Songs like Leona by Peter King
Based on a tempo of (+/- 10%) and a similar genre
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Gyedu-Blay Ambolley
Adwoa
86 bpm • C Maj • 04:07 • -16.1db
30% Popularity • 75% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
30% Popularity • 75% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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Petr Eben
Hommage à Dietrich Buxtehude
86 bpm • C Maj • 09:07 • -23.38db
0% Popularity • 10% Danceability • 11% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 11% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Peter King
Leona
86 bpm • D Maj • 04:49 • -20.21db
0% Popularity • 43% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
0% Popularity • 43% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Gabriel Fauré
Messe Basse
85 bpm • G Maj • 02:18 • -20.26db
0% Popularity • 17% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
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Bola Johnson
Oh My Baby Josephine
87 bpm • F# Maj • 02:40 • -7db
23% Popularity • 80% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 80% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
87 bpm • F Maj • 02:58 • -24.01db
0% Popularity • 14% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Olivier Messiaen
O sacrum convivium!, I/18
88 bpm • A# min • 03:33 • -29.85db
0% Popularity • 18% Danceability • 5% Energy • 11% Liveness
43% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 5% Energy • 11% Liveness
43% Instrumentalness • 4% Positiveness
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Rob
But You
84 bpm • F# min • 03:22 • -11.08db
8% Popularity • 79% Danceability • 66% Energy • 21% Liveness
13% Instrumentalness • 66% Positiveness
8% Popularity • 79% Danceability • 66% Energy • 21% Liveness
13% Instrumentalness • 66% Positiveness
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Maffi
Bad Memory
84 bpm • F# Maj • 03:45 • -12.25db
5% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Herbert Howells
Magnificat in G
87 bpm • A min • 05:19 • -19.71db
0% Popularity • 12% Danceability • 17% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 17% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Itadi
Watch Your Life
88 bpm • C Maj • 06:10 • -10db
36% Popularity • 63% Danceability • 73% Energy • 11% Liveness
18% Instrumentalness • 84% Positiveness
36% Popularity • 63% Danceability • 73% Energy • 11% Liveness
18% Instrumentalness • 84% Positiveness
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Bola Johnson
E Ma S'eka
88 bpm • A min • 03:04 • -10.24db
32% Popularity • 72% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 72% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Orlando Julius
Alafia
89 bpm • E min • 03:11 • -5.86db
11% Popularity • 51% Danceability • 96% Energy • 64% Liveness
95% Instrumentalness • 70% Positiveness
11% Popularity • 51% Danceability • 96% Energy • 64% Liveness
95% Instrumentalness • 70% Positiveness
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The Scorpions
Nile Waves
88 bpm • C Maj • 03:59 • -8db
41% Popularity • 73% Danceability • 79% Energy • 4% Liveness
82% Instrumentalness • 97% Positiveness
41% Popularity • 73% Danceability • 79% Energy • 4% Liveness
82% Instrumentalness • 97% Positiveness
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Sir Victor Uwaifo
Dododo - (Ekassa No. 1)
89 bpm • F Maj • 05:20 • -8.32db
18% Popularity • 50% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 50% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Percy Grainger
Irish Tune from County Derry (Arr. for O...
