Songs like Les Folies d'Espagne by Jean-Baptiste Lully
Based on a tempo of (+/- 10%) and a similar genre
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
108 bpm • C Maj • 03:29 • -17db
40% Popularity • 63% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 87% Positiveness
40% Popularity • 63% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 87% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
41% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
41% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Arcangelo Corelli
Concerto Grosso In C Minor, Op. 6, No. 3...
108 bpm • F min • 01:29 • -22.94db
50% Popularity • 16% Danceability • 9% Energy • 37% Liveness
76% Instrumentalness • 8% Positiveness
50% Popularity • 16% Danceability • 9% Energy • 37% Liveness
76% Instrumentalness • 8% Positiveness
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Jean-Baptiste Lully
Les Folies d'Espagne
108 bpm • C# min • 02:52 • -19.03db
28% Popularity • 39% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
28% Popularity • 39% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
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George Frideric Handel
Admeto, Rè di Tessaglia, HWV 22: Ouvert...
108 bpm • C# min • 05:55 • -20.05db
15% Popularity • 42% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
15% Popularity • 42% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
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Gottfried Finger
A Ground in D Minor
108 bpm • G# min • 03:47 • -17.97db
17% Popularity • 37% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
17% Popularity • 37% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
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Tomaso Albinoni
Oboe Concerto in G Minor, Op. 9, No. 8: ...
108 bpm • G min • 04:03 • -16.62db
34% Popularity • 57% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 73% Positiveness
34% Popularity • 57% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 73% Positiveness
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Henry Purcell
Come, Ye Sons of Art Away, Z. 323 "Ode f...
107 bpm • F Maj • 02:25 • -24.21db
24% Popularity • 58% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 72% Positiveness
24% Popularity • 58% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 72% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
48% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
48% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Heinrich Ignaz Franz von Biber
Harmonia artificioso-ariosa / Partia I: ...
107 bpm • C# min • 02:40 • -18db
18% Popularity • 27% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 33% Positiveness
18% Popularity • 27% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 33% Positiveness
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Matthew Locke
For Several Friends: Suite in G Major-mi...
109 bpm • F min • 01:36 • -17.24db
25% Popularity • 44% Danceability • 13% Energy • 10% Liveness
73% Instrumentalness • 35% Positiveness
25% Popularity • 44% Danceability • 13% Energy • 10% Liveness
73% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 2 in F Major, B...
107 bpm • E Maj • 04:34 • -18.07db
13% Popularity • 59% Danceability • 32% Energy • 11% Liveness
35% Instrumentalness • 85% Positiveness
13% Popularity • 59% Danceability • 32% Energy • 11% Liveness
35% Instrumentalness • 85% Positiveness
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Jacques Cordier
La Bocanne compliquée
107 bpm • E Maj • 01:07 • -19db
18% Popularity • 58% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 58% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44 / Entrée IV:...
107 bpm • G min • 02:00 • -17.61db
36% Popularity • 55% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
36% Popularity • 55% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
107 bpm • F min • 04:29 • -20db
44% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Heinrich Ignaz Franz von Biber
Mensa sonora / PARS I (In D Major): 2. A...
109 bpm • C# Maj • 02:27 • -19.81db
5% Popularity • 21% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 21% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Concerto for Flute and Harp in C...
106 bpm • F Maj • 08:50 • -27db
25% Popularity • 28% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
25% Popularity • 28% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
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Jean-Baptiste Lully
Te Deum: Symphonie
106 bpm • B Maj • 06:42 • -19.64db
10% Popularity • 37% Danceability • 23% Energy • 20% Liveness
9% Instrumentalness • 49% Positiveness
10% Popularity • 37% Danceability • 23% Energy • 20% Liveness
9% Instrumentalness • 49% Positiveness
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Tomaso Albinoni
Concerto a cinque No. 3, Op. 7: I. Alleg...
110 bpm • A Maj • 02:46 • -11db
17% Popularity • 65% Danceability • 49% Energy • 9% Liveness
34% Instrumentalness • 85% Positiveness
17% Popularity • 65% Danceability • 49% Energy • 9% Liveness
34% Instrumentalness • 85% Positiveness
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Jean-Philippe Rameau
Rameau: Hippolyte et Aricie, RCT 43, Act...
