Songs like Les bouquinistes du Quai Malaquais, H. 319 by Bohuslav Martinů
Based on a tempo of (+/- 10%) and a similar genre
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:16 • -19db
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
28% Popularity • 40% Danceability • 26% Energy • 15% Liveness
20% Instrumentalness • 29% Positiveness
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Edvard Grieg
Violin Sonata No. 3 in C Minor, Op. 45: ...
112 bpm • C min • 08:51 • -21db
8% Popularity • 30% Danceability • 11% Energy • 22% Liveness
49% Instrumentalness • 5% Positiveness
8% Popularity • 30% Danceability • 11% Energy • 22% Liveness
49% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Holy and Celestial Harmony
111 bpm • E Maj • 02:20 • -32db
15% Popularity • 17% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F major, Op. 96...
113 bpm • F Maj • 09:28 • -22db
24% Popularity • 27% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 9% Positiveness
24% Popularity • 27% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 9% Positiveness
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Franz Schubert
Piano Quintet in A major, D. 667 "The Tr...
111 bpm • A Maj • 03:56 • -20.27db
24% Popularity • 49% Danceability • 15% Energy • 32% Liveness
64% Instrumentalness • 24% Positiveness
24% Popularity • 49% Danceability • 15% Energy • 32% Liveness
64% Instrumentalness • 24% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:14 • -20.77db
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
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Grażyna Bacewicz
Concerto for String Orchestra: III. Vivo
113 bpm • D min • 05:03 • -19db
9% Popularity • 44% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
9% Popularity • 44% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Hans Rott
Symphony No. 1 in E Major: I. Alla breve
113 bpm • E Maj • 09:57 • -19.85db
4% Popularity • 17% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Suite for String Orchestra, JW6 No. 2: V...
113 bpm • B min • 03:52 • -16.64db
7% Popularity • 30% Danceability • 11% Energy • 57% Liveness
93% Instrumentalness • 20% Positiveness
7% Popularity • 30% Danceability • 11% Energy • 57% Liveness
93% Instrumentalness • 20% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Bohuslav Martinů
Piano Quintet No. 1, H. 229: III. Allegr...
110 bpm • D min • 03:57 • -22.72db
0% Popularity • 43% Danceability • 17% Energy • 10% Liveness
56% Instrumentalness • 60% Positiveness
0% Popularity • 43% Danceability • 17% Energy • 10% Liveness
56% Instrumentalness • 60% Positiveness
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Jean Sibelius
The Tempest: Suite No. 2, Op. 109: VII. ...
114 bpm • E min • 01:27 • -24db
18% Popularity • 42% Danceability • 23% Energy • 13% Liveness
84% Instrumentalness • 17% Positiveness
18% Popularity • 42% Danceability • 23% Energy • 13% Liveness
84% Instrumentalness • 17% Positiveness
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Claude Debussy
La mer, L. 109: II. Play of the Waves
114 bpm • E Maj • 06:53 • -23db
27% Popularity • 21% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
27% Popularity • 21% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 5% Positiveness
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Robert Schumann
交響曲第4番 ニ短調 op. 120: II. ...
110 bpm • A min • 04:23 • -28.48db
13% Popularity • 18% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Graźnya Bacewicz
Concerto for String Orchestra: II. Andan...
110 bpm • B min • 04:17 • -23.06db
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
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Daniel Auber
Zanetta, S. 33 (Excerpts): Act III Entr'...
110 bpm • G# Maj • 01:36 • -17db
24% Popularity • 32% Danceability • 18% Energy • 20% Liveness
77% Instrumentalness • 11% Positiveness
24% Popularity • 32% Danceability • 18% Energy • 20% Liveness
77% Instrumentalness • 11% Positiveness
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Bohuslav Martinů
Quartet for Clarinet, French Horn, Cello...
