Songs like Lenchen Ging Im Wald Spazieren by Wolfgang Gruner
Based on a tempo of (+/- 10%) and a similar genre
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Fischer Choere
Stadt Hamburg an der Elbe Auen
92 bpm • F Maj • 02:41 • -14.27db
10% Popularity • 39% Danceability • 19% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 39% Danceability • 19% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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INFOTZRICO
Es tanzt ein inkognito Spastiko
94 bpm • D Maj • 00:57 • -15.08db
19% Popularity • 48% Danceability • 25% Energy • 55% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 48% Danceability • 25% Energy • 55% Liveness
0% Instrumentalness • 79% Positiveness
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Oscar Müller
D´steile Stuagerter Stäffela
94 bpm • G Maj • 01:35 • -10.5db
13% Popularity • 62% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 62% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Clausthaler Studentenchor
Burschen heraus!
93 bpm • C# Maj • 01:13 • -19.1db
12% Popularity • 54% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 54% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Fasnet in Rottweil
Elzacher Latscharilied
94 bpm • D# Maj • 02:50 • -15.38db
14% Popularity • 62% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 62% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Biermösl Blosn
Hey, Madonna
94 bpm • G# Maj • 04:01 • -8.01db
9% Popularity • 58% Danceability • 43% Energy • 68% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 58% Danceability • 43% Energy • 68% Liveness
0% Instrumentalness • 83% Positiveness
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Zuggesellschaft Villingen e.V.
Isch de Faschte im Mau
94 bpm • D# Maj • 03:07 • -7.4db
10% Popularity • 61% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 61% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Anton Günther
Wu de Wälder haamlich rauschen
92 bpm • G Maj • 03:11 • -13.28db
9% Popularity • 66% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 66% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Georg Kreisler
Sie ist ein herrliches Weib
91 bpm • G# Maj • 02:37 • -17.23db
9% Popularity • 68% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Stimmen der Berge
Ja wo beisst der Floh (Flohwalzer)
95 bpm • C Maj • 03:37 • -7.52db
8% Popularity • 72% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 72% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 75% Positiveness
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Roy D. Martin
Egal was Andre sagen
91 bpm • C Maj • 03:50 • -7.46db
17% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Stammtischsänger Flüelen
Meiteli, wenn dü witt go tanze - UR
91 bpm • D# Maj • 03:08 • -14.46db
8% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Rummelsnuff
Hinterwäldler
91 bpm • A min • 03:42 • -11.96db
7% Popularity • 79% Danceability • 42% Energy • 65% Liveness
0% Instrumentalness • 89% Positiveness
7% Popularity • 79% Danceability • 42% Energy • 65% Liveness
0% Instrumentalness • 89% Positiveness
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Karl Glasstetter
St Nepomuk
91 bpm • C# Maj • 01:34 • -15.34db
16% Popularity • 62% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 62% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Will Glahé
In Munchen steht ein Hofbrauhaus
95 bpm • F Maj • 02:22 • -9.94db
10% Popularity • 72% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 72% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Georg Thomalla
Hurra, wir sind mal wieder Junggesell'n
90 bpm • G Maj • 02:51 • -10.53db
0% Popularity • 67% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 67% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Willy Schneider
Keiner nimmt was mit
90 bpm • A# Maj • 03:20 • -9.57db
8% Popularity • 46% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 46% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Heath Cobb
Give Me a Reason
90 bpm • G Maj • 06:03 • -11.22db
20% Popularity • 65% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 65% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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René Carol
Der Goldschmied von Toledo
96 bpm • D Maj • 02:26 • -7.14db
10% Popularity • 42% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 42% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Viel Lärm Um Nichts
Es geht nur nach oben
90 bpm • C Maj • 03:44 • -8.75db
11% Popularity • 83% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 83% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Heinz Schenk
Es ist alles nur geliehen
96 bpm • F Maj • 02:35 • -8db
9% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Bernhard Fibich
Ja, so bin ich
90 bpm • D# Maj • 02:31 • -14.56db
12% Popularity • 65% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 65% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Roy D. Martin
