25db
29% Popularity • 39% Danceability • 44% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Kenji Kawai
小龍單挑 (Instrumental)
131 bpm • G# Maj • 04:36 • -12.87db
12% Popularity • 43% Danceability • 43% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Wake Island
131 bpm • C# Maj • 02:51 • -11db
29% Popularity • 33% Danceability • 76% Energy • 30% Liveness
87% Instrumentalness • 42% Positiveness
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David Arnold
Come In 007, Your Time Is Up
133 bpm • E min • 05:19 • -5.75db
21% Popularity • 39% Danceability • 98% Energy • 14% Liveness
87% Instrumentalness • 63% Positiveness
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Bear McCreary
The Cloverfield Paradox
133 bpm • C Maj • 07:35 • -16.8db
10% Popularity • 24% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Amie Doherty
She-Hulk: Attorney at Law
134 bpm • D Maj • 02:27 • -11.5db
18% Popularity • 39% Danceability • 41% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
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Natalie Holt
Lamentis-1, 2077
133 bpm • C# Maj • 01:54 • -13.4db
31% Popularity • 49% Danceability • 62% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Brad Fiedel
The Terminator Theme (Extended Version)
130 bpm • B Maj • 04:20 • -9.56db
41% Popularity • 21% Danceability • 54% Energy • 13% Liveness
95% Instrumentalness • 10% Positiveness
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Blake Neely
Torpedoes
130 bpm • D Maj • 06:09 • -13db
14% Popularity • 44% Danceability • 62% Energy • 27% Liveness
90% Instrumentalness • 13% Positiveness
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Stephen Baysted
Eau Rouge - Instrumental
130 bpm • G min • 03:57 • -12db
14% Popularity • 59% Danceability • 59% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Sean Callery
Jessica Jones Main Title
130 bpm • D Maj • 01:09 • -7.34db
34% Popularity • 59% Danceability • 59% Energy • 22% Liveness
76% Instrumentalness • 28% Positiveness
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Sarah Schachner
The Hunter
130 bpm • E Maj • 01:19 • -14.71db
25% Popularity • 56% Danceability • 53% Energy • 18% Liveness
84% Instrumentalness • 3% Positiveness
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Natalie Holt
Classic Builds
130 bpm • A Maj • 02:41 • -10.88db
34% Popularity • 43% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 31% Positiveness
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Hildur Guðnadóttir
Escape from the Train
130 bpm • C Maj • 02:31 • -14.85db
31% Popularity • 66% Danceability • 37% Energy • 5% Liveness
75% Instrumentalness • 9% Positiveness
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David Buckley
Main Theme
130 bpm • D min • 03:13 • -14.24db
30% Popularity • 37% Danceability • 33% Energy • 8% Liveness
79% Instrumentalness • 5% Positiveness
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Trevor Morris
Iron Fist Main Titles
130 bpm • C# Maj • 01:15 • -12.25db
29% Popularity • 50% Danceability • 73% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Jo Wandrini
Hordes
134 bpm • C# Maj • 01:56 • -8.51db
29% Popularity • 59% Danceability • 65% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Ludwig Göransson
RAINY NIGHT IN TALLINN
130 bpm • C# Maj • 08:00 • -12.33db
47% Popularity • 34% Danceability • 63% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Grant Newman
The Battle Of The Nile
130 bpm • D Maj • 02:57 • -16db
13% Popularity • 25% Danceability • 44% Energy • 14% Liveness
85% Instrumentalness • 8% Positiveness
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Mount Royal Orchestra
Mr. Robot Main Theme
130 bpm • C# Maj • 01:26 • -35.17db
20% Popularity • 42% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 2% Positiveness
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Martin Todsharow
Tokyo Mayhem
130 bpm • C# Maj • 01:40 • -10.89db
7% Popularity • 50% Danceability • 77% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Marco Beltrami
Venom's Suite Tooth
134 bpm • E Maj • 03:12 • -9.78db
12% Popularity • 30% Danceability • 53% Energy • 8% Liveness
47% Instrumentalness • 10% Positiveness
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Ilan Eshkeri
47 Ronin
130 bpm • G Maj • 02:42 • -15.92db
48% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Steven Price
Still In This Fight
130 bpm • F min • 03:39 • -15.24db
28% Popularity • 32% Danceability • 53% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Blake Neely
Reveal To Iris
130 bpm • G min • 03:13 • -14.29db
24% Popularity • 32% Danceability • 49% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
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Howard Goodall
Forest Mission
130 bpm • C# Maj • 02:18 • -13.49db
8% Popularity • 48% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Brad Fiedel
End Credits: Final Suite - The Terminato...
