Songs like Lemon Drop by Raynes
Based on a tempo of (+/- 10%) and a similar genre
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Scott Helman
Sweet Tooth
95 bpm • C# Maj • 03:21 • -4.96db
54% Popularity • 70% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 70% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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SAINT PHNX
Happy Place
95 bpm • C# Maj • 03:06 • -7.48db
45% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ryan Mack
Wish You the Worst
95 bpm • C Maj • 02:23 • -7.25db
68% Popularity • 74% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 74% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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Raynes
Lemon Drop
95 bpm • E Maj • 03:40 • -4.99db
53% Popularity • 61% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 61% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Wingtip
Use Your Words
95 bpm • A# Maj • 02:44 • -5.7db
37% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 72% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Stolen
Overboard
95 bpm • F Maj • 03:16 • -6.39db
30% Popularity • 61% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 61% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Havelin
Faith
95 bpm • G Maj • 02:43 • -7.26db
36% Popularity • 82% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 82% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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SAINT PHNX
Happy Place
95 bpm • C# Maj • 03:06 • -7.32db
43% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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JORDY
Just Friends
95 bpm • G Maj • 03:09 • -7.02db
52% Popularity • 68% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 68% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Phillip Phillips
So Will I
95 bpm • F# Maj • 02:53 • -5.14db
43% Popularity • 60% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 60% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Colony House
Moving Forward
95 bpm • C# Maj • 03:37 • -6db
45% Popularity • 41% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 41% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Cody Fry
Go
95 bpm • C# Maj • 03:14 • -6db
46% Popularity • 66% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 66% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Jenna Raine
It Is What It Is
96 bpm • G Maj • 02:26 • -6.57db
70% Popularity • 81% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
70% Popularity • 81% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Band CAMINO
Roses
96 bpm • C# Maj • 03:01 • -5.07db
52% Popularity • 70% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 70% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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Wild Party
Coexist
94 bpm • D Maj • 02:41 • -5.86db
42% Popularity • 64% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 64% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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AJ Smith
Confetti
96 bpm • A Maj • 03:20 • -6.28db
29% Popularity • 78% Danceability • 67% Energy • 65% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 78% Danceability • 67% Energy • 65% Liveness
0% Instrumentalness • 83% Positiveness
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Anders Sohn
I Got You
94 bpm • B Maj • 02:45 • -8.72db
42% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Chaz Cardigan
Losing Touch
96 bpm • E Maj • 03:04 • -4.71db
20% Popularity • 63% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 63% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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The Mowgli's
I'm Good
96 bpm • C Maj • 02:46 • -5.34db
54% Popularity • 61% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 61% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Kindred
Spent My Life
96 bpm • G Maj • 03:42 • -6.71db
38% Popularity • 67% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 67% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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The Collection
Breathe Till I'm Full
93 bpm • G Maj • 03:18 • -7db
34% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Mark Ambor
Don't You Worry
93 bpm • G Maj • 02:42 • -7.08db
55% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Jon Bellion
Kingdom Come
97 bpm • C Maj • 02:19 • -5.35db
53% Popularity • 91% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 91% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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The Heydaze
New Religion - Acoustic
97 bpm • D Maj • 03:25 • -9db
29% Popularity • 57% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 57% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Ivory Layne
Cookie Cutter
93 bpm • G Maj • 02:41 • -6.28db
34% Popularity • 74% Danceability • 76% Energy • 63% Liveness
1% Instrumentalness • 56% Positiveness
34% Popularity • 74% Danceability • 76% Energy • 63% Liveness
1% Instrumentalness • 56% Positiveness
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Truslow
Adhd
97 bpm • F Maj • 03:13 • -2.77db
51% Popularity • 64% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 64% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Draper
I Don't Wanna Go
93 bpm • D Maj • 03:37 • -6.82db
23% Popularity • 35% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 35% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Walk off the Earth
whatever
97 bpm • B Maj • 01:59 • -7.24db
45% Popularity • 65% Danceability • 68% Energy • 55% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 65% Danceability • 68% Energy • 55% Liveness
0% Instrumentalness • 87% Positiveness
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The East Pointers
Kayla, For Me
97 bpm • G Maj • 02:36 • -8.92db
37% Popularity • 66% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 66% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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The Heydaze
New Religion
97 bpm • G Maj • 03:23 • -4.46db
52% Popularity • 54% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 54% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Animal Island
Everybody Loves the Sunshine
93 bpm • C Maj • 02:37 • -4.43db
31% Popularity • 68% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 68% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Sun Heat