Es ist einfach fort zu gehn
90 bpm • C# Maj • 04:01 • -6.81db
17% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Nicklas Gadke
In the Distance
90 bpm • G Maj • 03:01 • -13.55db
20% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Universitätssängerschaft Skalden
So pünktlich zur Sekunde
96 bpm • G Maj • 02:17 • -11.1db
7% Popularity • 67% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 67% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Hildegard Knef
Der Mensch muss unter die Leute
96 bpm • D Maj • 02:35 • -7.69db
11% Popularity • 62% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 62% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Brock-Terzett & Christine Röder
Auf em Wasa grasat d' Hasa
96 bpm • D Maj • 02:11 • -10.68db
11% Popularity • 62% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 62% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Hoermann&Frauen
Gehn ma spaziern
89 bpm • C Maj • 02:58 • -15.29db
18% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Trude Herr
Du Warst Lieb Zu Mir
97 bpm • A# Maj • 02:31 • -7.17db
11% Popularity • 52% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 52% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Erzgebirgsgruppe Ehrenfriedersdorf
Dr Vugelbeerbaam
97 bpm • G# Maj • 02:25 • -14.65db
7% Popularity • 68% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 68% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Maul-Wurf
Kiosk
97 bpm • G# Maj • 02:31 • -6.64db
14% Popularity • 79% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 79% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Rex Gildo
Du nennst alle Männer "Darling"
89 bpm • D# Maj • 01:50 • -6.94db
11% Popularity • 68% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 68% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Pirron und Knapp
Blitzo
97 bpm • G Maj • 02:34 • -13.84db
14% Popularity • 74% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 74% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Martin Frank
Arie 'Dunkelrote Rosen' aus 'Gasparone' ...
89 bpm • C Maj • 02:30 • -10.23db
15% Popularity • 33% Danceability • 51% Energy • 85% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 33% Danceability • 51% Energy • 85% Liveness
0% Instrumentalness • 46% Positiveness
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Sepp Viellechner mit Chor und Orchester Pauls Schmotz
Das Lied der Bayerrn (Gott mit dir, du L...
89 bpm • A# Maj • 03:37 • -8.72db
10% Popularity • 43% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 43% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Andrea Tinhof
Rokkos Entdeckungsreise
97 bpm • E Maj • 02:44 • -12.83db
10% Popularity • 56% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 56% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Heinz Erhardt
Luisenstraße 13
97 bpm • F Maj • 02:27 • -8db
9% Popularity • 71% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 71% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Männergesangsverein Strengen
Ein Bier
89 bpm • A# Maj • 02:09 • -12.81db
7% Popularity • 37% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 37% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Stimmen der Berge
Danke für die Lieder
98 bpm • A# Maj • 03:51 • -6.72db
7% Popularity • 36% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 36% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Fredl Fesl
D'Welt hat an Vogel
88 bpm • G# Maj • 05:33 • -13.5db
10% Popularity • 69% Danceability • 44% Energy • 79% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 69% Danceability • 44% Energy • 79% Liveness
0% Instrumentalness • 77% Positiveness
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Gerhard Polt
Ekzem-Gstanzl - Live
98 bpm • G Maj • 04:58 • -6.23db
8% Popularity • 52% Danceability • 60% Energy • 76% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 52% Danceability • 60% Energy • 76% Liveness
0% Instrumentalness • 86% Positiveness
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Poppele-Zunft Singen 1860 e.V.
Hoorig isch de säll
98 bpm • F Maj • 01:13 • -10.37db
12% Popularity • 59% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 59% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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Andreas Rebers
Teil 5 - Rebers Box "Déjà -vu"
88 bpm • G Maj • 03:00 • -10db
8% Popularity • 63% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 63% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Aurel
Die Kippe
98 bpm • G Maj • 03:10 • -8.4db
19% Popularity • 68% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 68% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Mainzer Hofsänger
Ein Kleiner Narr
98 bpm • A# Maj • 03:26 • -7.51db
7% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Hanno Herzler
Kapitel 4 - 04: Die Höhle auf dem Adler...
