Songs like Leiðin að hjarta þínu by Magnfríður
Based on a tempo of (+/- 10%) and a similar genre
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Ryohei Shimoyama
Oyasumi
81 bpm • D# Maj • 02:34 • -17db
31% Popularity • 56% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 19% Positiveness
31% Popularity • 56% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 19% Positiveness
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Mats Bergström
Why Me
81 bpm • G Maj • 02:46 • -23db
35% Popularity • 56% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
35% Popularity • 56% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Sebastian Winskog
Evenings
81 bpm • E Maj • 02:15 • -13.2db
27% Popularity • 59% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
27% Popularity • 59% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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MagnfrÃður
Leiðin að hjarta þÃnu
81 bpm • D Maj • 03:01 • -13.06db
32% Popularity • 46% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
32% Popularity • 46% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Realizer
Bathe
81 bpm • E Maj • 02:09 • -18.15db
35% Popularity • 41% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
35% Popularity • 41% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Henrik Janson
Lyrical
81 bpm • G Maj • 01:54 • -15.64db
28% Popularity • 70% Danceability • 17% Energy • 11% Liveness
47% Instrumentalness • 28% Positiveness
28% Popularity • 70% Danceability • 17% Energy • 11% Liveness
47% Instrumentalness • 28% Positiveness
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Conor Flanagan
Wasted Years
80 bpm • C Maj • 02:08 • -12.17db
22% Popularity • 60% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 48% Positiveness
22% Popularity • 60% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 48% Positiveness
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Nylonwings
Ola De Paz
80 bpm • A Maj • 03:10 • -10.46db
19% Popularity • 61% Danceability • 26% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
19% Popularity • 61% Danceability • 26% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Constance Timon
L'heure de l'harmonie
82 bpm • C Maj • 02:19 • -24.38db
34% Popularity • 57% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 37% Positiveness
34% Popularity • 57% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 37% Positiveness
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Maisy Anderson
Maria's Calling
80 bpm • F Maj • 02:08 • -17.82db
15% Popularity • 66% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
15% Popularity • 66% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
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Whalebone
Carding Mill Valley
80 bpm • G Maj • 02:21 • -15.68db
33% Popularity • 52% Danceability • 26% Energy • 11% Liveness
84% Instrumentalness • 37% Positiveness
33% Popularity • 52% Danceability • 26% Energy • 11% Liveness
84% Instrumentalness • 37% Positiveness
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Jonas Bergwall
Dreams of Solitude
80 bpm • E Maj • 03:02 • -14.09db
29% Popularity • 61% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 53% Positiveness
29% Popularity • 61% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 53% Positiveness
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Realizer
Whorl
82 bpm • D Maj • 02:26 • -16.79db
22% Popularity • 49% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
22% Popularity • 49% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Christos Konstantinidis
Water Flows
80 bpm • G Maj • 03:14 • -16.73db
21% Popularity • 66% Danceability • 18% Energy • 12% Liveness
58% Instrumentalness • 14% Positiveness
21% Popularity • 66% Danceability • 18% Energy • 12% Liveness
58% Instrumentalness • 14% Positiveness
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Aaron Flemming
Kebnekajse
82 bpm • E min • 02:42 • -10.42db
20% Popularity • 84% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
20% Popularity • 84% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Martin Klem
Ups and Downs
80 bpm • A Maj • 02:24 • -11.15db
29% Popularity • 70% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
29% Popularity • 70% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
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Ciaran Delany
Weavers
80 bpm • E Maj • 03:05 • -15.99db
29% Popularity • 48% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 69% Positiveness
29% Popularity • 48% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 69% Positiveness
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Ryohei Shimoyama
Awake in Early Morning
82 bpm • G Maj • 03:34 • -15.6db
20% Popularity • 35% Danceability • 27% Energy • 16% Liveness
49% Instrumentalness • 36% Positiveness
20% Popularity • 35% Danceability • 27% Energy • 16% Liveness
49% Instrumentalness • 36% Positiveness
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An&Ca
Waltz In The Sunset
80 bpm • D Maj • 02:40 • -11.89db
32% Popularity • 71% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
