Songs like Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente by Johannes Schenck
Based on a tempo of (+/- 10%) and a similar genre
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Georg Philipp Telemann
Quadro en sol majeur, TWV43: G 12: I. Do...
117 bpm • C# Maj • 03:54 • -20.61db
0% Popularity • 25% Danceability • 8% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
0% Popularity • 25% Danceability • 8% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
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Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 9 (T...
117 bpm • C# Maj • 00:58 • -22.65db
21% Popularity • 21% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
21% Popularity • 21% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Ennemond Gaultier
10 gigues: No. 1, Carillon in D Minor
117 bpm • C# min • 01:32 • -22.94db
11% Popularity • 35% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 71% Positiveness
11% Popularity • 35% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 71% Positiveness
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Diego Oritz
Recercada quinta
117 bpm • E Maj • 02:14 • -20.94db
2% Popularity • 37% Danceability • 7% Energy • 10% Liveness
24% Instrumentalness • 25% Positiveness
2% Popularity • 37% Danceability • 7% Energy • 10% Liveness
24% Instrumentalness • 25% Positiveness
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Johannes Schenck
Le nymphe di Rheno, Op. 8: Sonata No. 1 ...
117 bpm • A min • 02:32 • -22db
12% Popularity • 32% Danceability • 6% Energy • 19% Liveness
85% Instrumentalness • 25% Positiveness
12% Popularity • 32% Danceability • 6% Energy • 19% Liveness
85% Instrumentalness • 25% Positiveness
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Giovanni Battista Bassani
Sonata a tre in re maggiore: I. Allegro ...
117 bpm • C# Maj • 02:19 • -19db
10% Popularity • 37% Danceability • 28% Energy • 9% Liveness
11% Instrumentalness • 86% Positiveness
10% Popularity • 37% Danceability • 28% Energy • 9% Liveness
11% Instrumentalness • 86% Positiveness
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Green Nature
Alegria
117 bpm • G# Maj • 03:50 • -27db
7% Popularity • 17% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 14% Positiveness
7% Popularity • 17% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 14% Positiveness
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Charles Dieupart
Suite No. 2 en ré majeur, pour flûte d...
116 bpm • C# Maj • 02:07 • -20.56db
0% Popularity • 26% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 23% Positiveness
0% Popularity • 26% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 23% Positiveness
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Giovanni Girolamo Kapsberger
Gagliarda 12a
117 bpm • A# min • 01:44 • -20.37db
22% Popularity • 51% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
22% Popularity • 51% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
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Anthony Holborne
Dances: Muy Linda
118 bpm • G min • 01:14 • -18.29db
7% Popularity • 63% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 78% Positiveness
7% Popularity • 63% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 78% Positiveness
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Jean Daniel Braun
Chaconne
116 bpm • C# Maj • 04:19 • -19.53db
3% Popularity • 35% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
3% Popularity • 35% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 28% Positiveness
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Diego Ortiz
Recercada Passamezzo
116 bpm • C Maj • 01:57 • -15db
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Diego Oritz
Recercada primera, quarta, ottava
116 bpm • C# min • 04:33 • -25db
36% Popularity • 42% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
36% Popularity • 42% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
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Grupo de musica barroca La Folia/Pedro Bonet
Balletto N. 2 En Sol Mayor - I. Preludio...
116 bpm • F# Maj • 02:02 • -21.46db
13% Popularity • 32% Danceability • 3% Energy • 13% Liveness
50% Instrumentalness • 13% Positiveness
13% Popularity • 32% Danceability • 3% Energy • 13% Liveness
50% Instrumentalness • 13% Positiveness
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Girolamo Frescobaldi
Quinta a 4, Canto Alto Tenor Basse
116 bpm • A# Maj • 03:33 • -17.48db
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
49% Instrumentalness • 28% Positiveness
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
49% Instrumentalness • 28% Positiveness
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Michel Pignolet de Montéclair
Concert No. 1 for Flute & Basso continuo...
116 bpm • D min • 02:45 • -22.45db
1% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Robert de Visée
Suite in G Major: II. Allemande
118 bpm • F Maj • 01:58 • -27.27db
19% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
19% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: II. Pres...
