Songs like Lead Me to the Water by Nick Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Josh Sullivan
That Makes Me Sad
139 bpm • C Maj • 04:29 • -16.91db
14% Popularity • 45% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 45% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Nick Wilson
Lead Me to the Water
139 bpm • C Maj • 03:03 • -11.15db
21% Popularity • 29% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 29% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jake Etheridge
Getting Over You
138 bpm • D# Maj • 02:57 • -13.95db
31% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Will Heggadon
island
140 bpm • F Maj • 03:14 • -9.93db
27% Popularity • 49% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 49% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Nachbi
I'll Be Better Soon
138 bpm • C# Maj • 01:52 • -14.23db
34% Popularity • 48% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 48% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jome
Cinnamon
140 bpm • G# min • 03:24 • -11db
57% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
57% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Black Match
Poison & Wine
140 bpm • A# Maj • 03:56 • -9.82db
14% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Zach Adkins
Dexter Hall.
138 bpm • B Maj • 02:21 • -33.26db
15% Popularity • 38% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 38% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Sleeping Lion
Stop It - Stripped
138 bpm • G# Maj • 03:30 • -11.06db
29% Popularity • 55% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 55% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Belle Mt.
This Kind of Heavy
140 bpm • D# Maj • 03:42 • -9.02db
24% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Dean Lewis
Need You Now - Acoustic
138 bpm • A# Maj • 03:23 • -8.95db
56% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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James Spaite
Maple Whisky
140 bpm • C Maj • 03:52 • -16db
25% Popularity • 67% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 67% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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NIGHT TRAVELER
Electric Love (Native)
138 bpm • E Maj • 03:48 • -14.14db
13% Popularity • 55% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
13% Popularity • 55% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
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Avery Lynch
Out Of Love with You
140 bpm • G# Maj • 03:40 • -9.93db
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Emily Bear
Just Leave
140 bpm • D Maj • 03:06 • -9.6db
23% Popularity • 56% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 56% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Belle Mt.
Loving You
140 bpm • C Maj • 04:13 • -8.35db
24% Popularity • 54% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 54% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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sød ven
carry me home
138 bpm • C Maj • 04:26 • -12.05db
39% Popularity • 54% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
39% Popularity • 54% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Wild Rivers
Thinking 'Bout Love - Acoustic
138 bpm • F Maj • 03:04 • -13.54db
53% Popularity • 68% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 68% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Aaron Smith
Unconditional
138 bpm • G# min • 03:23 • -9db
36% Popularity • 44% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 44% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
47% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Joe Dolman
Drag You Down (Acoustic)
138 bpm • G# Maj • 03:08 • -10.95db
17% Popularity • 65% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 65% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Nick Wilson
Not Like Falling Out Of Love
137 bpm • C# Maj • 03:48 • -11.05db
27% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jonny Brenns
Stitches
138 bpm • A# Maj • 03:45 • -10db
17% Popularity • 60% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 60% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Rightfield from College
I Can't Believe
137 bpm • A Maj • 03:27 • -18db
19% Popularity • 39% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 39% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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St. Lundi
You've Got the Wrong Guy
137 bpm • D Maj • 03:28 • -5.36db
29% Popularity • 46% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 46% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Hayden Everett
Loud
141 bpm • F# min • 05:22 • -9.44db
30% Popularity • 44% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 44% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Dylan Dunlap
Who Would Have Thought
141 bpm • B Maj • 04:04 • -7.45db
40% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Joe Dolman
The Middle - Acoustic
141 bpm • A Maj • 02:52 • -11.39db
16% Popularity • 69% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 69% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Leon Else
Beautiful World
141 bpm • E Maj • 04:20 • -13db
25% Popularity • 51% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 51% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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James Gillespie
Him.Her.
