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Learning to Live
Songs like
Learning to Live
by
Dream Theater
Based on a tempo of (+/- 10%) and a similar genre
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Nevermore
Born
127 bpm • A# min • 05:05 • -3.96db
33% Popularity • 50% Danceability • 99% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Jeff Loomis
Shouting Fire at a Funeral
127 bpm • B Maj • 04:54 • -3.7db
23% Popularity • 43% Danceability • 97% Energy • 7% Liveness
88% Instrumentalness • 15% Positiveness
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Steve Vai
Bad Horsie
127 bpm • F Maj • 05:50 • -8.86db
44% Popularity • 54% Danceability • 77% Energy • 80% Liveness
78% Instrumentalness • 64% Positiveness
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Joe Satriani
Flying in a Blue Dream
127 bpm • C Maj • 05:23 • -5.4db
48% Popularity • 50% Danceability • 78% Energy • 15% Liveness
81% Instrumentalness • 8% Positiveness
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Guthrie Govan
Ner Ner
127 bpm • G min • 08:04 • -5db
36% Popularity • 31% Danceability • 92% Energy • 11% Liveness
16% Instrumentalness • 39% Positiveness
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Stratovarius
The Kiss of Judas
127 bpm • D# min • 05:49 • -7db
40% Popularity • 50% Danceability • 97% Energy • 65% Liveness
0% Instrumentalness • 42% Positiveness
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Dream Theater
Learning to Live
127 bpm • E min • 11:30 • -11db
43% Popularity • 36% Danceability • 82% Energy • 13% Liveness
4% Instrumentalness • 56% Positiveness
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John Petrucci
Gemini
127 bpm • G Maj • 06:05 • -5.25db
33% Popularity • 28% Danceability • 96% Energy • 33% Liveness
80% Instrumentalness • 38% Positiveness
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Sons Of Apollo
Goodbye Divinity
126 bpm • E Maj • 07:13 • -5.72db
27% Popularity • 30% Danceability • 96% Energy • 33% Liveness
1% Instrumentalness • 23% Positiveness
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Ayreon
Time Beyond Time
128 bpm • C Maj • 06:04 • -7.57db
20% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Flying Colors
Shoulda Coulda Woulda
126 bpm • G Maj • 04:29 • -4.32db
23% Popularity • 48% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Arjen Anthony Lucassen's Star One
24 Hours
126 bpm • E min • 07:20 • -8.69db
12% Popularity • 37% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
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Dream Theater
Take the Time
126 bpm • C# min • 08:20 • -9.78db
47% Popularity • 35% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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John Petrucci
The Way Things Fall
128 bpm • D Maj • 07:33 • -4.83db
28% Popularity • 49% Danceability • 96% Energy • 22% Liveness
46% Instrumentalness • 50% Positiveness
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Riverside
Rainbow Box
126 bpm • E min • 03:36 • -5.08db
33% Popularity • 57% Danceability • 90% Energy • 9% Liveness
6% Instrumentalness • 51% Positiveness
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Sieges Even
Tidal
128 bpm • B min • 05:15 • -6.08db
13% Popularity • 52% Danceability • 90% Energy • 24% Liveness
6% Instrumentalness • 43% Positiveness
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Nevermore
The Heart Collector
128 bpm • G# Maj • 05:55 • -5db
38% Popularity • 52% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Tony MacAlpine
Empire in the Sky
126 bpm • B Maj • 04:57 • -10.79db
20% Popularity • 34% Danceability • 87% Energy • 27% Liveness
84% Instrumentalness • 42% Positiveness
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Dream Theater
Lost Not Forgotten
128 bpm • G Maj • 10:11 • -6db
36% Popularity • 53% Danceability • 98% Energy • 15% Liveness
11% Instrumentalness • 36% Positiveness
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Steve Vai
Die To Live
128 bpm • D Maj • 03:53 • -7.39db
34% Popularity • 49% Danceability • 80% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Kiko Loureiro
Endangered Species
126 bpm • D Maj • 05:10 • -5.62db
21% Popularity • 36% Danceability • 99% Energy • 6% Liveness
87% Instrumentalness • 22% Positiveness
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A.C.T
The Effect
125 bpm • E Maj • 04:39 • -5.55db
16% Popularity • 64% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Devin Townsend Project
Failure
129 bpm • G min • 06:02 • -6db
35% Popularity • 57% Danceability • 89% Energy • 39% Liveness
47% Instrumentalness • 47% Positiveness
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Seventh Wonder
Move On Through
125 bpm • F min • 05:06 • -3.91db
19% Popularity • 54% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Dream Theater
Peruvian Skies
126 bpm • A min • 06:43 • -5.05db
37% Popularity • 31% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Steve Vai
Liberty
126 bpm • E Maj • 02:03 • -8.15db
