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Leaving El Paso
Songs like
Leaving El Paso
by
Tom Russell
Based on a tempo of (+/- 10%) and a similar genre
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Tom Russell
The Pugilist At 59
118 bpm • C Maj • 04:29 • -9.51db
13% Popularity • 58% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Otis Gibbs
Kansas City
118 bpm • C Maj • 03:45 • -10db
21% Popularity • 78% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Yarn
One Man's Trash
118 bpm • B Maj • 03:36 • -10.63db
16% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Carter Sampson
Queen of Oklahoma
118 bpm • C# Maj • 04:49 • -8.11db
9% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Corb Lund
S Lazy H
118 bpm • C Maj • 05:24 • -11.33db
35% Popularity • 72% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Sam Outlaw
Who Do You Think You Are?
119 bpm • A Maj • 03:42 • -13.73db
20% Popularity • 68% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Zoe Muth
Mama Needs A Margarita
117 bpm • C Maj • 04:06 • -8db
22% Popularity • 61% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Otis Gibbs
Never Enough
119 bpm • D Maj • 03:36 • -9.57db
11% Popularity • 67% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Whitney Rose
Better to My Baby
117 bpm • A# Maj • 03:11 • -5.84db
20% Popularity • 61% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Amanda Shires
Slippin'
119 bpm • G# min • 02:39 • -12.16db
21% Popularity • 70% Danceability • 34% Energy • 12% Liveness
7% Instrumentalness • 76% Positiveness
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Amanda Anne Platt & the Honeycutters
The Good Guys (Dick Tracy)
117 bpm • A min • 04:37 • -7.48db
9% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Blackie & The Rodeo Kings
Fleur De Lys
119 bpm • G Maj • 04:13 • -7.1db
12% Popularity • 67% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Donnie Fritts
Why Is My Day so Long
119 bpm • D Maj • 02:31 • -7.69db
10% Popularity • 73% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Ben Glover
Catbird Seat
119 bpm • G Maj • 04:46 • -8.21db
16% Popularity • 64% Danceability • 58% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Gary P. Nunn
London Homesick Blues (Home With the Arm...
119 bpm • G Maj • 06:03 • -11.95db
29% Popularity • 46% Danceability • 52% Energy • 90% Liveness
0% Instrumentalness • 56% Positiveness
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Kimmie Rhodes
West Texas Heaven
117 bpm • C Maj • 03:07 • -9db
18% Popularity • 78% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Otis Gibbs
Joe Hill's Ashes
117 bpm • E Maj • 03:26 • -9db
17% Popularity • 43% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Honeycutters
Me Oh My
120 bpm • C# Maj • 04:04 • -8.75db
17% Popularity • 67% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Tom Russell
Outbound Plane
116 bpm • G Maj • 02:48 • -9.89db
11% Popularity • 63% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Rosanne Cash
Not Many Miles To Go
116 bpm • D Maj • 04:03 • -6.43db
14% Popularity • 48% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Bottle Rockets
Human Perfection
120 bpm • A Maj • 02:55 • -5.47db
21% Popularity • 68% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Iris DeMent
Our Town
116 bpm • B Maj • 05:00 • -8db
46% Popularity • 71% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Eliza Gilkyson
Beauty Way
116 bpm • E Maj • 03:02 • -11db
29% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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The Honeycutters
Jukebox
116 bpm • D Maj • 04:36 • -8db
25% Popularity • 71% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Tom Russell
East of Woodstock, West of Viet Nam
116 bpm • E Maj • 04:24 • -5.43db
11% Popularity • 60% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Justin Townes Earle
Mornings In Memphis
116 bpm • C Maj • 04:31 • -10.56db
43% Popularity • 64% Danceability • 34% Energy • 9% Liveness
8% Instrumentalness • 42% Positiveness
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Jim Lauderdale & Donna The Buffalo
That's Not the Way It Works
121 bpm • D min • 03:25 • -7.64db
13% Popularity • 57% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Iris DeMent
One Red Rose
120 bpm • C Maj • 03:07 • -9.46db
26% Popularity • 44% Danceability • 17% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
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Ray Wylie Hubbard
The Beauty Way
115 bpm • A# Maj • 03:29 • -6.02db
23% Popularity • 62% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Otis Gibbs
The Darker Side of Me
115 bpm • E Maj • 04:22 • -11db
29% Popularity • 64% Danceability • 54% Energy • 35% Liveness
3% Instrumentalness • 68% Positiveness
