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Les limbes
Songs like
Les limbes
by
Fred Avril
Based on a tempo of (+/- 10%) and a similar genre
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Manaberry
China Town Club
114 bpm • D Maj • 03:27 • -9.13db
14% Popularity • 66% Danceability • 77% Energy • 13% Liveness
79% Instrumentalness • 20% Positiveness
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Fred Avril
Les limbes
114 bpm • G# Maj • 01:58 • -13.7db
12% Popularity • 61% Danceability • 29% Energy • 68% Liveness
76% Instrumentalness • 18% Positiveness
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Daft Punk
Sea of Simulation
114 bpm • C Maj • 02:40 • -12db
44% Popularity • 51% Danceability • 65% Energy • 28% Liveness
76% Instrumentalness • 9% Positiveness
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Oddscure
Borderline
114 bpm • B min • 02:59 • -9.89db
13% Popularity • 41% Danceability • 67% Energy • 10% Liveness
87% Instrumentalness • 23% Positiveness
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Ed Harrison
Dawn
115 bpm • G min • 04:17 • -9.5db
8% Popularity • 25% Danceability • 73% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Zikali
Alps Journey
115 bpm • D Maj • 03:38 • -15.36db
12% Popularity • 37% Danceability • 31% Energy • 15% Liveness
76% Instrumentalness • 4% Positiveness
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scntfc
Beacon Beach
115 bpm • A# Maj • 03:34 • -10db
32% Popularity • 75% Danceability • 32% Energy • 65% Liveness
66% Instrumentalness • 11% Positiveness
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Remi Gallego
The Oppressor
113 bpm • A Maj • 02:27 • -7.84db
11% Popularity • 52% Danceability • 81% Energy • 67% Liveness
98% Instrumentalness • 22% Positiveness
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Daft Punk
Outlands, Part II
113 bpm • C Maj • 02:54 • -17.85db
44% Popularity • 44% Danceability • 31% Energy • 30% Liveness
74% Instrumentalness • 7% Positiveness
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Jed Palmer
Analog vs Digital
115 bpm • A Maj • 04:43 • -15.35db
20% Popularity • 52% Danceability • 56% Energy • 8% Liveness
83% Instrumentalness • 2% Positiveness
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Fred Avril
Fire (Lastman Theme)
115 bpm • A# min • 03:31 • -7.54db
23% Popularity • 39% Danceability • 66% Energy • 25% Liveness
2% Instrumentalness • 35% Positiveness
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Zikali
Hanging on the Mont-Blanc
115 bpm • F# min • 03:47 • -13.95db
15% Popularity • 50% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Bohemia Interactive
My DayZ
113 bpm • E min • 01:31 • -13.52db
14% Popularity • 66% Danceability • 45% Energy • 35% Liveness
78% Instrumentalness • 3% Positiveness
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Cristobal Tapia De Veer
I Feel Separated
115 bpm • A# Maj • 03:51 • -19.48db
18% Popularity • 30% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Ambre Jaune
Not My Will
115 bpm • C min • 04:47 • -14db
12% Popularity • 36% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 2% Positiveness
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Jake Chudnow
Prelude To Shona
113 bpm • G Maj • 08:23 • -15db
28% Popularity • 17% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Fred Avril
A Million Miles Away
115 bpm • C Maj • 04:00 • -10.69db
19% Popularity • 72% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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Molecule
Big Mama
115 bpm • D Maj • 02:38 • -14db
12% Popularity • 43% Danceability • 63% Energy • 38% Liveness
80% Instrumentalness • 15% Positiveness
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Rob
Strate 22.4
116 bpm • G min • 01:38 • -18db
17% Popularity • 18% Danceability • 25% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Zikali
Into the Steep
116 bpm • F# min • 03:39 • -15.3db
9% Popularity • 28% Danceability • 33% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Six Drummers
Finding The Score
112 bpm • G# Maj • 01:18 • -16.74db
1% Popularity • 35% Danceability • 26% Energy • 42% Liveness
89% Instrumentalness • 18% Positiveness
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Mac Quayle
1.0_3-fucksociety.mp3
112 bpm • C# Maj • 02:12 • -23.66db
36% Popularity • 40% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 49% Positiveness
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Fred Avril
Lastman générique (Instrumental) - Bon...
115 bpm • A# min • 00:51 • -6.85db
14% Popularity • 49% Danceability • 80% Energy • 12% Liveness
96% Instrumentalness • 67% Positiveness
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Remi Gallego
Death Pamphlet
116 bpm • A# min • 03:18 • -9.33db
16% Popularity • 44% Danceability • 93% Energy • 17% Liveness
82% Instrumentalness • 37% Positiveness
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Cris Velasco
Escape the Tower
112 bpm • C# Maj • 03:08 • -10.6db
7% Popularity • 55% Danceability • 57% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Daxx
Plus De Puissance.