39% Popularity • 41% Danceability • 60% Energy • 68% Liveness
90% Instrumentalness • 30% Positiveness
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Marco Sfogli
Sunset Lights
125 bpm • C# min • 05:38 • -5db
18% Popularity • 22% Danceability • 74% Energy • 37% Liveness
65% Instrumentalness • 15% Positiveness
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Nevermore
Dreaming Neon Black
129 bpm • A Maj • 06:26 • -5.35db
27% Popularity • 26% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Porcupine Tree
Wedding Nails - Remastered
125 bpm • D Maj • 06:33 • -12db
32% Popularity • 33% Danceability • 86% Energy • 8% Liveness
79% Instrumentalness • 19% Positiveness
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Iron Maiden
Moonchild - 2015 Remaster
130 bpm • A Maj • 05:40 • -5.11db
49% Popularity • 27% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Dream Theater
Stream of Consciousness
126 bpm • E Maj • 11:16 • -5.24db
46% Popularity • 42% Danceability • 89% Energy • 12% Liveness
75% Instrumentalness • 29% Positiveness
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Andy Timmons
Groove or Die
130 bpm • C# Maj • 02:28 • -7.34db
35% Popularity • 39% Danceability • 93% Energy • 30% Liveness
82% Instrumentalness • 43% Positiveness
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Sieges Even
Sequence I: The Weight
130 bpm • C Maj • 10:13 • -5.26db
12% Popularity • 43% Danceability • 72% Energy • 60% Liveness
2% Instrumentalness • 35% Positiveness
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Arjen Anthony Lucassen's Star One
Human See, Human Do
130 bpm • B min • 05:14 • -7.18db
13% Popularity • 44% Danceability • 93% Energy • 33% Liveness
2% Instrumentalness • 24% Positiveness
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Ayreon
Run! Apocalypse! Run!
130 bpm • F Maj • 04:52 • -7db
31% Popularity • 30% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Sons Of Apollo
Fall to Ascend
130 bpm • C# Maj • 05:06 • -4.37db
25% Popularity • 54% Danceability • 99% Energy • 7% Liveness
41% Instrumentalness • 28% Positiveness
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Circus Maximus
The One
130 bpm • B min • 04:00 • -6.62db
22% Popularity • 58% Danceability • 91% Energy • 44% Liveness
1% Instrumentalness • 59% Positiveness
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ANGRA
The Shadow Hunter
130 bpm • G Maj • 08:06 • -6.44db
36% Popularity • 52% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Opeth
Continuum
130 bpm • A min • 07:22 • -8.7db
24% Popularity • 51% Danceability • 53% Energy • 15% Liveness
51% Instrumentalness • 25% Positiveness
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Arjen Anthony Lucassen's Star One
The Eye of Ra
130 bpm • C min • 07:34 • -9.52db
20% Popularity • 34% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Seventh Wonder
Welcome to Mercy Falls
124 bpm • B Maj • 05:11 • -3.86db
21% Popularity • 49% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Sons Of Apollo
Signs of the Time
130 bpm • E Maj • 06:42 • -4.26db
25% Popularity • 29% Danceability • 95% Energy • 17% Liveness
19% Instrumentalness • 30% Positiveness
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Dali's Dilemma
Within A Stare
130 bpm • E min • 05:50 • -7db
11% Popularity • 52% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Michael Romeo
Destroyer
124 bpm • F Maj • 05:34 • -6.56db
25% Popularity • 46% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Steven Wilson
Routine
124 bpm • D Maj • 08:58 • -14.25db
37% Popularity • 37% Danceability • 25% Energy • 12% Liveness
12% Instrumentalness • 6% Positiveness
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Arjen Anthony Lucassen's Star One
Set Your Controls
130 bpm • C# Maj • 06:01 • -8db
22% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Marco Sfogli
Still Hurts
130 bpm • F# min • 05:02 • -3db
28% Popularity • 19% Danceability • 88% Energy • 31% Liveness
17% Instrumentalness • 49% Positiveness
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Sons Of Apollo
Resurrection Day
124 bpm • E Maj • 05:51 • -4.51db
15% Popularity • 48% Danceability • 99% Energy • 6% Liveness
4% Instrumentalness • 33% Positiveness
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Dream Theater
Voices
131 bpm • A Maj • 09:53 • -7.05db
37% Popularity • 32% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
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Flying Colors
Infinite Fire
124 bpm • G Maj • 12:00 • -4.07db
18% Popularity • 49% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Bad Salad
Crowded Sky
131 bpm • D Maj • 06:31 • -6db
13% Popularity • 49% Danceability • 91% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Myrath
Wide Shut
123 bpm • A min • 05:25 • -6db
13% Popularity • 54% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Testament
Trail of Tears
123 bpm • G# min • 06:06 • -9.27db
33% Popularity • 30% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Sons Of Apollo
Lost in Oblivion
131 bpm • C Maj • 04:27 • -4.31db
20% Popularity • 42% Danceability • 99% Energy • 18% Liveness
56% Instrumentalness • 7% Positiveness
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Transatlantic
Overture
131 bpm • C# Maj • 08:11 • -7.68db
20% Popularity • 25% Danceability • 83% Energy • 54% Liveness
80% Instrumentalness • 18% Positiveness
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Dream Theater
Prophets of War
132 bpm • G Maj • 06:00 • -4.69db
35% Popularity • 41% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 18% Positiveness
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The Winery Dogs
Oblivion
132 bpm • G Maj • 04:11 • -5db
12% Popularity • 44% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
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Spastic Ink
Aquanet
132 bpm • G Maj • 08:10 • -5.14db
10% Popularity • 53% Danceability • 97% Energy • 14% Liveness
21% Instrumentalness • 49% Positiveness
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Flying Colors
Lost Without You
132 bpm • F Maj • 04:39 • -6.22db
19% Popularity • 55% Danceability • 71% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
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Sons Of Apollo
Labyrinth
132 bpm • B min • 09:22 • -4.88db
22% Popularity • 35% Danceability • 98% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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Arjen Anthony Lucassen's Star One
Sandrider
132 bpm • A Maj • 05:31 • -8.31db
18% Popularity • 52% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Transatlantic
Heart Like a Whirlwind
131 bpm • A# Maj • 05:11 • -6.19db
22% Popularity • 39% Danceability • 90% Energy • 71% Liveness
0% Instrumentalness • 28% Positiveness
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Nevermore
Sentient 6
122 bpm • G# Maj • 06:58 • -5.48db
29% Popularity • 59% Danceability • 88% Energy • 23% Liveness
3% Instrumentalness • 26% Positiveness
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Jordan Rudess
Ra
133 bpm • A Maj • 07:54 • -5.08db
8% Popularity • 53% Danceability • 93% Energy • 9% Liveness
36% Instrumentalness • 57% Positiveness
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Megadeth
Conquer Or Die
133 bpm • G min • 03:33 • -6.11db
51% Popularity • 34% Danceability • 74% Energy • 12% Liveness
83% Instrumentalness • 14% Positiveness
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Sons Of Apollo
Coming Home
122 bpm • E Maj • 04:22 • -4db
32% Popularity • 55% Danceability • 96% Energy • 28% Liveness
5% Instrumentalness • 42% Positiveness
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Flying Colors
More
133 bpm • D# Maj • 07:09 • -8.16db
24% Popularity • 58% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Arjen Anthony Lucassen's Star One
It's Alive, She's Alive, We're Alive
133 bpm • D Maj • 05:07 • -7.43db
12% Popularity • 48% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Steve Vai
The Audience Is Listening
133 bpm • A Maj • 05:29 • -8.52db
36% Popularity • 43% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Ayreon
Eyes Of Time
133 bpm • C# min • 05:05 • -8.12db
19% Popularity • 44% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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A.C.T
The Cause
133 bpm • E Maj • 03:26 • -6.04db
14% Popularity • 55% Danceability • 77% Energy • 28% Liveness
2% Instrumentalness • 26% Positiveness
► Preview
John Petrucci
Temple Of Circadia
133 bpm • E min • 07:10 • -5db
37% Popularity • 27% Danceability • 96% Energy • 11% Liveness
50% Instrumentalness • 32% Positiveness
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Nevermore
Believe in Nothing
134 bpm • G# Maj • 04:21 • -4.16db
41% Popularity • 44% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Flying Colors
The Storm
121 bpm • E Maj • 04:43 • -5db
28% Popularity • 56% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Racer X
Technical Difficulties
120 bpm • E min • 04:20 • -7db
44% Popularity • 29% Danceability • 94% Energy • 55% Liveness
89% Instrumentalness • 20% Positiveness
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Annihilator
Phoenix Rising
120 bpm • D min • 03:48 • -6db
42% Popularity • 60% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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Guilt Machine
Over
134 bpm • B Maj • 06:11 • -8.7db
19% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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John Petrucci
Animate-Inanimate
134 bpm • D Maj • 11:37 • -6db
24% Popularity • 42% Danceability • 86% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Iced Earth
Ghost of Freedom
120 bpm • F# Maj • 05:11 • -10db
41% Popularity • 60% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Dream Theater
Fall into the Light
134 bpm • A min • 07:04 • -5.56db
37% Popularity • 27% Danceability • 96% Energy • 41% Liveness
5% Instrumentalness • 16% Positiveness
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Racer X
B.R.O.
120 bpm • D min • 01:20 • -11.26db
40% Popularity • 22% Danceability • 66% Energy • 36% Liveness
88% Instrumentalness • 64% Positiveness
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Beyond Twilight
Shadowland
120 bpm • B Maj • 05:32 • -6.03db
15% Popularity • 34% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Arjen Anthony Lucassen's Star One
Songs of the Ocean
120 bpm • D Maj • 05:23 • -9.73db
20% Popularity • 61% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Sons Of Apollo
Asphyxiation
120 bpm • A min • 05:07 • -5.75db
18% Popularity • 55% Danceability • 98% Energy • 9% Liveness
3% Instrumentalness • 21% Positiveness
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Riverside
Egoist Hedonist - Remastered
120 bpm • G Maj • 08:56 • -7.29db
14% Popularity • 32% Danceability • 84% Energy • 32% Liveness
50% Instrumentalness • 42% Positiveness
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Frost*
Black Light Machine
120 bpm • G Maj • 10:06 • -7db
21% Popularity • 28% Danceability • 82% Energy • 19% Liveness
30% Instrumentalness • 12% Positiveness
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Octavision
Three Lives
120 bpm • F# min • 09:38 • -3db
24% Popularity • 35% Danceability • 94% Energy • 17% Liveness
74% Instrumentalness • 40% Positiveness
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Opeth
Burden
120 bpm • D min • 07:41 • -7.73db
48% Popularity • 31% Danceability • 63% Energy • 18% Liveness
8% Instrumentalness • 18% Positiveness
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The Winery Dogs
The Other Side
120 bpm • B min • 05:40 • -3.07db
28% Popularity • 44% Danceability • 99% Energy • 4% Liveness
0% Instrumentalness • 30% Positiveness
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Tony MacAlpine
Exhibitionist Blvd.
120 bpm • B Maj • 04:27 • -4db
32% Popularity • 45% Danceability • 98% Energy • 32% Liveness
87% Instrumentalness • 21% Positiveness
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Circus Maximus
Sane No More
120 bpm • G Maj • 03:54 • -3db
20% Popularity • 45% Danceability • 96% Energy • 28% Liveness
84% Instrumentalness • 22% Positiveness
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Neronia
On Through the Night
120 bpm • B Maj • 03:57 • -5.6db
33% Popularity • 53% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Kiko Loureiro
In Motion
120 bpm • G Maj • 04:09 • -5.8db
25% Popularity • 53% Danceability • 94% Energy • 6% Liveness
78% Instrumentalness • 27% Positiveness
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John Petrucci
Lost Without You
120 bpm • G min • 04:56 • -9.15db
35% Popularity • 46% Danceability • 50% Energy • 13% Liveness
40% Instrumentalness • 19% Positiveness
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Sieges Even
Sequence III: Unbreakable
120 bpm • C# min • 08:59 • -4.76db
10% Popularity • 43% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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At Vance
No Speak
135 bpm • G# Maj • 01:43 • -8.81db
38% Popularity • 46% Danceability • 88% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
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Sons Of Apollo
Desolate July
135 bpm • F# min • 05:58 • -6db
21% Popularity • 47% Danceability • 85% Energy • 15% Liveness
22% Instrumentalness • 23% Positiveness
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Nevermore
Narcosynthesis
135 bpm • F min • 05:31 • -4db
35% Popularity • 50% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kiko Loureiro
Enfermo
135 bpm • C# Maj • 04:02 • -5db
27% Popularity • 42% Danceability • 96% Energy • 56% Liveness
92% Instrumentalness • 13% Positiveness
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Subsignal
La Muerta
135 bpm • G# min • 06:00 • -4.88db
30% Popularity • 49% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Learning to Live