107 bpm • C min • 01:40 • -26db
36% Popularity • 51% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 76% Positiveness
36% Popularity • 51% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 76% Positiveness
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Georg Philipp Telemann
Concerto In G Major TWV 40:201, For 4 Vi...
110 bpm • F# Maj • 02:11 • -24.41db
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
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Henry Purcell
Abdelazer, Z, 570: Rondeau
110 bpm • C# min • 01:41 • -26.07db
15% Popularity • 42% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 42% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Michel Corrette
Noel Symphony No. 4 in D Minor: I. Une j...
106 bpm • C# min • 01:42 • -20db
42% Popularity • 32% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 32% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
106 bpm • C min • 03:27 • -19db
53% Popularity • 48% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 48% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
110 bpm • B min • 01:38 • -18db
37% Popularity • 28% Danceability • 55% Energy • 20% Liveness
98% Instrumentalness • 96% Positiveness
37% Popularity • 28% Danceability • 55% Energy • 20% Liveness
98% Instrumentalness • 96% Positiveness
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Pierre-Gabriel Buffardin
Concerto Á 5 In E Minor: 1. Allegro non...
106 bpm • D# min • 04:54 • -20.29db
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Johann Joachim Quantz
Flute Concerto in A Minor, QV 5:238: III...
110 bpm • G min • 06:08 • -20db
23% Popularity • 54% Danceability • 14% Energy • 9% Liveness
34% Instrumentalness • 77% Positiveness
23% Popularity • 54% Danceability • 14% Energy • 9% Liveness
34% Instrumentalness • 77% Positiveness
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Jean-Baptiste Lully
Ouverture
106 bpm • F# min • 03:01 • -22db
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
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Jordi Savall
Prelude (Re Mineur) (Abel)
110 bpm • D min • 02:43 • -28.18db
31% Popularity • 29% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 18% Positiveness
31% Popularity • 29% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 18% Positiveness
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Michael Praetorius
Terpsichore*: Ballet des coqs
106 bpm • C Maj • 02:06 • -14.79db
19% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
19% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Jean-Marie Leclair
Sonata for Two Violins in B-Flat Major, ...
110 bpm • A Maj • 03:27 • -25.09db
2% Popularity • 44% Danceability • 3% Energy • 8% Liveness
9% Instrumentalness • 71% Positiveness
2% Popularity • 44% Danceability • 3% Energy • 8% Liveness
9% Instrumentalness • 71% Positiveness
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Janos Sebestyen
Concerto In The Italian Style, BWV 971, ...
105 bpm • F Maj • 03:45 • -20db
52% Popularity • 40% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 86% Positiveness
52% Popularity • 40% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 86% Positiveness
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Agostino Steffani
Stabat Mater: Stabat Mater Dolorosa
111 bpm • G min • 02:09 • -18.08db
29% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
29% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Michel Richard Delalande
Concert de Trompettes: 2e Air des Echos
105 bpm • C Maj • 01:25 • -19db
14% Popularity • 43% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
14% Popularity • 43% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
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Jean-Baptiste Lully
La Nuit Ballet: Le Roi représentant le ...
111 bpm • F# min • 01:56 • -17.14db
23% Popularity • 40% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 40% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Tomaso Albinoni
Balletto à 3 in G Major, Op. 3 No. 3: I...
105 bpm • F# Maj • 01:09 • -17.11db
28% Popularity • 21% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 21% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 2 in F Major, B...
111 bpm • E Maj • 02:35 • -19.72db
12% Popularity • 63% Danceability • 29% Energy • 9% Liveness
11% Instrumentalness • 92% Positiveness
12% Popularity • 63% Danceability • 29% Energy • 9% Liveness
11% Instrumentalness • 92% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Traditional
Une jeune fillette (Mélodie populaire -...
