Songs like Legends by Summer Kennedy
Based on a tempo of (+/- 10%) and a similar genre
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Juliet Roberts
Bang Bang Boom
134 bpm • D Maj • 03:33 • -3.89db
19% Popularity • 62% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 62% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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Summer Kennedy
Come Alive
134 bpm • C Maj • 03:10 • -6.36db
31% Popularity • 49% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 49% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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ADONA
Hero
134 bpm • A# min • 03:58 • -7.77db
17% Popularity • 40% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 40% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Simon
My Kingdom
134 bpm • E min • 03:09 • -10.16db
32% Popularity • 47% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 47% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
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Sly & the Family Stallone
Palm of My Hand
135 bpm • F# min • 03:03 • -2.99db
17% Popularity • 70% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 70% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Th3rdstream
BLACK SOUL
135 bpm • E min • 03:58 • -7.33db
24% Popularity • 51% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 51% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Juliet Roberts
Make a Grown Man Cry
135 bpm • A min • 03:59 • -6.43db
11% Popularity • 70% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 70% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Mawr
For the Thrill
135 bpm • G Maj • 02:40 • -5.36db
35% Popularity • 64% Danceability • 69% Energy • 14% Liveness
19% Instrumentalness • 42% Positiveness
35% Popularity • 64% Danceability • 69% Energy • 14% Liveness
19% Instrumentalness • 42% Positiveness
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Madalen Duke
Run Boy
133 bpm • F min • 03:00 • -5.09db
33% Popularity • 79% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 79% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Chair Model
Tiger
135 bpm • G# min • 02:21 • -5.08db
32% Popularity • 70% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 70% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Warcub
Wild Over You
135 bpm • C Maj • 03:51 • -5db
32% Popularity • 52% Danceability • 57% Energy • 48% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 52% Danceability • 57% Energy • 48% Liveness
0% Instrumentalness • 21% Positiveness
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Becky Shaheen
Ruined
136 bpm • B min • 02:30 • -7.18db
12% Popularity • 41% Danceability • 51% Energy • 33% Liveness
2% Instrumentalness • 25% Positiveness
12% Popularity • 41% Danceability • 51% Energy • 33% Liveness
2% Instrumentalness • 25% Positiveness
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TOMI
Hideaway
132 bpm • A Maj • 04:01 • -7.27db
22% Popularity • 47% Danceability • 52% Energy • 18% Liveness
11% Instrumentalness • 18% Positiveness
22% Popularity • 47% Danceability • 52% Energy • 18% Liveness
11% Instrumentalness • 18% Positiveness
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Valerie Broussard
Trouble
132 bpm • D# min • 03:33 • -5.39db
54% Popularity • 56% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 56% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Graffiti Ghosts
I'm Coming for You
132 bpm • F Maj • 02:46 • -7.5db
32% Popularity • 62% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 62% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Summer Kennedy
The Bright Side
132 bpm • B min • 03:31 • -3.96db
11% Popularity • 62% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 62% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Silverberg
Coming Back Stronger
136 bpm • B min • 03:14 • -7.01db
35% Popularity • 60% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 60% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Klergy
Dangerous Game
136 bpm • G min • 02:47 • -9.51db
49% Popularity • 48% Danceability • 50% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
49% Popularity • 48% Danceability • 50% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
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Gracie and Rachel
Stranger
136 bpm • C min • 03:15 • -10.01db
17% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Mosh Party
Everyday Hustlin'
132 bpm • C# Maj • 02:40 • -4.33db
17% Popularity • 76% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 76% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Beds and Beats
Sweet Like Candy
132 bpm • G# Maj • 02:58 • -6.58db
14% Popularity • 57% Danceability • 74% Energy • 43% Liveness
71% Instrumentalness • 78% Positiveness
14% Popularity • 57% Danceability • 74% Energy • 43% Liveness
71% Instrumentalness • 78% Positiveness
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Summer Kennedy
Now's the Time
136 bpm • A# Maj • 03:52 • -9.87db
10% Popularity • 52% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 24% Positiveness
10% Popularity • 52% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 24% Positiveness
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Taki Waki
Can't Get Better Than This
132 bpm • B min • 02:54 • -5.75db
9% Popularity • 79% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 79% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Oshins
What a World We Live In
132 bpm • C Maj • 03:52 • -8.35db
