Songs like Leopard and Lamb by John Grant
Based on a tempo of (+/- 10%) and a similar genre
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John Grant
Touch and Go
115 bpm • C Maj • 05:03 • -8.15db
10% Popularity • 68% Danceability • 67% Energy • 21% Liveness
6% Instrumentalness • 19% Positiveness
10% Popularity • 68% Danceability • 67% Energy • 21% Liveness
6% Instrumentalness • 19% Positiveness
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The Afghan Whigs
Algiers
115 bpm • A min • 04:03 • -6.89db
47% Popularity • 61% Danceability • 78% Energy • 10% Liveness
15% Instrumentalness • 70% Positiveness
47% Popularity • 61% Danceability • 78% Energy • 10% Liveness
15% Instrumentalness • 70% Positiveness
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Lisa O'Neill
Pothole in the Sky
115 bpm • B Maj • 03:54 • -9.46db
34% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Villagers
The Waves
115 bpm • E min • 05:00 • -7.82db
20% Popularity • 68% Danceability • 58% Energy • 9% Liveness
65% Instrumentalness • 82% Positiveness
20% Popularity • 68% Danceability • 58% Energy • 9% Liveness
65% Instrumentalness • 82% Positiveness
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Haley Bonar
Better Than Me
115 bpm • G Maj • 03:14 • -6.39db
7% Popularity • 57% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 57% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Sharon Van Etten
Give Out
115 bpm • G# min • 04:19 • -8.89db
33% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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John Grant
Where Dreams Go To Die
115 bpm • C Maj • 06:04 • -7.21db
31% Popularity • 48% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
31% Popularity • 48% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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Brian Eno
Spinning Away
115 bpm • A Maj • 05:27 • -7db
50% Popularity • 57% Danceability • 76% Energy • 16% Liveness
17% Instrumentalness • 74% Positiveness
50% Popularity • 57% Danceability • 76% Energy • 16% Liveness
17% Instrumentalness • 74% Positiveness
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Anna Calvi
Swimming Pool
115 bpm • G Maj • 04:54 • -10.87db
21% Popularity • 37% Danceability • 34% Energy • 13% Liveness
31% Instrumentalness • 9% Positiveness
21% Popularity • 37% Danceability • 34% Energy • 13% Liveness
31% Instrumentalness • 9% Positiveness
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The Pogues
Summer in Siam
116 bpm • C Maj • 04:07 • -14.44db
36% Popularity • 38% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 38% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Michael Stipe
Drive to the Ocean
116 bpm • F Maj • 03:35 • -7.13db
18% Popularity • 37% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 37% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Gomez
Tijuana Lady
116 bpm • A Maj • 07:08 • -12db
42% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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John Grant
Leopard and Lamb
115 bpm • A# Maj • 04:41 • -8.56db
19% Popularity • 37% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
19% Popularity • 37% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Serafina Steer
Night Before Mutiny
116 bpm • E min • 05:01 • -18.5db
15% Popularity • 34% Danceability • 27% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
15% Popularity • 34% Danceability • 27% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
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Mono Town
Peacemaker
116 bpm • C# min • 03:02 • -4.51db
32% Popularity • 36% Danceability • 76% Energy • 10% Liveness
7% Instrumentalness • 30% Positiveness
32% Popularity • 36% Danceability • 76% Energy • 10% Liveness
7% Instrumentalness • 30% Positiveness
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BC Camplight
Kicking Up A Fuss
116 bpm • C# Maj • 04:16 • -8.24db
31% Popularity • 68% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 68% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Czars
Killjoy
116 bpm • G Maj • 05:26 • -5.69db
16% Popularity • 54% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 54% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Hamish Hawk
Rest & Veneers
116 bpm • D Maj • 03:50 • -6.78db
31% Popularity • 60% Danceability • 73% Energy • 29% Liveness
81% Instrumentalness • 82% Positiveness
31% Popularity • 60% Danceability • 73% Energy • 29% Liveness
81% Instrumentalness • 82% Positiveness
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John Grant
Is He Strange
115 bpm • G# Maj • 05:17 • -6.03db
15% Popularity • 62% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
15% Popularity • 62% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
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Guy Garvey
Courting The Squall
114 bpm • G Maj • 04:30 • -12db
26% Popularity • 76% Danceability • 38% Energy • 19% Liveness
