Songs like Leaving Earth by Clint Mansell
Based on a tempo of (+/- 10%) and a similar genre
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Clint Mansell
Leaving Earth
39 bpm • E min • 02:03 • -14.32db
49% Popularity • 28% Danceability • 29% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
49% Popularity • 28% Danceability • 29% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
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Gustavo Santaolalla
All Gone (Aftermath)
38 bpm • E min • 01:04 • -22.5db
47% Popularity • 24% Danceability • 6% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
47% Popularity • 24% Danceability • 6% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Johan Söderqvist
The Flight Of The Pigeon
41 bpm • B min • 01:41 • -16.38db
41% Popularity • 10% Danceability • 26% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 26% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Jessica Curry
I am not Afraid
35 bpm • C min • 01:16 • -25.35db
22% Popularity • 20% Danceability • 5% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 5% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Giles Lamb
Dead Island Trailer Theme
58 bpm • F# Maj • 03:00 • -11.17db
41% Popularity • 26% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Inon Zur
Dragon Age 2 Main Theme
57 bpm • F# min • 02:04 • -17.24db
30% Popularity • 22% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 9% Positiveness
30% Popularity • 22% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 9% Positiveness
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Marcin Przybyłowicz
Eredin, King Of The Hunt
60 bpm • A# Maj • 02:27 • -12.72db
42% Popularity • 6% Danceability • 34% Energy • 39% Liveness
89% Instrumentalness • 12% Positiveness
42% Popularity • 6% Danceability • 34% Energy • 39% Liveness
89% Instrumentalness • 12% Positiveness
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Gustavo Santaolalla
The Choice
51 bpm • E min • 01:42 • -30.93db
54% Popularity • 30% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 35% Positiveness
54% Popularity • 30% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 35% Positiveness
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Clint Mansell
Longing for Their Daughters
60 bpm • F Maj • 05:53 • -19.35db
8% Popularity • 6% Danceability • 16% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 6% Danceability • 16% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Olivier Deriviere
Beyond the Horizon
61 bpm • A min • 03:48 • -16.9db
31% Popularity • 14% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 14% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Petri Alanko
Alan Wake
62 bpm • D min • 05:34 • -28.99db
22% Popularity • 7% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 7% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Cris Velasco
The Ardat Yakshi
61 bpm • C Maj • 03:20 • -15.67db
24% Popularity • 26% Danceability • 29% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 29% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Sarah Schachner
Legion of Dawn
63 bpm • D min • 03:46 • -17.19db
35% Popularity • 16% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
35% Popularity • 16% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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NINJA TRACKS
The Machination
64 bpm • G# Maj • 02:26 • -11db
42% Popularity • 30% Danceability • 62% Energy • 21% Liveness
92% Instrumentalness • 12% Positiveness
42% Popularity • 30% Danceability • 62% Energy • 21% Liveness
92% Instrumentalness • 12% Positiveness
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Clint Mansell
The Nursery
64 bpm • C Maj • 03:45 • -22.36db
21% Popularity • 21% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 21% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Prologue "We Push.."
64 bpm • A# min • 01:57 • -10.68db
36% Popularity • 19% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
36% Popularity • 19% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
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Steven Price
The War Is Not Over
65 bpm • F min • 01:47 • -18db
35% Popularity • 23% Danceability • 20% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 23% Danceability • 20% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Tomb Raider Theme
65 bpm • F Maj • 03:13 • -25.29db
36% Popularity • 8% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Jeremy Soule
Far Horizons
65 bpm • A# Maj • 05:31 • -20.77db
57% Popularity • 6% Danceability • 17% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 6% Danceability • 17% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Ryan Amon
Elysium
66 bpm • A min • 03:45 • -15.86db
40% Popularity • 16% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Clint Mansell
Two Weeks & Counting...
64 bpm • G Maj • 02:00 • -11.91db
25% Popularity • 23% Danceability • 44% Energy • 14% Liveness
72% Instrumentalness • 3% Positiveness
25% Popularity • 23% Danceability • 44% Energy • 14% Liveness
72% Instrumentalness • 3% Positiveness
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Crouch End Festival Chorus
Elder Scrolls – Skyrim: Far Horizons
66 bpm • A# Maj • 05:15 • -16.83db
41% Popularity • 7% Danceability • 11% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 7% Danceability • 11% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Stuart Chatwood
A Brief Respite (Camp Theme)
66 bpm • D Maj • 02:18 • -15db
39% Popularity • 14% Danceability • 27% Energy • 30% Liveness
96% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 27% Energy • 30% Liveness
96% Instrumentalness • 3% Positiveness
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Jason Hayes
Elwynn Forest
67 bpm • D# min • 03:04 • -18db
48% Popularity • 23% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
48% Popularity • 23% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Kevin Kiner
Burying the Dead
67 bpm • D Maj • 02:16 • -15.72db
51% Popularity • 28% Danceability • 24% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
51% Popularity • 28% Danceability • 24% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Christopher Lennertz
Shadow Broker
67 bpm • B Maj • 01:11 • -13db
32% Popularity • 27% Danceability • 36% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
32% Popularity • 27% Danceability • 36% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Clint Mansell
Pain Is Weakness
65 bpm • C# Maj • 07:42 • -20.9db
24% Popularity • 14% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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John Murphy
Frank's Death - Soldiers (Requiem in D M...