114 bpm • C Maj • 03:38 • -19.93db
0% Popularity • 52% Danceability • 17% Energy • 6% Liveness
56% Instrumentalness • 54% Positiveness
0% Popularity • 52% Danceability • 17% Energy • 6% Liveness
56% Instrumentalness • 54% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
115 bpm • G Maj • 01:51 • -18.59db
11% Popularity • 49% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
11% Popularity • 49% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 5...
109 bpm • D min • 03:43 • -25.52db
10% Popularity • 26% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
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Ralph Vaughan Williams
Violin Concerto in D Minor "Accademico":...
115 bpm • A min • 05:02 • -21.13db
12% Popularity • 37% Danceability • 17% Energy • 13% Liveness
51% Instrumentalness • 43% Positiveness
12% Popularity • 37% Danceability • 17% Energy • 13% Liveness
51% Instrumentalness • 43% Positiveness
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Béla Bartók
Concerto for Orchestra, Sz. 116: I. Intr...
109 bpm • A# min • 09:39 • -21db
22% Popularity • 21% Danceability • 6% Energy • 20% Liveness
79% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 6% Energy • 20% Liveness
79% Instrumentalness • 4% Positiveness
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Paul Le Flem
7 Pieces enfantines (7 Children's Pieces...
115 bpm • A# Maj • 02:34 • -34.07db
22% Popularity • 20% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 12% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 12% Positiveness
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Bohuslav Martinů
Piano Quintet No. 2, H. 298: I. Poco all...
115 bpm • G min • 06:26 • -20.35db
0% Popularity • 34% Danceability • 20% Energy • 8% Liveness
72% Instrumentalness • 11% Positiveness
0% Popularity • 34% Danceability • 20% Energy • 8% Liveness
72% Instrumentalness • 11% Positiveness
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Benjamin Britten
Variations on a Theme of Frank Bridge, O...
116 bpm • D Maj • 01:10 • -16.9db
13% Popularity • 46% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 42% Positiveness
13% Popularity • 46% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 42% Positiveness
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Jacques Ibert
Ibert: 3 Pièces brèves: I. Allegro
116 bpm • C Maj • 02:17 • -16db
13% Popularity • 51% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 40% Positiveness
13% Popularity • 51% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 40% Positiveness
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Zoltán Kodály
Hary Janos Suite: Háry János Suite: V....
109 bpm • D min • 05:01 • -22.3db
12% Popularity • 31% Danceability • 8% Energy • 24% Liveness
77% Instrumentalness • 25% Positiveness
12% Popularity • 31% Danceability • 8% Energy • 24% Liveness
77% Instrumentalness • 25% Positiveness
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Carl Reinecke
Sonata "Undine" Op. 167 for Flute and Pi...
108 bpm • E min • 06:38 • -25.91db
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Lili Boulanger
Cortege
108 bpm • E Maj • 01:43 • -19db
12% Popularity • 48% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 28% Positiveness
12% Popularity • 48% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 28% Positiveness
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Bohuslav Martinů
The Miracle of Our Lady, H. 236, Act I, ...
108 bpm • F min • 05:21 • -20.16db
0% Popularity • 45% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 45% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mel Bonis
Suite en trio, Op. 59: III. Scherzo
108 bpm • D Maj • 03:35 • -22db
10% Popularity • 37% Danceability • 12% Energy • 32% Liveness
64% Instrumentalness • 42% Positiveness
10% Popularity • 37% Danceability • 12% Energy • 32% Liveness
64% Instrumentalness • 42% Positiveness
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Claude Debussy
Piano Trio In G Major, L. 5: II. Scherzo...
116 bpm • B min • 04:05 • -27.07db
0% Popularity • 44% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 34% Positiveness
0% Popularity • 44% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 34% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
108 bpm • D# Maj • 03:51 • -32.69db
15% Popularity • 16% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Nino Rota
5 Pezzi facili: No. 5. Il soldatino
108 bpm • F Maj • 01:39 • -24.57db
22% Popularity • 40% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
22% Popularity • 40% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
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Igor Stravinsky
Pulcinella, Ballet in One Act After Perg...