83 bpm • D# Maj • 03:41 • -28.22db
0% Popularity • 12% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
0% Popularity • 12% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Peter King
Bag's Groove
89 bpm • C# Maj • 07:58 • -11.51db
0% Popularity • 48% Danceability • 58% Energy • 70% Liveness
62% Instrumentalness • 54% Positiveness
0% Popularity • 48% Danceability • 58% Energy • 70% Liveness
62% Instrumentalness • 54% Positiveness
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![The Things We Do In Soweto cover art]()
Almon Memela
The Things We Do In Soweto
83 bpm • G Maj • 03:46 • -8.94db
21% Popularity • 62% Danceability • 56% Energy • 9% Liveness
88% Instrumentalness • 97% Positiveness
21% Popularity • 62% Danceability • 56% Energy • 9% Liveness
88% Instrumentalness • 97% Positiveness
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Orlando Julius
Sangodele
89 bpm • F# min • 04:32 • -9.01db
21% Popularity • 44% Danceability • 83% Energy • 36% Liveness
68% Instrumentalness • 71% Positiveness
21% Popularity • 44% Danceability • 83% Energy • 36% Liveness
68% Instrumentalness • 71% Positiveness
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Mulatu Astatke
Kasalefkut-hulu - Stereo Master
83 bpm • C# Maj • 02:26 • -15.63db
51% Popularity • 68% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 86% Positiveness
51% Popularity • 68% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 86% Positiveness
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Anonymous
The First Matin Responsory
90 bpm • D Maj • 03:18 • -31.11db
0% Popularity • 23% Danceability • 3% Energy • 30% Liveness
1% Instrumentalness • 3% Positiveness
0% Popularity • 23% Danceability • 3% Energy • 30% Liveness
1% Instrumentalness • 3% Positiveness
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Percy Whitlock
4 Extemporizations: No. 3, Fidelis
82 bpm • G min • 03:03 • -48.45db
0% Popularity • 7% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 4% Positiveness
0% Popularity • 7% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 4% Positiveness
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Itadi
Dodzi
82 bpm • F# min • 04:27 • -11.51db
19% Popularity • 74% Danceability • 42% Energy • 15% Liveness
62% Instrumentalness • 87% Positiveness
19% Popularity • 74% Danceability • 42% Energy • 15% Liveness
62% Instrumentalness • 87% Positiveness
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Orlando Gibbons
Second Service: II. Nunc dimittis
82 bpm • F min • 03:24 • -26.81db
0% Popularity • 17% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 17% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Charles Wood
Hail, Gladdening Light
82 bpm • A Maj • 02:51 • -23.26db
0% Popularity • 17% Danceability • 12% Energy • 14% Liveness
14% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 12% Energy • 14% Liveness
14% Instrumentalness • 4% Positiveness
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Celestine Ukwu & His Philosophers National
Okwukwe Na Nchekwube
90 bpm • A min • 06:10 • -8.23db
25% Popularity • 46% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 46% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Anton Bruckner
Os justi, WAB 30
82 bpm • C Maj • 04:20 • -26.11db
0% Popularity • 19% Danceability • 5% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
0% Popularity • 19% Danceability • 5% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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John Ireland
Elegiac Romance for Organ
82 bpm • C min • 09:47 • -26.73db
0% Popularity • 8% Danceability • 0% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
0% Popularity • 8% Danceability • 0% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Herbert Kennedy Andrews
Magnificat in D
81 bpm • G Maj • 03:23 • -23.33db
0% Popularity • 17% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 17% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Gasper Lawal
Awon-Oise-Oluwa
91 bpm • G min • 06:23 • -9.74db
13% Popularity • 52% Danceability • 61% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 52% Danceability • 61% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
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Orlando Julius
Buje Buje
91 bpm • F min • 08:21 • -5.69db
14% Popularity • 63% Danceability • 86% Energy • 29% Liveness
20% Instrumentalness • 92% Positiveness
14% Popularity • 63% Danceability • 86% Energy • 29% Liveness
20% Instrumentalness • 92% Positiveness
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Sir Charles Hubert Parry
Songs of Farewell: No. 4, There Is an Ol...