21% Popularity • 53% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 53% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Becky Shaheen
Not Your Hero
132 bpm • A min • 02:55 • -7db
25% Popularity • 48% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 48% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 6% Positiveness
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Louis II
Glorious
136 bpm • G Maj • 03:18 • -4.44db
17% Popularity • 60% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 60% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Vanacore Music
Not Worth It
132 bpm • E min • 01:47 • -10.31db
20% Popularity • 62% Danceability • 48% Energy • 13% Liveness
7% Instrumentalness • 10% Positiveness
20% Popularity • 62% Danceability • 48% Energy • 13% Liveness
7% Instrumentalness • 10% Positiveness
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Summer Kennedy
Experience (Joseph William Morgan Remix)
136 bpm • C Maj • 03:30 • -9.85db
9% Popularity • 36% Danceability • 69% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
9% Popularity • 36% Danceability • 69% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Klergy
World on Fire
132 bpm • B min • 03:46 • -10.95db
45% Popularity • 26% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
45% Popularity • 26% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Oshins
Out of Control
137 bpm • E min • 04:19 • -9.29db
37% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Roses & Revolutions
The Pines
138 bpm • B min • 03:07 • -7db
44% Popularity • 56% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 56% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Anna Mae
Just Watch
131 bpm • F min • 02:57 • -5db
23% Popularity • 65% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 65% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Felix Räuber
Après Minuit
138 bpm • A min • 03:19 • -8.65db
29% Popularity • 40% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 40% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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SPELLES
Machete (Acoustic)
138 bpm • C Maj • 03:31 • -4.12db
21% Popularity • 71% Danceability • 57% Energy • 45% Liveness
1% Instrumentalness • 31% Positiveness
21% Popularity • 71% Danceability • 57% Energy • 45% Liveness
1% Instrumentalness • 31% Positiveness
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Silverberg
Gettin' Wild
130 bpm • G# Maj • 03:14 • -7.84db
27% Popularity • 65% Danceability • 76% Energy • 7% Liveness
53% Instrumentalness • 18% Positiveness
27% Popularity • 65% Danceability • 76% Energy • 7% Liveness
53% Instrumentalness • 18% Positiveness
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WILD
Throw Me in the Water
138 bpm • C Maj • 03:39 • -7.47db
41% Popularity • 57% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 57% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Vance Westlake
Burn It To The Ground
130 bpm • C Maj • 02:29 • -8db
12% Popularity • 58% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 58% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Lexxi Saal
Get up Stand Up
130 bpm • A# min • 02:31 • -9.91db
38% Popularity • 28% Danceability • 50% Energy • 8% Liveness
6% Instrumentalness • 7% Positiveness
38% Popularity • 28% Danceability • 50% Energy • 8% Liveness
6% Instrumentalness • 7% Positiveness
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Cameron James
Game Changer
130 bpm • F min • 02:41 • -5.2db
31% Popularity • 69% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 69% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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SPELLES
Machete
138 bpm • C min • 03:38 • -6.28db
27% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Ophelia X
Truth Gon Find You
130 bpm • G min • 04:20 • -7.49db
10% Popularity • 59% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 59% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Arows
All Eyes on This
138 bpm • F Maj • 02:54 • -3.72db
15% Popularity • 54% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 54% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Saint Middleton
Welcome to My Future
130 bpm • B min • 03:12 • -6.62db
13% Popularity • 70% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 70% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Lexxi Saal
Up and Away
138 bpm • G Maj • 03:51 • -5db
16% Popularity • 42% Danceability • 83% Energy • 9% Liveness
68% Instrumentalness • 23% Positiveness
16% Popularity • 42% Danceability • 83% Energy • 9% Liveness
68% Instrumentalness • 23% Positiveness
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Madalen Duke
Born Alone Die Alone
130 bpm • G# Maj • 02:50 • -9.06db
50% Popularity • 60% Danceability • 47% Energy • 15% Liveness
5% Instrumentalness • 14% Positiveness
50% Popularity • 60% Danceability • 47% Energy • 15% Liveness
5% Instrumentalness • 14% Positiveness
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Ruelle
Genesis
130 bpm • D min • 04:17 • -8.85db
38% Popularity • 44% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Willa J
Watcha Want
130 bpm • A Maj • 03:21 • -7db
14% Popularity • 68% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
14% Popularity • 68% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Malory
Saving My Skin
130 bpm • G# min • 02:48 • -11.13db
17% Popularity • 76% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 76% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Chantal Claret
The Girl Is Back in Town
130 bpm • A min • 02:28 • -4.72db
