Songs like Les Chansons Des Roses: III. De Ton Rêve Trop Plein by The Singers - Minnesota Choral Artists
Based on a tempo of (+/- 10%) and a similar genre
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Bob Chilcott
Irish Blessing - SATB
77 bpm • C Maj • 02:42 • -28db
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
5% Instrumentalness • 14% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
5% Instrumentalness • 14% Positiveness
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Richard Shephard
A New Commandment
77 bpm • E Maj • 01:02 • -27.73db
14% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Sanctus (London)
77 bpm • C# Maj • 04:47 • -20db
37% Popularity • 17% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
How Can I Keep From Singing
77 bpm • D Maj • 04:46 • -20.86db
7% Popularity • 16% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 16% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
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Patrick Cassidy
The Mass: Laudamus Te
77 bpm • D min • 03:13 • -23db
24% Popularity • 13% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Dominick Argento
Seasons: No. 3, Spring
77 bpm • C Maj • 03:12 • -22.11db
1% Popularity • 22% Danceability • 12% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 12% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Jenny
77 bpm • B Maj • 03:40 • -24.27db
14% Popularity • 10% Danceability • 6% Energy • 18% Liveness
30% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 6% Energy • 18% Liveness
30% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: III. De Ton Rêv...
77 bpm • G# min • 02:47 • -30db
7% Popularity • 21% Danceability • 3% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 3% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
O Nata Lux
77 bpm • D Maj • 04:31 • -30db
20% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
15% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
15% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
19% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Josquin des Prez
Missa Pange lingua: Kyrie
77 bpm • C min • 03:20 • -19.69db
13% Popularity • 9% Danceability • 16% Energy • 6% Liveness
53% Instrumentalness • 7% Positiveness
13% Popularity • 9% Danceability • 16% Energy • 6% Liveness
53% Instrumentalness • 7% Positiveness
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Ola Gjeilo
Ubi caritas
78 bpm • F# min • 03:06 • -35db
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Michael John Trotta
I Shall See
77 bpm • E Maj • 03:38 • -28db
19% Popularity • 9% Danceability • 3% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
19% Popularity • 9% Danceability • 3% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Four Madrigals On Renaissance Texts: III...
76 bpm • A min • 03:25 • -22.98db
3% Popularity • 17% Danceability • 4% Energy • 11% Liveness
61% Instrumentalness • 5% Positiveness
3% Popularity • 17% Danceability • 4% Energy • 11% Liveness
61% Instrumentalness • 5% Positiveness
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Bob Chilcott
A Little Jazz Mass (version for mixed ch...
76 bpm • G# Maj • 01:31 • -23.32db
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Lowell Mason
Nearer, My God, to Thee (Arr. J.L. Steve...
78 bpm • G min • 03:10 • -9.03db
21% Popularity • 19% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 19% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Kim André Arnesen
Even When He Is Silent
78 bpm • B Maj • 05:46 • -23.57db
24% Popularity • 9% Danceability • 9% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
24% Popularity • 9% Danceability • 9% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
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Lodovico Grossi da Viadana
Exultate Justi
78 bpm • A Maj • 01:57 • -21db
29% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The University Of Utah Singers
Stars I Shall Find
76 bpm • D# Maj • 05:34 • -19.27db
9% Popularity • 23% Danceability • 11% Energy • 13% Liveness
73% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 11% Energy • 13% Liveness
73% Instrumentalness • 6% Positiveness
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Henry Purcell
Oedipus, Z.583: II. Music for a While
78 bpm • A# min • 03:57 • -21.28db
17% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
17% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
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Michael John Trotta
Behold How Good
76 bpm • G Maj • 03:28 • -26db
15% Popularity • 10% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Bob Chilcott
The Lily and the Rose - SATB
76 bpm • A min • 04:08 • -25db
10% Popularity • 20% Danceability • 8% Energy • 7% Liveness
25% Instrumentalness • 14% Positiveness
10% Popularity • 20% Danceability • 8% Energy • 7% Liveness
25% Instrumentalness • 14% Positiveness
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Helen Ostafew
Ave Maria
78 bpm • A min • 06:31 • -20.14db
10% Popularity • 14% Danceability • 13% Energy • 4% Liveness
88% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 13% Energy • 4% Liveness
88% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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Jane Hawes
Wondrous Cross - the Sixth Word
78 bpm • E min • 03:10 • -17.53db
5% Popularity • 24% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
5% Popularity • 24% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Johannes Eccard
When to the Temple Mary Went
78 bpm • D min • 03:03 • -34db
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Don MacDonald
Tabula Rasa
76 bpm • D Maj • 03:54 • -19.45db
15% Popularity • 14% Danceability • 8% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 8% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Jake Runestad
Let my Love be heard
78 bpm • C# min • 04:47 • -23.01db
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
O Virtus Sapientiae
76 bpm • C Maj • 02:16 • -37.25db
30% Popularity • 15% Danceability • 1% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 1% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
17% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Epilogue: N...