Brand New Morning
97 bpm • C Maj • 02:36 • -10.7db
51% Popularity • 75% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 75% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Fitz and The Tantrums
I Just Wanna Shine
93 bpm • F# min • 03:27 • -2.77db
61% Popularity • 70% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 70% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Five For Fighting
Heaven Knows
98 bpm • A# Maj • 03:30 • -7.08db
53% Popularity • 60% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 60% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Riley Roth
Stranger
98 bpm • G# Maj • 02:30 • -4db
44% Popularity • 58% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 58% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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East Love
Rolling Stone
98 bpm • B Maj • 03:12 • -7db
34% Popularity • 69% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 69% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Mike Waters
Them Dirty Bones
98 bpm • G# Maj • 03:45 • -8.22db
35% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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flor
heart
98 bpm • D Maj • 03:42 • -5db
47% Popularity • 64% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 64% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Black Match
Same Old Things
98 bpm • C Maj • 03:21 • -9db
36% Popularity • 67% Danceability • 60% Energy • 59% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 67% Danceability • 60% Energy • 59% Liveness
0% Instrumentalness • 75% Positiveness
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Ryan Mack
Broke
92 bpm • G Maj • 02:30 • -7.33db
50% Popularity • 85% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 85% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Anders Sohn
Take You With Me
98 bpm • B Maj • 02:57 • -9.08db
35% Popularity • 78% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 78% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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MAGIC GIANT
Celebrate The Reckless
98 bpm • G Maj • 04:37 • -4db
39% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Little King
Dear Future Me
92 bpm • F Maj • 04:00 • -6.61db
30% Popularity • 65% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 75% Positiveness
30% Popularity • 65% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 75% Positiveness
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We Are the Guests
House a Habit
99 bpm • G Maj • 03:51 • -9db
35% Popularity • 38% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 38% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Run River North
Wake Up
91 bpm • A Maj • 03:11 • -5db
50% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Jonah Taylor
Seattle
91 bpm • A# Maj • 03:54 • -7.52db
27% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Built By Titan
Can't Help Falling In Love
100 bpm • D# Maj • 03:15 • -10.07db
29% Popularity • 22% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Wingtip
Happiness
91 bpm • C# min • 02:51 • -8db
51% Popularity • 81% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 81% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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New Rules
Really Wanna Dance With You
100 bpm • B Maj • 02:38 • -5.73db
48% Popularity • 69% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 69% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Half the Animal
Hi Lo
100 bpm • A min • 03:22 • -6db
31% Popularity • 48% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 48% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Andy Grammer
Back Home
100 bpm • B Maj • 03:19 • -6.5db
40% Popularity • 62% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 62% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Matt McAndrew
Game Over
100 bpm • C Maj • 03:04 • -4db
25% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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knowhere
The Vibe
100 bpm • G Maj • 03:09 • -8.05db
29% Popularity • 68% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 68% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Anders Sohn
Little Bit of Love
100 bpm • C Maj • 03:02 • -7.35db
35% Popularity • 80% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 80% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Nextlife
Be Better
100 bpm • C Maj • 03:23 • -6db
27% Popularity • 89% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 89% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Morningsiders
This Could Be Good
100 bpm • G Maj • 03:00 • -8.57db
47% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Clouds And Thorns
Dance in the Rain
100 bpm • C Maj • 03:06 • -5db
29% Popularity • 60% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 60% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Ryan Mack
Sad Fuck
100 bpm • F min • 02:08 • -6.25db
60% Popularity • 82% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 82% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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The Federal Empire
Never Saw It Coming
100 bpm • G# min • 03:38 • -3.67db
33% Popularity • 58% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 58% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Raynes
You Never Believe Me
90 bpm • D Maj • 04:11 • -8.25db
30% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Scrawny
be ok
90 bpm • D# Maj • 03:10 • -5.3db
39% Popularity • 75% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 75% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Secret Weapons
Fire Burning
90 bpm • A# Maj • 04:14 • -6.62db
23% Popularity • 49% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 49% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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The Score
Going Home
90 bpm • D Maj • 03:18 • -4db
48% Popularity • 62% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 62% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Truslow
Lucky Day
90 bpm • B min • 03:40 • -8.91db
13% Popularity • 62% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 62% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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The Band CAMINO
EVERYBODYDIES