32% Popularity • 71% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Alex Miracone
The Shed
80 bpm • A Maj • 02:30 • -23.44db
37% Popularity • 48% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 11% Positiveness
37% Popularity • 48% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 11% Positiveness
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Lasse Ivonen
Remember the Time
82 bpm • A Maj • 01:55 • -18.1db
29% Popularity • 51% Danceability • 17% Energy • 13% Liveness
86% Instrumentalness • 68% Positiveness
29% Popularity • 51% Danceability • 17% Energy • 13% Liveness
86% Instrumentalness • 68% Positiveness
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Ash & Eric
River - Instrumental
80 bpm • G Maj • 03:34 • -18.26db
31% Popularity • 36% Danceability • 47% Energy • 11% Liveness
83% Instrumentalness • 33% Positiveness
31% Popularity • 36% Danceability • 47% Energy • 11% Liveness
83% Instrumentalness • 33% Positiveness
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Mats Norrefalk
Cikoria
82 bpm • G min • 02:45 • -20.53db
13% Popularity • 51% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
13% Popularity • 51% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Jürgen Saalmann
The Calm Sea
82 bpm • C Maj • 03:34 • -18.57db
28% Popularity • 59% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
28% Popularity • 59% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Daryl Shawn
Trusting in Bridges
80 bpm • A Maj • 03:36 • -23.71db
15% Popularity • 44% Danceability • 20% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
15% Popularity • 44% Danceability • 20% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
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Julyan Brynn
Shallow Waters
82 bpm • G min • 03:00 • -13db
25% Popularity • 73% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
25% Popularity • 73% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Vita Alexander
Fantasia
80 bpm • E min • 02:27 • -19.74db
20% Popularity • 62% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 33% Positiveness
20% Popularity • 62% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 33% Positiveness
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Jerry Rockwell
Blue Ridge Dream
83 bpm • E Maj • 02:58 • -17.3db
28% Popularity • 25% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
28% Popularity • 25% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
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Rita Mournier
Midsummer
83 bpm • D Maj • 02:10 • -19.67db
12% Popularity • 54% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
12% Popularity • 54% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Dawn, Dawn, Dawn
Minor Moments
79 bpm • C Maj • 03:01 • -16.31db
22% Popularity • 40% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
22% Popularity • 40% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Jess Morgan
Heads of the Valleys Road
79 bpm • G Maj • 02:07 • -22.12db
34% Popularity • 41% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 14% Positiveness
34% Popularity • 41% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 14% Positiveness
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August D. Valentine
Dolores
83 bpm • D Maj • 02:35 • -15.22db
28% Popularity • 78% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
28% Popularity • 78% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
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Vin Downes
All You Left Behind
79 bpm • C# Maj • 04:02 • -23.73db
16% Popularity • 46% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
16% Popularity • 46% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Chris Nordlinger
Clouds of Gold
83 bpm • G# min • 02:18 • -13db
29% Popularity • 48% Danceability • 43% Energy • 24% Liveness
60% Instrumentalness • 53% Positiveness
29% Popularity • 48% Danceability • 43% Energy • 24% Liveness
60% Instrumentalness • 53% Positiveness
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Laurent Ruaud
Walking Through Leaves
79 bpm • A Maj • 02:12 • -20.18db
33% Popularity • 45% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 50% Positiveness
33% Popularity • 45% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 50% Positiveness
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Hans Wolfgang Ziegler
Spring
83 bpm • F# Maj • 02:17 • -16.31db
41% Popularity • 53% Danceability • 9% Energy • 11% Liveness
54% Instrumentalness • 26% Positiveness
41% Popularity • 53% Danceability • 9% Energy • 11% Liveness
54% Instrumentalness • 26% Positiveness
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R.J. Smith
Luna
79 bpm • E Maj • 02:52 • -13.74db
33% Popularity • 44% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 45% Positiveness
33% Popularity • 44% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 45% Positiveness
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Ceriumidis
Space
79 bpm • C Maj • 02:23 • -22.66db
13% Popularity • 55% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