116 bpm • G Maj • 03:03 • -21.11db
2% Popularity • 44% Danceability • 8% Energy • 16% Liveness
35% Instrumentalness • 58% Positiveness
2% Popularity • 44% Danceability • 8% Energy • 16% Liveness
35% Instrumentalness • 58% Positiveness
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Bohuslav Martinů
Bergerettes, H. 275: No. 1, Poco allegro...
116 bpm • D min • 03:34 • -20.24db
0% Popularity • 42% Danceability • 13% Energy • 8% Liveness
44% Instrumentalness • 36% Positiveness
0% Popularity • 42% Danceability • 13% Energy • 8% Liveness
44% Instrumentalness • 36% Positiveness
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Erich Wolfgang Korngold
Violin Concerto In D Major, Op. 35: I. M...
108 bpm • D Maj • 09:01 • -16db
0% Popularity • 27% Danceability • 24% Energy • 18% Liveness
44% Instrumentalness • 11% Positiveness
0% Popularity • 27% Danceability • 24% Energy • 18% Liveness
44% Instrumentalness • 11% Positiveness
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Claude Debussy
Deux arabesques, L. 74 (Arr. For Cello A...
108 bpm • G Maj • 04:27 • -24.67db
0% Popularity • 50% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
0% Popularity • 50% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
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Robert Schumann
Symphony No. 1 in B-Flat Major, Op. 38 "...
107 bpm • A# Maj • 08:32 • -18.26db
10% Popularity • 37% Danceability • 25% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
10% Popularity • 37% Danceability • 25% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: II. Sch...
107 bpm • F Maj • 04:47 • -22db
27% Popularity • 28% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
27% Popularity • 28% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
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Alfred Schnittke
Suite in the Old Style: II. Ballet
117 bpm • D Maj • 02:14 • -16.27db
8% Popularity • 65% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 92% Positiveness
8% Popularity • 65% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 92% Positiveness
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Bohuslav Martinů
The Miracle of Our Lady, H. 236, Act I, ...
108 bpm • D min • 05:49 • -25.93db
0% Popularity • 44% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 44% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Mikhail Glinka
Waltz-Fantasy: Waltz-Fantasy
107 bpm • B min • 08:44 • -17.35db
9% Popularity • 34% Danceability • 11% Energy • 81% Liveness
87% Instrumentalness • 13% Positiveness
9% Popularity • 34% Danceability • 11% Energy • 81% Liveness
87% Instrumentalness • 13% Positiveness
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Franz Schubert
String Quintet in C Major, D. 956: III. ...
107 bpm • C Maj • 10:02 • -16.54db
23% Popularity • 42% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
23% Popularity • 42% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
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Claude Debussy
Debussy: String Quartet in G Minor, Op. ...
107 bpm • D# Maj • 04:03 • -22.43db
19% Popularity • 47% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 37% Positiveness
19% Popularity • 47% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 37% Positiveness
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Joseph Haydn
String Quartet in E-Flat Major, Op. 1 No...
117 bpm • A# Maj • 05:16 • -26.34db
8% Popularity • 36% Danceability • 3% Energy • 15% Liveness
5% Instrumentalness • 23% Positiveness
8% Popularity • 36% Danceability • 3% Energy • 15% Liveness
5% Instrumentalness • 23% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Bohuslav Martinů
Concerto for Violin, Piano and Orchestra...
107 bpm • A# Maj • 08:26 • -21.26db
13% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
13% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
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Steve Elcock
Violin Concerto: III. Passacaglia. Andan...
107 bpm • G min • 06:49 • -20.18db
23% Popularity • 24% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
23% Popularity • 24% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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![Rondeau brillante in B Minor Op. 70, D. 895: I. Andante - II. Allegro (Arr. for Violin and Strings Ensemble by Paul Suits) [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e02f753cc3e801d293e33d80921)
Franz Schubert
Rondeau brillante in B Minor Op. 70, D. ...