98 bpm • A min • 03:09 • -10.38db
8% Popularity • 57% Danceability • 54% Energy • 72% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 57% Danceability • 54% Energy • 72% Liveness
0% Instrumentalness • 50% Positiveness
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Mike Krüger
Hallo Papi - Remastered 2022
98 bpm • C Maj • 02:43 • -8db
6% Popularity • 75% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
6% Popularity • 75% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Adam & die Micky's
Gaudiamus isidor
98 bpm • F Maj • 01:06 • -5.25db
11% Popularity • 54% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 54% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Edgar Wallace
Teil 1 - Folge 1: Der Zinker
99 bpm • C# Maj • 03:25 • -12.56db
12% Popularity • 41% Danceability • 50% Energy • 56% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 41% Danceability • 50% Energy • 56% Liveness
0% Instrumentalness • 79% Positiveness
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Oktoberklub
Wir Wollen Frieden - Live
88 bpm • F Maj • 02:11 • -13.11db
9% Popularity • 66% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 66% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 49% Positiveness
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Schmetterlinge
Endlich Ruhe - Gute Nacht
88 bpm • C min • 01:16 • -14.46db
7% Popularity • 60% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
7% Popularity • 60% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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BELINA
Zwei in einer großen Stadt - Remastered
99 bpm • C Maj • 02:49 • -17.32db
7% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Bernd Kohlhepp
Die Besteckschublade
99 bpm • D# Maj • 01:18 • -18.09db
10% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Oscar Müller & Rainer Nitschke
s' war immer so
99 bpm • D# Maj • 03:29 • -21db
9% Popularity • 66% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 66% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Hans Moser
Mei Naserl ist so rot, weil ich so blau ...
87 bpm • D# Maj • 02:56 • -11.56db
12% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Rostocker Shanty Chor Luv un Lee
Pommernlied, wenn in stiller Stunde - He...
99 bpm • A# Maj • 02:49 • -9db
13% Popularity • 50% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 50% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Shantychor Baltrum
Wir fahren übers weite Meer
100 bpm • A min • 01:51 • -8.53db
12% Popularity • 44% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 44% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Biermösl Blosn
Der Asylant
87 bpm • D Maj • 03:20 • -14.17db
3% Popularity • 57% Danceability • 33% Energy • 94% Liveness
0% Instrumentalness • 65% Positiveness
3% Popularity • 57% Danceability • 33% Energy • 94% Liveness
0% Instrumentalness • 65% Positiveness
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Schneereima
Austropop (Heißer Österreich Mix)
100 bpm • F Maj • 03:04 • -10.83db
12% Popularity • 67% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 67% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Paul Kuhn
Milch macht müde Männer munter
100 bpm • G# Maj • 02:37 • -7.93db
10% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Arjon Capel
Schubladen
100 bpm • D Maj • 03:36 • -8.01db
22% Popularity • 78% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 78% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Zwieton
Ohne Dich
100 bpm • A min • 02:37 • -11.05db
8% Popularity • 81% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 81% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Jacques Offenbach
La belle Helene (Sung in German): Zu bet...
86 bpm • F# Maj • 02:53 • -17.52db
0% Popularity • 24% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
0% Popularity • 24% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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Bruce Low
Gestern wollt' ich beten geh'n
100 bpm • G# Maj • 02:47 • -9db
8% Popularity • 65% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 65% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Tripsdrill
Volldampf (Der Soundtrack)
100 bpm • C Maj • 03:14 • -5.44db
13% Popularity • 79% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 79% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Mike Krüger
Anette
100 bpm • C Maj • 02:40 • -8.61db
14% Popularity • 84% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 84% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Heinz Erhardt
Der Fabelhafte Egon
86 bpm • G# Maj • 02:12 • -3.7db
11% Popularity • 57% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 57% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 92% Positiveness
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Vico Torriani
Sonntagmorgen in den Bergen
86 bpm • G Maj • 02:37 • -10.15db
9% Popularity • 49% Danceability • 37% Energy • 15% Liveness
2% Instrumentalness • 42% Positiveness
9% Popularity • 49% Danceability • 37% Energy • 15% Liveness
2% Instrumentalness • 42% Positiveness
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Christine Röder
Mei Gärtle glei beim Haus
86 bpm • D# Maj • 03:06 • -17db
10% Popularity • 49% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 49% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Lale Andersen
Wenn Du Kein Mädel Weisst (Good Night, ...
101 bpm • A# Maj • 03:08 • -11.88db
14% Popularity • 35% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 35% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Johanna von Koczian
Wenn Kinder dich fragen
86 bpm • A# Maj • 03:35 • -11.42db
0% Popularity • 60% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 60% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Crackers
Pickl Am Fuß (Aua!) - Remastered 2023
86 bpm • F# min • 01:19 • -9db
12% Popularity • 87% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 87% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Ernst Neger
Medley
101 bpm • C# Maj • 02:42 • -16.22db
7% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Rostocker Shanty Chor Luv un Lee
Ho, unser Maat, der hat schief geladen -...