118 bpm • C# min • 01:55 • -14.86db
10% Popularity • 38% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 38% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Marc-Antoine Charpentier
Médée, H. 491, Prologue: Menuet en ron...
116 bpm • A# Maj • 01:07 • -24.76db
16% Popularity • 35% Danceability • 5% Energy • 23% Liveness
77% Instrumentalness • 34% Positiveness
16% Popularity • 35% Danceability • 5% Energy • 23% Liveness
77% Instrumentalness • 34% Positiveness
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Giovanni Bononcini
Sinfonia per violoncello in G Minor: II....
116 bpm • F# min • 01:07 • -22db
26% Popularity • 38% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
26% Popularity • 38% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Biagio Marini
Sinfonia
115 bpm • A min • 01:39 • -24.05db
22% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
22% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Nicola Matteis
Ayres for the Violin, Book I (Arr. for V...
119 bpm • G# min • 01:15 • -23.21db
15% Popularity • 38% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
15% Popularity • 38% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Bertrand de Bacilly
Pour une bergere infidelle
115 bpm • G min • 02:52 • -27.69db
21% Popularity • 29% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 21% Positiveness
21% Popularity • 29% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 21% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 2 in C Minor: I. Grav...
116 bpm • B min • 01:52 • -20.69db
8% Popularity • 22% Danceability • 3% Energy • 34% Liveness
3% Instrumentalness • 7% Positiveness
8% Popularity • 22% Danceability • 3% Energy • 34% Liveness
3% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Sonata for Violoncello and Continuo in A...
119 bpm • A min • 02:24 • -23db
8% Popularity • 48% Danceability • 18% Energy • 52% Liveness
95% Instrumentalness • 72% Positiveness
8% Popularity • 48% Danceability • 18% Energy • 52% Liveness
95% Instrumentalness • 72% Positiveness
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John Dowland
Lachrimae or Seven Tears: XVII. Mr Thoma...
119 bpm • F# min • 01:22 • -18db
17% Popularity • 26% Danceability • 17% Energy • 11% Liveness
98% Instrumentalness • 21% Positiveness
17% Popularity • 26% Danceability • 17% Energy • 11% Liveness
98% Instrumentalness • 21% Positiveness
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William Byrd
Byrd: In nomine a 4 I
115 bpm • C min • 02:18 • -23.74db
8% Popularity • 17% Danceability • 4% Energy • 9% Liveness
59% Instrumentalness • 10% Positiveness
8% Popularity • 17% Danceability • 4% Energy • 9% Liveness
59% Instrumentalness • 10% Positiveness
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Johannes Schenck
Le nymphe di Rheno, Op. 8, Sonata No. 4:...
115 bpm • G# Maj • 04:55 • -22.29db
7% Popularity • 36% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 56% Positiveness
7% Popularity • 36% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 56% Positiveness
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Matthew Locke
The Flat Consort for My Cousin Kemble, S...
115 bpm • D# Maj • 01:13 • -22.58db
24% Popularity • 33% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 39% Positiveness
24% Popularity • 33% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 39% Positiveness
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Juan del Encina
Propiñan de Melyor
115 bpm • A min • 03:05 • -28db
14% Popularity • 37% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
14% Popularity • 37% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Antonio Vivaldi
Sonata for Violoncello and Continuo in A...
115 bpm • D Maj • 02:25 • -29db
8% Popularity • 19% Danceability • 6% Energy • 10% Liveness
38% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 6% Energy • 10% Liveness
38% Instrumentalness • 7% Positiveness
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Marin Marais
Manuscrit Panmure: Gigue in D Minor
120 bpm • C# min • 01:23 • -14.8db
13% Popularity • 38% Danceability • 27% Energy • 19% Liveness
97% Instrumentalness • 71% Positiveness
13% Popularity • 38% Danceability • 27% Energy • 19% Liveness
97% Instrumentalness • 71% Positiveness
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Antonio Bertali
XII sonate a tre o quattro strumenti e b...
