Songs like Leaving The Light by Genesis Owusu
Based on a tempo of (+/- 10%) and a similar genre
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Σtella
Girl Supreme
172 bpm • C Maj • 02:48 • -6.61db
45% Popularity • 55% Danceability • 74% Energy • 6% Liveness
2% Instrumentalness • 62% Positiveness
45% Popularity • 55% Danceability • 74% Energy • 6% Liveness
2% Instrumentalness • 62% Positiveness
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Genesis Owusu
Leaving The Light
172 bpm • C Maj • 03:10 • -6.11db
44% Popularity • 61% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 61% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Royel Otis
Going Kokomo
172 bpm • C Maj • 03:10 • -4.2db
60% Popularity • 45% Danceability • 94% Energy • 6% Liveness
3% Instrumentalness • 79% Positiveness
60% Popularity • 45% Danceability • 94% Energy • 6% Liveness
3% Instrumentalness • 79% Positiveness
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Yves Tumor
Parody
172 bpm • G Maj • 03:06 • -8.16db
41% Popularity • 35% Danceability • 55% Energy • 17% Liveness
16% Instrumentalness • 13% Positiveness
41% Popularity • 35% Danceability • 55% Energy • 17% Liveness
16% Instrumentalness • 13% Positiveness
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Toro y Moi
The Loop
173 bpm • C min • 04:01 • -8.15db
45% Popularity • 48% Danceability • 60% Energy • 16% Liveness
3% Instrumentalness • 83% Positiveness
45% Popularity • 48% Danceability • 60% Energy • 16% Liveness
3% Instrumentalness • 83% Positiveness
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Drewbyrd
one of one
170 bpm • C# Maj • 03:06 • -8.03db
32% Popularity • 64% Danceability • 69% Energy • 45% Liveness
5% Instrumentalness • 12% Positiveness
32% Popularity • 64% Danceability • 69% Energy • 45% Liveness
5% Instrumentalness • 12% Positiveness
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Geese
Jesse
170 bpm • G# Maj • 02:55 • -8.91db
35% Popularity • 59% Danceability • 49% Energy • 42% Liveness
14% Instrumentalness • 67% Positiveness
35% Popularity • 59% Danceability • 49% Energy • 42% Liveness
14% Instrumentalness • 67% Positiveness
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Genesis Owusu
Wit' Da Team
174 bpm • A min • 03:19 • -11.06db
39% Popularity • 70% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 70% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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McKinley Dixon
Beloved! Paradise! Jazz!?
170 bpm • B Maj • 04:07 • -5.43db
21% Popularity • 50% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 50% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Jeshi
Protein
170 bpm • F# Maj • 02:55 • -6.17db
50% Popularity • 74% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 74% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Methyl Ethel
Matters
170 bpm • C Maj • 03:50 • -6.83db
24% Popularity • 74% Danceability • 91% Energy • 64% Liveness
53% Instrumentalness • 97% Positiveness
24% Popularity • 74% Danceability • 91% Energy • 64% Liveness
53% Instrumentalness • 97% Positiveness
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Cosmo's Midnight
Bang My Line
170 bpm • A min • 02:33 • -6.44db
41% Popularity • 66% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 66% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Lemos
COCKPIT
170 bpm • B Maj • 02:04 • -7.51db
28% Popularity • 54% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 54% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Jai Paul
Zion Wolf Theme - Unfinished
174 bpm • B min • 03:07 • -10db
39% Popularity • 46% Danceability • 65% Energy • 12% Liveness
3% Instrumentalness • 56% Positiveness
39% Popularity • 46% Danceability • 65% Energy • 12% Liveness
3% Instrumentalness • 56% Positiveness
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Genesis Owusu
Simmer Down
174 bpm • E min • 03:31 • -5.6db
13% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Sudan Archives
Yellow Brick Road
175 bpm • C# Maj • 02:37 • -5.62db
32% Popularity • 50% Danceability • 74% Energy • 37% Liveness
3% Instrumentalness • 16% Positiveness
32% Popularity • 50% Danceability • 74% Energy • 37% Liveness
3% Instrumentalness • 16% Positiveness
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Yves Tumor
Ebony Eye
169 bpm • B Maj • 03:16 • -7db
41% Popularity • 38% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 38% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Teenage Dads
