Songs like Learn From It - 2022 Mix by Conner Smith
Based on a tempo of (+/- 10%) and a similar genre
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Conner Smith
Learn From It
91 bpm • E Maj • 02:59 • -3.57db
43% Popularity • 60% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 60% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Jon Wayne Hatfield
Good for Nothin'
92 bpm • F Maj • 03:27 • -4db
31% Popularity • 54% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 54% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Tyler Dial
Way Back When
91 bpm • B Maj • 02:55 • -5.07db
9% Popularity • 51% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 51% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Sean Stemaly
Love Me Like Kentucky
90 bpm • G# Maj • 03:08 • -6.25db
27% Popularity • 50% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 50% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Doleac
Til Dawn Do Us Part
90 bpm • G# Maj • 02:58 • -4.83db
37% Popularity • 54% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 54% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Laine Hardy
One of Those
90 bpm • F Maj • 02:30 • -5.9db
28% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Conner Smith
Learn From It - 2022 Mix
91 bpm • E Maj • 02:58 • -4db
23% Popularity • 61% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 61% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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LANCO
I Need a Beer
90 bpm • D Maj • 03:05 • -6.1db
27% Popularity • 67% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 67% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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ERNEST
Would If I Could
90 bpm • F# Maj • 03:22 • -6.62db
60% Popularity • 60% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 60% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Tyler Braden
Ways to Miss You
90 bpm • A# min • 03:09 • -5.12db
43% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Redferrin
In Park
90 bpm • B Maj • 02:42 • -4.49db
33% Popularity • 73% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 73% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Alana Springsteen
Zero Trucks
90 bpm • C Maj • 02:42 • -4.93db
48% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Adam Sanders
Bible Versus
90 bpm • F# Maj • 03:21 • -5db
25% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Greylan James
Old Truck Young Love
90 bpm • E Maj • 02:34 • -6.98db
24% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Clayton Anderson
Made in the USA
92 bpm • G# Maj • 02:48 • -4.72db
27% Popularity • 59% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 59% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Morgan Evans
American Dream Truck
89 bpm • D Maj • 03:33 • -6.04db
36% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Drew Baldridge
Beach Ain't One
93 bpm • B Maj • 02:50 • -3.71db
40% Popularity • 60% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 60% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Travis Denning
Heartbeat Of A Small Town
93 bpm • G# Maj • 03:21 • -5.41db
38% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Luke and Kaylee
Backroad Flyin'
89 bpm • C# Maj • 03:12 • -4.97db
26% Popularity • 57% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 57% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Greylan James
Make the Best Memories
90 bpm • C# min • 03:09 • -5.3db
23% Popularity • 46% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 46% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Caleb Kennedy
Raised On Dirt
93 bpm • E Maj • 03:33 • -4.09db
18% Popularity • 55% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 55% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Scotty McCreery
Falling For A Stranger
89 bpm • F# Maj • 03:01 • -5.7db
35% Popularity • 47% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 47% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Waters Band
Maker Mark On This Town
94 bpm • F Maj • 02:48 • -7db
30% Popularity • 50% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 50% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Dylan Marlowe
What I Know Now
94 bpm • D Maj • 03:05 • -3.42db
40% Popularity • 53% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 53% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Brian Fuller
Talk of This Town
94 bpm • G# Maj • 02:44 • -6.59db
29% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Chris Young
Like a Slow Song
94 bpm • E Maj • 03:17 • -4.94db
26% Popularity • 55% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 55% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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The Boat Boys
Wasted On A Beach
94 bpm • F Maj • 02:33 • -5.28db
22% Popularity • 61% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 61% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Dylan Scott
Heartbeat Of America
88 bpm • D Maj • 02:58 • -4.83db
51% Popularity • 50% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 50% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Stell
I Bet Whiskey Would
88 bpm • G Maj • 03:11 • -4.74db
30% Popularity • 55% Danceability • 79% Energy • 47% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 55% Danceability • 79% Energy • 47% Liveness
0% Instrumentalness • 45% Positiveness
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Ryan Griffin
Summer on It
88 bpm • A# Maj • 02:48 • -5.48db
22% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Ryan Waters Band
Whiskey Business
95 bpm • D Maj • 02:54 • -7db
34% Popularity • 69% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 69% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Dylan Schneider
How Bad Could One Kiss Hurt
95 bpm • C# Maj • 02:56 • -5.26db
41% Popularity • 53% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 79% Positiveness
41% Popularity • 53% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 79% Positiveness
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Conner Smith