114 bpm • G# min • 08:05 • -20.25db
8% Popularity • 23% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
8% Popularity • 23% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Louis de Caix d'Hervelois
De Caix d’Hervelois: Plainte
120 bpm • C Maj • 03:41 • -27.58db
11% Popularity • 20% Danceability • 4% Energy • 11% Liveness
62% Instrumentalness • 11% Positiveness
11% Popularity • 20% Danceability • 4% Energy • 11% Liveness
62% Instrumentalness • 11% Positiveness
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Matthew Locke
Psyche, Act V Scene 3: Rustick musick of...
120 bpm • G# Maj • 01:06 • -17.53db
24% Popularity • 43% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 90% Positiveness
24% Popularity • 43% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 90% Positiveness
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Dietrich Buxtehude
Trio Sonata in A Minor, Op. 1 No. 3, Bux...
114 bpm • A min • 10:31 • -21.91db
5% Popularity • 32% Danceability • 9% Energy • 13% Liveness
30% Instrumentalness • 14% Positiveness
5% Popularity • 32% Danceability • 9% Energy • 13% Liveness
30% Instrumentalness • 14% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
114 bpm • D min • 01:26 • -24.55db
18% Popularity • 24% Danceability • 4% Energy • 14% Liveness
75% Instrumentalness • 41% Positiveness
18% Popularity • 24% Danceability • 4% Energy • 14% Liveness
75% Instrumentalness • 41% Positiveness
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Johann Bernhard Bach
Ouverture in E Minor: II. Les plaisirs
114 bpm • D min • 01:52 • -19.61db
23% Popularity • 26% Danceability • 20% Energy • 34% Liveness
92% Instrumentalness • 35% Positiveness
23% Popularity • 26% Danceability • 20% Energy • 34% Liveness
92% Instrumentalness • 35% Positiveness
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Girolamo Frescobaldi
Balletto (Arr. for Harp and Baroque Guit...
120 bpm • B Maj • 01:08 • -25db
22% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
22% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Michel Pignolet de Montéclair
Concert No. 1 for Flute & Basso continuo...
120 bpm • F Maj • 01:02 • -21.86db
0% Popularity • 36% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 36% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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John Dowland
Lachrimae or Seven Tears: II. Lachrimae ...
114 bpm • G# min • 03:28 • -21.22db
11% Popularity • 17% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
11% Popularity • 17% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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François de Layolle
Duo « Doulce Mémoire »
114 bpm • G# min • 02:01 • -19.87db
2% Popularity • 42% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 42% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Henry Purcell
Fantazia II, Z. 733
114 bpm • E Maj • 03:14 • -19.15db
8% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 9% Positiveness
8% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 9% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: VI. Aria
113 bpm • G# min • 03:31 • -17.71db
11% Popularity • 30% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 30% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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François Couperin
Quatrième Concert en mi: I. Prélude
121 bpm • D# min • 01:45 • -23.15db
0% Popularity • 20% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 20% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Act I: Entrée de Phrygien...
121 bpm • A# Maj • 01:22 • -14.34db
8% Popularity • 45% Danceability • 21% Energy • 28% Liveness
42% Instrumentalness • 56% Positiveness
8% Popularity • 45% Danceability • 21% Energy • 28% Liveness
42% Instrumentalness • 56% Positiveness
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Johannes Schenck
Le nymphe di Rheno, Op. 8: Sonata No. 3 ...
113 bpm • C Maj • 02:49 • -22.41db
0% Popularity • 31% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
0% Popularity • 31% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
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Francesco Paolo Supriani
Principij da imparare à suonare il viol...
113 bpm • D# min • 03:28 • -21.84db
6% Popularity • 37% Danceability • 4% Energy • 12% Liveness
71% Instrumentalness • 30% Positiveness
6% Popularity • 37% Danceability • 4% Energy • 12% Liveness
71% Instrumentalness • 30% Positiveness
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Giovanni Girolamo Kapsberger
Libro quarto d'intavolatura di chitarone...