13% Popularity • 55% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Celia Cloten
Untroubled by a Rainy Day
79 bpm • E Maj • 03:03 • -20.83db
41% Popularity • 51% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
41% Popularity • 51% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Pascal Desprez
Amélie
79 bpm • E Maj • 01:54 • -21.01db
28% Popularity • 65% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
28% Popularity • 65% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Daniel Kaede
Birth of Dahlia
84 bpm • F# min • 02:25 • -10.03db
12% Popularity • 65% Danceability • 27% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
12% Popularity • 65% Danceability • 27% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
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Vadim Cervenka
Welcome Home
78 bpm • C Maj • 02:55 • -15.98db
23% Popularity • 54% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
23% Popularity • 54% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Sheldon Sandberg
Grà cia
84 bpm • G Maj • 02:21 • -15db
23% Popularity • 66% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
23% Popularity • 66% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Dylan Ryche
Song for Dax
78 bpm • A Maj • 03:19 • -12db
27% Popularity • 50% Danceability • 33% Energy • 9% Liveness
32% Instrumentalness • 26% Positiveness
27% Popularity • 50% Danceability • 33% Energy • 9% Liveness
32% Instrumentalness • 26% Positiveness
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Antonio Garcia Isaac
Lagrima
78 bpm • E Maj • 02:00 • -18.58db
37% Popularity • 48% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
37% Popularity • 48% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Sean Angus Watson
Waltz in Sweaters
84 bpm • B Maj • 03:13 • -14.94db
42% Popularity • 64% Danceability • 32% Energy • 13% Liveness
93% Instrumentalness • 17% Positiveness
42% Popularity • 64% Danceability • 32% Energy • 13% Liveness
93% Instrumentalness • 17% Positiveness
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Alexander Valentine
Willder
78 bpm • E Maj • 03:29 • -11.83db
12% Popularity • 63% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
12% Popularity • 63% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
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Joel Saunders
Peaceful Penny
84 bpm • G Maj • 03:25 • -14.16db
15% Popularity • 38% Danceability • 39% Energy • 11% Liveness
73% Instrumentalness • 11% Positiveness
15% Popularity • 38% Danceability • 39% Energy • 11% Liveness
73% Instrumentalness • 11% Positiveness
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Xavier Hermenegildo
Marrakesh
84 bpm • G# Maj • 02:07 • -17.78db
13% Popularity • 53% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
13% Popularity • 53% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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These Old Bones
Sunrise Stadium
85 bpm • E Maj • 02:28 • -10db
31% Popularity • 49% Danceability • 25% Energy • 12% Liveness
97% Instrumentalness • 21% Positiveness
31% Popularity • 49% Danceability • 25% Energy • 12% Liveness
97% Instrumentalness • 21% Positiveness
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Jesse Brown
Somewhere Only We Know
78 bpm • E min • 03:13 • -21.63db
34% Popularity • 61% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
34% Popularity • 61% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Anshul Karn
Eternity
78 bpm • B Maj • 02:16 • -16.52db
28% Popularity • 62% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 72% Positiveness
28% Popularity • 62% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 72% Positiveness
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Julyan Brynn
Svalbard
85 bpm • G min • 03:19 • -11.79db
35% Popularity • 68% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
35% Popularity • 68% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Daniel Kaede
When Sarah Returned
85 bpm • C# Maj • 02:36 • -11.02db
34% Popularity • 74% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
34% Popularity • 74% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
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Anila Mirela
Three Trees
85 bpm • F Maj • 02:28 • -19.27db
28% Popularity • 65% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
28% Popularity • 65% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Ludwig Van Bergen
September Rain
85 bpm • D Maj • 03:24 • -18.13db
11% Popularity • 70% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
11% Popularity • 70% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Moody Me
Summer Solstice
77 bpm • E Maj • 02:17 • -13.72db
27% Popularity • 77% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
27% Popularity • 77% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Vito Cantador
Waiting for you
85 bpm • B Maj • 03:08 • -17db
35% Popularity • 48% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
35% Popularity • 48% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Czarina Frost
Solstice