111 bpm • G# min • 02:01 • -15db
28% Popularity • 31% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 31% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
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Michel Richard Delalande
Symphonies pour les Soupers du Roy
105 bpm • F min • 09:35 • -26db
5% Popularity • 33% Danceability • 5% Energy • 8% Liveness
14% Instrumentalness • 26% Positiveness
5% Popularity • 33% Danceability • 5% Energy • 8% Liveness
14% Instrumentalness • 26% Positiveness
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Henry Purcell
Abdelazer, Z.570: Rondeau - Air - Air - ...
105 bpm • C# Maj • 05:14 • -19db
7% Popularity • 36% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 36% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Georg Philipp Telemann
Tafelmusik - Banquet Music In 3 Parts / ...
105 bpm • E Maj • 05:10 • -18db
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 4 In G Major, B...
105 bpm • F# Maj • 06:11 • -20.02db
10% Popularity • 47% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 47% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
57% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
57% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Tomaso Albinoni
Sinfonia for 2 Oboes in G Major (Arr. A....
105 bpm • D Maj • 02:47 • -15.19db
30% Popularity • 60% Danceability • 28% Energy • 12% Liveness
59% Instrumentalness • 70% Positiveness
30% Popularity • 60% Danceability • 28% Energy • 12% Liveness
59% Instrumentalness • 70% Positiveness
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![Sonata sesta for violino solo: II. Allegro [1] cover art](https://i.scdn.co/image/ab67616d00001e02327a8ecd78d1bd9a98479fdf)
Daniel Purcell
Sonata sesta for violino solo: II. Alleg...
112 bpm • E min • 00:59 • -18.62db
23% Popularity • 55% Danceability • 35% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
23% Popularity • 55% Danceability • 35% Energy • 11% Liveness
5% Instrumentalness • 19% Positiveness
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Henry Purcell
Staircase Overture, Z. 614
104 bpm • A Maj • 02:41 • -21db
29% Popularity • 37% Danceability • 18% Energy • 31% Liveness
88% Instrumentalness • 39% Positiveness
29% Popularity • 37% Danceability • 18% Energy • 31% Liveness
88% Instrumentalness • 39% Positiveness
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Arcangelo Corelli
Oboe Concerto in A Major (arr. J. Barbir...
104 bpm • F Maj • 02:28 • -27db
47% Popularity • 43% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
47% Popularity • 43% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
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Johann Sebastian Bach
Bach, JS: Harpsichord Concerto No. 1 in ...
111 bpm • C# min • 07:09 • -20db
26% Popularity • 44% Danceability • 33% Energy • 13% Liveness
19% Instrumentalness • 51% Positiveness
26% Popularity • 44% Danceability • 33% Energy • 13% Liveness
19% Instrumentalness • 51% Positiveness
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Michel Blavet
Concerto À 4 Parties In A Minor: 2. Gav...
104 bpm • G# Maj • 03:28 • -21.17db
7% Popularity • 33% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 33% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
104 bpm • C min • 03:41 • -18.55db
44% Popularity • 52% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 52% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jean-Philippe Rameau
Les indes galantes / Act 9: IV.14 Danse ...
104 bpm • F# min • 02:18 • -16db
35% Popularity • 56% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 83% Positiveness
35% Popularity • 56% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 83% Positiveness
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Johann Pachelbel
Canon And Gigue In D Major, P 37
113 bpm • C# Maj • 04:41 • -15db
12% Popularity • 36% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 36% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 3 in G Major, B...
112 bpm • F# Maj • 05:06 • -20db
15% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Jacques Cordier
La Bocanne primitive
103 bpm • F# min • 01:42 • -18.31db
21% Popularity • 60% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 60% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Henry Purcell
Circe, Z. 575: Magicians' Dance
113 bpm • A Maj • 01:34 • -35.82db
38% Popularity • 52% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 52% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Francesco Geminiani
Concerto Grosso in D Minor, H. 143 "La F...
113 bpm • C# min • 04:25 • -15db
19% Popularity • 34% Danceability • 16% Energy • 12% Liveness
52% Instrumentalness • 20% Positiveness
19% Popularity • 34% Danceability • 16% Energy • 12% Liveness
52% Instrumentalness • 20% Positiveness
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Luigi Boccherini
String Quintet No. 60 in C Major, Op. 30...
