Songs like Leben (es ist, wie es ist) by Mary Roos
Based on a tempo of (+/- 10%) and a similar genre
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Harald Juhnke
Ich wünsch' euch eine gute Nacht
112 bpm • E Maj • 03:26 • -13.67db
11% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Howard Carpendale
Samstag Nacht
112 bpm • G Maj • 03:45 • -11db
47% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Peter Orloff
Immer wenn ich Josy seh'
112 bpm • A min • 03:21 • -5db
31% Popularity • 35% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 35% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Gitte Hænning
Etwas ist gescheh'n
112 bpm • A Maj • 03:37 • -9.54db
18% Popularity • 65% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 65% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Bernd Clüver
Der Junge mit der Mundharmonika ('94er V...
112 bpm • D Maj • 03:16 • -9.41db
45% Popularity • 50% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 50% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Juliane Werding
Sehnsucht ist unheilbar
112 bpm • E min • 05:11 • -7db
36% Popularity • 66% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 66% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Jürgen Hart
Sing mei Sachse sing
112 bpm • D Maj • 04:05 • -12db
29% Popularity • 70% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 70% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
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Howard Carpendale
Das Schöne Mädchen Von Seite 1
112 bpm • F Maj • 02:22 • -11db
40% Popularity • 76% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 99% Positiveness
40% Popularity • 76% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 99% Positiveness
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Mary Roos
Ich hab' den Glauben an dich nie verlore...
112 bpm • F# Maj • 02:49 • -10.31db
11% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Wencke Myhre
Eine Mark für Charly
112 bpm • A# Maj • 02:59 • -11db
30% Popularity • 70% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 70% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Alexandra
Zigeunerjunge
111 bpm • C Maj • 03:08 • -9.25db
37% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Daliah Lavi
Ich wollt' nur mal mit dir reden
113 bpm • D Maj • 04:16 • -9db
29% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Roberts
Mein Name ist Hase
114 bpm • C Maj • 02:42 • -10db
35% Popularity • 63% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 63% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Helga Hahnemann
Jetzt kommt dein Süßer
114 bpm • B Maj • 04:11 • -10.94db
24% Popularity • 93% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 93% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Joy Fleming
Ein Lied kann eine Brücke sein
114 bpm • G Maj • 03:34 • -11.85db
32% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Andreas Martin
Du bist alles
114 bpm • D Maj • 03:56 • -7db
31% Popularity • 72% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 72% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Alexandra
Sehnsucht (Das Lied der Taiga)
111 bpm • D Maj • 02:51 • -11.1db
32% Popularity • 25% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 25% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Lena Valaitis
Johnny Blue
114 bpm • F Maj • 03:01 • -9.18db
40% Popularity • 63% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 63% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Roger Whittaker
Wir sind jung (Oh Maria)
114 bpm • C Maj • 03:35 • -7db
36% Popularity • 60% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 60% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Howard Carpendale
Es geht um mehr
114 bpm • A Maj • 04:32 • -15db
30% Popularity • 60% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 60% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Peter Rubin
Azzurro
110 bpm • A# Maj • 03:30 • -8.74db
26% Popularity • 62% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 62% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Wolfgang Lippert
Erna kommt
110 bpm • B Maj • 03:25 • -4db
24% Popularity • 79% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
24% Popularity • 79% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Frank Schöbel
Ich geh' vom Nordpol zum Südpol zu Fuß
110 bpm • G Maj • 02:32 • -10.71db
19% Popularity • 71% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 71% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 72% Positiveness
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Conny Froboess
Pack die Badehose ein - Remastered 2005
110 bpm • C# Maj • 03:16 • -5.01db
32% Popularity • 49% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 49% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Roger Whittaker
Lass mich bei dir sein
114 bpm • C Maj • 03:34 • -10.22db
37% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Howard Carpendale
Hello Again - Remastered 1996
110 bpm • C# Maj • 03:38 • -10db
56% Popularity • 53% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 53% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Stefan Waggershausen
Zu nah am Feuer
110 bpm • A Maj • 04:42 • -13.05db
24% Popularity • 65% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 65% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Hoffmann & Hoffmann
Alles was ich brauche bist du
110 bpm • A# Maj • 03:35 • -14.79db
36% Popularity • 66% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 66% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Mary Roos
Ein Herz das dich liebt (One night's not...
