Songs like Les filles de 1973 ont trente ans by Vincent Delerm
Based on a tempo of (+/- 10%) and a similar genre
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Grand Corps Malade
Chemins de traverse
120 bpm • E min • 03:48 • -6.79db
40% Popularity • 65% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 65% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Jean-Louis Murat
L'arc en ciel
120 bpm • G# Maj • 03:16 • -12.55db
15% Popularity • 90% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 90% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Maxime Le Forestier
Passer ma route
120 bpm • D# Maj • 08:05 • -10db
32% Popularity • 72% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 72% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Florent Marchet
Des hauts, des bas
120 bpm • E min • 04:02 • -6.56db
31% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Ludivine Sagnier
Tout Est Si Calme
120 bpm • C# min • 02:54 • -11db
10% Popularity • 57% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
10% Popularity • 57% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Nilda Fernandez
L'Invitation à Venise
120 bpm • E min • 04:34 • -10db
13% Popularity • 59% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 59% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Vincent Delerm
Les filles de 1973 ont trente ans
120 bpm • C min • 04:52 • -5.76db
25% Popularity • 70% Danceability • 68% Energy • 9% Liveness
38% Instrumentalness • 30% Positiveness
25% Popularity • 70% Danceability • 68% Energy • 9% Liveness
38% Instrumentalness • 30% Positiveness
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Arthur H
La route
120 bpm • C min • 03:54 • -14.71db
35% Popularity • 74% Danceability • 34% Energy • 12% Liveness
12% Instrumentalness • 58% Positiveness
35% Popularity • 74% Danceability • 34% Energy • 12% Liveness
12% Instrumentalness • 58% Positiveness
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Louis Chedid
On ne dit jamais assez aux gens qu'on ai...
120 bpm • D Maj • 02:57 • -13.99db
29% Popularity • 77% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 77% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Christophe
Boule de flipper
120 bpm • F min • 03:40 • -10.58db
36% Popularity • 63% Danceability • 63% Energy • 8% Liveness
5% Instrumentalness • 45% Positiveness
36% Popularity • 63% Danceability • 63% Energy • 8% Liveness
5% Instrumentalness • 45% Positiveness
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Ben Mazué
J'attends
120 bpm • F Maj • 04:40 • -8.68db
55% Popularity • 76% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 76% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Arcadian
La foule
120 bpm • B min • 02:53 • -4db
33% Popularity • 73% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 73% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Vincent Delerm
Natation synchronisée
120 bpm • A Maj • 04:22 • -10.87db
18% Popularity • 74% Danceability • 35% Energy • 6% Liveness
1% Instrumentalness • 56% Positiveness
18% Popularity • 74% Danceability • 35% Energy • 6% Liveness
1% Instrumentalness • 56% Positiveness
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Ycare
Sors
120 bpm • B min • 03:07 • -7db
40% Popularity • 58% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 58% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Juliette
Petite messe solennelle
120 bpm • F min • 04:16 • -10db
27% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Françoise Hardy
Seras-tu là ?
120 bpm • D min • 03:08 • -9db
31% Popularity • 52% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 21% Positiveness
31% Popularity • 52% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 21% Positiveness
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Michel Jonasz
Dites-moi
120 bpm • D min • 03:18 • -12db
53% Popularity • 54% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
53% Popularity • 54% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Jérôme Lemonnier
Intermède 1 (Le Malade Imaginaire)
120 bpm • G min • 01:21 • -17.72db
15% Popularity • 72% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 72% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Vincent Delerm
Kensington Square
120 bpm • A# min • 05:53 • -12.14db
10% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Michel Berger
Seras-tu là - Remasterisé en 2002
120 bpm • C# Maj • 03:43 • -9db
43% Popularity • 49% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
43% Popularity • 49% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Alain Chamfort
Le temps qui court
120 bpm • C min • 04:09 • -15db
49% Popularity • 39% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 16% Positiveness
49% Popularity • 39% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 16% Positiveness
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Sacha Distel
Toute la pluie tombe sur moi
121 bpm • C# Maj • 03:00 • -9.12db
40% Popularity • 59% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 59% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Enzo Enzo
Juste quelqu'un de bien
121 bpm • B min • 05:05 • -11.2db
27% Popularity • 66% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
27% Popularity • 66% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Jacques Higelin
Je voudrais dormir
121 bpm • G Maj • 02:06 • -18db
42% Popularity • 80% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 80% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Vincent Delerm
Et françois de Roubaix dans le dos
120 bpm • G min • 03:37 • -9db
15% Popularity • 38% Danceability • 34% Energy • 12% Liveness
71% Instrumentalness • 31% Positiveness
15% Popularity • 38% Danceability • 34% Energy • 12% Liveness
71% Instrumentalness • 31% Positiveness
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Anne Sylvestre
Fausse sortie
121 bpm • A min • 02:05 • -12.17db
12% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Alain Chamfort
L'ennemi dans la glace
119 bpm • D# Maj • 04:40 • -9.97db
17% Popularity • 29% Danceability • 44% Energy • 76% Liveness
2% Instrumentalness • 9% Positiveness
17% Popularity • 29% Danceability • 44% Energy • 76% Liveness
2% Instrumentalness • 9% Positiveness
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Jean-Louis Aubert
Aussi loin
121 bpm • G min • 03:19 • -8.34db
26% Popularity • 68% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
26% Popularity • 68% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
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Bernard Lavilliers
Saint-Etienne
119 bpm • C Maj • 03:07 • -12db
31% Popularity • 68% Danceability • 38% Energy • 10% Liveness
42% Instrumentalness • 9% Positiveness
31% Popularity • 68% Danceability • 38% Energy • 10% Liveness
42% Instrumentalness • 9% Positiveness
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Thomas Fersen
Au café de la paix
118 bpm • D min • 04:05 • -10.65db
52% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Vincent Delerm
Je t'ai même pas dit
120 bpm • C Maj • 02:46 • -8.78db
18% Popularity • 85% Danceability • 54% Energy • 10% Liveness
17% Instrumentalness • 82% Positiveness
18% Popularity • 85% Danceability • 54% Energy • 10% Liveness
17% Instrumentalness • 82% Positiveness
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Gaëtan Roussel
S'asseoir par terre
122 bpm • G Maj • 03:20 • -14.09db
31% Popularity • 78% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 78% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Nilda Fernandez
Madrid Madrid
122 bpm • A min • 03:37 • -11.48db
22% Popularity • 66% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 66% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Clou
Les tours d'horloge
122 bpm • C Maj • 02:58 • -10.39db
28% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Jeanne Cherhal - Albin De La Simone
Ces mots stupides
118 bpm • D Maj • 02:22 • -10.63db
36% Popularity • 72% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 72% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Claire Denamur
L'Amour éphémère
118 bpm • C Maj • 03:12 • -7.91db
7% Popularity • 70% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 70% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Vincent Delerm
Tes parents
120 bpm • F min • 03:24 • -10.29db
34% Popularity • 68% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 68% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Juliette Armanet
Je ne pense qu'à ça
118 bpm • C# Maj • 02:43 • -8.21db
39% Popularity • 65% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 65% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Baya Kasmi
De Bénisaf à Salonique
122 bpm • A min • 04:32 • -19.69db
7% Popularity • 49% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
7% Popularity • 49% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
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Jean Ferrat
Ma France
118 bpm • C min • 03:41 • -8db
40% Popularity • 42% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 42% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Christophe
La dolce vita
123 bpm • G# Maj • 04:35 • -7.11db
32% Popularity • 54% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 54% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Anne Sylvestre
Écrire pour ne pas mourir
123 bpm • F min • 04:12 • -11.62db
12% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Vincent Delerm
Sépia plein les doigts
119 bpm • A# min • 03:31 • -5.66db
15% Popularity • 74% Danceability • 80% Energy • 34% Liveness
25% Instrumentalness • 49% Positiveness
15% Popularity • 74% Danceability • 80% Energy • 34% Liveness
25% Instrumentalness • 49% Positiveness
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Cali
Le Grand jour
117 bpm • C Maj • 04:07 • -8.1db
28% Popularity • 58% Danceability • 43% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
28% Popularity • 58% Danceability • 43% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
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Serge Reggiani
Les loups sont entrés dans Paris
117 bpm • D Maj • 05:23 • -8db
14% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Nilda Fernandez
Entre Lyon et Barcelone
123 bpm • E min • 04:42 • -11.96db
9% Popularity • 77% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 77% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Daphné
Une petite cantate
123 bpm • G# Maj • 02:18 • -10.9db
34% Popularity • 67% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
34% Popularity • 67% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Françoise Hardy
Normandia
117 bpm • E Maj • 04:59 • -8db
11% Popularity • 58% Danceability • 52% Energy • 15% Liveness
1% Instrumentalness • 31% Positiveness
11% Popularity • 58% Danceability • 52% Energy • 15% Liveness
1% Instrumentalness • 31% Positiveness
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Vincent Delerm
Deutsche grammophon
122 bpm • F Maj • 03:38 • -12.45db
9% Popularity • 70% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 70% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Jean-Louis Murat
L'ange déchu - 2019 Remaster
117 bpm • C Maj • 03:46 • -9.39db
27% Popularity • 75% Danceability • 65% Energy • 6% Liveness
50% Instrumentalness • 81% Positiveness
27% Popularity • 75% Danceability • 65% Energy • 6% Liveness
50% Instrumentalness • 81% Positiveness
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Christophe
Parle lui de moi
123 bpm • A# min • 03:10 • -12.77db
11% Popularity • 45% Danceability • 46% Energy • 97% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 45% Danceability • 46% Energy • 97% Liveness
0% Instrumentalness • 22% Positiveness
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Georges Brassens
Supplique pour être enterré à la plag...