81 bpm • G Maj • 03:26 • -26.39db
0% Popularity • 16% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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El Rego
Kpon Fi La
81 bpm • G# Maj • 03:58 • -10db
25% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Funkees
Break Through
92 bpm • A# min • 03:29 • -9.76db
24% Popularity • 56% Danceability • 76% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
24% Popularity • 56% Danceability • 76% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
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Gabriel Fauré
Messe Basse
81 bpm • C# min • 02:20 • -23.95db
0% Popularity • 12% Danceability • 7% Energy • 21% Liveness
4% Instrumentalness • 3% Positiveness
0% Popularity • 12% Danceability • 7% Energy • 21% Liveness
4% Instrumentalness • 3% Positiveness
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Gildas Scouarnec Quintet
Faïence
81 bpm • F Maj • 07:37 • -9.64db
0% Popularity • 47% Danceability • 49% Energy • 13% Liveness
11% Instrumentalness • 50% Positiveness
0% Popularity • 47% Danceability • 49% Energy • 13% Liveness
11% Instrumentalness • 50% Positiveness
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John Blow
Salvator mundi
81 bpm • D Maj • 03:28 • -24.13db
0% Popularity • 13% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Alex Konadu
W'awu Do Ho No
92 bpm • F min • 03:11 • -6.46db
15% Popularity • 62% Danceability • 87% Energy • 16% Liveness
7% Instrumentalness • 97% Positiveness
15% Popularity • 62% Danceability • 87% Energy • 16% Liveness
7% Instrumentalness • 97% Positiveness
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Peter King
Theme from Bartok's Violin Concerto No. ...
81 bpm • G Maj • 01:30 • -17.09db
0% Popularity • 17% Danceability • 11% Energy • 26% Liveness
64% Instrumentalness • 23% Positiveness
0% Popularity • 17% Danceability • 11% Energy • 26% Liveness
64% Instrumentalness • 23% Positiveness
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Ofege
Nobody Fails
92 bpm • E min • 04:20 • -11.19db
29% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Victor Olaiya
Kinrinjingbin
80 bpm • F# Maj • 04:27 • -7.86db
17% Popularity • 76% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 76% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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William Henry Harris
Come Down O Love Divine
80 bpm • G# Maj • 04:20 • -25.93db
0% Popularity • 11% Danceability • 4% Energy • 10% Liveness
19% Instrumentalness • 3% Positiveness
0% Popularity • 11% Danceability • 4% Energy • 10% Liveness
19% Instrumentalness • 3% Positiveness
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The Funkees
Breakthrough
93 bpm • A# min • 03:23 • -12db
30% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Anonymous
Te Deum
93 bpm • A min • 05:47 • -12.66db
1% Popularity • 16% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 16% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Peter King
Tete's Closing Blues
80 bpm • C# Maj • 02:53 • -14.47db
0% Popularity • 48% Danceability • 46% Energy • 89% Liveness
46% Instrumentalness • 35% Positiveness
0% Popularity • 48% Danceability • 46% Energy • 89% Liveness
46% Instrumentalness • 35% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11 (Version...
80 bpm • C# Maj • 04:46 • -26.35db
0% Popularity • 18% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
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Manu Dibango
Walking to Waza
93 bpm • A min • 04:02 • -7.29db
22% Popularity • 66% Danceability • 85% Energy • 16% Liveness
91% Instrumentalness • 37% Positiveness
22% Popularity • 66% Danceability • 85% Energy • 16% Liveness
91% Instrumentalness • 37% Positiveness
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William Henry Harris
King of Glory
80 bpm • D Maj • 06:11 • -24.45db
0% Popularity • 13% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
0% Popularity • 13% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Magdy Al Hussainy
Music de Carnaval
93 bpm • F min • 05:10 • -6db
34% Popularity • 53% Danceability • 91% Energy • 35% Liveness
67% Instrumentalness • 85% Positiveness
34% Popularity • 53% Danceability • 91% Energy • 35% Liveness
67% Instrumentalness • 85% Positiveness
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Etubom Rex Williams & His Nigerian Artistes
Psychedelic Shoes
93 bpm • A# min • 06:15 • -9.61db
