Songs like Leonard - Live 1981 by Merle Haggard
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Larry Gatlin & The Gatlin Brothers
All The Gold In California
106 bpm • G Maj • 02:50 • -10.88db
33% Popularity • 65% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 65% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Keith Whitley
I'm Over You
106 bpm • E Maj • 03:03 • -15.64db
60% Popularity • 77% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 77% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Toby Keith
She Ain't Hooked On Me No More
106 bpm • E Maj • 03:36 • -5.44db
35% Popularity • 68% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 68% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Porter Wagoner
The Last Thing On My Mind
106 bpm • B Maj • 02:36 • -13db
48% Popularity • 61% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 61% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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The Highwaymen
Live Forever
106 bpm • G Maj • 02:47 • -11.25db
56% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Merle Haggard & The Strangers
Silver Wings
105 bpm • E Maj • 02:45 • -14.57db
51% Popularity • 54% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 54% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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George Jones
Tennessee Whiskey
105 bpm • F# Maj • 02:51 • -15.5db
50% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Waylon Jennings
Good Hearted Woman
107 bpm • D Maj • 03:01 • -14.42db
61% Popularity • 48% Danceability • 41% Energy • 38% Liveness
4% Instrumentalness • 77% Positiveness
61% Popularity • 48% Danceability • 41% Energy • 38% Liveness
4% Instrumentalness • 77% Positiveness
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David Allan Coe
You Never Even Called Me by My Name
105 bpm • G Maj • 05:16 • -8db
61% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Mel McDaniel
Baby's Got Her Blue Jeans On
107 bpm • A# Maj • 02:59 • -6db
62% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Dwight Yoakam
Streets of Bakersfield
107 bpm • A Maj • 02:48 • -12db
57% Popularity • 74% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 74% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Randy Travis
Is It Still Over?
107 bpm • G Maj • 03:10 • -7.22db
35% Popularity • 73% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 73% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Hank Williams, Jr.
Dixie On My Mind
105 bpm • D Maj • 02:36 • -5.67db
51% Popularity • 62% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
51% Popularity • 62% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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The Charlie Daniels Band
Uneasy Rider '88
107 bpm • C Maj • 04:24 • -14db
48% Popularity • 77% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 77% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Clint Black
Nobody's Home
105 bpm • C# Maj • 03:29 • -10db
48% Popularity • 68% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 68% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Bonnie Owens
I'll Take A Chance
107 bpm • E Maj • 02:03 • -7.1db
20% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Tom T. Hall
Who's Gonna Feed Them Hogs
105 bpm • G Maj • 02:36 • -11db
37% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Don Williams
Good Ole Boys Like Me
107 bpm • A Maj • 04:15 • -17.56db
53% Popularity • 66% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 66% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Tracy Lawrence
Alibis
108 bpm • E Maj • 03:02 • -14db
57% Popularity • 61% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 61% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Marty Stuart
Same Old Train
108 bpm • G Maj • 06:01 • -12.65db
49% Popularity • 35% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
49% Popularity • 35% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Merle Haggard
Working Man Blues
104 bpm • C# Maj • 02:36 • -14.24db
35% Popularity • 66% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 66% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Bonnie Owens
Forever And Ever
107 bpm • B Maj • 02:06 • -8.22db
21% Popularity • 66% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 66% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Marty Robbins
El Paso City
108 bpm • C Maj • 04:11 • -11.72db
44% Popularity • 60% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 60% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Don Williams
Tulsa Time
104 bpm • E Maj • 03:15 • -13.01db
65% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
65% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Alabama
Love in the First Degree
104 bpm • G# Maj • 03:18 • -11.88db
44% Popularity • 59% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 59% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Marty Stuart
This One's Gonna Hurt You (For A Long, L...
108 bpm • G# Maj • 03:28 • -10.49db
45% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Randy Travis
1982
108 bpm • A Maj • 02:59 • -8db
53% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Mark Chesnutt
Old Flames Have New Names
104 bpm • E Maj • 02:24 • -8.85db
45% Popularity • 74% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 74% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Merle Haggard
Sing Me Back Home - Re-Recorded
108 bpm • A Maj • 02:54 • -12.35db
38% Popularity • 72% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 72% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Lorrie Morgan
'Til a Tear Becomes a Rose
104 bpm • F Maj • 03:32 • -12db
41% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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The Bellamy Brothers
Old Hippie
104 bpm • B Maj • 04:05 • -13.25db
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jessi Colter
I'm Looking for Blue Eyes
108 bpm • F Maj • 02:16 • -11db
37% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Johnny Paycheck
I'm the Only Hell (Mama Ever Raised)
108 bpm • C Maj • 03:09 • -13.89db
51% Popularity • 75% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
51% Popularity • 75% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Mel McDaniel
Hello Daddy, Good Morning Darling
104 bpm • C Maj • 03:27 • -9.14db
37% Popularity • 70% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 59% Positiveness
37% Popularity • 70% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 59% Positiveness
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Merle Haggard
It's Not Love (But It's Not Bad)
108 bpm • G Maj • 03:21 • -14db
17% Popularity • 66% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 66% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Statler Brothers
Hello Mary Lou
103 bpm • G# Maj • 02:17 • -14.4db
53% Popularity • 73% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
53% Popularity • 73% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Johnny Rodriguez
Down On The Rio Grande
103 bpm • A Maj • 03:34 • -13db
30% Popularity • 68% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 68% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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George Strait
The Cowboy Rides Away
109 bpm • G Maj • 03:21 • -17.05db
54% Popularity • 69% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 69% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 67% Positiveness
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Waylon Jennings
Luckenbach, Texas (Back to the Basics of...
