Songs like Les Contes d'Hoffmann, Act II: Air d'Olympia (Olympia) by Jacques Offenbach
Based on a tempo of (+/- 10%) and a similar genre
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Largo al factot...
71 bpm • C Maj • 04:17 • -14.04db
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
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Jacques Offenbach
Offenbach: La Belle Hélène, Act 1: Ch�...
71 bpm • F min • 01:46 • -26.21db
5% Popularity • 20% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
5% Popularity • 20% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Léo Delibes
Lakmé / Act 1: "Sous le dôme épais" (...
71 bpm • B Maj • 04:57 • -16.97db
40% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Lohengrin, WWV 75: Prelude to Ac...
70 bpm • A Maj • 08:53 • -31db
15% Popularity • 6% Danceability • 2% Energy • 30% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 6% Danceability • 2% Energy • 30% Liveness
90% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
71 bpm • D Maj • 08:53 • -25db
24% Popularity • 7% Danceability • 2% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 2% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
46% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
46% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Tales of Hoffmann: Barcarole
71 bpm • D Maj • 03:33 • -22db
13% Popularity • 16% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Dame Joan Sutherland
Waltz Song: Je veux vivre
72 bpm • G Maj • 03:26 • -18.28db
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
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Alexander Borodin
Borodin: Prince Igor, Act II: Polovtsian...
72 bpm • D Maj • 03:52 • -19.46db
30% Popularity • 9% Danceability • 10% Energy • 7% Liveness
37% Instrumentalness • 6% Positiveness
30% Popularity • 9% Danceability • 10% Energy • 7% Liveness
37% Instrumentalness • 6% Positiveness
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Slovak Philharmonic Chorus
Die Entfuhrung Aus Dem Serail (Abduction...
72 bpm • D min • 01:26 • -17db
44% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Jules Massenet
Méditation de Thaïs (Arr. Cullen for C...
72 bpm • D Maj • 04:53 • -26db
41% Popularity • 11% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
73 bpm • C# Maj • 05:30 • -20db
20% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
20% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann - Arr. M. Moszkows...
71 bpm • D Maj • 07:50 • -27db
11% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
40% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
40% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Johann Strauss II
Strauss, Johann II: Die Fledermaus, Act ...
73 bpm • G Maj • 03:45 • -9.3db
29% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
39% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Johannes Brahms
Hungarian Dances, WoO 1: No. 1 in G Mino...
73 bpm • G min • 03:11 • -20db
20% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
20% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Voici le...
69 bpm • G Maj • 04:08 • -15db
8% Popularity • 31% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 31% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Gioachino Rossini
Io sono docile
74 bpm • F Maj • 03:52 • -9.96db
20% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
37% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
37% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Johann Strauss II
Strauss Jr., J.: Rosen aus dem Süden, O...
68 bpm • F Maj • 07:53 • -16.28db
19% Popularity • 24% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
19% Popularity • 24% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act III: Barcaro...
73 bpm • D Maj • 03:21 • -22.76db
31% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
31% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Manuel Rosenthal
Gaite Parisienne (after J. Offenbach): 8...
68 bpm • D Maj • 03:53 • -20db
19% Popularity • 20% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
19% Popularity • 20% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Morning (All...
68 bpm • E Maj • 04:19 • -23.72db
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Hector Berlioz
Berlioz: Symphonie fantastique, Op. 14, ...
74 bpm • A Maj • 06:44 • -18.12db
19% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
19% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
35% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9, Act 3: "...
74 bpm • G Maj • 01:30 • -31db
32% Popularity • 32% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 32% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers: Ouverture
69 bpm • F min • 03:05 • -23db
11% Popularity • 28% Danceability • 1% Energy • 7% Liveness
2% Instrumentalness • 19% Positiveness
11% Popularity • 28% Danceability • 1% Energy • 7% Liveness
2% Instrumentalness • 19% Positiveness
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Charles Gounod
Roméo et Juliette: Je veux vivre dans l...
74 bpm • F Maj • 03:45 • -18.81db
25% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture ...
74 bpm • G Maj • 02:17 • -39db
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
37% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 1: "Che gelida m...
75 bpm • G# Maj • 05:06 • -12.26db
32% Popularity • 15% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
32% Popularity • 15% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Jacques Offenbach
The Tales of Hoffmann: Barcarolle
73 bpm • D Maj • 03:34 • -25db
22% Popularity • 12% Danceability • 5% Energy • 27% Liveness
77% Instrumentalness • 6% Positiveness
22% Popularity • 12% Danceability • 5% Energy • 27% Liveness
77% Instrumentalness • 6% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
75 bpm • A Maj • 02:23 • -22.89db
31% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Charles Gounod
Marche funebre d'une marionnette (Funera...
75 bpm • A Maj • 05:49 • -27.8db
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
20% Popularity • 42% Danceability • 1% Energy • 8% Liveness
70% Instrumentalness • 28% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song Of India
75 bpm • A Maj • 03:19 • -15.65db
27% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
44% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
44% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Fi...
74 bpm • B Maj • 01:35 • -16.45db
9% Popularity • 50% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 50% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
76 bpm • G min • 06:31 • -14db
33% Popularity • 22% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 9% Positiveness
33% Popularity • 22% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 9% Positiveness
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Nora Mercz
Tritsch-Tratsch Polka, Op. 214
76 bpm • D Maj • 01:39 • -21.53db
36% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
36% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
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Umberto Giordano
Andrea Chénier / Act III: "La mamma mor...