12% Popularity • 59% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 89% Positiveness
12% Popularity • 59% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 89% Positiveness
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Peter King
Mr Lonely Wolf
80 bpm • C Maj • 06:55 • -9.8db
2% Popularity • 76% Danceability • 66% Energy • 12% Liveness
5% Instrumentalness • 84% Positiveness
2% Popularity • 76% Danceability • 66% Energy • 12% Liveness
5% Instrumentalness • 84% Positiveness
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The Lijadu Sisters
Danger
93 bpm • A# Maj • 05:52 • -8.51db
24% Popularity • 64% Danceability • 72% Energy • 8% Liveness
4% Instrumentalness • 85% Positiveness
24% Popularity • 64% Danceability • 72% Energy • 8% Liveness
4% Instrumentalness • 85% Positiveness
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Os Angos
Avante Juventude
93 bpm • F min • 03:34 • -9.32db
14% Popularity • 77% Danceability • 62% Energy • 12% Liveness
86% Instrumentalness • 95% Positiveness
14% Popularity • 77% Danceability • 62% Energy • 12% Liveness
86% Instrumentalness • 95% Positiveness
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Antibalas
Go Je Je
79 bpm • A Maj • 06:38 • -5.97db
33% Popularity • 61% Danceability • 90% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
33% Popularity • 61% Danceability • 90% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
94 bpm • D# min • 01:54 • -22.12db
0% Popularity • 19% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 19% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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William Harris
Come Down O Love Divine
94 bpm • G# Maj • 03:35 • -22.29db
0% Popularity • 11% Danceability • 15% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
0% Popularity • 11% Danceability • 15% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Peter King
Goin' Down Swingin'
93 bpm • D Maj • 03:27 • -11.19db
0% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Rob
Make It Fast, Make It Slow
94 bpm • D min • 05:26 • -11db
30% Popularity • 70% Danceability • 72% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
30% Popularity • 70% Danceability • 72% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
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Karl Hector & The Malcouns
Who's Foolin' Who?
78 bpm • B Maj • 02:43 • -3.89db
21% Popularity • 58% Danceability • 89% Energy • 53% Liveness
72% Instrumentalness • 76% Positiveness
21% Popularity • 58% Danceability • 89% Energy • 53% Liveness
72% Instrumentalness • 76% Positiveness
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Cruger
Deck Thyself my Soul with Gladness
78 bpm • E Maj • 04:50 • -19.85db
1% Popularity • 11% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
1% Popularity • 11% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
3 Motets, Op. 38: No. 3, Beati quorum vi...
94 bpm • G# Maj • 03:13 • -30.3db
0% Popularity • 15% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Peter Philips
Cantiones sacrae octonis vocibus: No. 7,...
78 bpm • A# Maj • 03:20 • -23.4db
0% Popularity • 27% Danceability • 14% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
0% Popularity • 27% Danceability • 14% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
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Peter King
Concert Overture in C Minor
93 bpm • G Maj • 08:04 • -19.2db
0% Popularity • 12% Danceability • 7% Energy • 28% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 12% Danceability • 7% Energy • 28% Liveness
92% Instrumentalness • 7% Positiveness
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Frank Bridge
3 Pieces for Organ, H. 63: No. 3, Allegr...
78 bpm • A# Maj • 03:35 • -19.69db
0% Popularity • 9% Danceability • 20% Energy • 37% Liveness
92% Instrumentalness • 8% Positiveness
0% Popularity • 9% Danceability • 20% Energy • 37% Liveness
92% Instrumentalness • 8% Positiveness
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Antibalas
Tattletale, Pt. 2
95 bpm • D# min • 02:47 • -11.06db
39% Popularity • 70% Danceability • 78% Energy • 9% Liveness
92% Instrumentalness • 78% Positiveness
39% Popularity • 70% Danceability • 78% Energy • 9% Liveness
92% Instrumentalness • 78% Positiveness
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Jesús Guridi
TrÃptico del buen pastor: No. 2, The Lo...