Teddy
175 bpm • A Maj • 02:59 • -3.25db
39% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Injury Reserve
Three Man Weave
168 bpm • B min • 03:26 • -4.19db
48% Popularity • 28% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 28% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Young Fathers
Geronimo
176 bpm • C# Maj • 03:33 • -9db
45% Popularity • 40% Danceability • 49% Energy • 14% Liveness
17% Instrumentalness • 12% Positiveness
45% Popularity • 40% Danceability • 49% Energy • 14% Liveness
17% Instrumentalness • 12% Positiveness
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Paris Texas
Lana Del Rey
168 bpm • C Maj • 03:40 • -3.41db
38% Popularity • 50% Danceability • 86% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 50% Danceability • 86% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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Geese
St. Elmo
168 bpm • F Maj • 03:20 • -8.1db
36% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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DOPE LEMON
Kimosabè
176 bpm • B min • 04:36 • -7.95db
57% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Genesis Owusu
Drive Slow
168 bpm • A# min • 02:59 • -11.81db
13% Popularity • 65% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 65% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Bickle
The Fly
168 bpm • F Maj • 03:04 • -10.15db
22% Popularity • 45% Danceability • 30% Energy • 36% Liveness
2% Instrumentalness • 37% Positiveness
22% Popularity • 45% Danceability • 30% Energy • 36% Liveness
2% Instrumentalness • 37% Positiveness
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Jean Dawson
Devilish
166 bpm • D Maj • 03:22 • -3.76db
17% Popularity • 49% Danceability • 91% Energy • 67% Liveness
4% Instrumentalness • 51% Positiveness
17% Popularity • 49% Danceability • 91% Energy • 67% Liveness
4% Instrumentalness • 51% Positiveness
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Yves Tumor
Meteora Blues
178 bpm • G Maj • 03:47 • -7.38db
42% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
42% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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PawPaw Rod
HIT EM WHERE IT HURTS
178 bpm • F# Maj • 02:45 • -6.37db
63% Popularity • 78% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
63% Popularity • 78% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Forest Claudette
Creaming Soda
166 bpm • F# min • 03:38 • -7.56db
19% Popularity • 48% Danceability • 75% Energy • 33% Liveness
3% Instrumentalness • 30% Positiveness
19% Popularity • 48% Danceability • 75% Energy • 33% Liveness
3% Instrumentalness • 30% Positiveness
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Genesis Owusu
Tremendous: The Devil's Soliloquy
177 bpm • A Maj • 01:48 • -15.55db
9% Popularity • 48% Danceability • 46% Energy • 52% Liveness
2% Instrumentalness • 33% Positiveness
9% Popularity • 48% Danceability • 46% Energy • 52% Liveness
2% Instrumentalness • 33% Positiveness
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binki
Revolve
178 bpm • C Maj • 02:52 • -3.79db
35% Popularity • 58% Danceability • 91% Energy • 34% Liveness
73% Instrumentalness • 40% Positiveness
35% Popularity • 58% Danceability • 91% Energy • 34% Liveness
73% Instrumentalness • 40% Positiveness
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Tasman Keith
CHEQUE
166 bpm • B min • 02:08 • -5.64db
13% Popularity • 60% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 60% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Yves Tumor
Gospel For A New Century
178 bpm • C Maj • 03:18 • -6.72db
52% Popularity • 57% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
52% Popularity • 57% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Jean Dawson
youth+
165 bpm • D Maj • 02:45 • -7.51db
40% Popularity • 52% Danceability • 72% Energy • 37% Liveness
47% Instrumentalness • 54% Positiveness
40% Popularity • 52% Danceability • 72% Energy • 37% Liveness
47% Instrumentalness • 54% Positiveness
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Young Fathers
Sink Or Swim
165 bpm • C# Maj • 03:04 • -6db
40% Popularity • 47% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 47% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Genesis Owusu
Balthazar
167 bpm • A Maj • 03:00 • -6.15db
29% Popularity • 64% Danceability • 88% Energy • 32% Liveness