117 bpm • B Maj • 06:03 • -15.24db
13% Popularity • 36% Danceability • 18% Energy • 24% Liveness
37% Instrumentalness • 11% Positiveness
13% Popularity • 36% Danceability • 18% Energy • 24% Liveness
37% Instrumentalness • 11% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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Rezsö Kókai
Verbunkos Suite: II. Fresh Hungarian
118 bpm • G Maj • 04:32 • -17.63db
17% Popularity • 42% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 46% Positiveness
17% Popularity • 42% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 46% Positiveness
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Peter Warlock
Capriol Suite: III. Tordion
107 bpm • G min • 01:04 • -26.17db
12% Popularity • 72% Danceability • 4% Energy • 18% Liveness
12% Instrumentalness • 80% Positiveness
12% Popularity • 72% Danceability • 4% Energy • 18% Liveness
12% Instrumentalness • 80% Positiveness
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Bohuslav Martinů
Serenade No. 3: I. Poco allegro
107 bpm • C Maj • 01:50 • -20.81db
0% Popularity • 81% Danceability • 13% Energy • 4% Liveness
87% Instrumentalness • 72% Positiveness
0% Popularity • 81% Danceability • 13% Energy • 4% Liveness
87% Instrumentalness • 72% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
118 bpm • G min • 04:59 • -28.98db
18% Popularity • 49% Danceability • 13% Energy • 20% Liveness
91% Instrumentalness • 50% Positiveness
18% Popularity • 49% Danceability • 13% Energy • 20% Liveness
91% Instrumentalness • 50% Positiveness
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G. M. Rodriguez
Tango (La cumparsita)
118 bpm • A# Maj • 04:14 • -21.53db
11% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
11% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Weber: Clarinet Concerto No. 2 in E-Flat...
118 bpm • D# Maj • 06:39 • -22.41db
4% Popularity • 42% Danceability • 15% Energy • 11% Liveness
18% Instrumentalness • 34% Positiveness
4% Popularity • 42% Danceability • 15% Energy • 11% Liveness
18% Instrumentalness • 34% Positiveness
► Preview
Edvard Grieg
Norwegian Dances, Op. 35: No. 2 in A Maj...
106 bpm • A Maj • 02:27 • -28.51db
17% Popularity • 25% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 15% Positiveness
17% Popularity • 25% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Bohuslav Martinů
Etudes and Polkas Book 2, H. 308: No. 4....
107 bpm • F Maj • 02:08 • -19.08db
0% Popularity • 50% Danceability • 12% Energy • 17% Liveness
85% Instrumentalness • 11% Positiveness
0% Popularity • 50% Danceability • 12% Energy • 17% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Carl Nielsen
Symphony No. 3, Op. 27, FS 60 "Sinfonia ...
106 bpm • C Maj • 10:48 • -19.86db
10% Popularity • 29% Danceability • 12% Energy • 23% Liveness
83% Instrumentalness • 21% Positiveness
10% Popularity • 29% Danceability • 12% Energy • 23% Liveness
83% Instrumentalness • 21% Positiveness
► Preview
Antonín Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
► Preview
Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
118 bpm • A# Maj • 07:19 • -17db
24% Popularity • 39% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 19% Positiveness
24% Popularity • 39% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 19% Positiveness
► Preview
Slovak Philharmonic
Gilgames, H. 351: Part I: Gilgamesh: nor...
119 bpm • D Maj • 01:38 • -27.22db
2% Popularity • 27% Danceability • 5% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 27% Danceability • 5% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Max Reger
Variation 1: Piu andante
106 bpm • A Maj • 01:10 • -20.79db
15% Popularity • 32% Danceability • 24% Energy • 28% Liveness
97% Instrumentalness • 19% Positiveness
15% Popularity • 32% Danceability • 24% Energy • 28% Liveness
97% Instrumentalness • 19% Positiveness
► Preview
Bohuslav Martinů
Jaro v zahrade (Spring in the Garden), H...