67 bpm • D min • 02:41 • -13.48db
33% Popularity • 6% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 6% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Brian Tyler
Thor: The Dark World
68 bpm • A# Maj • 02:10 • -9.67db
47% Popularity • 32% Danceability • 71% Energy • 19% Liveness
96% Instrumentalness • 24% Positiveness
47% Popularity • 32% Danceability • 71% Energy • 19% Liveness
96% Instrumentalness • 24% Positiveness
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Joris de Man
Prologue - Part 1 - Motherland
68 bpm • F min • 05:29 • -21db
42% Popularity • 6% Danceability • 12% Energy • 10% Liveness
25% Instrumentalness • 3% Positiveness
42% Popularity • 6% Danceability • 12% Energy • 10% Liveness
25% Instrumentalness • 3% Positiveness
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Jason Hayes
Echoes of the Past
69 bpm • A min • 01:54 • -12.11db
37% Popularity • 16% Danceability • 36% Energy • 24% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 16% Danceability • 36% Energy • 24% Liveness
94% Instrumentalness • 19% Positiveness
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Henry Jackman
Frankenstein's Monster
68 bpm • G# Maj • 03:02 • -11.87db
36% Popularity • 15% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Clint Mansell
And He Remembered Noah
65 bpm • G min • 04:18 • -15.24db
11% Popularity • 21% Danceability • 20% Energy • 26% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 20% Energy • 26% Liveness
92% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Life
69 bpm • E Maj • 02:30 • -20.33db
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
46% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Jeremy Soule
From Past to Present
69 bpm • C Maj • 05:04 • -21.53db
60% Popularity • 7% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
60% Popularity • 7% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Video Games Live
Skyrim - "Dragonborn Theme”
69 bpm • B min • 03:54 • -10.42db
45% Popularity • 23% Danceability • 51% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
45% Popularity • 23% Danceability • 51% Energy • 12% Liveness
91% Instrumentalness • 24% Positiveness
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Brad Derrick
Moons of Evening Star
70 bpm • F# min • 05:32 • -18.07db
45% Popularity • 17% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
45% Popularity • 17% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Motoi Sakuraba
Firelink Shrine
70 bpm • B min • 02:57 • -21.08db
43% Popularity • 20% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
43% Popularity • 20% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Clint Mansell
First Snow
66 bpm • A min • 03:08 • -18db
34% Popularity • 20% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 20% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Sascha Dikiciyan
Party Music
70 bpm • F Maj • 02:03 • -12.45db
20% Popularity • 39% Danceability • 19% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
20% Popularity • 39% Danceability • 19% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Piotr Musiał
The Last Flame
70 bpm • F min • 04:40 • -13db
35% Popularity • 12% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Petri Alanko
Vacation
71 bpm • A min • 02:48 • -26.07db
20% Popularity • 23% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
20% Popularity • 23% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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James Horner
Becoming one of "The People" Becoming on...
71 bpm • C# Maj • 07:43 • -26.31db
55% Popularity • 10% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
55% Popularity • 10% Danceability • 9% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Jeremy Soule
Wind Guide You
71 bpm • D min • 09:05 • -24.86db
53% Popularity • 13% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
53% Popularity • 13% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Clint Mansell
Summer Overture
67 bpm • F Maj • 02:35 • -13.06db
43% Popularity • 43% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
43% Popularity • 43% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Neal Acree
Azeroth's Last Hope
72 bpm • A# Maj • 03:44 • -13.69db
31% Popularity • 10% Danceability • 41% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
31% Popularity • 10% Danceability • 41% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
All Gone
72 bpm • G min • 01:13 • -25.23db
43% Popularity • 43% Danceability • 2% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
43% Popularity • 43% Danceability • 2% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Austin Wintory
To Know, Water
72 bpm • D min • 01:58 • -16.64db
46% Popularity • 18% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
46% Popularity • 18% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Motoi Sakuraba
Majula
73 bpm • A min • 03:19 • -27db
45% Popularity • 14% Danceability • 4% Energy • 6% Liveness
85% Instrumentalness • 3% Positiveness
45% Popularity • 14% Danceability • 4% Energy • 6% Liveness
85% Instrumentalness • 3% Positiveness
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Alexandre Desplat
Lily's Theme
73 bpm • F# Maj • 02:28 • -28.66db
63% Popularity • 18% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
63% Popularity • 18% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Clint Mansell
I Fucking Love You, You Idiot
67 bpm • G Maj • 04:29 • -22.73db
24% Popularity • 18% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Brad Derrick
Tides of the Abecean Sea
73 bpm • G min • 05:38 • -17db
27% Popularity • 8% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
27% Popularity • 8% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Sascha Dikiciyan
Main Menu Theme
73 bpm • G min • 03:37 • -17db
31% Popularity • 7% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Austin Wintory
Threshold
72 bpm • C# min • 06:05 • -22.17db
42% Popularity • 11% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
42% Popularity • 11% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Christopher Lennertz
Final Conversation
73 bpm • G min • 01:37 • -24.05db
33% Popularity • 23% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
33% Popularity • 23% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Matt Uelmen
Rogue
74 bpm • G min • 02:58 • -14.33db
39% Popularity • 10% Danceability • 24% Energy • 32% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 10% Danceability • 24% Energy • 32% Liveness
94% Instrumentalness • 4% Positiveness
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Clint Mansell
Are You Receiving?