85 bpm • C# Maj • 02:15 • -23.18db
37% Popularity • 46% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 33% Positiveness
37% Popularity • 46% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 33% Positiveness
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Sebastian Winskog
Meadow
85 bpm • E Maj • 02:43 • -14.69db
34% Popularity • 60% Danceability • 11% Energy • 12% Liveness
67% Instrumentalness • 14% Positiveness
34% Popularity • 60% Danceability • 11% Energy • 12% Liveness
67% Instrumentalness • 14% Positiveness
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Daria Semikina
Hana
77 bpm • F Maj • 03:22 • -17.41db
32% Popularity • 44% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
32% Popularity • 44% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
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Whalebone
Éan an Anro
86 bpm • G Maj • 01:46 • -17.35db
34% Popularity • 64% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 78% Positiveness
34% Popularity • 64% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 78% Positiveness
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Daniel Kaede
Unspoken Peace
86 bpm • G# Maj • 03:13 • -12.49db
29% Popularity • 76% Danceability • 32% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
29% Popularity • 76% Danceability • 32% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
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Giovanni Benatti
Fino a Novembre
77 bpm • E Maj • 02:05 • -16.07db
15% Popularity • 55% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
15% Popularity • 55% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
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Owen Larssen
Night Drive
86 bpm • C Maj • 03:00 • -15.55db
28% Popularity • 70% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
28% Popularity • 70% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Sebastian Winskog
Days
85 bpm • G# min • 02:45 • -10.34db
21% Popularity • 70% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
21% Popularity • 70% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Max Schultz
Amor a la distancia
86 bpm • A min • 02:50 • -11.82db
22% Popularity • 72% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
22% Popularity • 72% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Brandon Marcelo
Little Bird
76 bpm • F min • 02:28 • -17.46db
25% Popularity • 56% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 48% Positiveness
25% Popularity • 56% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 48% Positiveness
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Christy Matterhorn
Travels
86 bpm • G Maj • 02:27 • -14.64db
35% Popularity • 80% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
35% Popularity • 80% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Colin Weary
Reverence Gold
76 bpm • B min • 03:08 • -16.14db
11% Popularity • 65% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
11% Popularity • 65% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Lydia Luce
Strawberry Moon - Instrumental
86 bpm • G Maj • 03:24 • -11.05db
37% Popularity • 30% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 37% Positiveness
37% Popularity • 30% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 37% Positiveness
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Karl Jakob
To the lighthouse
76 bpm • E Maj • 02:37 • -12.77db
16% Popularity • 73% Danceability • 20% Energy • 11% Liveness
77% Instrumentalness • 21% Positiveness
16% Popularity • 73% Danceability • 20% Energy • 11% Liveness
77% Instrumentalness • 21% Positiveness
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Aurélien Trigo
Elder Wand
76 bpm • C Maj • 03:17 • -18.99db
18% Popularity • 49% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
18% Popularity • 49% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Wanderer's Trove
Blossoming Tree
87 bpm • F Maj • 03:01 • -9.38db
29% Popularity • 44% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
29% Popularity • 44% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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Martin Klem
Coyote Wedding
87 bpm • G# Maj • 02:24 • -12.43db
38% Popularity • 60% Danceability • 45% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
38% Popularity • 60% Danceability • 45% Energy • 10% Liveness
86% Instrumentalness • 27% Positiveness
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Muniesa
Castellote
87 bpm • A Maj • 02:24 • -16.05db
35% Popularity • 71% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
35% Popularity • 71% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Ash & Eric
Lost & Found - Instrumental
87 bpm • F Maj • 03:18 • -16.76db
14% Popularity • 64% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
14% Popularity • 64% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Colin Reed
Rumors
75 bpm • G Maj • 02:21 • -23.39db
44% Popularity • 58% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 39% Positiveness
44% Popularity • 58% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 39% Positiveness