115 bpm • C Maj • 03:22 • -7.76db
7% Popularity • 81% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 81% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Andreas Martin
Der Himmel kann warten
109 bpm • E Maj • 04:27 • -7.06db
5% Popularity • 60% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
5% Popularity • 60% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Dirk Busch
Ich zieh den Bauch nicht mehr ein
109 bpm • E min • 03:10 • -10db
22% Popularity • 75% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 75% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Howard Carpendale
Deine Spuren im Sand
110 bpm • G Maj • 03:28 • -13.95db
38% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Uwe Busse
Sommer '76 - Remastered
115 bpm • A Maj • 03:27 • -3db
31% Popularity • 57% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 57% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Peter Alexander
Hier ist ein Mensch
115 bpm • D# Maj • 03:34 • -6.66db
22% Popularity • 61% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 61% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Mary Roos
Einmal im Leben (One in a Million)
115 bpm • C Maj • 03:42 • -7.71db
5% Popularity • 81% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
5% Popularity • 81% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Bernd Clüver
Mexican Girl
115 bpm • C Maj • 03:32 • -6.98db
30% Popularity • 64% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 64% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Helga Hahnemann
Berlin
109 bpm • G Maj • 05:00 • -12db
14% Popularity • 69% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 69% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Howard Carpendale
Wem... - Single Version
115 bpm • C Maj • 05:12 • -12.46db
20% Popularity • 56% Danceability • 49% Energy • 8% Liveness
5% Instrumentalness • 64% Positiveness
20% Popularity • 56% Danceability • 49% Energy • 8% Liveness
5% Instrumentalness • 64% Positiveness
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Bata Illic
Schwarze Madonna
115 bpm • G# Maj • 03:18 • -13db
37% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Wencke Myhre
Oh No No
116 bpm • F# Maj • 03:57 • -8db
22% Popularity • 73% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 73% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Peggy March
Mit 17 hat man noch Träume
116 bpm • C Maj • 02:46 • -5.09db
38% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Juliane Werding
Stimmen im Wind
116 bpm • E Maj • 04:18 • -7db
49% Popularity • 61% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 61% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Diana Sorbello
Ich fange nie mehr was an einem Sonntag ...
116 bpm • A# Maj • 03:10 • -8db
37% Popularity • 76% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 76% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Howard Carpendale
Du Fängst Den Wind Niemals Ein
108 bpm • F Maj • 03:58 • -11.9db
35% Popularity • 58% Danceability • 51% Energy • 17% Liveness
6% Instrumentalness • 54% Positiveness
35% Popularity • 58% Danceability • 51% Energy • 17% Liveness
6% Instrumentalness • 54% Positiveness
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Rosanna Rocci
Felicita - dt./ital. Version
108 bpm • A# Maj • 03:35 • -4.7db
38% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Andreas Martin
Nur Bei Dir (Just For You)
116 bpm • E Maj • 04:11 • -6.68db
31% Popularity • 72% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 72% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Paola
Mode
117 bpm • G# Maj • 03:21 • -5.75db
10% Popularity • 65% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 65% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Jonny Hill
Ruf Teddybär eins-vier
117 bpm • F# Maj • 04:47 • -15.15db
39% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Nicki
Servus, mach's guat - Single Version
108 bpm • D# Maj • 03:31 • -11db
39% Popularity • 72% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 72% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Howard Carpendale
Schade
108 bpm • A Maj • 03:58 • -13.42db
36% Popularity • 53% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 53% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Gitte Hænning
Freu dich bloß nicht zu früh
107 bpm • C Maj • 03:37 • -6.27db
33% Popularity • 50% Danceability • 55% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 50% Danceability • 55% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
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Claudia Jung
Domani l'amore vincera
117 bpm • C Maj • 03:47 • -6.45db
43% Popularity • 74% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 74% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Mary Roos
Nimm deinen Fuß aus der Tür
107 bpm • G# Maj • 03:27 • -9.06db
7% Popularity • 72% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 72% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Hoffmann & Hoffmann
Schön war dieser Tag
118 bpm • A Maj • 02:59 • -16.27db
14% Popularity • 75% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 75% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Dirk Busch
Willkommen in der Traumfabrik
118 bpm • A Maj • 04:19 • -6.49db
13% Popularity • 69% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 69% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Katja Ebstein
Es war einmal ein Jäger
118 bpm • B Maj • 03:15 • -8db
35% Popularity • 73% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 73% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Paola
Wie du (Bright Eyes)
107 bpm • D Maj • 04:05 • -9.56db
12% Popularity • 32% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 32% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Veronika Fischer
Ein Gefühl wie das Leben
107 bpm • D Maj • 04:13 • -8.14db
22% Popularity • 63% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 63% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Mary Roos
Ich bin stark, nur mit Dir
118 bpm • F# min • 03:47 • -7db
30% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Jonny Hill
Rosen für Mama
118 bpm • D# Maj • 03:45 • -18.44db
30% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Dirk Busch
Du kennst mich
118 bpm • D Maj • 03:49 • -9.18db
10% Popularity • 80% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 99% Positiveness
10% Popularity • 80% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 99% Positiveness
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Christian Anders
Es fährt ein Zug nach Nirgendwo - Remas...
118 bpm • A# Maj • 04:42 • -8.37db
43% Popularity • 53% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 53% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Nicole
Jeder Zaun, jede Mauer wird aus Blumen s...
118 bpm • B min • 03:30 • -8.63db
28% Popularity • 64% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 64% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Patrick Lindner
Tausend Sonnen
118 bpm • E Maj • 03:33 • -6.98db
7% Popularity • 63% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 63% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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Mary Roos
Bleib wie du bist
118 bpm • C min • 03:47 • -6.91db
15% Popularity • 83% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 83% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Rainhard Fendrich
Midlife Crisis
118 bpm • F# Maj • 03:12 • -8db
33% Popularity • 77% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 77% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Daliah Lavi
Weißt du, was du für mich bist?