69 bpm • E min • 03:17 • -19.49db
19% Popularity • 15% Danceability • 34% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 34% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Brad Derrick
Azura's Coast
75 bpm • C Maj • 05:43 • -15.78db
46% Popularity • 7% Danceability • 18% Energy • 10% Liveness
66% Instrumentalness • 5% Positiveness
46% Popularity • 7% Danceability • 18% Energy • 10% Liveness
66% Instrumentalness • 5% Positiveness
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Marcin Przybyłowicz
Lady Of The Lake
74 bpm • F min • 01:10 • -15db
49% Popularity • 24% Danceability • 23% Energy • 21% Liveness
26% Instrumentalness • 6% Positiveness
49% Popularity • 24% Danceability • 23% Energy • 21% Liveness
26% Instrumentalness • 6% Positiveness
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Danny Elfman & Russell Shaw
Temple Of Light
75 bpm • D Maj • 02:38 • -28db
18% Popularity • 44% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 44% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Piotr Musiał
Into the Storm
75 bpm • G min • 04:34 • -13.84db
34% Popularity • 7% Danceability • 47% Energy • 31% Liveness
77% Instrumentalness • 7% Positiveness
34% Popularity • 7% Danceability • 47% Energy • 31% Liveness
77% Instrumentalness • 7% Positiveness
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Henry Jackman
For Better or Worse
75 bpm • E min • 02:04 • -30db
37% Popularity • 28% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
37% Popularity • 28% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Clint Mansell
Make Thee an Ark
71 bpm • A min • 05:09 • -12.93db
18% Popularity • 7% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
18% Popularity • 7% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Jeremy Soule
The Streets of Whiterun
75 bpm • C# min • 04:04 • -17.68db
61% Popularity • 7% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
61% Popularity • 7% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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John Murphy
28 Theme
76 bpm • D min • 03:30 • -15.93db
43% Popularity • 49% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
43% Popularity • 49% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Olivier Deriviere
Plague Tale
76 bpm • G min • 02:16 • -18.54db
38% Popularity • 7% Danceability • 11% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
38% Popularity • 7% Danceability • 11% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
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Piotr Musiał
Frostpunk Theme
75 bpm • C min • 03:06 • -13.49db
45% Popularity • 26% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
45% Popularity • 26% Danceability • 50% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
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Austin Wintory
The Road of Trials
76 bpm • E min • 04:16 • -17db
36% Popularity • 38% Danceability • 37% Energy • 24% Liveness
92% Instrumentalness • 25% Positiveness
36% Popularity • 38% Danceability • 37% Energy • 24% Liveness
92% Instrumentalness • 25% Positiveness
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Clint Mansell
The World Beyond the High-Rise
73 bpm • C Maj • 04:04 • -17.93db
7% Popularity • 12% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
7% Popularity • 12% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Michael Giacchino
Enterprising Young Men
76 bpm • C Maj • 02:39 • -11.72db
40% Popularity • 30% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
40% Popularity • 30% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Thomas Newman
The Night Window
77 bpm • A# Maj • 03:41 • -20.65db
44% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
44% Popularity • 18% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Call of Duty 4, Modern Warfare: Main Men...
77 bpm • D Maj • 02:17 • -22.37db
34% Popularity • 31% Danceability • 21% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
34% Popularity • 31% Danceability • 21% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Piotr Musiał
Damned Souls
76 bpm • E min • 04:38 • -16db
34% Popularity • 18% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Keko
Dueling Destinies - A Star Wars: Knights...