112 bpm • G Maj • 03:00 • -16.54db
8% Popularity • 80% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Danger
01:53 Now or Never
116 bpm • C Maj • 04:33 • -4.5db
23% Popularity • 55% Danceability • 96% Energy • 23% Liveness
85% Instrumentalness • 31% Positiveness
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fingerspit
Macro Psychologist
116 bpm • D Maj • 05:04 • -8.68db
16% Popularity • 45% Danceability • 86% Energy • 8% Liveness
76% Instrumentalness • 24% Positiveness
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Fred Avril
Takeover
113 bpm • F Maj • 01:57 • -18.76db
6% Popularity • 17% Danceability • 30% Energy • 21% Liveness
91% Instrumentalness • 4% Positiveness
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Six Drummers
Electricity
112 bpm • F min • 04:22 • -9.87db
3% Popularity • 35% Danceability • 53% Energy • 31% Liveness
9% Instrumentalness • 5% Positiveness
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Orchestre Lamoureux
Genesis / Phantom / Phantom Part II (Orc...
112 bpm • G Maj • 03:18 • -12.25db
17% Popularity • 61% Danceability • 28% Energy • 17% Liveness
92% Instrumentalness • 25% Positiveness
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Daft Punk
Castor
117 bpm • D Maj • 02:18 • -10.74db
43% Popularity • 45% Danceability • 82% Energy • 20% Liveness
89% Instrumentalness • 32% Positiveness
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Danger
08:16 Home
117 bpm • E min • 05:14 • -6.31db
31% Popularity • 62% Danceability • 87% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
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Epic Mountain
The Egg (Eggstended)
117 bpm • C# Maj • 03:51 • -15.67db
22% Popularity • 64% Danceability • 44% Energy • 16% Liveness
94% Instrumentalness • 29% Positiveness
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Fred Avril
Révèle-toi
113 bpm • A# min • 02:06 • -9.98db
11% Popularity • 22% Danceability • 68% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Elliot Holmes
Running With Demons
117 bpm • F Maj • 01:54 • -8.21db
15% Popularity • 38% Danceability • 60% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
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Tom Salta
Welcome to Blackreef
111 bpm • F min • 03:04 • -12db
23% Popularity • 50% Danceability • 41% Energy • 12% Liveness
55% Instrumentalness • 4% Positiveness
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Ludvig Forssell
204863
118 bpm • D Maj • 01:52 • -14.83db
11% Popularity • 26% Danceability • 56% Energy • 18% Liveness
79% Instrumentalness • 11% Positiveness
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Revin Goff
Adieu
117 bpm • A Maj • 04:45 • -8.64db
8% Popularity • 39% Danceability • 72% Energy • 24% Liveness
86% Instrumentalness • 16% Positiveness
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Tim Shiel
Arete II
118 bpm • G Maj • 04:48 • -10.2db
9% Popularity • 51% Danceability • 57% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Fred Avril
Épilogue
113 bpm • A# min • 01:23 • -10.71db
9% Popularity • 17% Danceability • 32% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Beat Vince
Tokyo 42
118 bpm • A min • 01:59 • -10.68db
24% Popularity • 65% Danceability • 86% Energy • 46% Liveness
92% Instrumentalness • 42% Positiveness
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Tom Salta
Menu (Break the Loop)
111 bpm • G# Maj • 03:33 • -17db
23% Popularity • 28% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Posy
Vanilla Coffee
110 bpm • G Maj • 03:25 • -17.62db
12% Popularity • 34% Danceability • 24% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
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Quentin Bécognée
Je t'aim3 Soundtrack (Bande originale de...