103 bpm • C Maj • 03:30 • -17db
32% Popularity • 61% Danceability • 11% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
32% Popularity • 61% Danceability • 11% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
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Antonio Bertali
Chiacona A Violino Solo
114 bpm • B Maj • 09:31 • -19db
14% Popularity • 38% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 38% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Johann Sebastian Bach
Concerto for 4 Harpsichords, Strings & C...
104 bpm • G# min • 04:05 • -23db
17% Popularity • 49% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
17% Popularity • 49% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
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Johann Friedrich Meister
Sonata No. 4 in E Minor: II. Fuga Allegr...
103 bpm • D# min • 01:04 • -13.65db
19% Popularity • 53% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
19% Popularity • 53% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629: Prelude
113 bpm • F# min • 01:42 • -13db
37% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
37% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
► Preview
Jean-Baptiste Lully
Alceste, LWV 50: Marche des Assiégeants...
103 bpm • F Maj • 01:12 • -16.17db
14% Popularity • 65% Danceability • 37% Energy • 13% Liveness
95% Instrumentalness • 68% Positiveness
14% Popularity • 65% Danceability • 37% Energy • 13% Liveness
95% Instrumentalness • 68% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
103 bpm • D# Maj • 06:07 • -26db
48% Popularity • 25% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 25% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Heinrich Ignaz Franz von Biber
Mensa sonora / PARS III (In A Minor): 4....
114 bpm • G# min • 04:22 • -21.06db
3% Popularity • 22% Danceability • 4% Energy • 11% Liveness
17% Instrumentalness • 6% Positiveness
3% Popularity • 22% Danceability • 4% Energy • 11% Liveness
17% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: Pt. II: Ar...
112 bpm • A# min • 05:54 • -28db
42% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Monsieur de Sainte-Colombe
Prélude à 7 cordes
114 bpm • C# Maj • 01:36 • -39db
25% Popularity • 17% Danceability • 0% Energy • 10% Liveness
68% Instrumentalness • 7% Positiveness
25% Popularity • 17% Danceability • 0% Energy • 10% Liveness
68% Instrumentalness • 7% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle ent...
114 bpm • C# Maj • 05:45 • -14.52db
15% Popularity • 29% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 28% Positiveness
15% Popularity • 29% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 28% Positiveness
► Preview
Jean-Baptiste Lully
Triumphe de L'Amour (1681): Entrée d'Ap...
114 bpm • F# min • 02:19 • -17db
12% Popularity • 35% Danceability • 13% Energy • 18% Liveness
50% Instrumentalness • 12% Positiveness
12% Popularity • 35% Danceability • 13% Energy • 18% Liveness
50% Instrumentalness • 12% Positiveness
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William Christie
Purcell : King Arthur : Act 3 "See, see,...
114 bpm • A# min • 01:27 • -24db
35% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Pierre-Gabriel Buffardin
Concerto À 5 In E Minor: 3. Vivace
114 bpm • D# min • 03:32 • -19db
11% Popularity • 47% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 47% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in F Major, Op. 3, No. 1...
114 bpm • C Maj • 02:05 • -19.59db
47% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
47% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
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Tomaso Albinoni
Concerto Saint Marc: II. Allegro
102 bpm • A# Maj • 01:38 • -15.66db
44% Popularity • 47% Danceability • 27% Energy • 18% Liveness
80% Instrumentalness • 80% Positiveness
44% Popularity • 47% Danceability • 27% Energy • 18% Liveness
80% Instrumentalness • 80% Positiveness
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George Frideric Handel
Suite in G minor: IV. Bourree II (Arr. A...
114 bpm • C min • 01:27 • -25.2db
46% Popularity • 50% Danceability • 14% Energy • 22% Liveness
96% Instrumentalness • 79% Positiveness
46% Popularity • 50% Danceability • 14% Energy • 22% Liveness
96% Instrumentalness • 79% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
114 bpm • A min • 03:23 • -17db
48% Popularity • 51% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 51% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Satyres
102 bpm • F# min • 00:45 • -30.38db
15% Popularity • 55% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 55% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Monsieur de Sainte-Colombe
Les Pleurs (Mr. de Sainte Colombe, versi...