67% Instrumentalness • 68% Positiveness
29% Popularity • 64% Danceability • 88% Energy • 32% Liveness
67% Instrumentalness • 68% Positiveness
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Magic City Hippies
Garden Fiya
179 bpm • D Maj • 01:46 • -7db
40% Popularity • 52% Danceability • 83% Energy • 39% Liveness
2% Instrumentalness • 53% Positiveness
40% Popularity • 52% Danceability • 83% Energy • 39% Liveness
2% Instrumentalness • 53% Positiveness
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PawPaw Rod
Message (Better Days)
180 bpm • G min • 03:34 • -7.01db
36% Popularity • 64% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 64% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Butcher Brown
Git Along
180 bpm • A min • 03:43 • -6.89db
32% Popularity • 56% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 56% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Toro y Moi
Last Year
181 bpm • D# min • 03:15 • -9.01db
42% Popularity • 46% Danceability • 54% Energy • 26% Liveness
54% Instrumentalness • 75% Positiveness
42% Popularity • 46% Danceability • 54% Energy • 26% Liveness
54% Instrumentalness • 75% Positiveness
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Young Fathers
Drum
162 bpm • A# min • 03:38 • -6.56db
43% Popularity • 44% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 44% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Genesis Owusu
A Tale of Benevolence by Joshua Amour
180 bpm • E Maj • 01:47 • -12.01db
10% Popularity • 71% Danceability • 15% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
10% Popularity • 71% Danceability • 15% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
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grouptherapy.
HOT!
163 bpm • F# Maj • 03:23 • -5.06db
34% Popularity • 74% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 74% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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PawPaw Rod
Glass House
181 bpm • G Maj • 02:51 • -8.06db
51% Popularity • 80% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 80% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Gut Health
The Recipe
183 bpm • G# Maj • 02:58 • -5.23db
21% Popularity • 42% Danceability • 97% Energy • 31% Liveness
2% Instrumentalness • 92% Positiveness
21% Popularity • 42% Danceability • 97% Energy • 31% Liveness
2% Instrumentalness • 92% Positiveness
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Sampha
Can't Go Back
161 bpm • B Maj • 03:41 • -10.79db
47% Popularity • 42% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 42% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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GUM
Minor Setback
162 bpm • G# Maj • 03:29 • -3.82db
39% Popularity • 57% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 57% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Geese
Cowboy Nudes
160 bpm • A Maj • 02:50 • -6.7db
49% Popularity • 63% Danceability • 86% Energy • 11% Liveness
8% Instrumentalness • 93% Positiveness
49% Popularity • 63% Danceability • 86% Energy • 11% Liveness
8% Instrumentalness • 93% Positiveness
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Ray Laurél
DONTLEAVEMYSIDE
160 bpm • C# Maj • 02:06 • -5.52db
25% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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King Gizzard & The Lizard Wizard
Shanghai
160 bpm • G# Maj • 04:00 • -7.62db
53% Popularity • 61% Danceability • 77% Energy • 39% Liveness
14% Instrumentalness • 72% Positiveness
53% Popularity • 61% Danceability • 77% Energy • 39% Liveness
14% Instrumentalness • 72% Positiveness
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Paris Texas
tenTHIRTYseven
160 bpm • C# Maj • 02:48 • -3.84db
42% Popularity • 52% Danceability • 90% Energy • 66% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 52% Danceability • 90% Energy • 66% Liveness
0% Instrumentalness • 23% Positiveness
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grouptherapy.
FUNKFEST
160 bpm • C# Maj • 03:39 • -6.77db
41% Popularity • 66% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 66% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Bickle
Big Blues
160 bpm • D Maj • 02:18 • -6.92db
22% Popularity • 84% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 84% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Raghd
Easy Go!