107 bpm • G Maj • 01:46 • -22.8db
1% Popularity • 51% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
1% Popularity • 51% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 23% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Antonín Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 1 in C...
105 bpm • C min • 09:06 • -24db
30% Popularity • 42% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
30% Popularity • 42% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
40% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
40% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
► Preview
Germaine Tailleferre
Concerto pour piano
105 bpm • D Maj • 04:52 • -17.47db
10% Popularity • 46% Danceability • 24% Energy • 25% Liveness
88% Instrumentalness • 50% Positiveness
10% Popularity • 46% Danceability • 24% Energy • 25% Liveness
88% Instrumentalness • 50% Positiveness
► Preview
Bohuslav Martinů
The Miracle of Our Lady, H. 236, Act I, ...
107 bpm • F min • 07:20 • -22.98db
0% Popularity • 33% Danceability • 22% Energy • 11% Liveness
58% Instrumentalness • 15% Positiveness
0% Popularity • 33% Danceability • 22% Energy • 11% Liveness
58% Instrumentalness • 15% Positiveness
► Preview
Augusta Holmès
Trois petites pièces: Gigue
105 bpm • F Maj • 01:23 • -24db
19% Popularity • 58% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
19% Popularity • 58% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 3. Menuetto I...
119 bpm • D Maj • 02:08 • -19db
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: III. Vo...
105 bpm • G Maj • 02:07 • -16db
35% Popularity • 17% Danceability • 11% Energy • 66% Liveness
89% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 11% Energy • 66% Liveness
89% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Serenade: II. Aristophanes. Allegretto
119 bpm • C# Maj • 04:23 • -21.88db
11% Popularity • 30% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 9% Positiveness
11% Popularity • 30% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 9% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: Quick Dance
120 bpm • E min • 02:17 • -28db
20% Popularity • 37% Danceability • 7% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
20% Popularity • 37% Danceability • 7% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
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Bohuslav Martinů
Concerto for Double String Orchestra, Pi...
118 bpm • F min • 06:46 • -19.3db
2% Popularity • 29% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
2% Popularity • 29% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
105 bpm • F# Maj • 01:51 • -31.66db
15% Popularity • 26% Danceability • 1% Energy • 14% Liveness
12% Instrumentalness • 10% Positiveness
15% Popularity • 26% Danceability • 1% Energy • 14% Liveness
12% Instrumentalness • 10% Positiveness
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Franz Schubert
Symphony No. 9 in C, D.944 - "The Great"...
120 bpm • D Maj • 10:04 • -18.42db
6% Popularity • 29% Danceability • 23% Energy • 18% Liveness
88% Instrumentalness • 16% Positiveness
6% Popularity • 29% Danceability • 23% Energy • 18% Liveness
88% Instrumentalness • 16% Positiveness
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Valery Gergiev
Piano Concerto No. 1 in B-Flat Minor, Op...
120 bpm • C# Maj • 06:34 • -37.5db
16% Popularity • 30% Danceability • 2% Energy • 18% Liveness
56% Instrumentalness • 8% Positiveness
16% Popularity • 30% Danceability • 2% Energy • 18% Liveness
56% Instrumentalness • 8% Positiveness
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Enrique Granados
Suite Oriental (Suite Árabe): II. Seren...
105 bpm • G Maj • 04:21 • -37.8db
12% Popularity • 15% Danceability • 0% Energy • 12% Liveness
81% Instrumentalness • 6% Positiveness
12% Popularity • 15% Danceability • 0% Energy • 12% Liveness
81% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Pictures at an Exhibition: Tuileries
120 bpm • C# min • 01:01 • -23.9db
10% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
10% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
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Bohuslav Martinů
Jaro v zahrade (Spring in the Garden), H...
118 bpm • D Maj • 01:37 • -24.44db
2% Popularity • 37% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
2% Popularity • 37% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
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Richard Strauss
Oboe Concerto in D Major TrV292: I. Alle...