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Aurélien Trigo
Lucioles
76 bpm • A Maj • 02:11 • -17.1db
15% Popularity • 48% Danceability • 15% Energy • 12% Liveness
81% Instrumentalness • 19% Positiveness
15% Popularity • 48% Danceability • 15% Energy • 12% Liveness
81% Instrumentalness • 19% Positiveness
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Collin Hill
Evergreen
87 bpm • A# Maj • 03:04 • -14.59db
28% Popularity • 39% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
28% Popularity • 39% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Duncan Bowie
Hart Road
88 bpm • D Maj • 02:45 • -18.99db
37% Popularity • 51% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
37% Popularity • 51% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
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Daniel Kaede
Changing Tides
75 bpm • C Maj • 02:14 • -9.09db
24% Popularity • 75% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
24% Popularity • 75% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Sam Edwards
Afternoon Tea
88 bpm • F min • 02:46 • -25.76db
15% Popularity • 56% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
15% Popularity • 56% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Aaron Flemming
Before I Disappear
88 bpm • A Maj • 01:49 • -13.66db
38% Popularity • 60% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
38% Popularity • 60% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Chris Embers
Drifting Away
75 bpm • F# min • 02:06 • -18.04db
39% Popularity • 34% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
39% Popularity • 34% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Kim Aspen
Dust In The Sun
88 bpm • C# Maj • 02:48 • -12.62db
30% Popularity • 46% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 56% Positiveness
30% Popularity • 46% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 56% Positiveness
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Alain LaFontaine
Four Green Fields
88 bpm • G Maj • 02:04 • -24.7db
36% Popularity • 62% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 57% Positiveness
36% Popularity • 62% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 57% Positiveness
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Wanderer's Trove
Waiting for Spring
88 bpm • C# Maj • 03:40 • -13.92db
23% Popularity • 62% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
23% Popularity • 62% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Jürgen Saalmann
Harmonic
88 bpm • G Maj • 03:11 • -13.32db
31% Popularity • 58% Danceability • 16% Energy • 11% Liveness
83% Instrumentalness • 21% Positiveness
31% Popularity • 58% Danceability • 16% Energy • 11% Liveness
83% Instrumentalness • 21% Positiveness
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Philip Grass
High Seas
74 bpm • G Maj • 02:29 • -18.53db
43% Popularity • 59% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
43% Popularity • 59% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Carrie Mittenkemp
Window From A Train
74 bpm • E min • 02:25 • -11.73db
20% Popularity • 61% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
20% Popularity • 61% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
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Elenor Fuchs
Flamingo
74 bpm • E Maj • 02:49 • -19.93db
20% Popularity • 65% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
20% Popularity • 65% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Echo Ark
Floral Hymn
74 bpm • D# Maj • 03:35 • -16.22db
27% Popularity • 34% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
27% Popularity • 34% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Wanderer's Trove
Grass in the Wind
88 bpm • G Maj • 02:54 • -12.42db
21% Popularity • 69% Danceability • 16% Energy • 7% Liveness
93% Instrumentalness • 31% Positiveness
21% Popularity • 69% Danceability • 16% Energy • 7% Liveness
93% Instrumentalness • 31% Positiveness
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Chris Nordlinger
Arizona Sunsets
89 bpm • B Maj • 02:07 • -13.15db
24% Popularity • 38% Danceability • 34% Energy • 26% Liveness
71% Instrumentalness • 34% Positiveness
24% Popularity • 38% Danceability • 34% Energy • 26% Liveness
71% Instrumentalness • 34% Positiveness
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Rob Willard
The Countryside
74 bpm • A Maj • 01:48 • -15.25db
11% Popularity • 69% Danceability • 19% Energy • 12% Liveness
68% Instrumentalness • 9% Positiveness
11% Popularity • 69% Danceability • 19% Energy • 12% Liveness
68% Instrumentalness • 9% Positiveness
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Steve D
Rainmaker
74 bpm • D Maj • 02:21 • -18.54db
20% Popularity • 67% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
20% Popularity • 67% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Iris Dauphin
Wonder's Pyre
89 bpm • D Maj • 02:49 • -21db
41% Popularity • 44% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
41% Popularity • 44% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