123 bpm • B min • 07:17 • -15.51db
39% Popularity • 76% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 76% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Marie Laforêt
Les vendanges de l'amour
124 bpm • G Maj • 02:32 • -8.86db
36% Popularity • 67% Danceability • 51% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 67% Danceability • 51% Energy • 42% Liveness
0% Instrumentalness • 93% Positiveness
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Georges Moustaki
Votre fille à 20 ans
116 bpm • C Maj • 02:52 • -14db
33% Popularity • 46% Danceability • 42% Energy • 73% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 46% Danceability • 42% Energy • 73% Liveness
0% Instrumentalness • 39% Positiveness
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Vincent Delerm
Hors-Saison
117 bpm • F# min • 01:36 • -15.98db
34% Popularity • 35% Danceability • 8% Energy • 14% Liveness
47% Instrumentalness • 27% Positiveness
34% Popularity • 35% Danceability • 8% Energy • 14% Liveness
47% Instrumentalness • 27% Positiveness
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Bénabar
On lâche pas l'affaire
124 bpm • D Maj • 03:08 • -8.94db
26% Popularity • 76% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 76% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Christophe
Les paradis perdus
124 bpm • C# Maj • 03:24 • -14db
24% Popularity • 44% Danceability • 58% Energy • 88% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 44% Danceability • 58% Energy • 88% Liveness
0% Instrumentalness • 49% Positiveness
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Jean-Louis Aubert
Où me tourner
124 bpm • C Maj • 03:58 • -6.04db
22% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Gaëtan Roussel
Une seconde (ou la vie entière)
124 bpm • D# Maj • 03:25 • -8.59db
29% Popularity • 60% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 60% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Arthur H
Adieu tristesse
124 bpm • C min • 04:18 • -9.62db
22% Popularity • 55% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 55% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Barbara Carlotti
Cannes
116 bpm • E min • 02:33 • -7db
30% Popularity • 86% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 86% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Vincent Delerm
Ce qui restera
124 bpm • A min • 03:57 • -15.98db
9% Popularity • 61% Danceability • 51% Energy • 11% Liveness
80% Instrumentalness • 54% Positiveness
9% Popularity • 61% Danceability • 51% Energy • 11% Liveness
80% Instrumentalness • 54% Positiveness
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Christophe
Les marionnettes
124 bpm • A# min • 03:10 • -13db
16% Popularity • 45% Danceability • 49% Energy • 90% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 45% Danceability • 49% Energy • 90% Liveness
0% Instrumentalness • 42% Positiveness
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Michel Jonasz
Je voulais te dire que je t'attends
124 bpm • C Maj • 04:21 • -6db
48% Popularity • 46% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 46% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Valentin Vander
La tendresse - Symphonie confinée
124 bpm • A min • 03:58 • -10.88db
29% Popularity • 43% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 43% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Michel Fugain
Chaque jour de plus
115 bpm • D min • 02:59 • -19.65db
44% Popularity • 60% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 60% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Louis Chedid
Ainsi soit-il
125 bpm • F min • 03:10 • -15db
34% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Vincent Delerm
Un jour parfait
116 bpm • D Maj • 03:13 • -12.88db
8% Popularity • 62% Danceability • 46% Energy • 16% Liveness
42% Instrumentalness • 25% Positiveness
8% Popularity • 62% Danceability • 46% Energy • 16% Liveness
42% Instrumentalness • 25% Positiveness
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Florent Marchet
Courchevel
115 bpm • G# min • 03:53 • -4.9db
22% Popularity • 65% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
22% Popularity • 65% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Jim Bauer
Tata yoyo
115 bpm • E min • 02:21 • -8.73db
28% Popularity • 50% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 50% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Maxime Le Forestier
Restons amants
125 bpm • B min • 02:37 • -9.51db
36% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Arthur H
Nancy
115 bpm • D# min • 03:16 • -14db
30% Popularity • 48% Danceability • 20% Energy • 15% Liveness
3% Instrumentalness • 14% Positiveness
30% Popularity • 48% Danceability • 20% Energy • 15% Liveness
3% Instrumentalness • 14% Positiveness
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Ben Mazué
Les jours heureux
115 bpm • A min • 03:03 • -11db
48% Popularity • 54% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 54% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Vincent Delerm
Anita pettersen
116 bpm • C min • 04:31 • -8.89db
15% Popularity • 58% Danceability • 37% Energy • 44% Liveness
4% Instrumentalness • 35% Positiveness
15% Popularity • 58% Danceability • 37% Energy • 44% Liveness
4% Instrumentalness • 35% Positiveness
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Louis Chedid
Ainsi soit-il - Version Piano – Voix
125 bpm • G Maj • 03:04 • -13.21db