110 bpm • D min • 03:03 • -10.34db
12% Popularity • 63% Danceability • 45% Energy • 10% Liveness
46% Instrumentalness • 13% Positiveness
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Théo Bernard
Bureau des Rêves Theme
110 bpm • C min • 03:08 • -9db
11% Popularity • 55% Danceability • 42% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Fred Avril
Ambulance
118 bpm • G# Maj • 01:04 • -10.03db
4% Popularity • 24% Danceability • 74% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Lorn
Unraveled
110 bpm • C# Maj • 04:45 • -13.62db
29% Popularity • 67% Danceability • 34% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Daniel Deluxe
Air
110 bpm • F# Maj • 02:54 • -8.99db
37% Popularity • 57% Danceability • 73% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Avia
Gabrielle
110 bpm • E min • 03:13 • -13.81db
19% Popularity • 44% Danceability • 50% Energy • 12% Liveness
97% Instrumentalness • 18% Positiveness
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Mac Quayle
3.0_1-one2blame.orc
110 bpm • E Maj • 03:35 • -12.75db
28% Popularity • 59% Danceability • 59% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Alt236
All Seeying Eyes
110 bpm • A min • 02:49 • -11db
28% Popularity • 56% Danceability • 66% Energy • 18% Liveness
88% Instrumentalness • 38% Positiveness
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Kuraine
Mind is an island
110 bpm • B min • 06:26 • -10.07db
16% Popularity • 68% Danceability • 82% Energy • 8% Liveness
86% Instrumentalness • 33% Positiveness
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El Tigr3
Death on the Island
110 bpm • F Maj • 03:10 • -11.95db
20% Popularity • 53% Danceability • 37% Energy • 12% Liveness
15% Instrumentalness • 9% Positiveness
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Cristobal Tapia De Veer
The Monarch's Pyramid
110 bpm • C# min • 08:23 • -11.62db
24% Popularity • 35% Danceability • 55% Energy • 6% Liveness
74% Instrumentalness • 3% Positiveness
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Salvinsky
Lord Vhs
110 bpm • G# Maj • 02:24 • -15.52db
12% Popularity • 56% Danceability • 69% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Revin Goff
Harlots
110 bpm • F# min • 03:14 • -6.91db
23% Popularity • 74% Danceability • 58% Energy • 7% Liveness
82% Instrumentalness • 6% Positiveness
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Sergey Cheremisinov
White Atlantis
110 bpm • C# min • 02:56 • -23.17db
12% Popularity • 55% Danceability • 32% Energy • 20% Liveness
81% Instrumentalness • 50% Positiveness
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Jim Williams
Raw Main Title Theme
110 bpm • D Maj • 03:00 • -7.66db
27% Popularity • 34% Danceability • 61% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
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Jay Varton
World War Five
110 bpm • G# Maj • 01:55 • -14.69db
19% Popularity • 69% Danceability • 46% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Danger
7:17
109 bpm • G Maj • 02:23 • -10.56db
37% Popularity • 44% Danceability • 80% Energy • 21% Liveness
92% Instrumentalness • 16% Positiveness
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Floex
The Prison - 65daysofstatic Remix
119 bpm • A# min • 04:03 • -17.1db
19% Popularity • 27% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
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Joel Nielsen
Alien
119 bpm • G# Maj • 03:02 • -11.37db
21% Popularity • 17% Danceability • 42% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Aymeric Schwartz
Oberon
109 bpm • A min • 03:20 • -7.94db
8% Popularity • 16% Danceability • 58% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
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Hexsystem
Interface
120 bpm • A# min • 02:07 • -9.25db
20% Popularity • 35% Danceability • 61% Energy • 87% Liveness
86% Instrumentalness • 26% Positiveness
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Rob Simonsen
Captive State
120 bpm • F min • 02:47 • -12.29db
11% Popularity • 55% Danceability • 82% Energy • 18% Liveness
84% Instrumentalness • 40% Positiveness
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Danger
22:12 Until the End of Time
109 bpm • A min • 10:00 • -6.2db
24% Popularity • 45% Danceability • 78% Energy • 9% Liveness
67% Instrumentalness • 11% Positiveness
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Lovren
Last Stop
120 bpm • A min • 02:49 • -17.17db
10% Popularity • 60% Danceability • 27% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
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Arnaud Rebotini
Noircissement direct
120 bpm • C# Maj • 02:44 • -13.22db
23% Popularity • 52% Danceability • 36% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Revin Goff
GCZ
120 bpm • D Maj • 03:31 • -6.91db
14% Popularity • 75% Danceability • 54% Energy • 14% Liveness
80% Instrumentalness • 44% Positiveness
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Beat Vince
Kyrie
120 bpm • A# min • 04:20 • -7.73db
21% Popularity • 48% Danceability • 76% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Carpenter Brut
Blood Machines Theme
120 bpm • A# min • 03:20 • -5.28db
38% Popularity • 49% Danceability • 80% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Danger
07:41 The Beginning of Something
109 bpm • A min • 02:59 • -3.51db
30% Popularity • 52% Danceability • 80% Energy • 10% Liveness
29% Instrumentalness • 8% Positiveness