103 bpm • G Maj • 03:22 • -9.86db
64% Popularity • 69% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
64% Popularity • 69% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Tom T. Hall
The Old Side of Town
109 bpm • A Maj • 03:04 • -9.62db
35% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Merle Haggard
No Reason To Quit
109 bpm • E Maj • 02:34 • -12.71db
19% Popularity • 66% Danceability • 33% Energy • 16% Liveness
53% Instrumentalness • 68% Positiveness
19% Popularity • 66% Danceability • 33% Energy • 16% Liveness
53% Instrumentalness • 68% Positiveness
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David Allan Coe
Jack Daniel's, If You Please
103 bpm • D Maj • 03:17 • -9.55db
51% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Rodriguez
North Of The Border
109 bpm • C# Maj • 03:41 • -12.3db
24% Popularity • 68% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 68% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Alabama
Mountain Music
110 bpm • A Maj • 03:37 • -9.52db
61% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
61% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Waylon Jennings
I'm a Ramblin' Man
109 bpm • G Maj • 02:47 • -8.26db
60% Popularity • 72% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
60% Popularity • 72% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Red Sovine
Teddy Bear
110 bpm • C# Maj • 04:59 • -16db
50% Popularity • 59% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 59% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Vern Gosdin
I Can Tell by the Way You Dance (You're ...
110 bpm • E Maj • 02:40 • -10.09db
44% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
44% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Tom T. Hall
Old Dogs, Children And Watermelon Wine
110 bpm • F Maj • 04:11 • -15.99db
50% Popularity • 53% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 53% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Conway Twitty
Tight Fittin' Jeans
102 bpm • F Maj • 02:51 • -13.95db
64% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
64% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Alabama
If You're Gonna Play in Texas (You Gotta...
110 bpm • A Maj • 03:32 • -15.2db
57% Popularity • 45% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 45% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
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Marty Stuart
Between You And Me
110 bpm • A Maj • 02:16 • -10.32db
34% Popularity • 57% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 57% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Aaron Tippin
My Blue Angel
110 bpm • F Maj • 03:23 • -11.95db
44% Popularity • 65% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 65% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Vern Gosdin
That Just About Does It
102 bpm • C# Maj • 03:59 • -15db
37% Popularity • 61% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 61% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Moe Bandy
Rodeo Romeo - 2012 Recording
110 bpm • C Maj • 03:00 • -6.89db
26% Popularity • 71% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 71% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Tom T. Hall
That's How I Got To Memphis
110 bpm • E Maj • 03:02 • -13.43db
57% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Faron Young
Hello Walls
101 bpm • C Maj • 02:26 • -10db
53% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Alabama
Old Flame
111 bpm • F Maj • 03:11 • -8.29db
44% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Don Williams
It Must Be Love
111 bpm • F Maj • 02:31 • -12db
56% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
56% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Charlie Daniels Band
Trudy
101 bpm • A Maj • 04:48 • -19db
41% Popularity • 69% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 69% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Moe Bandy
Honky Tonk Amnesia
111 bpm • G Maj • 02:49 • -11.53db
33% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Tom T. Hall
I Washed My Face In The Morning Dew - Si...
111 bpm • G Maj • 02:44 • -12db
40% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Gene Watson
Cowboys Don't Get Lucky All The Time
101 bpm • C Maj • 02:34 • -11db
37% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Cash
There Ain't No Good Chain Gang
111 bpm • F min • 03:16 • -13.42db
53% Popularity • 57% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 57% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Merle Haggard
I'm A White Boy
101 bpm • A Maj • 02:04 • -10.87db
50% Popularity • 62% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 62% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Doug Stone
A Jukebox with a Country Song
112 bpm • D Maj • 03:27 • -6.25db
40% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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The Highwaymen
The Road Goes On Forever
112 bpm • D Maj • 04:41 • -10db
54% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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George Strait
Does Fort Worth Ever Cross Your Mind
112 bpm • C Maj • 03:15 • -17.7db
49% Popularity • 74% Danceability • 32% Energy • 34% Liveness
18% Instrumentalness • 44% Positiveness
49% Popularity • 74% Danceability • 32% Energy • 34% Liveness
18% Instrumentalness • 44% Positiveness
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The Charlie Daniels Band
(What This World Needs Is) A Few More Re...