101 bpm • A min • 01:32 • -13db
10% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Herrn Stumpfes Zieh & Zupf Kapelle
Komma senn mir als Fremde
101 bpm • G Maj • 03:54 • -20db
7% Popularity • 54% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 54% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Narrenzunft Krakeelia Waldkirch 1865 e.V.
Am Schmutzige Dunschtig
101 bpm • D# Maj • 02:03 • -12.47db
7% Popularity • 72% Danceability • 40% Energy • 66% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 72% Danceability • 40% Energy • 66% Liveness
0% Instrumentalness • 90% Positiveness
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Johanna von Koczian
Das ist der schönste Moment
101 bpm • C Maj • 03:57 • -13.46db
0% Popularity • 59% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 59% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Kuhn
Cara-Caramel Chocolat
85 bpm • F min • 02:42 • -8db
10% Popularity • 61% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 61% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Heike Harfmann
Automobil
85 bpm • F Maj • 01:59 • -14db
11% Popularity • 71% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 71% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Biermösl Blosn
Das Edelweiss
102 bpm • G# Maj • 02:11 • -14db
9% Popularity • 67% Danceability • 24% Energy • 71% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 67% Danceability • 24% Energy • 71% Liveness
0% Instrumentalness • 71% Positiveness
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Kaos Plus Duo
Rentnerclub auf großer Fahrt
102 bpm • C Maj • 04:14 • -7.97db
16% Popularity • 75% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 75% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Hank Häberle jr.
Der Himmel in Deinen rotversoffnen Augen
85 bpm • C Maj • 03:56 • -8.88db
8% Popularity • 64% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 64% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Willy Astor
Leilo Lore Ley
102 bpm • E Maj • 02:39 • -5.11db
15% Popularity • 84% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 84% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Gebrüder Jehn
Rund um den Baum herum
102 bpm • F Maj • 02:26 • -8.66db
8% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Schmetterlinge
Valerie mit dem Südwester
103 bpm • G Maj • 00:51 • -9.8db
11% Popularity • 74% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 74% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
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Peter Alexander
Der Böhm in mir (Annen-Polka)
84 bpm • C Maj • 02:13 • -14.95db
11% Popularity • 76% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 76% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Willy Schneider
Ich Hab MEin Herz In Heidelberg
103 bpm • D Maj • 02:41 • -8db
14% Popularity • 65% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 65% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Roy D. Martin
Ich bin ne kölsche Jung
84 bpm • F Maj • 03:54 • -6.16db
17% Popularity • 59% Danceability • 55% Energy • 57% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 59% Danceability • 55% Energy • 57% Liveness
0% Instrumentalness • 55% Positiveness
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Ulrik Remy
Dann lacht mein Kind im Traum
103 bpm • G Maj • 03:39 • -8.06db
8% Popularity • 57% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 57% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Eure Mütter
Was ich an euch mag
84 bpm • D Maj • 03:48 • -9.38db
23% Popularity • 50% Danceability • 44% Energy • 81% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 50% Danceability • 44% Energy • 81% Liveness
0% Instrumentalness • 83% Positiveness
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Zero Clara
Party
103 bpm • F min • 02:41 • -7.1db
29% Popularity • 80% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 80% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Kurt Dehn
Tri Tra Tröppelche
103 bpm • D# Maj • 02:51 • -9.42db
10% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Otto Reutter
Der Ãœberzieher - Original 1925 Remaster...
84 bpm • D# Maj • 03:20 • -11.24db
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Roy D. Martin
In meinem Leben
84 bpm • D Maj • 04:05 • -7.13db
18% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Margit Sponheimer
Wähle 0-6-1-3-1
103 bpm • C Maj • 03:31 • -12.69db
10% Popularity • 69% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 69% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Peter Alexander
Heut' kommen d' Engerln auf Urlaub nach ...
104 bpm • G Maj • 02:30 • -7.73db
11% Popularity • 65% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 65% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Tim & Struppi
010 - Tim und die Picaros - Teil 01
84 bpm • B Maj • 01:42 • -16.15db
17% Popularity • 66% Danceability • 53% Energy • 65% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 66% Danceability • 53% Energy • 65% Liveness
0% Instrumentalness • 88% Positiveness
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Wolf Biermann
In dem Tal dort am Rio Jarama
104 bpm • F Maj • 02:20 • -16.1db
8% Popularity • 65% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 65% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