78 bpm • C Maj • 04:23 • -16.79db
14% Popularity • 25% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 25% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Samuel Barber
Reincarnations: No. 1, Mary Hynes
76 bpm • F Maj • 02:16 • -26.67db
1% Popularity • 21% Danceability • 8% Energy • 26% Liveness
30% Instrumentalness • 9% Positiveness
1% Popularity • 21% Danceability • 8% Energy • 26% Liveness
30% Instrumentalness • 9% Positiveness
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The Singers - Minnesota Choral Artists
Kin to Sorrow
76 bpm • E Maj • 05:20 • -19.84db
5% Popularity • 20% Danceability • 9% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
5% Popularity • 20% Danceability • 9% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
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The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield
Exultate Justi in Domino
78 bpm • F# Maj • 02:06 • -21.03db
13% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Cantus
Finlandia-Hymni
76 bpm • A Maj • 02:08 • -23.12db
20% Popularity • 11% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 11% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Philip Stopford
Do Not Be Afraid
78 bpm • D Maj • 05:05 • -31.38db
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
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Mia Makaroff
Spes
78 bpm • G Maj • 04:26 • -22.72db
18% Popularity • 21% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 21% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Samuel Barber
Under the Willow Tree
76 bpm • A Maj • 03:09 • -27.79db
7% Popularity • 25% Danceability • 5% Energy • 16% Liveness
48% Instrumentalness • 14% Positiveness
7% Popularity • 25% Danceability • 5% Energy • 16% Liveness
48% Instrumentalness • 14% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
33% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Cantus
How Can I Keep from Singing? (Live for B...
76 bpm • C Maj • 02:55 • -18.99db
11% Popularity • 18% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 18% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Benedictines of Mary, Queen of Apostles
Lorica Of St. Patrick
79 bpm • G# min • 03:59 • -18.55db
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 18% Positiveness
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 18% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Thomas Attwood Walmisley
Magnificat in D Minor
75 bpm • D min • 05:44 • -27db
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
75 bpm • E Maj • 01:42 • -28.55db
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
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Thomas Morley
Nolo mortem peccatoris
79 bpm • F min • 03:12 • -26.17db
13% Popularity • 18% Danceability • 7% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
13% Popularity • 18% Danceability • 7% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Hans Bridger Heruth
Joy (Live)
75 bpm • D Maj • 05:31 • -21db
3% Popularity • 13% Danceability • 17% Energy • 68% Liveness
86% Instrumentalness • 4% Positiveness
3% Popularity • 13% Danceability • 17% Energy • 68% Liveness
86% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
Entreat Me Not To Leave You
79 bpm • A# min • 06:48 • -18db
24% Popularity • 11% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Edgar Leslie Bainton
And I Saw a New Heaven
75 bpm • G Maj • 05:20 • -23.58db
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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The Wartburg Choir
Only in Sleep
75 bpm • G Maj • 04:48 • -21.22db
25% Popularity • 23% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 23% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Dolly Parton
Light of a Clear Blue Morning (Arr. John...