2% Instrumentalness • 46% Positiveness
26% Popularity • 76% Danceability • 38% Energy • 19% Liveness
2% Instrumentalness • 46% Positiveness
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Rumer
Andre Johray
117 bpm • C Maj • 02:54 • -10.54db
5% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
5% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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BC Camplight
I'm Ugly
114 bpm • B min • 03:09 • -7.67db
24% Popularity • 60% Danceability • 64% Energy • 6% Liveness
10% Instrumentalness • 52% Positiveness
24% Popularity • 60% Danceability • 64% Energy • 6% Liveness
10% Instrumentalness • 52% Positiveness
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The Czars
Killjoy
116 bpm • G Maj • 05:40 • -6.73db
9% Popularity • 55% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 55% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The National
Conversation 16
117 bpm • B min • 04:18 • -8db
45% Popularity • 55% Danceability • 85% Energy • 24% Liveness
91% Instrumentalness • 52% Positiveness
45% Popularity • 55% Danceability • 85% Energy • 24% Liveness
91% Instrumentalness • 52% Positiveness
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David Kitt
What I Ask
113 bpm • A min • 07:54 • -8db
14% Popularity • 63% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 30% Positiveness
14% Popularity • 63% Danceability • 60% Energy • 7% Liveness
91% Instrumentalness • 30% Positiveness
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King Creosote
One Floor Down
117 bpm • D# Maj • 03:05 • -7.24db
20% Popularity • 57% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
20% Popularity • 57% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Bill Callahan
Too Many Birds
113 bpm • F min • 05:27 • -11.3db
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
43% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
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Tindersticks
Let's Pretend
117 bpm • C Maj • 03:21 • -10.07db
45% Popularity • 54% Danceability • 45% Energy • 14% Liveness
77% Instrumentalness • 19% Positiveness
45% Popularity • 54% Danceability • 45% Energy • 14% Liveness
77% Instrumentalness • 19% Positiveness
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The Waterboys
We Will Not Be Lovers - 2006 Remaster
118 bpm • A min • 07:01 • -4.41db
40% Popularity • 39% Danceability • 97% Energy • 32% Liveness
9% Instrumentalness • 65% Positiveness
40% Popularity • 39% Danceability • 97% Energy • 32% Liveness
9% Instrumentalness • 65% Positiveness
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Elbow
The Bones of You
117 bpm • G min • 04:49 • -6db
44% Popularity • 61% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 61% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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The War On Drugs
Lost In The Dream
113 bpm • G Maj • 04:09 • -11db
52% Popularity • 61% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
52% Popularity • 61% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
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Laura Marling
Devil's Spoke
118 bpm • D Maj • 03:38 • -9db
46% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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M. Ward
Poison Cup
112 bpm • C Maj • 02:40 • -9db
49% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
49% Popularity • 45% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Tindersticks
Buried Bones
118 bpm • D Maj • 04:03 • -13db
36% Popularity • 55% Danceability • 39% Energy • 15% Liveness
65% Instrumentalness • 46% Positiveness
36% Popularity • 55% Danceability • 39% Energy • 15% Liveness
65% Instrumentalness • 46% Positiveness
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She Drew The Gun
Paradise
118 bpm • E Maj • 03:24 • -7.07db
22% Popularity • 56% Danceability • 61% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
22% Popularity • 56% Danceability • 61% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
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Haley Bonar
Hometown
118 bpm • D Maj • 03:04 • -7.33db
24% Popularity • 48% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 48% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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GusGus
Hold Me In Your Arms Again - Edit
118 bpm • C# Maj • 04:09 • -7.72db
25% Popularity • 62% Danceability • 87% Energy • 11% Liveness
40% Instrumentalness • 70% Positiveness
25% Popularity • 62% Danceability • 87% Energy • 11% Liveness
40% Instrumentalness • 70% Positiveness
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Hamish Hawk
This, Whatever It Is, Needs Improvements
112 bpm • D Maj • 03:44 • -10.72db
25% Popularity • 59% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 59% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Guy Garvey
My Angel