College Town
95 bpm • D# Maj • 03:29 • -3.3db
29% Popularity • 47% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 47% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Gracin
Love Like
87 bpm • C# Maj • 03:10 • -5.31db
35% Popularity • 65% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 65% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Brian Kelley
Highway On The Water
87 bpm • E Maj • 02:29 • -5.01db
36% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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Clayton Anderson
Only Us
96 bpm • A# Maj • 02:42 • -4.19db
24% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Brandon Lay
Back Home
96 bpm • A Maj • 03:08 • -5.6db
15% Popularity • 57% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 57% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Dylan Schneider
Grew up Slower
96 bpm • A min • 02:56 • -6.73db
41% Popularity • 64% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 64% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Noah Hicks
Drinkin' in a College Town
96 bpm • F min • 02:22 • -4.51db
38% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Conner Smith
Didn't Go Too Far
96 bpm • C# Maj • 02:47 • -3.24db
41% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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HIXTAPE
Small Town On It
96 bpm • D# Maj • 02:56 • -4.04db
38% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Nichols
Dance with the Girl
96 bpm • F Maj • 03:04 • -5.6db
28% Popularity • 65% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 65% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Hayden Coffman
Drink One Anyway
96 bpm • C Maj • 02:42 • -7.05db
38% Popularity • 64% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 64% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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Roman Alexander
Better In A Car
86 bpm • C Maj • 03:14 • -4.79db
25% Popularity • 47% Danceability • 87% Energy • 76% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 47% Danceability • 87% Energy • 76% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Lane
Ain't Even Met You Yet
86 bpm • E Maj • 03:00 • -6.69db
37% Popularity • 44% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
37% Popularity • 44% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Jon Wayne Hatfield
You & Me
96 bpm • B Maj • 03:11 • -5.02db
20% Popularity • 62% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 62% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Jameson Rodgers
Girl with the Broken Heart
86 bpm • D Maj • 03:20 • -5.42db
25% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Teddy Robb
Whiskey Can't
97 bpm • A Maj • 02:52 • -5.15db
29% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Drew Green
Just Talkin
86 bpm • D# Maj • 03:19 • -5.88db
33% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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The Tuten Brothers
Look Back At It
85 bpm • D Maj • 02:51 • -5.3db
30% Popularity • 67% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 67% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Jeb Gipson
Sitting on Empty
85 bpm • C Maj • 03:08 • -7.71db
21% Popularity • 62% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 62% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Matt Schuster
Summer Nights In A Small Town
85 bpm • E Maj • 02:38 • -16db
36% Popularity • 56% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 56% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Eli Young Band
Lucky For Me
85 bpm • G Maj • 03:16 • -6db
36% Popularity • 50% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 50% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Ryan Waters Band
Busch Lit
85 bpm • D Maj • 02:51 • -8.31db
33% Popularity • 40% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 40% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Todd Cameron
Goodbye Goodtimes
98 bpm • C# Maj • 02:56 • -4.88db
30% Popularity • 52% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 52% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
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Graham Barham
BREAKIN’ DOWN
84 bpm • F# Maj • 02:46 • -5.18db
33% Popularity • 50% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 50% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Brandon Lay
Broke
98 bpm • C Maj • 03:06 • -5.88db
33% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Chris Young
When You're Drinking
84 bpm • G Maj • 03:16 • -3.74db
28% Popularity • 35% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 35% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Conner Smith
Creek Will Rise - Acoustic
84 bpm • C# Maj • 02:51 • -4.32db
34% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Jaden Hamilton
Thinkin' 'Bout You
84 bpm • D Maj • 02:49 • -5.37db
24% Popularity • 46% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 46% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
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Kyle Clark
Bad Day To Be A Beer
84 bpm • E Maj • 03:01 • -3.69db
35% Popularity • 46% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 46% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Austin Burke
I Grew Up
99 bpm • C Maj • 02:37 • -6.29db
27% Popularity • 67% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 67% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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George Birge
Cowboys Talkin'
83 bpm • E Maj • 02:49 • -4.69db
31% Popularity • 20% Danceability • 85% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 20% Danceability • 85% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
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Kylie Morgan
Love Like We're Drunk
99 bpm • D Maj • 02:34 • -4db
34% Popularity • 62% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 62% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Zac & George
Red Wine & Roses
83 bpm • F Maj • 03:12 • -5.13db