20% Popularity • 71% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
20% Popularity • 71% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
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Christophe
Daisy
115 bpm • C Maj • 04:29 • -12.24db
27% Popularity • 62% Danceability • 48% Energy • 6% Liveness
11% Instrumentalness • 28% Positiveness
27% Popularity • 62% Danceability • 48% Energy • 6% Liveness
11% Instrumentalness • 28% Positiveness
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Noé Preszow
Que tout s'danse
115 bpm • B min • 03:34 • -11db
57% Popularity • 78% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 78% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Lhasa De Sela
L'échelle de richter
125 bpm • C min • 03:58 • -13db
11% Popularity • 45% Danceability • 23% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
11% Popularity • 45% Danceability • 23% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
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Cali
Quoi
115 bpm • C# Maj • 04:41 • -11.98db
34% Popularity • 45% Danceability • 41% Energy • 84% Liveness
18% Instrumentalness • 24% Positiveness
34% Popularity • 45% Danceability • 41% Energy • 84% Liveness
18% Instrumentalness • 24% Positiveness
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Vincent Delerm
Sous les avalanches
116 bpm • B min • 02:57 • -6.99db
18% Popularity • 79% Danceability • 65% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 79% Danceability • 65% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
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Anne Sylvestre
Clémence en vacances
115 bpm • G# min • 04:01 • -12.98db
31% Popularity • 70% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 70% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Christophe
Les paradis perdus
115 bpm • C# Maj • 04:29 • -9.21db
38% Popularity • 33% Danceability • 32% Energy • 22% Liveness
4% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 32% Energy • 22% Liveness
4% Instrumentalness • 19% Positiveness
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Jacques Higelin
Je ne peux plus dire ''je t'aime''
126 bpm • C Maj • 04:30 • -15.85db
33% Popularity • 52% Danceability • 26% Energy • 22% Liveness
34% Instrumentalness • 35% Positiveness
33% Popularity • 52% Danceability • 26% Energy • 22% Liveness
34% Instrumentalness • 35% Positiveness
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Georges Brassens
L'orage
126 bpm • C# Maj • 03:18 • -15db
43% Popularity • 81% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 81% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Daphné
Le petit navire
126 bpm • G# min • 03:41 • -7db
8% Popularity • 76% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 76% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Vincent Delerm
Désir désir
125 bpm • F# Maj • 03:47 • -13.97db
23% Popularity • 58% Danceability • 31% Energy • 76% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 58% Danceability • 31% Energy • 76% Liveness
0% Instrumentalness • 33% Positiveness
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Anne Sylvestre
Carcasse
115 bpm • B min • 04:11 • -16db
17% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Michel Polnareff
Une simple mélodie
126 bpm • G min • 03:36 • -8.11db
33% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Louis Garrel
Les yeux au ciel
114 bpm • B min • 03:51 • -9db
23% Popularity • 64% Danceability • 66% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
23% Popularity • 64% Danceability • 66% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
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Jean-Louis Aubert
Du bonheur
114 bpm • E min • 04:21 • -7.07db
27% Popularity • 76% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 76% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Stephan Eicher
Je n’attendrai pas
114 bpm • C Maj • 02:09 • -13.15db
33% Popularity • 51% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 51% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Vincent Delerm
Châtenay malabry
114 bpm • A# min • 05:16 • -15db
20% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Coline Rio
Les gens qui doutent
127 bpm • A min • 03:16 • -14db
49% Popularity • 52% Danceability • 27% Energy • 11% Liveness
17% Instrumentalness • 22% Positiveness
49% Popularity • 52% Danceability • 27% Energy • 11% Liveness
17% Instrumentalness • 22% Positiveness
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Anne Sylvestre
Depuis l'temps que j'l'attends mon princ...
114 bpm • A Maj • 04:53 • -12.14db
23% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Juliette
Météo marine
113 bpm • A min • 04:31 • -14db
18% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Georges Brassens
Le temps ne fait rien à l'affaire
127 bpm • D Maj • 02:08 • -13.78db
47% Popularity • 82% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 82% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Stephan Eicher
Le Plus Léger Au Monde
127 bpm • E Maj • 04:11 • -5.54db
28% Popularity • 54% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 54% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Vincent Delerm
Le coup d'soleil
127 bpm • A Maj • 05:24 • -10db
29% Popularity • 44% Danceability • 53% Energy • 73% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 44% Danceability • 53% Energy • 73% Liveness
0% Instrumentalness • 31% Positiveness