118 bpm • C Maj • 02:52 • -6.83db
17% Popularity • 65% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 65% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Tindersticks
Travelling Light
112 bpm • D Maj • 04:51 • -18db
37% Popularity • 49% Danceability • 23% Energy • 18% Liveness
3% Instrumentalness • 28% Positiveness
37% Popularity • 49% Danceability • 23% Energy • 18% Liveness
3% Instrumentalness • 28% Positiveness
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CMAT
I Don't Really Care for You
118 bpm • G min • 04:04 • -4.18db
52% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 72% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Dexys
Both Sides Now
118 bpm • B Maj • 03:45 • -8.12db
31% Popularity • 80% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 80% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Villagers
Set The Tigers Free
118 bpm • A min • 03:22 • -13.08db
29% Popularity • 80% Danceability • 44% Energy • 24% Liveness
1% Instrumentalness • 74% Positiveness
29% Popularity • 80% Danceability • 44% Energy • 24% Liveness
1% Instrumentalness • 74% Positiveness
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Jarvis Cocker
House Music All Night Long
112 bpm • A# min • 05:52 • -5.06db
26% Popularity • 57% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 57% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Low
What Part of Me
112 bpm • A Maj • 03:08 • -8.17db
38% Popularity • 65% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 65% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Gaz Coombes
Matador
112 bpm • C Maj • 01:25 • -5.51db
34% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Rufus Wainwright
The One You Love
119 bpm • A min • 03:42 • -5.64db
32% Popularity • 52% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 52% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Katherine Priddy
Eurydice
112 bpm • B Maj • 04:37 • -9.81db
26% Popularity • 53% Danceability • 34% Energy • 37% Liveness
4% Instrumentalness • 5% Positiveness
26% Popularity • 53% Danceability • 34% Energy • 37% Liveness
4% Instrumentalness • 5% Positiveness
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The Leisure Society
Tall Black Cabins
112 bpm • G min • 03:03 • -11.21db
27% Popularity • 51% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 51% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Badly Drawn Boy
Pissing in the Wind
111 bpm • C Maj • 04:19 • -6db
30% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Tindersticks
Sometimes It Hurts
119 bpm • C Maj • 04:38 • -11.72db
23% Popularity • 41% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 41% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Nick Drake
' Cello Song
119 bpm • D# Maj • 04:44 • -17.22db
52% Popularity • 51% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 52% Positiveness
52% Popularity • 51% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 52% Positiveness
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The Blue Nile
Tomorrow Morning
111 bpm • G Maj • 04:15 • -6db
32% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Adrian Crowley
Northbound Stowaway
119 bpm • F min • 06:44 • -10.35db
8% Popularity • 31% Danceability • 57% Energy • 10% Liveness
61% Instrumentalness • 71% Positiveness
8% Popularity • 31% Danceability • 57% Energy • 10% Liveness
61% Instrumentalness • 71% Positiveness
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Hamish Hawk
Money
111 bpm • E Maj • 03:24 • -4.5db
27% Popularity • 56% Danceability • 80% Energy • 10% Liveness
26% Instrumentalness • 57% Positiveness
27% Popularity • 56% Danceability • 80% Energy • 10% Liveness
26% Instrumentalness • 57% Positiveness
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RM Hubbert
Car Song
119 bpm • B Maj • 04:09 • -9.63db
14% Popularity • 60% Danceability • 54% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
14% Popularity • 60% Danceability • 54% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
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Eels
Things the Grandchildren Should Know
111 bpm • C Maj • 05:22 • -11.67db
25% Popularity • 59% Danceability • 48% Energy • 7% Liveness
8% Instrumentalness • 51% Positiveness
25% Popularity • 59% Danceability • 48% Energy • 7% Liveness
8% Instrumentalness • 51% Positiveness
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Rufus Wainwright
Chelsea Hotel No. 2
119 bpm • F Maj • 03:45 • -6.93db
37% Popularity • 39% Danceability • 26% Energy • 72% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 39% Danceability • 26% Energy • 72% Liveness
0% Instrumentalness • 23% Positiveness
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Neko Case
Hold On, Hold On
119 bpm • F min • 02:46 • -5.02db
50% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Midlake
You Don't Get To - Radio Edit
110 bpm • F Maj • 03:30 • -7.38db