90 bpm • B Maj • 03:26 • -3.79db
41% Popularity • 60% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 60% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Benedict Cork
Have a Good Life (See You Never)
90 bpm • B Maj • 03:01 • -10.94db
54% Popularity • 68% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 68% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Brooke Alexx
Grace
90 bpm • A Maj • 02:42 • -5.42db
32% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Astronomers
Casita
90 bpm • F Maj • 02:32 • -7db
54% Popularity • 62% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
54% Popularity • 62% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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HARBOUR
Runaway Kids
101 bpm • G Maj • 03:44 • -6.66db
48% Popularity • 51% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 51% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Cardigan Club
Good Life
101 bpm • F# Maj • 03:04 • -5.06db
30% Popularity • 63% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 63% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Goghi
Wolverine
101 bpm • G Maj • 03:30 • -7.63db
28% Popularity • 64% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 64% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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gray
Swoon
89 bpm • B Maj • 03:48 • -8db
30% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Quinn XCII
Too Late
89 bpm • F# min • 02:55 • -6.91db
58% Popularity • 73% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
58% Popularity • 73% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Anders Sohn
Bright Side
89 bpm • A Maj • 02:43 • -7.18db
37% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 60% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Ingrid Michaelson
The Lotto
89 bpm • D# Maj • 03:13 • -4.54db
55% Popularity • 69% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
55% Popularity • 69% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Ben Rector
Kids
102 bpm • B Maj • 04:17 • -6.49db
44% Popularity • 58% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 58% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Phillip Vo
Young Love
102 bpm • C# Maj • 03:34 • -7.31db
35% Popularity • 70% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 70% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Kids In America
DIVE
102 bpm • A Maj • 02:50 • -7.14db
23% Popularity • 65% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 65% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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New Rules
Pasta
89 bpm • C# Maj • 02:57 • -4db
50% Popularity • 63% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 63% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Jake Scott
Dancing in the Dawn
102 bpm • E Maj • 02:56 • -4.89db
47% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Ryan Mack
Sleepyhead
102 bpm • F# Maj • 02:06 • -7.45db
57% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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AJR
It's On Us (Benefiting the "It's On Us" ...
88 bpm • A Maj • 03:27 • -4.63db
48% Popularity • 49% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 49% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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The Catching
Change
103 bpm • F# Maj • 03:09 • -10.89db
33% Popularity • 41% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 41% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Birds of Bellwoods
One By One
88 bpm • C# Maj • 03:05 • -5.15db
26% Popularity • 54% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 54% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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The Score
Livin Right
88 bpm • C# min • 03:29 • -4.26db
40% Popularity • 52% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 52% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Cody Fry
That Thing That You Do
103 bpm • D Maj • 03:36 • -5.02db
29% Popularity • 75% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 75% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Harrison Boe
Life Is Waiting
103 bpm • D Maj • 03:03 • -7.77db
38% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jordy Searcy
Love & War in Your Twenties
103 bpm • D Maj • 04:10 • -9.69db
65% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
65% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Willow City
Cool With Being Crazy
103 bpm • B Maj • 03:27 • -5db
39% Popularity • 60% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 60% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 70% Positiveness
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Clouds And Thorns
Call You Home
103 bpm • C# Maj • 04:00 • -6.02db
26% Popularity • 55% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 55% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Parachute
Lonely With Me
87 bpm • G Maj • 03:38 • -5.6db
38% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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New Rules
Love You Like That
104 bpm • E Maj • 02:24 • -4.51db
39% Popularity • 75% Danceability • 74% Energy • 20% Liveness
5% Instrumentalness • 93% Positiveness
39% Popularity • 75% Danceability • 74% Energy • 20% Liveness
5% Instrumentalness • 93% Positiveness
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Ethan Sak
Make My Heart Go
104 bpm • F Maj • 02:55 • -6db
30% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Zach Berkman
Where the Wind Blows
104 bpm • A Maj • 02:47 • -7db
39% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Group Project
Sushi Date
104 bpm • D Maj • 03:21 • -7.42db
30% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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David Archuleta
Ok, All Right
104 bpm • C Maj • 02:54 • -6.08db
40% Popularity • 88% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 88% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Jordy Searcy
Rich
104 bpm • A# Maj • 03:04 • -9.06db
37% Popularity • 65% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 65% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Mark Ambor
The Long Way
105 bpm • E Maj • 02:15 • -3.86db
53% Popularity • 68% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 68% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