141 bpm • B Maj • 04:07 • -7.84db
28% Popularity • 57% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 57% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Honeywater
Old Eden
141 bpm • A# Maj • 05:20 • -9.21db
41% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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SYML
Flags
136 bpm • G Maj • 03:29 • -12db
43% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Plested
Beautiful & Brutal
137 bpm • G Maj • 03:31 • -6.39db
33% Popularity • 52% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 52% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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St. Lundi
Learn To Let Go
136 bpm • B Maj • 03:30 • -9.09db
31% Popularity • 48% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 48% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Tors
We Say No - Acoustic
142 bpm • D# Maj • 03:31 • -11.15db
14% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Devan
Real Shot
142 bpm • D Maj • 02:34 • -9.04db
27% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Isak Danielson
Bleed Out - Acoustic Version
142 bpm • C Maj • 03:19 • -7.74db
24% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Blakey
Age
142 bpm • G# Maj • 02:54 • -12.46db
26% Popularity • 72% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 72% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Robert Shirey Kelly
Then I See You
142 bpm • D# Maj • 03:34 • -19.25db
20% Popularity • 54% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 54% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Nick Wilson
Let Me Hold You
142 bpm • F# min • 04:15 • -11.44db
23% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Luz
counting houses - acoustic
142 bpm • G min • 03:27 • -13.76db
21% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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JP Saxe
Changed (Acoustic)
136 bpm • D Maj • 04:32 • -12db
23% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Mark Diamond
Hwy 18
136 bpm • A Maj • 03:52 • -11db
28% Popularity • 48% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 48% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Kevin Garrett
Can't Come Back
136 bpm • F Maj • 04:09 • -9.98db
20% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Plested
Make A Start
136 bpm • D Maj • 03:10 • -8.63db
21% Popularity • 49% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 49% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Nick Wilson
Say Something - Stripped
136 bpm • D# Maj • 04:10 • -9.88db
9% Popularity • 47% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 47% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Glades
Through To You
135 bpm • F Maj • 03:26 • -9db
20% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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JP Saxe
The Few Things (With Charlotte Lawrence)
136 bpm • G Maj • 03:31 • -10.45db
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Ragsdale
Blvd
135 bpm • G# Maj • 05:36 • -13.23db
30% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 55% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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William Hinson
Sex
135 bpm • F Maj • 03:40 • -10db
27% Popularity • 50% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 50% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Aaron Smith
Unspoken
143 bpm • D Maj • 03:30 • -13db
42% Popularity • 38% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 38% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Matt Maeson
Tribulation - Stripped
143 bpm • G# min • 03:05 • -8.15db
40% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Cody Simpson
It's Always You
143 bpm • E Maj • 03:06 • -14.55db
26% Popularity • 52% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 52% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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JP Saxe
The Few Things
136 bpm • G Maj • 04:04 • -12.83db
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Nick Wilson
Undone
144 bpm • E Maj • 04:06 • -11.79db
12% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Violet Skies
This Could Be Love
135 bpm • C# Maj • 02:43 • -10.57db
26% Popularity • 50% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 50% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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JC Stewart
Break My Heart - Piano Acoustic
134 bpm • F# min • 03:38 • -10.45db
34% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Greyson Chance
Seasons
144 bpm • D Maj • 03:42 • -8db
36% Popularity • 42% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 42% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Kevin Paris
Loneliness
144 bpm • G# Maj • 04:46 • -15.19db
11% Popularity • 56% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 56% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Dylan Dunlap
Get More Rest
144 bpm • A# Maj • 03:57 • -6.42db
25% Popularity • 55% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 55% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
45% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Sam the Astronaut
Sunshine Gold - Version 2
134 bpm • D# Maj • 04:08 • -14db
24% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Garrett Kato
All Good
134 bpm • C Maj • 03:31 • -14.19db
33% Popularity • 49% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 49% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Dylan Rockoff
Supernova
134 bpm • G Maj • 05:04 • -13db
25% Popularity • 63% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 63% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Sweeplings
Hold Me - Alternate Version
134 bpm • D min • 04:23 • -10.51db
32% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jonny Brenns
Love on You
134 bpm • D# Maj • 02:53 • -9db
24% Popularity • 53% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 53% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Sad Boy
hear you me
134 bpm • D# Maj • 03:34 • -12.12db
30% Popularity • 64% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 64% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 37% Positiveness
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Oli Fox
The Worrying - Acoustic
134 bpm • B Maj • 03:24 • -10.34db
28% Popularity • 74% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 74% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Hunter Metts
The River
133 bpm • A min • 04:18 • -12.77db
33% Popularity • 57% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 57% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Ethan DeRose
Paint Splattered Jeans (Acoustic)
133 bpm • B min • 02:45 • -13.96db
20% Popularity • 76% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 76% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Nick Wilson
Enough to Know You
146 bpm • D# Maj • 03:25 • -9db
30% Popularity • 48% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 48% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Harry Hudson
Yellow Lights
146 bpm • D# Maj • 02:51 • -10.81db
54% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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JC Stewart
Bones - Acoustic
146 bpm • B Maj • 03:21 • -10db
30% Popularity • 68% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 68% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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The Devil Music Co.