21% Popularity • 47% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 47% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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John Grant
The Only Baby
120 bpm • F# Maj • 09:38 • -6.27db
11% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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The Lost Brothers
After the Fire
110 bpm • A# Maj • 03:34 • -15.26db
18% Popularity • 63% Danceability • 43% Energy • 11% Liveness
38% Instrumentalness • 52% Positiveness
18% Popularity • 63% Danceability • 43% Energy • 11% Liveness
38% Instrumentalness • 52% Positiveness
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Elbow
The Only Road
120 bpm • A# Maj • 04:23 • -14.04db
35% Popularity • 72% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 72% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Bobby Gillespie
Remember We Were Lovers
120 bpm • C Maj • 04:18 • -8.9db
21% Popularity • 56% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 56% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Villagers
Nothing Arrived
120 bpm • G Maj • 03:43 • -6db
44% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Amanda Bergman
Golden
120 bpm • A Maj • 04:04 • -10db
37% Popularity • 72% Danceability • 60% Energy • 8% Liveness
44% Instrumentalness • 46% Positiveness
37% Popularity • 72% Danceability • 60% Energy • 8% Liveness
44% Instrumentalness • 46% Positiveness
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John Grant
Outer Space
120 bpm • G# Maj • 03:14 • -6.44db
33% Popularity • 53% Danceability • 43% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
33% Popularity • 53% Danceability • 43% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
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Eno • Hyde
Who Rings The Bell
120 bpm • E Maj • 05:05 • -9.23db
11% Popularity • 65% Danceability • 70% Energy • 11% Liveness
18% Instrumentalness • 23% Positiveness
11% Popularity • 65% Danceability • 70% Energy • 11% Liveness
18% Instrumentalness • 23% Positiveness
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Elbow
Gentle Storm
120 bpm • F Maj • 03:39 • -10db
41% Popularity • 79% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 79% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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PJ Harvey
In The Dark Places
110 bpm • C# min • 02:59 • -10.85db
38% Popularity • 73% Danceability • 29% Energy • 12% Liveness
18% Instrumentalness • 42% Positiveness
38% Popularity • 73% Danceability • 29% Energy • 12% Liveness
18% Instrumentalness • 42% Positiveness
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Gavin Friday
Able
120 bpm • D Maj • 04:46 • -7.98db
0% Popularity • 67% Danceability • 59% Energy • 8% Liveness
45% Instrumentalness • 8% Positiveness
0% Popularity • 67% Danceability • 59% Energy • 8% Liveness
45% Instrumentalness • 8% Positiveness
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BC Camplight
Back To Work
120 bpm • C min • 04:10 • -8.67db
20% Popularity • 34% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
20% Popularity • 34% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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John Grant
Chicken Bones
120 bpm • F Maj • 03:38 • -7.9db
25% Popularity • 79% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 79% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Gaz Coombes
Sonny The Strong
120 bpm • A min • 04:10 • -5.97db
31% Popularity • 51% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 51% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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The National
Anyone's Ghost
120 bpm • F# Maj • 02:54 • -7db
47% Popularity • 74% Danceability • 79% Energy • 11% Liveness
77% Instrumentalness • 74% Positiveness
47% Popularity • 74% Danceability • 79% Energy • 11% Liveness
77% Instrumentalness • 74% Positiveness
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The Czars
Paint the Moon
120 bpm • C Maj • 04:11 • -7.52db
31% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Jehnny Beth
French Countryside
110 bpm • C Maj • 03:58 • -11.74db
21% Popularity • 34% Danceability • 30% Energy • 32% Liveness
15% Instrumentalness • 15% Positiveness
21% Popularity • 34% Danceability • 30% Energy • 32% Liveness
15% Instrumentalness • 15% Positiveness
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Nick Cave & Warren Ellis
The Rider Song
120 bpm • G Maj • 02:30 • -9.17db
37% Popularity • 52% Danceability • 44% Energy • 17% Liveness
77% Instrumentalness • 45% Positiveness
37% Popularity • 52% Danceability • 44% Energy • 17% Liveness
77% Instrumentalness • 45% Positiveness
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John Grant
Marz
120 bpm • A# Maj • 03:58 • -10.86db
47% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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John Bramwell
Times Arrow