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Tom Russell
U.S. Steel
120 bpm • A Maj • 04:04 • -12.17db
11% Popularity • 85% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Mary Gauthier
Just Say She's A Rhymer
115 bpm • A Maj • 04:17 • -9db
26% Popularity • 36% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Malcolm Holcombe
Shaky Ground
121 bpm • G# Maj • 03:35 • -9.62db
19% Popularity • 64% Danceability • 63% Energy • 34% Liveness
4% Instrumentalness • 62% Positiveness
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Terry Allen
Death of the Last Stripper
121 bpm • C Maj • 03:19 • -10.96db
19% Popularity • 62% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Robert Earl Keen
52 Vincent Black Lightning
121 bpm • A Maj • 03:57 • -5.64db
22% Popularity • 66% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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The Honeycutters
500 Pieces
115 bpm • B Maj • 03:44 • -6.88db
9% Popularity • 71% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Darden Smith
Love Will Win the War
115 bpm • G Maj • 03:54 • -7.58db
19% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Justin Townes Earle
Talking To Myself
121 bpm • F Maj • 02:54 • -8.84db
34% Popularity • 63% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Tom Russell
Gallo Del Cielo
121 bpm • C# min • 06:44 • -8.65db
7% Popularity • 64% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Wade Montgomery
Eldorado
121 bpm • A min • 04:00 • -9.64db
13% Popularity • 73% Danceability • 47% Energy • 31% Liveness
3% Instrumentalness • 64% Positiveness
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Ian Noe
Barbara's Song
121 bpm • D Maj • 03:25 • -9.18db
33% Popularity • 62% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Otis Gibbs
Cozmina
115 bpm • A min • 04:18 • -10.59db
12% Popularity • 45% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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Robert Earl Keen
Think It Over One Time
115 bpm • D# Maj • 03:50 • -11.7db
31% Popularity • 66% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Gurf Morlix
Madalyn's Bones
121 bpm • F min • 03:32 • -9.89db
17% Popularity • 84% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Tom Russell
Big Water
115 bpm • C Maj • 03:55 • -10.53db
15% Popularity • 70% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Derek Parker
Let's Go
122 bpm • F# Maj • 02:25 • -8.25db
8% Popularity • 57% Danceability • 50% Energy • 52% Liveness
0% Instrumentalness • 20% Positiveness
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The Gourds
Everybody's Missing the Sun
122 bpm • G Maj • 02:59 • -9.4db
30% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Hillman
Bidin’ My Time
114 bpm • G Maj • 02:59 • -5.69db
16% Popularity • 61% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Robert Earl Keen
I'm Comin' Home
122 bpm • F Maj • 03:49 • -10.42db
33% Popularity • 66% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Amanda Anne Platt & the Honeycutters
The Things We Call Home
122 bpm • A Maj • 02:38 • -7db
15% Popularity • 77% Danceability • 50% Energy • 28% Liveness
2% Instrumentalness • 55% Positiveness
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Tom Russell
Lily, Rosemary and the Jack of Hearts
115 bpm • C Maj • 09:44 • -10.42db
15% Popularity • 55% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Mary Gauthier
Between The Daylight And The Dark
122 bpm • E Maj • 04:15 • -11.3db
29% Popularity • 65% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Otis Gibbs
Ghosts of Our Fathers
122 bpm • C Maj • 03:46 • -12.86db
21% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Whitney Rose
Wake Me in Wyoming
114 bpm • A# Maj • 03:26 • -10.16db
12% Popularity • 64% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Sam Outlaw
Cry for Me
122 bpm • F Maj • 02:38 • -5.49db
24% Popularity • 65% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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The Honeycutters
Texas '81
114 bpm • B Maj • 04:40 • -8.14db
9% Popularity • 71% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Fred Eaglesmith
What It Takes
122 bpm • A min • 03:57 • -7.91db
24% Popularity • 64% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Malcolm Holcombe
I Don't Wanna Disappear
114 bpm • G# Maj • 03:53 • -11.68db
19% Popularity • 67% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Tom Russell
Gallo del Cielo
114 bpm • E Maj • 06:32 • -9.17db
22% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Andy Hedges
Root Hog or Die
114 bpm • D Maj • 03:58 • -11.75db
8% Popularity • 59% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Sam Outlaw
Friends Don't Let Friends Drink (And Fal...