106 bpm • D Maj • 03:27 • -10db
36% Popularity • 58% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 58% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Drafi Deutscher
Welche Farbe hat die Welt - Version 1987
118 bpm • C Maj • 04:25 • -13db
31% Popularity • 67% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 67% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Nicole
Ein bisschen Frieden
118 bpm • F# Maj • 03:01 • -8.67db
46% Popularity • 62% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 62% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Hansi Hinterseer
Was kann ich denn dafür (Something Stup...
106 bpm • G Maj • 02:43 • -6.17db
32% Popularity • 62% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 62% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Mary Roos
Sing nochmal dieses Lied
118 bpm • E Maj • 02:33 • -5.12db
4% Popularity • 55% Danceability • 74% Energy • 61% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 55% Danceability • 74% Energy • 61% Liveness
0% Instrumentalness • 72% Positiveness
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Wencke Myhre
Lass mein Knie, Joe
118 bpm • C Maj • 03:14 • -9.38db
27% Popularity • 69% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 69% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Kristina Bach
Ich will nicht länger dein Geheimnis se...
106 bpm • B min • 03:35 • -4.75db
21% Popularity • 73% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 73% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Juliane Werding
Sie weiss, was sie will
119 bpm • D Maj • 03:44 • -8.23db
37% Popularity • 65% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 65% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Katja Ebstein
Es müssen keine Rosen sein
106 bpm • A# Maj • 03:49 • -9.37db
26% Popularity • 62% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 62% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Jonny Hill
Papa, ich bin Teddybär
119 bpm • F# Maj • 02:07 • -8.46db
23% Popularity • 70% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 70% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Mary Roos
Schmetterlinge weinen nicht
106 bpm • F Maj • 02:40 • -8.51db
2% Popularity • 56% Danceability • 51% Energy • 65% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 56% Danceability • 51% Energy • 65% Liveness
0% Instrumentalness • 30% Positiveness
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Mireille Mathieu
Es geht mir gut, Chéri
119 bpm • D# Maj • 02:49 • -8.8db
33% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Nicki
Weil i immer no an Engerl glaub
119 bpm • A Maj • 03:53 • -15.07db
38% Popularity • 66% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 66% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Die Amigos
Weißt du, was du für mich bist
119 bpm • G Maj • 03:34 • -5.55db
40% Popularity • 77% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 77% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Dirk Busch
Sie beisst und kratzt
119 bpm • D Maj • 03:42 • -12db
33% Popularity • 70% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 70% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Stefan Waggershausen
Das erste Mal tat's noch weh (Les histoi...
119 bpm • G Maj • 04:35 • -7.38db
39% Popularity • 47% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 47% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Marianne Rosenberg
Marleen
105 bpm • G Maj • 04:15 • -10.08db
23% Popularity • 58% Danceability • 57% Energy • 59% Liveness
17% Instrumentalness • 46% Positiveness
23% Popularity • 58% Danceability • 57% Energy • 59% Liveness
17% Instrumentalness • 46% Positiveness
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Peter Cornelius
Du entschuldige - i kenn' di
120 bpm • G Maj • 04:22 • -10.35db
47% Popularity • 52% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 52% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Olaf Berger
Es kommt so oder so
105 bpm • F Maj • 03:29 • -13.63db
12% Popularity • 76% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 76% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Ibo
Süsses Blut
120 bpm • C min • 03:56 • -8db
32% Popularity • 69% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 69% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Howard Carpendale
Nachts, wenn alles schläft
105 bpm • E Maj • 04:53 • -14.07db
50% Popularity • 62% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 62% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Cora
Amsterdam
120 bpm • C Maj • 04:42 • -7db
45% Popularity • 56% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 56% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Dirk Busch
Liebst du auch den rauhen Wind?
120 bpm • F Maj • 03:18 • -7.55db
31% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Wolfgang Petry
20 Jahre danach
120 bpm • G Maj • 03:38 • -6.44db
9% Popularity • 68% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 68% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Mike Krüger
Macke (Mockingbird) - Remastered
120 bpm • A Maj • 02:48 • -8.49db
0% Popularity • 80% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 80% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Mary Roos
Am Anfang der besten Geschichten
120 bpm • C Maj • 03:31 • -4.81db
12% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Ute Freudenberg
Jugendliebe
120 bpm • A Maj • 05:10 • -7.25db
26% Popularity • 60% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 60% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Cora
Christina
120 bpm • C Maj • 04:25 • -9.82db
20% Popularity • 70% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 70% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Peter Orloff
War das schon alles
120 bpm • C# Maj • 03:34 • -4db
22% Popularity • 62% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 62% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Nicki
Wegen dir
105 bpm • B Maj • 03:52 • -9db
37% Popularity • 68% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 68% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Paola
Vogel der Nacht
120 bpm • A# Maj • 02:56 • -9db
9% Popularity • 56% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 56% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Nicole
Allein in Griechenland
120 bpm • G Maj • 03:14 • -8db
41% Popularity • 68% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 68% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