104 bpm • D Maj • 08:44 • -16.53db
9% Popularity • 24% Danceability • 20% Energy • 21% Liveness
91% Instrumentalness • 20% Positiveness
9% Popularity • 24% Danceability • 20% Energy • 21% Liveness
91% Instrumentalness • 20% Positiveness
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Antonín Dvořák
Partita Suite No. 1 for String Orchestra...
104 bpm • G Maj • 02:57 • -16.36db
5% Popularity • 54% Danceability • 36% Energy • 29% Liveness
94% Instrumentalness • 22% Positiveness
5% Popularity • 54% Danceability • 36% Energy • 29% Liveness
94% Instrumentalness • 22% Positiveness
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Franz Liszt
Piano Concerto No. 1 in E Flat Major, S....
120 bpm • G# min • 05:31 • -20.41db
28% Popularity • 34% Danceability • 12% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
28% Popularity • 34% Danceability • 12% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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Jean Françaix
String Trio: II. Scherzo - Vivo
120 bpm • G Maj • 03:27 • -20.97db
8% Popularity • 54% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 50% Positiveness
8% Popularity • 54% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 50% Positiveness
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Felix Mendelssohn
Symphony No. 3, Op. 56, "Scottish": IV. ...
120 bpm • A min • 09:20 • -19.17db
16% Popularity • 34% Danceability • 20% Energy • 10% Liveness
81% Instrumentalness • 15% Positiveness
16% Popularity • 34% Danceability • 20% Energy • 10% Liveness
81% Instrumentalness • 15% Positiveness
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Bohuslav Martinů
Flute Sonata, H. 306: I. Allegro moderat...
104 bpm • C min • 06:42 • -22.96db
0% Popularity • 39% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
0% Popularity • 39% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Igor Stravinsky
Violin Concerto in D Major: IV. Capricci...
121 bpm • D Maj • 06:18 • -19.87db
7% Popularity • 54% Danceability • 20% Energy • 34% Liveness
20% Instrumentalness • 66% Positiveness
7% Popularity • 54% Danceability • 20% Energy • 34% Liveness
20% Instrumentalness • 66% Positiveness
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Ottorino Respighi
Suite in G Major, P. 58 : III. Pastorale...
104 bpm • D min • 04:36 • -25db
14% Popularity • 16% Danceability • 9% Energy • 20% Liveness
51% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 9% Energy • 20% Liveness
51% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
104 bpm • D Maj • 09:45 • -32.84db
9% Popularity • 15% Danceability • 2% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 2% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: IV. Senza misura
103 bpm • G Maj • 01:54 • -35.77db
11% Popularity • 24% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
11% Popularity • 24% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
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Various Artists
La jota aragonese
121 bpm • D Maj • 03:50 • -24.62db
8% Popularity • 37% Danceability • 14% Energy • 6% Liveness
89% Instrumentalness • 47% Positiveness
8% Popularity • 37% Danceability • 14% Energy • 6% Liveness
89% Instrumentalness • 47% Positiveness
► Preview
Bohuslav Martinů
The Miracle of Our Lady, H. 236, Act I, ...
121 bpm • C# Maj • 01:46 • -27.53db
0% Popularity • 38% Danceability • 12% Energy • 11% Liveness
42% Instrumentalness • 12% Positiveness
0% Popularity • 38% Danceability • 12% Energy • 11% Liveness
42% Instrumentalness • 12% Positiveness
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Robert Schumann
IV. Nicht schnell
103 bpm • G Maj • 02:41 • -31.35db
9% Popularity • 20% Danceability • 2% Energy • 21% Liveness
26% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 2% Energy • 21% Liveness
26% Instrumentalness • 6% Positiveness
► Preview
Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
103 bpm • D# Maj • 08:23 • -25.2db
18% Popularity • 42% Danceability • 7% Energy • 6% Liveness
78% Instrumentalness • 6% Positiveness
18% Popularity • 42% Danceability • 7% Energy • 6% Liveness
78% Instrumentalness • 6% Positiveness