37% Popularity • 59% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 59% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Clayton Mullen
Maker's Mark
83 bpm • F Maj • 03:05 • -6.06db
27% Popularity • 54% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 54% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Brian Kelley
American Spirit
83 bpm • D Maj • 02:59 • -6.21db
38% Popularity • 47% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 47% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Trey Lewis
Hate This Town
100 bpm • D Maj • 03:18 • -2.63db
29% Popularity • 62% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 62% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Eli Young Band
Tell Me It Is
100 bpm • B Maj • 03:05 • -7.6db
29% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Dylan Marlowe
Goodbye Gets Around
100 bpm • C# Maj • 03:40 • -5.26db
32% Popularity • 58% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 58% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Michael Ray
Whiskey And Rain - Acoustic
100 bpm • G# Maj • 03:27 • -8.87db
29% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Easton Corbin
I Can't Decide
100 bpm • A# min • 03:33 • -3.71db
32% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Greylan James
Walls
82 bpm • D Maj • 02:43 • -5.85db
24% Popularity • 42% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 42% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Josh Melton
One Day
82 bpm • A Maj • 02:45 • -5db
38% Popularity • 62% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 62% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Noah Hicks
It Ain't Me
82 bpm • D Maj • 03:29 • -2.96db
28% Popularity • 48% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 48% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Nate Barnes
Right About Me
101 bpm • B Maj • 03:09 • -4.4db
22% Popularity • 62% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 62% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Dustin Lynch
Somethin' That Makes You Smile
82 bpm • B Maj • 03:09 • -4.2db
35% Popularity • 53% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 53% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Brian Kelley
Boat Names
82 bpm • C# Maj • 03:28 • -5.57db
36% Popularity • 54% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 54% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Kylie Morgan
Country Anyway
82 bpm • B Maj • 02:50 • -4.72db
31% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 62% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Filmore
Leave Me A Memory
82 bpm • G Maj • 02:56 • -5.76db
13% Popularity • 24% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 24% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Noah Hicks
Tripping Over My Boots (The Back Home Ve...
101 bpm • F# Maj • 02:45 • -5db
22% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Jameson Rodgers
Rehab
102 bpm • C# Maj • 02:50 • -5.09db
34% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Brandon Lay
Sailing Around the World
102 bpm • G Maj • 02:46 • -6.65db
30% Popularity • 71% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 71% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Brian Kelley
Sunday Service In The Sand
82 bpm • A# Maj • 03:41 • -7db
30% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Burk
Take You Out
102 bpm • E Maj • 03:21 • -5.51db
21% Popularity • 55% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 55% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Ryan Griffin
Closing Time
102 bpm • C# min • 03:13 • -4.88db
17% Popularity • 60% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 60% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Noah Hicks
Tripping Over My Boots
101 bpm • F# Maj • 02:50 • -5.22db
40% Popularity • 59% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 59% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Nate Haller
Somewhere To Drink
80 bpm • G Maj • 03:14 • -4db
23% Popularity • 29% Danceability • 91% Energy • 64% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 29% Danceability • 91% Energy • 64% Liveness
0% Instrumentalness • 93% Positiveness
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Jonah Prill
Got It Goin' On
81 bpm • A# min • 03:03 • -4.99db
16% Popularity • 58% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 58% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Brian Kelley
Sunburnt, Barefoot & In Love
81 bpm • C# Maj • 02:49 • -5db
30% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Chris Young
Hold My Beer Watch This
80 bpm • C# Maj • 02:46 • -2db
27% Popularity • 50% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 50% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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The Reklaws
Middle Fingers
80 bpm • G Maj • 03:00 • -3.19db
26% Popularity • 54% Danceability • 92% Energy • 53% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 54% Danceability • 92% Energy • 53% Liveness
0% Instrumentalness • 72% Positiveness
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Roman Alexander
Guys Like Me
80 bpm • D# Maj • 02:42 • -4.37db
22% Popularity • 44% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 44% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Seth Ennis
Just a Little
104 bpm • D# min • 02:42 • -3.72db
23% Popularity • 62% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 62% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Jameson Rodgers
Heartbreak Highway
104 bpm • F Maj • 03:06 • -5.11db
27% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Brandon Lay
Take You Home
104 bpm • E min • 03:16 • -5.01db
30% Popularity • 66% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 66% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Clayton Mullen
Burnt Orange
104 bpm • F# Maj • 03:39 • -6.33db
25% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Thomas Rhett
Bass Pro Hat
79 bpm • D Maj • 02:56 • -5.1db
40% Popularity • 50% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 50% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