102 bpm • C# min • 04:09 • -28db
29% Popularity • 22% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
29% Popularity • 22% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Sonate No. 4 (Six Sonates en symphonies ...
102 bpm • B min • 02:33 • -33.7db
18% Popularity • 36% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
18% Popularity • 36% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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Jean-Philippe Rameau
Suite Les Indes Galantes / Les Sauvages:...
102 bpm • F min • 01:45 • -15db
26% Popularity • 60% Danceability • 38% Energy • 24% Liveness
73% Instrumentalness • 80% Positiveness
26% Popularity • 60% Danceability • 38% Energy • 24% Liveness
73% Instrumentalness • 80% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
101 bpm • D min • 03:07 • -16db
42% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
42% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
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Luigi Boccherini
Quintetto No. 4 in Re Maggiore "Fandango...
115 bpm • A Maj • 11:35 • -19db
20% Popularity • 44% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 44% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Jean-Baptiste Lully
Dies irae, LWV 64/1: Dies irae dies illa
115 bpm • F min • 01:07 • -13db
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
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Antoine Forqueray
Forqueray, A: Pièces de viole, Suite No...
101 bpm • G Maj • 04:40 • -24db
12% Popularity • 22% Danceability • 25% Energy • 24% Liveness
92% Instrumentalness • 40% Positiveness
12% Popularity • 22% Danceability • 25% Energy • 24% Liveness
92% Instrumentalness • 40% Positiveness
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Henry Purcell
Purcell: Abdelazer, Z. 570: II. Rondeau
101 bpm • C# min • 01:36 • -20db
27% Popularity • 54% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 54% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Jean-Philippe Rameau
Rameau: Nouvelles Suites de Pièces de C...
101 bpm • F min • 01:53 • -16db
19% Popularity • 37% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 37% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Tomaso Albinoni
Concerto a cinque No. 2, Op. 9: III. All...
116 bpm • C# min • 02:42 • -15.2db
18% Popularity • 65% Danceability • 42% Energy • 7% Liveness
94% Instrumentalness • 86% Positiveness
18% Popularity • 65% Danceability • 42% Energy • 7% Liveness
94% Instrumentalness • 86% Positiveness
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Claudio Monteverdi
Scherzi musicali, cioè arie, et madriga...
101 bpm • G Maj • 06:59 • -19.04db
26% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jean-Baptiste Lully
Lully : Psyché : Prelude
101 bpm • C Maj • 00:52 • -13.96db
12% Popularity • 50% Danceability • 30% Energy • 42% Liveness
26% Instrumentalness • 83% Positiveness
12% Popularity • 50% Danceability • 30% Energy • 42% Liveness
26% Instrumentalness • 83% Positiveness
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Christoph Graupner
Bassoon Concerto in C Minor: II. Vivace
116 bpm • B min • 06:44 • -20db
20% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
20% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
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Henry Purcell
Suite From Abdelzar: I. Rondeau
101 bpm • C# min • 01:29 • -21db
44% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
44% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
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Michel Corrette
"Concerto comique" No. 25 In G Minor "Le...
101 bpm • F# Maj • 02:17 • -26.3db
16% Popularity • 61% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 61% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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L'Arpeggiata
Ciaccona (I)
101 bpm • C Maj • 03:52 • -21db
43% Popularity • 46% Danceability • 22% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
43% Popularity • 46% Danceability • 22% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
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Claudio Monteverdi
Ciaccona (Antonio Falconiero ca. 1585-16...
101 bpm • G Maj • 01:46 • -24db
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
116 bpm • G Maj • 01:06 • -19db
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
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Heinrich Ignaz Franz von Biber
Mensa sonora / PARS II (In F Major): 3. ...
100 bpm • E Maj • 01:54 • -21.49db
1% Popularity • 18% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 18% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