100 bpm • C Maj • 03:42 • -11db
54% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Dan Seals
Everything That Glitters (Is Not Gold)
112 bpm • E Maj • 04:52 • -16.73db
52% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Jamey Johnson
I Fall To Pieces
100 bpm • D Maj • 04:41 • -11.78db
32% Popularity • 67% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
32% Popularity • 67% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
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Sturgill Simpson
Some Days
100 bpm • E Maj • 03:30 • -5.71db
51% Popularity • 53% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 53% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Merle Haggard
Kentucky Gambler
100 bpm • G# Maj • 02:57 • -6.99db
21% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Travis Tritt
Here's a Quarter (Call Someone Who Cares...
112 bpm • G Maj • 02:32 • -7db
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Keith Whitley
Brotherly Love
113 bpm • E Maj • 03:19 • -11db
44% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
44% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
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T.G. Sheppard
Party Time
100 bpm • F Maj • 03:32 • -12db
36% Popularity • 59% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
36% Popularity • 59% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
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Tammy Wynette
D-I-V-O-R-C-E
100 bpm • A Maj • 02:55 • -9db
50% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Loretta Lynn
Blue Kentucky Girl
113 bpm • B Maj • 02:43 • -9db
46% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Merle Haggard
That's the Way Love Goes
100 bpm • D# Maj • 03:01 • -17db
50% Popularity • 81% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
50% Popularity • 81% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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Steve Wariner
Life's Highway
99 bpm • A# Maj • 03:17 • -14.99db
49% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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The Charlie Daniels Band
The Legend Of Wooley Swamp
100 bpm • G Maj • 04:14 • -11.72db
45% Popularity • 48% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 48% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Gene Watson
Love In The Hot Afternoon
113 bpm • E Maj • 03:19 • -8.27db
45% Popularity • 58% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 58% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Larry Gatlin & The Gatlin Brothers
All the Gold In California
113 bpm • D Maj • 02:37 • -12.06db
48% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Jamey Johnson
Can't Cash My Checks
113 bpm • C Maj • 07:17 • -10db
40% Popularity • 45% Danceability • 38% Energy • 9% Liveness
8% Instrumentalness • 17% Positiveness
40% Popularity • 45% Danceability • 38% Energy • 9% Liveness
8% Instrumentalness • 17% Positiveness
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Merle Haggard
I Had a Beautiful Time
100 bpm • A Maj • 03:03 • -14.81db
31% Popularity • 78% Danceability • 45% Energy • 20% Liveness
4% Instrumentalness • 80% Positiveness
31% Popularity • 78% Danceability • 45% Energy • 20% Liveness
4% Instrumentalness • 80% Positiveness
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John Conlee
Old School
113 bpm • D# Maj • 03:56 • -11db
47% Popularity • 73% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 73% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Waylon Jennings
Are You Sure Hank Done It This Way
114 bpm • E Maj • 02:54 • -9.22db
58% Popularity • 81% Danceability • 65% Energy • 16% Liveness
39% Instrumentalness • 77% Positiveness
58% Popularity • 81% Danceability • 65% Energy • 16% Liveness
39% Instrumentalness • 77% Positiveness
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Alabama
The Closer You Get
114 bpm • G Maj • 04:31 • -14.94db
49% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Ronnie Milsap
I Wouldn't Have Missed It For The World
114 bpm • G Maj • 03:37 • -10.84db
58% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Tom T. Hall
A Week In A Country Jail
114 bpm • A Maj • 03:03 • -13db
43% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Merle Haggard
Daddy Frank (The Guitar Man) - Re-Record...
99 bpm • D# Maj • 03:44 • -12.39db
26% Popularity • 74% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 74% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Travis Tritt
Where Corn Don't Grow
98 bpm • E Maj • 03:28 • -9.38db
51% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Conway Twitty
Louisiana Woman, Mississippi Man
98 bpm • C# Maj • 02:31 • -6.94db
61% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Dan Seals
God Must Be A Cowboy
115 bpm • G# Maj • 03:05 • -11db
49% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Ernest Tubb
Waltz Across Texas
98 bpm • A Maj • 02:38 • -12db
44% Popularity • 62% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 62% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Tom T. Hall
Ballad Of Forty Dollars
114 bpm • D Maj • 03:01 • -16db
48% Popularity • 56% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 56% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Merle Haggard
Make-Up And Faded Blue Jeans
98 bpm • D# Maj • 04:04 • -12.3db
29% Popularity • 74% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 74% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Moe Bandy
Bandy the Rodeo Clown
98 bpm • F Maj • 02:52 • -11.05db
40% Popularity • 61% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 61% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Sawyer Brown
Step That Step
98 bpm • E Maj • 02:49 • -15.04db
42% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