Sailboat Bed
146 bpm • B Maj • 04:00 • -8.19db
34% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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DANIEL SAINT BLACK
Reason
146 bpm • D# min • 03:08 • -7.85db
9% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Will Heggadon
lost
132 bpm • F min • 03:32 • -11.22db
19% Popularity • 50% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 50% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Nick Wilson
I'm With You
133 bpm • G# Maj • 03:38 • -12.35db
15% Popularity • 43% Danceability • 18% Energy • 3% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 43% Danceability • 18% Energy • 3% Liveness
0% Instrumentalness • 13% Positiveness
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Ed Patrick
You In My Life
132 bpm • B Maj • 03:37 • -16.57db
43% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
43% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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REUNIØN
Way Out West
146 bpm • F Maj • 03:54 • -12.27db
22% Popularity • 31% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 31% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Quinn Lewis
Only Everything - Acoustic
132 bpm • D Maj • 02:54 • -8.52db
30% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Ethan DeRose
Listening to Frank (Extended)
132 bpm • G Maj • 06:17 • -14.23db
13% Popularity • 56% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 56% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Nick Wilson
Yours to Take
146 bpm • A# Maj • 02:57 • -10.25db
18% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Harrison Storm
The Words You Say
132 bpm • B Maj • 03:30 • -11.99db
49% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
49% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Harry Brokensha
Deep As Blood
147 bpm • A# Maj • 03:21 • -5.43db
2% Popularity • 52% Danceability • 74% Energy • 20% Liveness
32% Instrumentalness • 52% Positiveness
2% Popularity • 52% Danceability • 74% Energy • 20% Liveness
32% Instrumentalness • 52% Positiveness
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Ewan J Phillips
Faithless
148 bpm • C# Maj • 04:05 • -9.69db
21% Popularity • 40% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 40% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Nick Wilson
Into You
132 bpm • G Maj • 04:46 • -5.54db
32% Popularity • 34% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 34% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Plested
Home By Now - Acoustic
148 bpm • A Maj • 03:38 • -10db
15% Popularity • 46% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 46% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Jake Etheridge
Through the Fire
148 bpm • D Maj • 03:10 • -17.84db
37% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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sød ven
feel it all
148 bpm • G# Maj • 03:14 • -12.53db
41% Popularity • 52% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 30% Positiveness
41% Popularity • 52% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 30% Positiveness
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SYML
Clean Eyes - Acoustic
148 bpm • A min • 03:42 • -9db
41% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Dylan Dunlap
Stupid Me
148 bpm • D Maj • 03:47 • -8db
32% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Nick Wilson
Say It Now
132 bpm • D Maj • 03:23 • -10.85db
24% Popularity • 63% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 63% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Matt Walden
Milestone
130 bpm • E Maj • 04:23 • -14.98db
41% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