24% Popularity • 62% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
24% Popularity • 62% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Lady Bri
Microphone
130 bpm • A min • 03:19 • -4.12db
14% Popularity • 66% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 66% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Lee Richardson
Ready for Action
130 bpm • G# min • 02:54 • -7.79db
22% Popularity • 54% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 54% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Klergy
Fight for Survival
130 bpm • D min • 03:41 • -10.17db
36% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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DITA
Strut
130 bpm • E min • 03:04 • -4.23db
37% Popularity • 66% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 66% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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ELIA EX
Breaking You
130 bpm • E min • 03:34 • -13.65db
17% Popularity • 42% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 42% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Asher
Radiant (Up From The Dark)
140 bpm • E min • 03:53 • -8.49db
13% Popularity • 50% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 50% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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MILCK
Quiet
140 bpm • C Maj • 03:22 • -7.56db
38% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Roses & Revolutions
Big Bad Wolf
140 bpm • C min • 03:20 • -5.54db
52% Popularity • 34% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
52% Popularity • 34% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Seville
The Warning
140 bpm • C# min • 03:34 • -10.78db
18% Popularity • 39% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
18% Popularity • 39% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Ruby Amanfu
All This Love
140 bpm • A Maj • 03:05 • -5db
22% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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VG LUCAS
Time's Running Out
140 bpm • A# min • 03:24 • -8.36db
29% Popularity • 52% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
29% Popularity • 52% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Empara Mi
No More
140 bpm • B Maj • 04:20 • -6.23db
20% Popularity • 36% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 36% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Emma Hughes
Make It out Alive
140 bpm • F min • 03:17 • -6db
20% Popularity • 53% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 53% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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CLAVVS
Slow Dive
140 bpm • A# min • 03:51 • -6.1db
38% Popularity • 71% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 71% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Shadow Island
Game Changer
140 bpm • G# Maj • 03:05 • -3.9db
15% Popularity • 66% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 66% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Nine One One
I Am the Diamond
140 bpm • B min • 04:30 • -8db
19% Popularity • 64% Danceability • 54% Energy • 16% Liveness
66% Instrumentalness • 45% Positiveness
19% Popularity • 64% Danceability • 54% Energy • 16% Liveness
66% Instrumentalness • 45% Positiveness
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Klergy
No Rest for the Wicked
128 bpm • G min • 03:47 • -9.65db
40% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Joybird
Levels
128 bpm • B min • 02:36 • -5.65db
13% Popularity • 49% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 49% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Astyria
It's a Mad World
140 bpm • A# Maj • 03:52 • -9.7db
29% Popularity • 22% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
29% Popularity • 22% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
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Blithe
Say Your Prayers
128 bpm • F min • 02:58 • -6.06db
33% Popularity • 68% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 68% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
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Ely Eira
This Is the Beginning
128 bpm • A min • 04:04 • -8.9db
43% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 61% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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7th & Hope
Born for This
128 bpm • B min • 03:48 • -6.24db
13% Popularity • 61% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 61% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Ford
I'm Born to Win
128 bpm • F# min • 03:20 • -6db
20% Popularity • 50% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 50% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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ADONA
Our Time Will Come
128 bpm • D min • 04:26 • -16.6db
18% Popularity • 41% Danceability • 21% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
18% Popularity • 41% Danceability • 21% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
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Astyria
Kingdom Come
140 bpm • A min • 04:34 • -9.09db
27% Popularity • 44% Danceability • 53% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
27% Popularity • 44% Danceability • 53% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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RNDM THNGS
Dead Man Walking
128 bpm • A min • 03:37 • -13.52db
12% Popularity • 69% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 69% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Jill Barber