77 bpm • E min • 04:59 • -13db
28% Popularity • 10% Danceability • 31% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
28% Popularity • 10% Danceability • 31% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Clint Mansell
This Black Holes Dark Heart
75 bpm • C Maj • 04:01 • -19.38db
13% Popularity • 23% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
13% Popularity • 23% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
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Russell Brower
Dalaran
77 bpm • F Maj • 03:26 • -13.57db
34% Popularity • 14% Danceability • 40% Energy • 13% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 14% Danceability • 40% Energy • 13% Liveness
81% Instrumentalness • 6% Positiveness
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Christopher Lennertz
Dogs of War: Main Title
77 bpm • D# Maj • 02:58 • -14.77db
38% Popularity • 10% Danceability • 20% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
38% Popularity • 10% Danceability • 20% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Krzysztof Wierzynkiewicz
A Nearly Peaceful Place
77 bpm • G min • 04:06 • -13.63db
45% Popularity • 7% Danceability • 27% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
45% Popularity • 7% Danceability • 27% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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Maclaine Diemer
Rata Novus
77 bpm • E min • 02:45 • -22.05db
29% Popularity • 15% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Cris Velasco
The End...
78 bpm • D min • 00:58 • -15.07db
35% Popularity • 41% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
35% Popularity • 41% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Clint Mansell
The Fear and the Dread of You
76 bpm • G Maj • 04:23 • -16.68db
6% Popularity • 8% Danceability • 14% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
6% Popularity • 8% Danceability • 14% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
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Epic Score
Ride to Glory
78 bpm • G# Maj • 02:13 • -7.93db
51% Popularity • 48% Danceability • 71% Energy • 6% Liveness
98% Instrumentalness • 41% Positiveness
51% Popularity • 48% Danceability • 71% Energy • 6% Liveness
98% Instrumentalness • 41% Positiveness
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Russell Brower
Heart of Pandaria
78 bpm • F Maj • 07:56 • -11db
32% Popularity • 12% Danceability • 40% Energy • 32% Liveness
71% Instrumentalness • 7% Positiveness
32% Popularity • 12% Danceability • 40% Energy • 32% Liveness
71% Instrumentalness • 7% Positiveness
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Mikolai Stroinski
After The Storm
78 bpm • D min • 01:30 • -15.64db
51% Popularity • 16% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Dynamedion
The Second Wave Overture
78 bpm • G Maj • 05:04 • -17.07db
10% Popularity • 25% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 25% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Normand Corbeil
Heavy Rain
78 bpm • D# Maj • 07:46 • -23.83db
21% Popularity • 13% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Clint Mansell
Together We Will Live Forever
76 bpm • G min • 05:01 • -25.5db
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Jessica Curry
Dear Esther
78 bpm • F Maj • 01:13 • -15.93db
22% Popularity • 27% Danceability • 7% Energy • 14% Liveness
61% Instrumentalness • 3% Positiveness
22% Popularity • 27% Danceability • 7% Energy • 14% Liveness
61% Instrumentalness • 3% Positiveness
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Sarah Covey
Mass Effect 3: a Future For the Krogan/A...
78 bpm • E min • 04:56 • -23.3db
23% Popularity • 8% Danceability • 8% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 8% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Nobuo Uematsu
Main Theme of Final Fantasy VII (Final F...
79 bpm • D Maj • 06:43 • -16db
41% Popularity • 11% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Sam Hulick
An End Once and For All - Extended Cut
79 bpm • E min • 04:46 • -16.42db
35% Popularity • 15% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
35% Popularity • 15% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
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Michael Giacchino
Star Trek Main Theme
79 bpm • A# Maj • 03:25 • -9.54db
49% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
49% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
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Clint Mansell
An End, Once And For All
78 bpm • E min • 02:51 • -20.25db
39% Popularity • 21% Danceability • 3% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
39% Popularity • 21% Danceability • 3% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
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Dynamedion
Helium 3
79 bpm • G min • 02:07 • -21.18db
10% Popularity • 13% Danceability • 17% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
10% Popularity • 13% Danceability • 17% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Bear McCreary
Memories of Mother
79 bpm • D min • 03:39 • -15.15db
48% Popularity • 12% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
48% Popularity • 12% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Russell Brower
New Tristram
79 bpm • C min • 05:15 • -18.87db
37% Popularity • 24% Danceability • 19% Energy • 15% Liveness
95% Instrumentalness • 9% Positiveness
37% Popularity • 24% Danceability • 19% Energy • 15% Liveness
95% Instrumentalness • 9% Positiveness
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SIE Sound Team
The First Hunter
79 bpm • D min • 05:11 • -11.68db
50% Popularity • 10% Danceability • 35% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 35% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Gareth Coker
Light of Nibel
80 bpm • A Maj • 04:19 • -11.68db
46% Popularity • 25% Danceability • 51% Energy • 17% Liveness
89% Instrumentalness • 5% Positiveness
46% Popularity • 25% Danceability • 51% Energy • 17% Liveness
89% Instrumentalness • 5% Positiveness