114 bpm • D Maj • 02:26 • -6db
21% Popularity • 66% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Whitney Rose
You Don't Scare Me
114 bpm • A Maj • 04:10 • -5.79db
28% Popularity • 66% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Fred Eaglesmith
Betty
114 bpm • G min • 02:17 • -12db
27% Popularity • 66% Danceability • 37% Energy • 9% Liveness
40% Instrumentalness • 72% Positiveness
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Malcolm Holcombe
Gone by the Ol' Sunrise
114 bpm • A# Maj • 03:00 • -12db
18% Popularity • 71% Danceability • 38% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
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Alejandro Escovedo
Five Hearts Breaking
122 bpm • E Maj • 04:10 • -11db
28% Popularity • 68% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Tom Russell
Box of Visions
113 bpm • A# Maj • 03:10 • -15.16db
15% Popularity • 63% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Carrie Rodriguez
You're Still On My Mind
114 bpm • A# Maj • 02:56 • -9db
15% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Iris DeMent
Sweet Is the Melody
113 bpm • A# Maj • 03:41 • -13db
29% Popularity • 66% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Dale Watson
The Ballad of Dale and Ray
123 bpm • A Maj • 03:45 • -9.53db
24% Popularity • 64% Danceability • 45% Energy • 22% Liveness
10% Instrumentalness • 80% Positiveness
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The Honeycutters
Barmaid's Blues
123 bpm • D Maj • 06:49 • -9.28db
10% Popularity • 70% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Bap Kennedy
The Way I Love Her
123 bpm • E Maj • 03:30 • -10.42db
12% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Tom Russell
The Death Of Jimmy Martin
123 bpm • D Maj • 03:29 • -6.33db
9% Popularity • 72% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Otis Gibbs
Back in My Day Blues
113 bpm • A Maj • 03:14 • -9.98db
13% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Steve Forbert
Lookin' At The River In The Rain
112 bpm • E Maj • 02:57 • -8.86db
11% Popularity • 66% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Iris DeMent
Wasteland of the Free
123 bpm • C Maj • 05:15 • -5db
29% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Blackie & The Rodeo Kings
Down By The Henry Moore
124 bpm • D Maj • 04:02 • -7.34db
9% Popularity • 54% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
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Colvin & Earle
Happy And Free
124 bpm • G Maj • 02:17 • -9.89db
11% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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James Knight
Deeper in My Lonely
124 bpm • A# Maj • 04:29 • -9.88db
27% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Helge Ø. Nilssen
Hey Girl
124 bpm • A Maj • 02:48 • -8.66db
11% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ray Wylie Hubbard
Tell the Devil I'm Gettin' there as Fast...
124 bpm • D Maj • 05:47 • -7.68db
33% Popularity • 62% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Rod Picott
65 Falcon
124 bpm • G Maj • 03:27 • -8db
13% Popularity • 67% Danceability • 67% Energy • 10% Liveness
9% Instrumentalness • 65% Positiveness
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Shelby Lynne
Silver Wings
112 bpm • B Maj • 02:34 • -10.88db
25% Popularity • 58% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Justin Townes Earle
What's She Crying For
124 bpm • C# Maj • 03:53 • -8db
39% Popularity • 54% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 47% Positiveness
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Amanda Anne Platt & the Honeycutters
The Guitar Case
112 bpm • B Maj • 04:18 • -7.75db
12% Popularity • 78% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Drive-By Truckers
Mama Bake a Pie (Daddy Kill a Chicken)
112 bpm • F min • 03:19 • -6.84db
38% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Mirabelle Defoe
Barbershop Blue
112 bpm • A Maj • 03:16 • -11.87db
10% Popularity • 67% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Sam Outlaw
Jesus Take the Wheel (and Drive Me to a ...
112 bpm • D# Maj • 03:19 • -13.07db
23% Popularity • 57% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Adam Carroll
Red Bandanna Blues
125 bpm • E Maj • 04:00 • -6.98db
26% Popularity • 58% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Ags Connolly
In Love At All
125 bpm • F# Maj • 04:10 • -12.15db
8% Popularity • 59% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Old Man Luedecke
Song for Ian Tyson
125 bpm • G# Maj • 03:28 • -9.56db
9% Popularity • 55% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Honeycutters
On the Ropes
125 bpm • A Maj • 03:15 • -5.98db
16% Popularity • 76% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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JP Harris
When I Quit Drinking
125 bpm • G Maj • 03:56 • -7.6db
28% Popularity • 66% Danceability • 61% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Sam Outlaw
I'm Not Jealous
111 bpm • D Maj • 03:34 • -13.33db
14% Popularity • 71% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Kinky Friedman
Ride 'Em Jewboy
111 bpm • D Maj • 05:38 • -13.1db
13% Popularity • 52% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Mary Gauthier
I Drink
125 bpm • C Maj • 04:30 • -11db
34% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ray Wylie Hubbard
Drunken Poet's Dream
125 bpm • G Maj • 04:20 • -7.76db
39% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Malcolm Holcombe
New Damnation Alley
125 bpm • A# min • 04:20 • -11.59db
17% Popularity • 78% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Tom Russell
Rio Grande
111 bpm • G Maj • 03:15 • -11.22db
8% Popularity • 58% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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John Hiatt
All The Lilacs In Ohio
111 bpm • G Maj • 03:29 • -10db
46% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Justin Townes Earle
Kids In The Street
125 bpm • D Maj • 03:53 • -12.99db
28% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Leaving El Paso