75 bpm • B Maj • 04:32 • -22.23db
19% Popularity • 18% Danceability • 14% Energy • 67% Liveness
2% Instrumentalness • 7% Positiveness
19% Popularity • 18% Danceability • 14% Energy • 67% Liveness
2% Instrumentalness • 7% Positiveness
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Stephen Paulus
The Road Home
75 bpm • F# Maj • 03:55 • -28.06db
13% Popularity • 14% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
13% Popularity • 14% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Sjaella
Morgengesang
75 bpm • F# Maj • 03:25 • -24db
30% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Akademiska Damkören Lyran
Sügismaastikud: V. Tuul kõnnumaa kohal
79 bpm • D min • 01:14 • -23db
22% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Pavel Chesnokov
Cherubic Hymn, Op. 7, No. 1
79 bpm • B min • 04:34 • -23.19db
25% Popularity • 7% Danceability • 7% Energy • 22% Liveness
32% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 7% Energy • 22% Liveness
32% Instrumentalness • 4% Positiveness
► Preview
Strathclyde University Chamber Choir
Ye Banks And Braes
79 bpm • G# Maj • 02:46 • -20db
5% Popularity • 24% Danceability • 21% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
5% Popularity • 24% Danceability • 21% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Chris Massa
All Flesh is Grass
75 bpm • A Maj • 04:35 • -31.22db
11% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
► Preview
Stephen Paulus
Pilgrims' Hymn
75 bpm • F# Maj • 03:48 • -24.06db
14% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Cantique de Jean Racine
75 bpm • C# Maj • 05:29 • -26.15db
17% Popularity • 7% Danceability • 4% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 4% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Millikin University Choir
Exsultate
75 bpm • D min • 03:15 • -20.51db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
► Preview
London Philharmonic Choir
O For The Wings Of A Dove
79 bpm • G Maj • 02:33 • -26.21db
12% Popularity • 8% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 8% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
György Orbán
Chiaro
75 bpm • D Maj • 02:26 • -24.28db
9% Popularity • 21% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 7% Positiveness
► Preview
The Chapel Choir of University College, Hurham
Stainer: God so loved the world
75 bpm • D Maj • 03:36 • -30db
13% Popularity • 15% Danceability • 6% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 6% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
► Preview
Atlanta Master Chorale
There Will Come Soft Rains
74 bpm • G Maj • 05:45 • -28.38db
21% Popularity • 8% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
John Ireland
Communion Service in C Major: Sanctus
74 bpm • F Maj • 01:26 • -23db
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 4. Hot sun,...
74 bpm • B Maj • 03:11 • -20db
12% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
► Preview
The Singers - Minnesota Choral Artists
The Day Is Done
80 bpm • D Maj • 05:51 • -20.8db
5% Popularity • 9% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
5% Popularity • 9% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Elaine Hagenberg
O Love (Version for Bass Choir, Cello & ...
74 bpm • G Maj • 04:52 • -24.25db
10% Popularity • 7% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
10% Popularity • 7% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Atlanta Master Chorale
The Word Was God
74 bpm • A min • 02:18 • -33.13db
17% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Ch...
80 bpm • A Maj • 02:34 • -32db
32% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
32% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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William Bradbury
Angel Band (arr. Shawn Kirchner)
80 bpm • G Maj • 06:14 • -24.94db
10% Popularity • 9% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
10% Popularity • 9% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Glory
80 bpm • A# Maj • 01:57 • -14db
31% Popularity • 14% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
31% Popularity • 14% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
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Music For child Relax
Dormir Profundamente
80 bpm • G# Maj • 02:23 • -20.19db
9% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
9% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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John Bennet
Weep, O mine eyes
74 bpm • F min • 02:29 • -15db
11% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Millikin University Choir
See Dat Babe
80 bpm • C Maj • 02:24 • -19db
16% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Thomas Campion
Never Weather-beaten Sail
80 bpm • G Maj • 02:38 • -24db
19% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Kim André Arnesen
Pie Jesu
74 bpm • D Maj • 04:16 • -33db
25% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
25% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Mass brevis in C major, K.220 "Sparrow M...
81 bpm • C Maj • 01:48 • -17.16db
19% Popularity • 19% Danceability • 19% Energy • 65% Liveness
64% Instrumentalness • 20% Positiveness
19% Popularity • 19% Danceability • 19% Energy • 65% Liveness
64% Instrumentalness • 20% Positiveness
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Calmus Ensemble
Jesu, Meine Freude BWV 227: Jesu, Meine ...
81 bpm • C# min • 01:05 • -18db
27% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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The Singers - Minnesota Choral Artists
Afternoon On a Hill
74 bpm • A# Maj • 03:53 • -15.01db
1% Popularity • 18% Danceability • 21% Energy • 8% Liveness
6% Instrumentalness • 8% Positiveness
1% Popularity • 18% Danceability • 21% Energy • 8% Liveness
6% Instrumentalness • 8% Positiveness
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The University Of Utah Singers
The Road Home
81 bpm • F Maj • 03:14 • -25.43db
11% Popularity • 18% Danceability • 9% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
11% Popularity • 18% Danceability • 9% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Kim André Arnesen
Even When He Is Silent
81 bpm • C Maj • 06:20 • -26db
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
21% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
21% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Kevin Siegfried
Shaker Songs: I. Peace
81 bpm • G Maj • 03:19 • -31.47db
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Tarik O'Regan
Threshold of Night
81 bpm • A# Maj • 06:19 • -31db
8% Popularity • 8% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