113 bpm • D min • 05:53 • -26.55db
8% Popularity • 30% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 19% Positiveness
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Unknown
Roger of Coverly
121 bpm • C# Maj • 01:52 • -19.65db
2% Popularity • 39% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 39% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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François Couperin
Premier Concert en sol majeur: V. Gigue
113 bpm • C# Maj • 01:46 • -23.87db
0% Popularity • 39% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 39% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Philipp Heinrich Erlebach
Sonata Sesta in F Major: II. Allemande
121 bpm • E Maj • 02:13 • -16.96db
12% Popularity • 32% Danceability • 15% Energy • 45% Liveness
9% Instrumentalness • 40% Positiveness
12% Popularity • 32% Danceability • 15% Energy • 45% Liveness
9% Instrumentalness • 40% Positiveness
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![Le nymphe di Rheno, Op. 8: Suite in G Minor: V. Sarabanda: [Adagio] cover art](https://i.scdn.co/image/ab67616d00001e02694746119c1605b92f497e7e)
Johannes Schenck
Le nymphe di Rheno, Op. 8: Suite in G Mi...
113 bpm • F# min • 03:04 • -24.84db
1% Popularity • 24% Danceability • 1% Energy • 26% Liveness
39% Instrumentalness • 16% Positiveness
1% Popularity • 24% Danceability • 1% Energy • 26% Liveness
39% Instrumentalness • 16% Positiveness
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Dietrich Buxtehude
Sonata III in G-Moll, Op. 2, BuxWV 261: ...
113 bpm • D Maj • 01:07 • -22.07db
16% Popularity • 28% Danceability • 5% Energy • 11% Liveness
68% Instrumentalness • 8% Positiveness
16% Popularity • 28% Danceability • 5% Energy • 11% Liveness
68% Instrumentalness • 8% Positiveness
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Marin Marais
Première suite à 3 violes in D Major: ...
113 bpm • C# Maj • 04:53 • -15.5db
14% Popularity • 22% Danceability • 22% Energy • 14% Liveness
92% Instrumentalness • 19% Positiveness
14% Popularity • 22% Danceability • 22% Energy • 14% Liveness
92% Instrumentalness • 19% Positiveness
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Lucas Ruiz de Ribayaz
Xácaras por Primer Tono
113 bpm • G# min • 03:01 • -25.41db
9% Popularity • 45% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
9% Popularity • 45% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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John Banister
Divisions on a ground
112 bpm • E Maj • 04:26 • -23.52db
3% Popularity • 38% Danceability • 5% Energy • 9% Liveness
76% Instrumentalness • 28% Positiveness
3% Popularity • 38% Danceability • 5% Energy • 9% Liveness
76% Instrumentalness • 28% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6 (T...
112 bpm • F# Maj • 02:17 • -13.71db
13% Popularity • 50% Danceability • 32% Energy • 33% Liveness
21% Instrumentalness • 50% Positiveness
13% Popularity • 50% Danceability • 32% Energy • 33% Liveness
21% Instrumentalness • 50% Positiveness
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Tobias Hume
An Almaine
112 bpm • C# min • 03:08 • -33db
15% Popularity • 34% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
15% Popularity • 34% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
► Preview
Andrea Falconieri
L'Eroica
112 bpm • G Maj • 04:01 • -18db
8% Popularity • 33% Danceability • 20% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
8% Popularity • 33% Danceability • 20% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
► Preview
Marin Marais
Manuscrit Panmure: Grande Chaconne in G ...
122 bpm • F# Maj • 07:04 • -17.23db
11% Popularity • 32% Danceability • 20% Energy • 17% Liveness
97% Instrumentalness • 35% Positiveness
11% Popularity • 32% Danceability • 20% Energy • 17% Liveness
97% Instrumentalness • 35% Positiveness
► Preview
Michel de La Barre
Pièces pour la flûte traversière, Liv...