120 bpm • G Maj • 03:09 • -10.85db
25% Popularity • 63% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 63% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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C Duncan
Say
110 bpm • C min • 04:01 • -7db
42% Popularity • 74% Danceability • 65% Energy • 14% Liveness
71% Instrumentalness • 58% Positiveness
42% Popularity • 74% Danceability • 65% Energy • 14% Liveness
71% Instrumentalness • 58% Positiveness
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Creep Show
The Bellows
110 bpm • F min • 05:09 • -12.16db
19% Popularity • 70% Danceability • 75% Energy • 10% Liveness
58% Instrumentalness • 76% Positiveness
19% Popularity • 70% Danceability • 75% Energy • 10% Liveness
58% Instrumentalness • 76% Positiveness
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Badly Drawn Boy
Something to Talk About
120 bpm • C Maj • 03:40 • -10db
48% Popularity • 60% Danceability • 61% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
48% Popularity • 60% Danceability • 61% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
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Midlake
You Don't Get To
110 bpm • C Maj • 07:45 • -7.94db
19% Popularity • 43% Danceability • 79% Energy • 6% Liveness
2% Instrumentalness • 55% Positiveness
19% Popularity • 43% Danceability • 79% Energy • 6% Liveness
2% Instrumentalness • 55% Positiveness
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John Grant
Love Is Magic
120 bpm • C# Maj • 06:21 • -6.02db
18% Popularity • 70% Danceability • 71% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
18% Popularity • 70% Danceability • 71% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
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CMAT
Where Are Your Kids Tonight?
121 bpm • C# Maj • 05:26 • -5.88db
47% Popularity • 63% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 63% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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King Creosote
Something To Believe In
121 bpm • D Maj • 03:14 • -10db
36% Popularity • 24% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 24% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Saint Saviour
The Place I Want to Be
121 bpm • C Maj • 03:04 • -12.89db
37% Popularity • 57% Danceability • 25% Energy • 8% Liveness
23% Instrumentalness • 19% Positiveness
37% Popularity • 57% Danceability • 25% Energy • 8% Liveness
23% Instrumentalness • 19% Positiveness
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Stuart A. Staples
That Leaving Feeling
109 bpm • F# min • 04:02 • -9db
35% Popularity • 36% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 36% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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The Waterboys
This Is the Sea - 2004 Remaster
109 bpm • E Maj • 06:29 • -7.28db
47% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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John Grant
What Time?
121 bpm • C min • 07:54 • -11.44db
15% Popularity • 32% Danceability • 45% Energy • 23% Liveness
95% Instrumentalness • 12% Positiveness
15% Popularity • 32% Danceability • 45% Energy • 23% Liveness
95% Instrumentalness • 12% Positiveness
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Arcade Fire
Intervention
121 bpm • C Maj • 04:19 • -7db
47% Popularity • 36% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 36% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Seamus Fogarty
Van Gogh's Ear
121 bpm • F Maj • 04:03 • -10.08db
24% Popularity • 54% Danceability • 48% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
24% Popularity • 54% Danceability • 48% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
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Shane MacGowan & The Popes
Haunted
109 bpm • E Maj • 04:11 • -12.57db
45% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Midlake
Roscoe
122 bpm • G# min • 04:46 • -8.3db
50% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Mark Lanegan
Harborview Hospital
109 bpm • A# Maj • 04:31 • -6.79db
30% Popularity • 21% Danceability • 81% Energy • 10% Liveness
19% Instrumentalness • 42% Positiveness
30% Popularity • 21% Danceability • 81% Energy • 10% Liveness
19% Instrumentalness • 42% Positiveness
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Creep Show
Wise
122 bpm • A# min • 05:08 • -11.68db
13% Popularity • 80% Danceability • 92% Energy • 8% Liveness
82% Instrumentalness • 82% Positiveness
13% Popularity • 80% Danceability • 92% Energy • 8% Liveness
82% Instrumentalness • 82% Positiveness
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Patti Smith
April Fool
122 bpm • D Maj • 03:47 • -9.55db
33% Popularity • 74% Danceability • 49% Energy • 9% Liveness
33% Instrumentalness • 39% Positiveness
33% Popularity • 74% Danceability • 49% Energy • 9% Liveness
33% Instrumentalness • 39% Positiveness