130 bpm • D# min • 10:32 • -16.75db
22% Popularity • 25% Danceability • 40% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Marco Beltrami
Venom and Blues
130 bpm • G# Maj • 02:33 • -12.16db
17% Popularity • 42% Danceability • 29% Energy • 13% Liveness
31% Instrumentalness • 8% Positiveness
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Thomas Wander
Midway End Titles
129 bpm • C Maj • 04:03 • -14db
20% Popularity • 17% Danceability • 47% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Across the Spider-Verse (Start a Band)
135 bpm • D Maj • 03:53 • -10.65db
54% Popularity • 24% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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David Arnold
Theme From Hot Fuzz
129 bpm • D Maj • 03:38 • -16.93db
16% Popularity • 47% Danceability • 63% Energy • 30% Liveness
97% Instrumentalness • 49% Positiveness
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Blake Neely
The Fastest Man Alive (Always Late)
129 bpm • A Maj • 03:05 • -17.13db
40% Popularity • 27% Danceability • 30% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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Terence Blanchard
Takeoff
135 bpm • F min • 01:58 • -7.03db
12% Popularity • 53% Danceability • 79% Energy • 13% Liveness
74% Instrumentalness • 24% Positiveness
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James Horner
Han's Kung Fu
135 bpm • C Maj • 01:39 • -19.83db
21% Popularity • 56% Danceability • 34% Energy • 11% Liveness
76% Instrumentalness • 16% Positiveness
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The Hit House
Basalt
135 bpm • G Maj • 02:39 • -11.85db
17% Popularity • 55% Danceability • 67% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Ramin Djawadi
Gipsy Danger
135 bpm • A Maj • 03:19 • -12.99db
39% Popularity • 61% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Christopher Tyng
Hardman Returns
129 bpm • G# min • 02:13 • -25.48db
29% Popularity • 60% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Natalie Holt
He Who Remains
135 bpm • F# Maj • 02:55 • -11db
36% Popularity • 57% Danceability • 57% Energy • 25% Liveness
98% Instrumentalness • 45% Positiveness
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Ruth Barrett
Bodyguard
135 bpm • C Maj • 02:57 • -11.65db
11% Popularity • 59% Danceability • 74% Energy • 18% Liveness
82% Instrumentalness • 26% Positiveness
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Hesham Nazih
Summon the Suit
135 bpm • E Maj • 02:16 • -16db
32% Popularity • 18% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Christopher Drake
Main Titles - Batman: Under The Red Hood
136 bpm • A Maj • 02:43 • -16.05db
26% Popularity • 32% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Thomas Wander
This Is For The Pearl
136 bpm • A min • 02:11 • -13db
21% Popularity • 19% Danceability • 43% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Howard Goodall
Johnny's On Board
128 bpm • A min • 02:54 • -16.72db
13% Popularity • 63% Danceability • 34% Energy • 18% Liveness
78% Instrumentalness • 31% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Commandeering The Vessel
128 bpm • E Maj • 01:31 • -13.99db
28% Popularity • 54% Danceability • 52% Energy • 14% Liveness
70% Instrumentalness • 18% Positiveness
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Mark Mothersbaugh
Planet Sakaar
128 bpm • A min • 02:14 • -8.44db
31% Popularity • 59% Danceability • 72% Energy • 33% Liveness
90% Instrumentalness • 58% Positiveness
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Brad Fiedel
Escape From The Hospital - Remastered 20...
128 bpm • G Maj • 04:35 • -13db
30% Popularity • 68% Danceability • 64% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Thomas Wander
The Last Dive
136 bpm • E min • 03:16 • -14.63db
15% Popularity • 33% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Howard Goodall
End Roller Medley
128 bpm • G min • 01:56 • -9.36db
9% Popularity • 40% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 34% Positiveness
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Rupert Gregson-Williams
A Miraculous Return
136 bpm • E min • 02:50 • -17.77db
30% Popularity • 15% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Baltic House Orchestra
Pacific Rim Uprising (Main Trailer Theme...
128 bpm • A min • 01:44 • -11.02db
21% Popularity • 39% Danceability • 58% Energy • 9% Liveness
83% Instrumentalness • 18% Positiveness
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David Arnold
The Name's Bond... James Bond
137 bpm • E min • 02:49 • -6.3db
43% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
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Joe Kraemer
The A400
127 bpm • G Maj • 06:37 • -15.56db
37% Popularity • 36% Danceability • 23% Energy • 16% Liveness
81% Instrumentalness • 7% Positiveness
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Jeff Russo
The Umbrella Academy
127 bpm • F Maj • 05:17 • -14db
28% Popularity • 25% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Chris Benstead
Wrath of Man
137 bpm • C# Maj • 02:14 • -12.95db
34% Popularity • 45% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness
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James Horner
Hard Training
127 bpm • A Maj • 01:20 • -19.42db
22% Popularity • 65% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Blake Neely
I Have To Try
127 bpm • D min • 04:56 • -14db
28% Popularity • 28% Danceability • 65% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Charlie Clouser
Hello Zepp + Overture
137 bpm • C Maj • 03:52 • -10.24db
46% Popularity • 41% Danceability • 59% Energy • 17% Liveness
35% Instrumentalness • 23% Positiveness
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Basil Poledouris
Main Title/Riders Of Taramis - Conan The...