122 bpm • C Maj • 02:58 • -18.08db
0% Popularity • 43% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
0% Popularity • 43% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
► Preview
The Royal Wind Music
Galiarda Veneziana
122 bpm • B Maj • 01:22 • -22.4db
15% Popularity • 41% Danceability • 17% Energy • 16% Liveness
82% Instrumentalness • 22% Positiveness
15% Popularity • 41% Danceability • 17% Energy • 16% Liveness
82% Instrumentalness • 22% Positiveness
► Preview
Johann Heinrich Schmelzer
Sonatae unarum fidium: III. Gigue
123 bpm • G# Maj • 00:55 • -16.83db
20% Popularity • 55% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 35% Positiveness
20% Popularity • 55% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 35% Positiveness
► Preview
Gaspar Sanz
Zarabanda Española: Improvisación
123 bpm • C# Maj • 04:18 • -25.36db
8% Popularity • 43% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
8% Popularity • 43% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6 (T...
123 bpm • F# Maj • 02:14 • -12.39db
14% Popularity • 40% Danceability • 31% Energy • 72% Liveness
92% Instrumentalness • 44% Positiveness
14% Popularity • 40% Danceability • 31% Energy • 72% Liveness
92% Instrumentalness • 44% Positiveness
► Preview
![[Suite en la majeur]: I. Prélude (No. 17) cover art](https://i.scdn.co/image/ab67616d00001e020dc6972d7e8b1544b6486e51)
Marin Marais
[Suite en la majeur]: I. Prélude (No. 1...
112 bpm • G# Maj • 01:48 • -20.83db
16% Popularity • 23% Danceability • 3% Energy • 35% Liveness
99% Instrumentalness • 10% Positiveness
16% Popularity • 23% Danceability • 3% Energy • 35% Liveness
99% Instrumentalness • 10% Positiveness
► Preview
Johannes Schenck
L'echo du Danube, Op. 9: Viola da Gamba ...
111 bpm • C# Maj • 01:21 • -28.71db
0% Popularity • 22% Danceability • 1% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 1% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Monsieur de Sainte-Colombe
Pieces de viole: Suite in D Major: IV. S...
123 bpm • G# Maj • 03:56 • -34.16db
9% Popularity • 26% Danceability • 0% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
9% Popularity • 26% Danceability • 0% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
► Preview
Michel de La Barre
Pièces pour la flûte traversière, Liv...
123 bpm • F Maj • 02:19 • -19.23db
0% Popularity • 40% Danceability • 8% Energy • 9% Liveness
10% Instrumentalness • 44% Positiveness
0% Popularity • 40% Danceability • 8% Energy • 9% Liveness
10% Instrumentalness • 44% Positiveness
► Preview
Dietrich Buxtehude
Trio Sonata in C Major, Op. 1 No. 5, Bux...
111 bpm • C Maj • 08:53 • -20.42db
4% Popularity • 35% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
4% Popularity • 35% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
► Preview
Jan Antonín Losy
Lute Suite in A Minor: II. Allemande
111 bpm • G min • 03:03 • -28.37db
15% Popularity • 33% Danceability • 4% Energy • 17% Liveness
94% Instrumentalness • 42% Positiveness
15% Popularity • 33% Danceability • 4% Energy • 17% Liveness
94% Instrumentalness • 42% Positiveness
► Preview
Robert de Visée
Suite in A Major: VI. Menuet
123 bpm • G Maj • 01:37 • -29.41db
12% Popularity • 36% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
12% Popularity • 36% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Johannes Schenck
Sonata No. 1, Op. 2: II. Ciacone. Allegr...
111 bpm • C# Maj • 02:09 • -18.58db
1% Popularity • 46% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
1% Popularity • 46% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
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Giovanni Maria Bononcini
Sonata a tre in sol minore: II. Adagio
111 bpm • F# min • 01:01 • -22.04db
13% Popularity • 23% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 23% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
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Henry Purcell
The Indian Queen, Z. 630 / Act III: Rond...
124 bpm • G# Maj • 01:41 • -18.22db
13% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
13% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
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Marin Marais
Première suite à 3 violes in D Major: ...
111 bpm • C# Maj • 01:29 • -16.51db
18% Popularity • 22% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 39% Positiveness
18% Popularity • 22% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 39% Positiveness
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William Byrd
Tregian's Ground (Arr. by Margaret Littl...