78 bpm • A# min • 05:20 • -19.49db
0% Popularity • 7% Danceability • 19% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
0% Popularity • 7% Danceability • 19% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Ebo Taylor
Yen Ara
95 bpm • G# Maj • 03:10 • -8.63db
41% Popularity • 64% Danceability • 87% Energy • 7% Liveness
47% Instrumentalness • 97% Positiveness
41% Popularity • 64% Danceability • 87% Energy • 7% Liveness
47% Instrumentalness • 97% Positiveness
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Edward Elgar
3 Motets, Op. 2: No. 1, Ave verum corpus
78 bpm • G Maj • 02:33 • -29.13db
0% Popularity • 19% Danceability • 9% Energy • 28% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 9% Energy • 28% Liveness
1% Instrumentalness • 4% Positiveness
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The Ogyatanaa Show Band
You Monopolise Me
95 bpm • A Maj • 03:14 • -6.87db
25% Popularity • 78% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 78% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Peter King
A Girl Named Summer
94 bpm • D Maj • 02:53 • -13.13db
0% Popularity • 66% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 66% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Frank Bridge
3 Pieces for Organ, H. 63: No. 2, Adagio
78 bpm • E Maj • 07:17 • -28.45db
0% Popularity • 7% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
0% Popularity • 7% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Karl Hector & The Malcouns
Transition >A<
96 bpm • A min • 01:18 • -9.16db
31% Popularity • 88% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 88% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
► Preview
Antibalas
Tattletale, Pt. 1
96 bpm • D Maj • 04:34 • -8.24db
31% Popularity • 73% Danceability • 77% Energy • 5% Liveness
82% Instrumentalness • 86% Positiveness
31% Popularity • 73% Danceability • 77% Energy • 5% Liveness
82% Instrumentalness • 86% Positiveness
► Preview
Edward Bairstow
Lord, I Call upon Thee
78 bpm • G# Maj • 04:24 • -27.38db
0% Popularity • 10% Danceability • 7% Energy • 10% Liveness
20% Instrumentalness • 3% Positiveness
0% Popularity • 10% Danceability • 7% Energy • 10% Liveness
20% Instrumentalness • 3% Positiveness
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Monomono
Get Yourself Together
96 bpm • B min • 05:04 • -11.4db
9% Popularity • 62% Danceability • 56% Energy • 36% Liveness
1% Instrumentalness • 71% Positiveness
9% Popularity • 62% Danceability • 56% Energy • 36% Liveness
1% Instrumentalness • 71% Positiveness
► Preview
Peter King
Eda
94 bpm • C min • 03:02 • -9.5db
30% Popularity • 58% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 58% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Percy Whitlock
4 Extemporizations: No. 4, Fanfare
77 bpm • C Maj • 06:45 • -23.04db
0% Popularity • 16% Danceability • 9% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 9% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Karl Hector & The Malcouns
Push Na Ya
96 bpm • B min • 02:32 • -4.04db
32% Popularity • 67% Danceability • 87% Energy • 21% Liveness
60% Instrumentalness • 94% Positiveness
32% Popularity • 67% Danceability • 87% Energy • 21% Liveness
60% Instrumentalness • 94% Positiveness
► Preview
Bola Johnson
Hot Pants
96 bpm • F# min • 02:51 • -7.34db
14% Popularity • 86% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 86% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Edward Bairstow
Blessed City, Heavenly Salem
77 bpm • G# Maj • 09:33 • -23.83db
0% Popularity • 16% Danceability • 10% Energy • 32% Liveness
49% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 10% Energy • 32% Liveness
49% Instrumentalness • 3% Positiveness
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Charles Wood
Expectans expectavi
77 bpm • C# Maj • 03:50 • -23.9db
0% Popularity • 9% Danceability • 11% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
0% Popularity • 9% Danceability • 11% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
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Peter King
Early Morning Rain
78 bpm • G Maj • 04:07 • -11.19db
0% Popularity • 54% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 54% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ojah
Afro Beat Blues
97 bpm • A# min • 06:48 • -7.08db