137 bpm • A min • 03:35 • -12.2db
33% Popularity • 51% Danceability • 65% Energy • 18% Liveness
19% Instrumentalness • 44% Positiveness
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Nathan Furst
Koenigsegg Race
138 bpm • C# Maj • 02:05 • -12.13db
17% Popularity • 51% Danceability • 60% Energy • 26% Liveness
79% Instrumentalness • 44% Positiveness
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Don Davis
Neodämmerung
126 bpm • C min • 05:59 • -6.58db
32% Popularity • 24% Danceability • 74% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
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Natalie Holt
History Is Now
138 bpm • F min • 02:31 • -10.99db
47% Popularity • 47% Danceability • 47% Energy • 20% Liveness
95% Instrumentalness • 37% Positiveness
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Christopher Deighton
Hyper Drive
126 bpm • C Maj • 02:25 • -9.25db
17% Popularity • 61% Danceability • 71% Energy • 9% Liveness
81% Instrumentalness • 58% Positiveness
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Mark Isham
Listen to the Beethoven
126 bpm • C# min • 05:28 • -16db
25% Popularity • 34% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Marco Beltrami
Tunnel Chase
138 bpm • A# min • 03:10 • -14.7db
10% Popularity • 30% Danceability • 26% Energy • 19% Liveness
34% Instrumentalness • 4% Positiveness
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Johan Söderqvist
The War To End All Wars
126 bpm • C Maj • 03:23 • -10.67db
34% Popularity • 17% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
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Dmitri Golovko
Amsterdam Chase
126 bpm • G# Maj • 03:25 • -9.22db
12% Popularity • 69% Danceability • 91% Energy • 17% Liveness
88% Instrumentalness • 78% Positiveness
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Natalie Holt
Loki Green Theme
126 bpm • F Maj • 02:24 • -12.58db
52% Popularity • 46% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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M.S.
Predator: Main Title
139 bpm • D Maj • 02:39 • -13.39db
19% Popularity • 35% Danceability • 38% Energy • 39% Liveness
67% Instrumentalness • 28% Positiveness
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Bonnie Grace
And We Will Rule
139 bpm • A# Maj • 02:19 • -12db
16% Popularity • 55% Danceability • 65% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Greg Edmonson
Nate's Theme 2.0
125 bpm • G Maj • 01:45 • -15db
41% Popularity • 29% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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Craig Armstrong
Favela Escape
139 bpm • C# min • 03:35 • -16db
23% Popularity • 66% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 27% Positiveness
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Bear McCreary
Code Black
125 bpm • F min • 01:52 • -13.15db
23% Popularity • 59% Danceability • 68% Energy • 27% Liveness
90% Instrumentalness • 66% Positiveness
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Natalie Holt
Pep Talk
126 bpm • F min • 04:04 • -12.63db
31% Popularity • 22% Danceability • 42% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Marco Beltrami
Henry Ford's Revenge
125 bpm • E min • 01:00 • -18.44db
16% Popularity • 41% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Mark Mothersbaugh
Sakaar Chase
125 bpm • G# Maj • 02:12 • -11db
21% Popularity • 26% Danceability • 69% Energy • 9% Liveness
74% Instrumentalness • 12% Positiveness
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Greg Edmonson
Nate's Theme 3.0
125 bpm • E min • 01:47 • -12db
44% Popularity • 35% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
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2Hooks
Guardians of the Galaxy: Theme
140 bpm • F min • 02:45 • -9.57db
12% Popularity • 17% Danceability • 55% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
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Harold Faltermeyer
Top Gun Anthem
140 bpm • C Maj • 02:25 • -13.94db
40% Popularity • 28% Danceability • 39% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Ludwig Göransson
747
140 bpm • G Maj • 07:04 • -12.51db
41% Popularity • 39% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Marco Beltrami
X-24
140 bpm • D min • 02:46 • -15.19db
15% Popularity • 19% Danceability • 17% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
Christopher Drake
Arkham Origins Suite
140 bpm • G min • 02:16 • -10.21db
34% Popularity • 36% Danceability • 55% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Steven Price
Tiger Battle
140 bpm • G Maj • 06:17 • -11db
30% Popularity • 44% Danceability • 87% Energy • 35% Liveness
88% Instrumentalness • 10% Positiveness
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Leopold Ross
Main Titles
140 bpm • D Maj • 01:30 • -9.89db
35% Popularity • 46% Danceability • 77% Energy • 54% Liveness
92% Instrumentalness • 10% Positiveness
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James Horner
Commando - Theme
140 bpm • G Maj • 03:49 • -14.96db
27% Popularity • 56% Danceability • 74% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Artur Tokhtash
Duty Calls
140 bpm • A# Maj • 02:06 • -13db
23% Popularity • 54% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
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Marco Beltrami
Wide View
140 bpm • F# Maj • 01:35 • -19db
26% Popularity • 16% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Machinimasound
Escape from the Temple
140 bpm • A# min • 04:10 • -16db
21% Popularity • 29% Danceability • 56% Energy • 8% Liveness
81% Instrumentalness • 13% Positiveness
► Preview
Ramin Djawadi
Main Title (Extended)
140 bpm • D Maj • 00:56 • -27.73db
27% Popularity • 60% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Jongnic Bontemps
Till All Are One
140 bpm • D min • 01:54 • -12.41db
37% Popularity • 24% Danceability • 65% Energy • 7% Liveness
54% Instrumentalness • 9% Positiveness
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Le Mans 66