Girl's Gotta Do (Hill Kourkoutis Remix)
128 bpm • C Maj • 03:35 • -5.37db
20% Popularity • 62% Danceability • 64% Energy • 7% Liveness
36% Instrumentalness • 24% Positiveness
20% Popularity • 62% Danceability • 64% Energy • 7% Liveness
36% Instrumentalness • 24% Positiveness
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Claire Wyndham
Every Ending Is a Chance
128 bpm • A min • 03:34 • -11.25db
29% Popularity • 48% Danceability • 57% Energy • 25% Liveness
2% Instrumentalness • 12% Positiveness
29% Popularity • 48% Danceability • 57% Energy • 25% Liveness
2% Instrumentalness • 12% Positiveness
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Klergy
Caught in the Fire
128 bpm • A min • 04:06 • -10.6db
41% Popularity • 51% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 9% Positiveness
41% Popularity • 51% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 9% Positiveness
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Lee Richardson
You Can Run
128 bpm • G Maj • 02:25 • -7db
24% Popularity • 44% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 44% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Astyria
Wildest Dreams
141 bpm • A min • 03:30 • -7.13db
24% Popularity • 38% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 38% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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DeathbyRomy
It's Raining Men
127 bpm • E min • 03:43 • -4.29db
24% Popularity • 35% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 35% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Oshins
Darkside
127 bpm • E Maj • 03:25 • -10.31db
44% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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X. ARI
She Knows It
142 bpm • F# min • 03:07 • -7.11db
7% Popularity • 49% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 49% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Klergy
Will You Follow Me Into the Dark
127 bpm • C min • 03:48 • -8.61db
39% Popularity • 42% Danceability • 52% Energy • 25% Liveness
19% Instrumentalness • 14% Positiveness
39% Popularity • 42% Danceability • 52% Energy • 25% Liveness
19% Instrumentalness • 14% Positiveness
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KAINA
A Way for Us
142 bpm • B min • 03:33 • -6db
30% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Track Team Dropouts
Left Right Left
127 bpm • B min • 02:49 • -5db
29% Popularity • 73% Danceability • 77% Energy • 2% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 73% Danceability • 77% Energy • 2% Liveness
0% Instrumentalness • 62% Positiveness
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RAIGN
Now I Can Fly
142 bpm • C Maj • 04:08 • -5db
29% Popularity • 56% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 56% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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JAXSON GAMBLE
Can't Get Enough
142 bpm • F# Maj • 03:13 • -4.08db
29% Popularity • 53% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 36% Positiveness
29% Popularity • 53% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 36% Positiveness
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Summer Kennedy
Where It All Begins
142 bpm • F Maj • 03:38 • -4.43db
35% Popularity • 51% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 51% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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biz colletti
Triggered
142 bpm • B min • 03:16 • -9db
15% Popularity • 71% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 71% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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KAINA
Stand
142 bpm • A# min • 05:34 • -9.97db
13% Popularity • 49% Danceability • 42% Energy • 6% Liveness
76% Instrumentalness • 8% Positiveness
13% Popularity • 49% Danceability • 42% Energy • 6% Liveness
76% Instrumentalness • 8% Positiveness
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MILCK
Devil Devil
142 bpm • C# Maj • 04:18 • -10db
50% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Steelfeather
With the Devil I'm Going Down
142 bpm • E min • 03:06 • -8.49db
31% Popularity • 58% Danceability • 70% Energy • 41% Liveness
5% Instrumentalness • 18% Positiveness
31% Popularity • 58% Danceability • 70% Energy • 41% Liveness
5% Instrumentalness • 18% Positiveness
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Ruelle
Where We Come Alive
142 bpm • C Maj • 03:32 • -5.18db
46% Popularity • 20% Danceability • 61% Energy • 9% Liveness
6% Instrumentalness • 15% Positiveness
46% Popularity • 20% Danceability • 61% Energy • 9% Liveness
6% Instrumentalness • 15% Positiveness
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Summer Kennedy
Dare to Dream
142 bpm • A# Maj • 03:43 • -5.26db
6% Popularity • 24% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
6% Popularity • 24% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Louis II
Lucky Day
126 bpm • D min • 03:22 • -3.78db
23% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Vanacore Music
Get On My Level
126 bpm • B min • 02:14 • -12.84db
15% Popularity • 73% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 73% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Astyria
Hold Your Breath
126 bpm • A# min • 03:04 • -10.94db
43% Popularity • 50% Danceability • 50% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
43% Popularity • 50% Danceability • 50% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