42% Popularity • 78% Danceability • 83% Energy • 14% Liveness
29% Instrumentalness • 90% Positiveness
42% Popularity • 78% Danceability • 83% Energy • 14% Liveness
29% Instrumentalness • 90% Positiveness
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The Fabulous Three
Answer Me Softly Pt2
97 bpm • C min • 02:43 • -9.11db
22% Popularity • 42% Danceability • 62% Energy • 22% Liveness
24% Instrumentalness • 71% Positiveness
22% Popularity • 42% Danceability • 62% Energy • 22% Liveness
24% Instrumentalness • 71% Positiveness
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Monomono
Kenimania
97 bpm • A Maj • 04:36 • -10.39db
13% Popularity • 66% Danceability • 71% Energy • 14% Liveness
67% Instrumentalness • 96% Positiveness
13% Popularity • 66% Danceability • 71% Energy • 14% Liveness
67% Instrumentalness • 96% Positiveness
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Bola Johnson
Hot Pants
97 bpm • C# Maj • 02:48 • -7.68db
30% Popularity • 86% Danceability • 41% Energy • 10% Liveness
14% Instrumentalness • 68% Positiveness
30% Popularity • 86% Danceability • 41% Energy • 10% Liveness
14% Instrumentalness • 68% Positiveness
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Manu Dibango
Aphrodite Shake
97 bpm • G Maj • 03:24 • -7.87db
20% Popularity • 60% Danceability • 86% Energy • 9% Liveness
65% Instrumentalness • 76% Positiveness
20% Popularity • 60% Danceability • 86% Energy • 9% Liveness
65% Instrumentalness • 76% Positiveness
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Peter King
Mystery Tour
96 bpm • F# Maj • 06:17 • -8.7db
1% Popularity • 66% Danceability • 80% Energy • 15% Liveness
68% Instrumentalness • 57% Positiveness
1% Popularity • 66% Danceability • 80% Energy • 15% Liveness
68% Instrumentalness • 57% Positiveness
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Antibalas
N.E.S.T.A - Never Ever Submit to Authori...
97 bpm • D Maj • 07:17 • -8db
22% Popularity • 88% Danceability • 68% Energy • 7% Liveness
89% Instrumentalness • 86% Positiveness
22% Popularity • 88% Danceability • 68% Energy • 7% Liveness
89% Instrumentalness • 86% Positiveness
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Chief Commander Ebenezer Obey
Ajoyio
97 bpm • A# min • 06:39 • -10.55db
17% Popularity • 62% Danceability • 64% Energy • 12% Liveness
24% Instrumentalness • 73% Positiveness
17% Popularity • 62% Danceability • 64% Energy • 12% Liveness
24% Instrumentalness • 73% Positiveness
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Sweet Talks
Eyi Su Ngaangaa
98 bpm • D Maj • 04:30 • -5.6db
11% Popularity • 40% Danceability • 94% Energy • 31% Liveness
15% Instrumentalness • 89% Positiveness
11% Popularity • 40% Danceability • 94% Energy • 31% Liveness
15% Instrumentalness • 89% Positiveness
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Mercury Dance Band
Envy No Good
98 bpm • C min • 04:52 • -5.44db
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Matata
Wanna Do My Thing
98 bpm • G min • 03:07 • -12db
36% Popularity • 70% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 70% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Peter King
Stella by Starlight
98 bpm • A# Maj • 10:22 • -12.13db
1% Popularity • 48% Danceability • 52% Energy • 70% Liveness
83% Instrumentalness • 36% Positiveness
1% Popularity • 48% Danceability • 52% Energy • 70% Liveness
83% Instrumentalness • 36% Positiveness
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Gabriel Fauré
Messe Basse
98 bpm • G# Maj • 02:32 • -26.51db
0% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Oneness Of Juju
African Rhythms
98 bpm • A# min • 07:21 • -10db
19% Popularity • 60% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 60% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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The Fabulous Three
Answer Me Softly Pt1
99 bpm • A# min • 03:08 • -7.77db
24% Popularity • 53% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 63% Positiveness
24% Popularity • 53% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 63% Positiveness
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Tunji Oyelana
Ifa
99 bpm • C# Maj • 05:01 • -8.14db
15% Popularity • 63% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 63% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