160 bpm • F# min • 02:30 • -6.84db
43% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Snõõper
Running
160 bpm • C# min • 05:22 • -7.92db
32% Popularity • 55% Danceability • 52% Energy • 7% Liveness
86% Instrumentalness • 71% Positiveness
32% Popularity • 55% Danceability • 52% Energy • 7% Liveness
86% Instrumentalness • 71% Positiveness
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Topaz Jones
D. I. A. L.
160 bpm • G# Maj • 03:47 • -5db
35% Popularity • 69% Danceability • 63% Energy • 63% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 69% Danceability • 63% Energy • 63% Liveness
0% Instrumentalness • 58% Positiveness
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binki
Rocket Ship
160 bpm • A# min • 01:43 • -4.83db
34% Popularity • 71% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
34% Popularity • 71% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
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SUPEREGO
DPOPN
160 bpm • C# Maj • 02:15 • -4.43db
8% Popularity • 36% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 36% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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Jungle
Back On 74 - Sped Up Version
159 bpm • G# Maj • 03:10 • -6.7db
14% Popularity • 55% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 55% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Teenage Dads
Hey, Diego!
159 bpm • A Maj • 03:14 • -3.48db
41% Popularity • 56% Danceability • 78% Energy • 21% Liveness
1% Instrumentalness • 89% Positiveness
41% Popularity • 56% Danceability • 78% Energy • 21% Liveness
1% Instrumentalness • 89% Positiveness
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JPEGMAFIA
Fentanyl Tester
159 bpm • C Maj • 02:37 • 0.55db
54% Popularity • 72% Danceability • 96% Energy • 92% Liveness
0% Instrumentalness • 87% Positiveness
54% Popularity • 72% Danceability • 96% Energy • 92% Liveness
0% Instrumentalness • 87% Positiveness
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Jamila Woods
Boomerang
158 bpm • G Maj • 03:02 • -6.17db
37% Popularity • 66% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 66% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Squid
Swing (In A Dream)
158 bpm • D min • 04:29 • -7.73db
39% Popularity • 52% Danceability • 88% Energy • 15% Liveness
18% Instrumentalness • 42% Positiveness
39% Popularity • 52% Danceability • 88% Energy • 15% Liveness
18% Instrumentalness • 42% Positiveness
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Quelle Chris
Sudden Death
157 bpm • D min • 03:41 • -4.34db
35% Popularity • 61% Danceability • 87% Energy • 7% Liveness
85% Instrumentalness • 70% Positiveness
35% Popularity • 61% Danceability • 87% Energy • 7% Liveness
85% Instrumentalness • 70% Positiveness
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binki
Hotel Window
158 bpm • F Maj • 02:03 • -4.73db
40% Popularity • 56% Danceability • 92% Energy • 38% Liveness
77% Instrumentalness • 92% Positiveness
40% Popularity • 56% Danceability • 92% Energy • 38% Liveness
77% Instrumentalness • 92% Positiveness
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Genesis Owusu
What Comes Will Come
156 bpm • F min • 03:51 • -5.65db
39% Popularity • 66% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 66% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Sampha
Suspended
156 bpm • F min • 03:05 • -8.06db
54% Popularity • 66% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
54% Popularity • 66% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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JPEGMAFIA
Lean Beef Patty
157 bpm • E min • 01:47 • -1.58db
59% Popularity • 49% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
59% Popularity • 49% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Knox Fortune
Lil Thing
156 bpm • G Maj • 03:27 • -4db
43% Popularity • 69% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 69% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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NNAMDÏ
Touchdown
155 bpm • E min • 02:09 • -7.4db
18% Popularity • 66% Danceability • 83% Energy • 10% Liveness
35% Instrumentalness • 88% Positiveness
18% Popularity • 66% Danceability • 83% Energy • 10% Liveness
35% Instrumentalness • 88% Positiveness
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Bartees Strange
Keekee'in
155 bpm • C# min • 02:29 • -8.57db
8% Popularity • 47% Danceability • 66% Energy • 22% Liveness
30% Instrumentalness • 58% Positiveness
8% Popularity • 47% Danceability • 66% Energy • 22% Liveness
30% Instrumentalness • 58% Positiveness
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Steve Lacy
Playground
192 bpm • G Maj • 03:33 • -6.31db
55% Popularity • 48% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
55% Popularity • 48% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Genesis Owusu
Get Inspired
153 bpm • C# Maj • 02:53 • -5.95db
46% Popularity • 83% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 83% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Obongjayar
Message in a Hammer
152 bpm • A min • 03:37 • -8.29db
30% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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McKinley Dixon
Tyler, Forever
150 bpm • F min • 03:02 • -5.18db
15% Popularity • 49% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 49% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Sampha
Spirit 2.0
151 bpm • F Maj • 04:49 • -11.42db
56% Popularity • 74% Danceability • 49% Energy • 14% Liveness
28% Instrumentalness • 50% Positiveness
56% Popularity • 74% Danceability • 49% Energy • 14% Liveness
28% Instrumentalness • 50% Positiveness
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Saya Gray
IF THERE’S NO SEAT IN THE SKY (WILL YO...