111 bpm • B Maj • 07:49 • -26.05db
0% Popularity • 29% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
0% Popularity • 29% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
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François Couperin
Deuxième concert en ré: V. Échos
111 bpm • C# Maj • 03:30 • -23db
3% Popularity • 22% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 22% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Giovanni Girolamo Kapsberger
Canarios. Tablature Di Chitarrone Livre ...
111 bpm • G Maj • 02:15 • -34.82db
16% Popularity • 43% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
16% Popularity • 43% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
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Adrien Le Roy
Passemezzo for Lute & Bass Viol
124 bpm • B Maj • 01:44 • -23.13db
14% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
14% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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John Adson
Courtly Masquing Ayres: No. 20 - No. 21
110 bpm • F# Maj • 02:36 • -19.18db
9% Popularity • 42% Danceability • 20% Energy • 12% Liveness
87% Instrumentalness • 68% Positiveness
9% Popularity • 42% Danceability • 20% Energy • 12% Liveness
87% Instrumentalness • 68% Positiveness
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Rocco Greco
Sinfonia Viggesima seconda a due viole
124 bpm • G min • 02:25 • -20db
7% Popularity • 39% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 56% Positiveness
7% Popularity • 39% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 56% Positiveness
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Johann Sebastian Bach
無伴奏チェロ組曲 第6番 ニ長�...
124 bpm • C# Maj • 05:08 • -20.25db
10% Popularity • 39% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
10% Popularity • 39% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
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Monsieur de Sainte-Colombe
III. Le tendre: (Ouverture) Le tendre - ...
110 bpm • F min • 05:54 • -23.33db
8% Popularity • 23% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
8% Popularity • 23% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Tobias Hume
Adue Sweet Love
110 bpm • C# min • 02:14 • -30.26db
23% Popularity • 32% Danceability • 1% Energy • 10% Liveness
56% Instrumentalness • 20% Positiveness
23% Popularity • 32% Danceability • 1% Energy • 10% Liveness
56% Instrumentalness • 20% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: I. Adagi...
125 bpm • C# min • 02:51 • -18.24db
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Marin Marais
Quatrième suite in A Minor: No. 2, Alle...
109 bpm • G# min • 03:10 • -19.86db
14% Popularity • 30% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 30% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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John Dowland
Lachrimæ Gementes
110 bpm • G min • 03:49 • -21.53db
8% Popularity • 17% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
8% Popularity • 17% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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François Couperin
L'Anguille (Arr. by Margaret Little)
109 bpm • C min • 03:17 • -18.33db
0% Popularity • 34% Danceability • 16% Energy • 8% Liveness
79% Instrumentalness • 50% Positiveness
0% Popularity • 34% Danceability • 16% Energy • 8% Liveness
79% Instrumentalness • 50% Positiveness
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Johannes Schenck
Sonata in A Minor, Op. 9, No. 6: I. Adag...
109 bpm • G# min • 04:05 • -30.6db
3% Popularity • 24% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 14% Positiveness
3% Popularity • 24% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 14% Positiveness
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Bartolomeo de Selma
Fantasia Basso solo
109 bpm • C# min • 05:00 • -27db
6% Popularity • 41% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
6% Popularity • 41% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
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Andrea Falconieri
Il Spiritillo Brando
126 bpm • G Maj • 01:00 • -19.24db
20% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
20% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria II
126 bpm • F# Maj • 01:10 • -27.77db
24% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
24% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Arcangelo Corelli
Violin Sonata in F Major, Op. 5 No. 4: I...
109 bpm • F# Maj • 02:34 • -20.13db
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Michel de La Barre
Pièces pour la flûte traversière, Liv...
109 bpm • F Maj • 03:46 • -19.92db
0% Popularity • 23% Danceability • 8% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
0% Popularity • 23% Danceability • 8% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Dietrich Becker
Sonata & Suite in D-Dur: Sonata & Suite ...
108 bpm • C# Maj • 01:46 • -20.13db
11% Popularity • 22% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
11% Popularity • 22% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Aria
108 bpm • C Maj • 03:55 • -44.2db
18% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
18% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness