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Leave Behind
Songs like
Leave Behind
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Georgia Lines
Based on a tempo of (+/- 10%) and a similar genre
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Dylan Dunlap
Tell Me
138 bpm • A Maj • 03:28 • -8.44db
26% Popularity • 62% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Georgia Lines
Leave Behind
138 bpm • G min • 03:26 • -8.45db
6% Popularity • 66% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Wild Youth
All Again For You
138 bpm • C# Maj • 02:29 • -7.56db
25% Popularity • 63% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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SISTRA
Never Change
138 bpm • G# Maj • 03:23 • -10.22db
32% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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ili
Time Goes By
138 bpm • E Maj • 03:18 • -9.86db
11% Popularity • 32% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Ben Abraham
Never Been Better
139 bpm • F# Maj • 03:17 • -6.94db
43% Popularity • 78% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Benedict Cork
Nice Guy
139 bpm • C Maj • 03:03 • -5.99db
30% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Anthonia Edwards
All I Do Is Try
140 bpm • B min • 03:23 • -7.54db
30% Popularity • 40% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Eyelar
Man Like Her
136 bpm • G# Maj • 02:58 • -7.28db
13% Popularity • 56% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Bella Taylor Smith
A Long Time Coming
140 bpm • F Maj • 02:47 • -5.56db
19% Popularity • 65% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Chloe Parché
Upside Down
140 bpm • B min • 03:03 • -7.71db
34% Popularity • 70% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Hana Effron
Let's Talk
136 bpm • C Maj • 03:53 • -8.55db
43% Popularity • 61% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Shell Tenedero
Right Guy Wrong Place
140 bpm • D# Maj • 02:54 • -7.23db
26% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Austin Mackay
Rivers
136 bpm • D Maj • 03:58 • -10.16db
26% Popularity • 57% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Genes
Cold Summer
140 bpm • C Maj • 03:29 • -7.18db
8% Popularity • 70% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Jane & The Boy
Dance Through It
136 bpm • F Maj • 02:25 • -5.61db
32% Popularity • 70% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Sophia Veraz
Stop Thinking About It
136 bpm • B min • 03:06 • -7.57db
17% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Marc Scibilia
Believe
140 bpm • C Maj • 02:20 • -4.27db
43% Popularity • 55% Danceability • 77% Energy • 34% Liveness
1% Instrumentalness • 42% Positiveness
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John Mark Nelson
You're Still The One
136 bpm • F Maj • 03:00 • -9.58db
36% Popularity • 69% Danceability • 37% Energy • 16% Liveness
2% Instrumentalness • 75% Positiveness
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Great Good Fine Ok
Make This Moment Last
140 bpm • G# Maj • 03:04 • -7.4db
36% Popularity • 67% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Anna Graceman
Got The World
136 bpm • C Maj • 03:17 • -8.94db
28% Popularity • 51% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Jack Cullen
Colours
136 bpm • G Maj • 04:20 • -10.33db
29% Popularity • 40% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Foley
On the Rocks
135 bpm • G Maj • 02:50 • -6.05db
28% Popularity • 64% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Darla Jade
All For Nothing
135 bpm • C Maj • 02:33 • -7.25db
14% Popularity • 79% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Tom Walker
Lifeline
135 bpm • G min • 02:55 • -7.99db
63% Popularity • 41% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Virginia To Vegas
TIME!
134 bpm • C# Maj • 03:12 • -6.2db
35% Popularity • 69% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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DACY
She Wants To Be Loved
142 bpm • G# Maj • 03:20 • -7.72db
12% Popularity • 68% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Lachie Gill
Hate That You Hurt
142 bpm • C# Maj • 02:51 • -9.25db
36% Popularity • 47% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Georgia Lines
Save Me
134 bpm • C min • 04:04 • -10.67db
4% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Venice Qin
VILLAIN
133 bpm • C min • 03:31 • -7.93db
36% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Lily Mae Harrington
TGTBT
143 bpm • B min • 02:44 • -5.05db
31% Popularity • 50% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Elle Coves
Lost Cowboy
133 bpm • G# Maj • 02:36 • -3.97db
40% Popularity • 70% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Lo Lauren
Only One on Earth
143 bpm • F Maj • 02:49 • -4.13db
30% Popularity • 75% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Estella Dawn
Funny Bones
133 bpm • D min • 03:02 • -7.67db
34% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Georgia Lines
The Letter
133 bpm • G# Maj • 02:57 • -8.46db
46% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Amy Shark
Beautiful Eyes
133 bpm • A Maj • 02:49 • -3.77db
58% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Vera Blue
Take Your Time
144 bpm • C# Maj • 03:39 • -11.53db
20% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Fin Rah Zel
Closer
144 bpm • A# Maj • 03:09 • -10db
33% Popularity • 58% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Kita Alexander
Matter of Miles
132 bpm • G Maj • 02:51 • -11.78db
32% Popularity • 52% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Jon Bryant
Let Me In
144 bpm • C Maj • 03:47 • -9.94db
33% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Girl Named Tom
What A View
144 bpm • G# Maj • 02:36 • -6.75db
30% Popularity • 65% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Lily Meola
Postcards to Heaven
144 bpm • F# Maj • 02:55 • -7.28db
38% Popularity • 61% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Kellie Loder
When It Comes to You
144 bpm • G# Maj • 03:06 • -10.59db
19% Popularity • 60% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Gavin James
I Do
132 bpm • E Maj • 02:46 • -9.04db
41% Popularity • 57% Danceability • 32% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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RóisÃn O
Stolen - Happier
144 bpm • F Maj • 03:47 • -5.26db
10% Popularity • 41% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Luca George
Godless
132 bpm • F# Maj • 02:58 • -5.72db
36% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Great Good Fine Ok
Midnight Rain
132 bpm • G# Maj • 03:14 • -5.37db
33% Popularity • 73% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Navvy
Rachel's Song - Spotify Singles
144 bpm • F# Maj • 03:21 • -14.47db
31% Popularity • 36% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jonah Baker
Convenient
132 bpm • A Maj • 03:23 • -15.6db
14% Popularity • 60% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Connie Talbot
Just A Broken Heart
145 bpm • B Maj • 03:08 • -9.67db
21% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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My Brothers And I
At Least For Now
132 bpm • F# min • 04:18 • -10.24db
21% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jem Cassar-Daley
Slow Down
145 bpm • D Maj • 03:08 • -7.33db
37% Popularity • 72% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Harleymoon Kemp
Fast Fwd
145 bpm • F# Maj • 03:05 • -5.64db
19% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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mads
not a home
145 bpm • C Maj • 03:01 • -10.61db
27% Popularity • 47% Danceability • 57% Energy • 17% Liveness
6% Instrumentalness • 34% Positiveness
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Gloria Tells
Good Friend
131 bpm • C min • 03:21 • -7.78db
14% Popularity • 80% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Zak Abel
Still Have Love For You
146 bpm • F# min • 03:05 • -6.35db
28% Popularity • 36% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Lorelei Marcell
i will always love your ghost
131 bpm • F Maj • 03:38 • -10.53db
29% Popularity • 31% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Fulton Lee
Symphony
146 bpm • D# Maj • 03:13 • -8.79db
33% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Ella Bleu
No thank you
130 bpm • C Maj • 03:04 • -11.14db
18% Popularity • 50% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Casey Baer
never have i ever
130 bpm • F Maj • 02:30 • -7.85db
46% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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David Nevory
Losing My Mind
130 bpm • C# min • 03:32 • -9.87db
29% Popularity • 67% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Daphne Willis
Lost at Sea
130 bpm • F Maj • 03:25 • -7.2db
10% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Beth Keeping
slower
130 bpm • C# Maj • 03:18 • -8.45db
30% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Bellah Mae
You Belong With Me
130 bpm • F# Maj • 03:26 • -6.63db
35% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Garrett Adair
When She's Ready
130 bpm • D Maj • 02:48 • -6.09db
29% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Georgia Lines
Nothing but Love
130 bpm • F# min • 03:43 • -8.31db
10% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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mads
forever in a new year's kiss
130 bpm • C Maj • 03:04 • -7.3db
20% Popularity • 61% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Foley
What Got Into You
130 bpm • C# min • 02:57 • -3.35db
28% Popularity • 74% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Matt Terry
His car
130 bpm • E Maj • 03:06 • -10.13db
37% Popularity • 61% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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RIIKI REID
Skin
130 bpm • F Maj • 02:55 • -6.73db
22% Popularity • 62% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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YAHYAH
I Like You
129 bpm • B min • 03:00 • -6.36db
12% Popularity • 76% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Georgia Lines
No One Knows
130 bpm • C min • 03:03 • -9.96db
20% Popularity • 80% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Lachie Gill
Happy It's Ending
129 bpm • F# min • 02:49 • -2.99db
21% Popularity • 67% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Lilly Carron
Keeping Our Bodies Warm
129 bpm • G Maj • 03:35 • -5.44db
17% Popularity • 74% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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PARK RD
Ride
148 bpm • C Maj • 03:24 • -7.18db
33% Popularity • 52% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Wyn Starks
Run
148 bpm • D# Maj • 03:27 • -3.67db
38% Popularity • 41% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Lily Meola
Without You
129 bpm • C# Maj • 02:56 • -5.63db
48% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jess Glynne
Enough
148 bpm • C# min • 03:00 • -5.6db
58% Popularity • 50% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Isabel Dumaa
Always Leaving You
148 bpm • A Maj • 03:06 • -4.79db
26% Popularity • 54% Danceability • 76% Energy • 20% Liveness
2% Instrumentalness • 59% Positiveness
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Ben Hazlewood
Quiet Hour
148 bpm • F Maj • 04:15 • -6.29db
41% Popularity • 56% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ethan Beckton
Lighthouse - The Voice Australia 2023 / ...
148 bpm • G Maj • 03:12 • -4.53db
27% Popularity • 56% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sarah Proctor
I Don't Know What Love Will Do
148 bpm • A# Maj • 02:55 • -13.61db
18% Popularity • 27% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Amy Stroup
Just The Beginning
148 bpm • B Maj • 03:04 • -7.7db
18% Popularity • 62% Danceability • 73% Energy • 18% Liveness
1% Instrumentalness • 34% Positiveness
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Lorelei Marcell
Extended Version of Us
148 bpm • C# Maj • 02:51 • -6.11db
31% Popularity • 59% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Beth
adore u - Acoustic
128 bpm • A# min • 02:08 • -10.5db
26% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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ili
Saturday
128 bpm • C Maj • 02:48 • -8.58db
22% Popularity • 72% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 54% Positiveness
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Richard Walters
Lost in Your Light
128 bpm • B Maj • 03:33 • -12.58db
20% Popularity • 63% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Liam Fitzgerald
Connected To You
128 bpm • A# Maj • 02:53 • -7.76db
11% Popularity • 57% Danceability • 86% Energy • 33% Liveness
7% Instrumentalness • 75% Positiveness
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Lennon Stella
Time After Time - Spotify Singles
128 bpm • C Maj • 03:39 • -9.45db
53% Popularity • 65% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Kara Marni
Hyperfocused
149 bpm • B Maj • 02:38 • -9.37db
33% Popularity • 55% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Teddy Swims
Some Things I'll Never Know
128 bpm • C Maj • 04:02 • -7.62db
61% Popularity • 64% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Girl Named Tom
Get A Little Lost
127 bpm • F Maj • 02:46 • -7.89db
35% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Drax Project
Mr Thunder
127 bpm • B min • 03:22 • -8.07db
24% Popularity • 71% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Sam DeRosa
Why'd You Let Me
150 bpm • F Maj • 02:24 • -7.06db
31% Popularity • 62% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 10% Positiveness
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Marc Scibilia
Everyone in the World
150 bpm • G Maj • 03:29 • -5.03db
36% Popularity • 50% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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elijah woods
losing a friend
150 bpm • F Maj • 03:34 • -7.88db
56% Popularity • 41% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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RHODES
Sunlight - Remix
127 bpm • F Maj • 02:57 • -4.2db
34% Popularity • 63% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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LOVELOVELOVE
Valentine
150 bpm • G Maj • 03:18 • -6.62db
23% Popularity • 61% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Elle Coves
Born To Lose
150 bpm • E Maj • 03:00 • -3.51db
45% Popularity • 56% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Picture This
Act of Innocence
150 bpm • C Maj • 03:03 • -3.91db
54% Popularity • 56% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Leave Behind