150 bpm • G min • 03:26 • -9.68db
39% Popularity • 44% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 44% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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KAYTRAMINÉ
K&A
150 bpm • C# Maj • 05:04 • -4.69db
44% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Genesis Owusu
Blue Pill
152 bpm • A# min • 03:40 • -11.84db
12% Popularity • 61% Danceability • 40% Energy • 71% Liveness
50% Instrumentalness • 43% Positiveness
12% Popularity • 61% Danceability • 40% Energy • 71% Liveness
50% Instrumentalness • 43% Positiveness
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Vagabon
Do Your Worst
150 bpm • C# Maj • 03:27 • -6.63db
28% Popularity • 67% Danceability • 85% Energy • 13% Liveness
20% Instrumentalness • 41% Positiveness
28% Popularity • 67% Danceability • 85% Energy • 13% Liveness
20% Instrumentalness • 41% Positiveness
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NiNE8
London Outta Luck
150 bpm • E min • 04:09 • -8.39db
9% Popularity • 68% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 68% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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King Stingray
Lookin' Out
150 bpm • B Maj • 03:47 • -5.36db
41% Popularity • 48% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 48% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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grouptherapy.
smiles :)
149 bpm • C# Maj • 03:13 • -6.03db
38% Popularity • 47% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 47% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 40% Positiveness
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Yves Tumor
Super Stars
149 bpm • C# Maj • 03:05 • -7.29db
48% Popularity • 52% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 52% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Saya Gray
DIZZY PPL BECOME BLURRY
148 bpm • C Maj • 01:58 • -7.9db
39% Popularity • 35% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
39% Popularity • 35% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
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Tim Shiel
Coliseum
148 bpm • C# Maj • 02:40 • -5.52db
16% Popularity • 69% Danceability • 80% Energy • 7% Liveness
65% Instrumentalness • 44% Positiveness
16% Popularity • 69% Danceability • 80% Energy • 7% Liveness
65% Instrumentalness • 44% Positiveness
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Tkay Maidza
Where Is My Mind?
148 bpm • C# min • 02:57 • -4.96db
53% Popularity • 54% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 54% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
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Paris Texas
Lift Off
200 bpm • A Maj • 03:02 • -4.07db
36% Popularity • 56% Danceability • 93% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 56% Danceability • 93% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
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Miso Extra
Great Taste
148 bpm • D min • 02:10 • -7.59db
34% Popularity • 78% Danceability • 57% Energy • 9% Liveness
8% Instrumentalness • 83% Positiveness
34% Popularity • 78% Danceability • 57% Energy • 9% Liveness
8% Instrumentalness • 83% Positiveness
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binki
Origami
148 bpm • A Maj • 02:55 • -4.65db
26% Popularity • 44% Danceability • 93% Energy • 20% Liveness
43% Instrumentalness • 61% Positiveness
26% Popularity • 44% Danceability • 93% Energy • 20% Liveness
43% Instrumentalness • 61% Positiveness
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King Krule
Seaforth
200 bpm • G Maj • 04:05 • -12.76db
52% Popularity • 47% Danceability • 49% Energy • 26% Liveness
64% Instrumentalness • 34% Positiveness
52% Popularity • 47% Danceability • 49% Energy • 26% Liveness
64% Instrumentalness • 34% Positiveness
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Kenny Beats
Last Words
147 bpm • F min • 01:49 • -8db
52% Popularity • 68% Danceability • 66% Energy • 41% Liveness
4% Instrumentalness • 74% Positiveness
52% Popularity • 68% Danceability • 66% Energy • 41% Liveness
4% Instrumentalness • 74% Positiveness