76 bpm • D Maj • 04:58 • -17.91db
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Sonnena...
76 bpm • C Maj • 01:31 • -18db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 13, Morning Mood
66 bpm • E Maj • 04:19 • -23db
38% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
38% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Du...
74 bpm • E Maj • 05:21 • -20db
9% Popularity • 32% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 32% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Arthur Fiedler
Le barbier de Séville Largo al factotum...
77 bpm • C Maj • 04:23 • -12db
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
25% Popularity • 36% Danceability • 43% Energy • 41% Liveness
88% Instrumentalness • 53% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jules Massenet
Thaïs / Act 2: Méditation
77 bpm • E min • 05:20 • -21.67db
30% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Vive Die...
68 bpm • A min • 04:03 • -19.92db
8% Popularity • 35% Danceability • 17% Energy • 78% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 35% Danceability • 17% Energy • 78% Liveness
0% Instrumentalness • 19% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
25% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
30% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
30% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
► Preview
Léo Delibes
Lakmé, Act 1: Dôme épais le jasmin "F...
77 bpm • B Maj • 01:30 • -15.81db
45% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Jacques Offenbach
Barcarolle
74 bpm • D Maj • 03:40 • -18db
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
16% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
► Preview
Alexander Borodin
Prince Igor: Polovtsian Dances (Remaster...
78 bpm • A Maj • 02:23 • -23.28db
28% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Viennese version, 176...
65 bpm • C Maj • 02:11 • -35db
39% Popularity • 7% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
39% Popularity • 7% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 21% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
AntonÃn Dvořák
Rusalka, Op. 114 / Act 1: Overture
64 bpm • D# Maj • 04:21 • -24db
26% Popularity • 15% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
26% Popularity • 15% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Ils se s...
74 bpm • G min • 01:08 • -28db
16% Popularity • 38% Danceability • 2% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 38% Danceability • 2% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620 / Act I: "Der V...
78 bpm • G Maj • 02:47 • -22.78db
27% Popularity • 51% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 51% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Slovak State Philharmonic Orchestra, Kosice
Les Contes D'hoffmann (The Tales Of Hoff...
79 bpm • D Maj • 02:10 • -19db
37% Popularity • 18% Danceability • 10% Energy • 8% Liveness
84% Instrumentalness • 18% Positiveness
37% Popularity • 18% Danceability • 10% Energy • 8% Liveness
84% Instrumentalness • 18% Positiveness
► Preview
Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
79 bpm • B min • 05:04 • -18.9db
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Gaîté parisienne: Barcarolle - Excerpt
68 bpm • D Maj • 02:02 • -24.39db
24% Popularity • 16% Danceability • 6% Energy • 48% Liveness
27% Instrumentalness • 13% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 48% Liveness
27% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
Ma rendi pur contento
79 bpm • G# Maj • 02:23 • -21.97db
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
35% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
35% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
79 bpm • F Maj • 10:23 • -24db
19% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
19% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
64 bpm • A# Maj • 02:42 • -17db
27% Popularity • 38% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 38% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Jacques Offenbach
Die Insel tulipatan: "Sie sind's? - Ich ...
67 bpm • G# Maj • 01:28 • -5.71db
0% Popularity • 49% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 49% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Amilcare Ponchielli
La Gioconda / Act II: "Cielo e mar"
80 bpm • D# Maj • 05:14 • -18db
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66: Panorama
80 bpm • G Maj • 02:59 • -26.41db
40% Popularity • 10% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
40% Popularity • 10% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
53% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
53% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Charles Gounod
O ma belle rebelle
80 bpm • E min • 02:02 • -26db
30% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
30% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: Voyez - l...
76 bpm • D Maj • 03:54 • -23.17db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
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Franz von Suppé
Morning, Noon and Night in Vienna
80 bpm • F Maj • 08:08 • -14.05db
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 19% Energy • 27% Liveness
88% Instrumentalness • 10% Positiveness
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Richard Strauss
Don Quixote, Op. 35: Theme - Don Quixote...
63 bpm • F Maj • 01:05 • -26db
40% Popularity • 19% Danceability • 4% Energy • 19% Liveness
36% Instrumentalness • 9% Positiveness
40% Popularity • 19% Danceability • 4% Energy • 19% Liveness
36% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Phaéton, Op. 39
80 bpm • D# Maj • 09:06 • -23db
30% Popularity • 14% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
21% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
21% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
76 bpm • C min • 02:45 • -24db
6% Popularity • 46% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
6% Popularity • 46% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Tritsch Tratsch - Galopp Polka, Op. 214
80 bpm • A Maj • 02:42 • -20db
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
37% Popularity • 61% Danceability • 24% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620: Overtu...
80 bpm • D# Maj • 07:33 • -21db
33% Popularity • 22% Danceability • 9% Energy • 19% Liveness
88% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 9% Energy • 19% Liveness
88% Instrumentalness • 8% Positiveness
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Johann Strauss II
On the Beautiful Blue Danube - Waltz Op....
81 bpm • D Maj • 09:34 • -24.92db
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