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Lauren Pham
Fighting Phase
120 bpm • A min • 03:16 • -16.14db
14% Popularity • 50% Danceability • 60% Energy • 14% Liveness
89% Instrumentalness • 23% Positiveness
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Fred Avril
Nillipolis
120 bpm • A Maj • 01:34 • -10.47db
3% Popularity • 47% Danceability • 93% Energy • 38% Liveness
90% Instrumentalness • 56% Positiveness
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Paul Leonard-Morgan
Extraction Action
120 bpm • A Maj • 04:56 • -14.64db
44% Popularity • 37% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Floex
Gameboy Tune - DVA Remix
120 bpm • D Maj • 03:51 • -12.39db
14% Popularity • 71% Danceability • 47% Energy • 53% Liveness
13% Instrumentalness • 69% Positiveness
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Alt236
Behelit
120 bpm • C# min • 03:11 • -12.84db
21% Popularity • 45% Danceability • 46% Energy • 6% Liveness
89% Instrumentalness • 15% Positiveness
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AlexNovaCore
Dune
120 bpm • B Maj • 03:06 • -11.95db
18% Popularity • 36% Danceability • 50% Energy • 13% Liveness
88% Instrumentalness • 30% Positiveness
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Epic Mountain
Black Holes 2021
120 bpm • A min • 06:34 • -12.55db
13% Popularity • 61% Danceability • 31% Energy • 20% Liveness
95% Instrumentalness • 24% Positiveness
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David GarcÃa DÃaz
Hela
120 bpm • A# min • 04:16 • -16db
38% Popularity • 27% Danceability • 47% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Jim Guthrie
Dead Tress, Wilted Leaves
120 bpm • C min • 02:09 • -11.03db
12% Popularity • 76% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 25% Positiveness
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A Shell In The Pit
Narwhal (Tower)
120 bpm • E min • 02:25 • -13.33db
22% Popularity • 34% Danceability • 40% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
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ToyTree
Doomed
120 bpm • F# min • 04:02 • -7.3db
8% Popularity • 46% Danceability • 91% Energy • 13% Liveness
66% Instrumentalness • 20% Positiveness
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Yugo Kanno
Theme of Sato
120 bpm • D Maj • 03:36 • -12.01db
11% Popularity • 42% Danceability • 29% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Wojciech Golczewski
Transmission 07
120 bpm • F Maj • 02:48 • -14.49db
10% Popularity • 84% Danceability • 48% Energy • 9% Liveness
82% Instrumentalness • 32% Positiveness
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Floex
The Castle - Ed Critchley Remix
120 bpm • A min • 04:10 • -11db
15% Popularity • 70% Danceability • 44% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
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Peter Peter
The Acoustics of Crime Revisited (Remast...
120 bpm • D Maj • 01:24 • -10.67db
27% Popularity • 64% Danceability • 78% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Alt236
Where the Monsters Live
120 bpm • E min • 02:28 • -10.01db
22% Popularity • 60% Danceability • 49% Energy • 13% Liveness
77% Instrumentalness • 25% Positiveness
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Chrome Canyon
Looking Back is Blinding
120 bpm • C min • 07:45 • -15.69db
10% Popularity • 56% Danceability • 23% Energy • 13% Liveness
81% Instrumentalness • 8% Positiveness
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Nostromo Pilots
Kaneda's Theme
120 bpm • A# min • 03:33 • -17db
35% Popularity • 84% Danceability • 66% Energy • 12% Liveness
81% Instrumentalness • 43% Positiveness
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Doseone
Shrine Time
120 bpm • B min • 01:35 • -5.37db
8% Popularity • 58% Danceability • 96% Energy • 40% Liveness
84% Instrumentalness • 45% Positiveness
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Disasterpeace
Detroit
120 bpm • F# min • 01:20 • -18db
48% Popularity • 54% Danceability • 30% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
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Miguel T. Sergio
Force Unleashed
120 bpm • G Maj • 02:16 • -7db
10% Popularity • 60% Danceability • 80% Energy • 11% Liveness
72% Instrumentalness • 8% Positiveness
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Ben Prunty
Last Stand
120 bpm • C# min • 05:20 • -17db
34% Popularity • 70% Danceability • 36% Energy • 3% Liveness
82% Instrumentalness • 48% Positiveness
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Alexander Brandon
So It Begins (Deus Ex Main Title)
120 bpm • D Maj • 02:40 • -9db
23% Popularity • 54% Danceability • 93% Energy • 15% Liveness
90% Instrumentalness • 12% Positiveness
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Hexsystem
An Unconscious Conscience
120 bpm • F min • 10:45 • -12db
16% Popularity • 46% Danceability • 49% Energy • 66% Liveness
82% Instrumentalness • 11% Positiveness
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Fred Avril
Living Hell
120 bpm • B min • 03:50 • -10.22db
6% Popularity • 89% Danceability • 60% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
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Disasterpeace
Title
120 bpm • C# Maj • 02:17 • -12.15db
40% Popularity • 48% Danceability • 36% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Marc Canham
I Don’t Lose, I Won’t Lose
120 bpm • A min • 03:29 • -17db
7% Popularity • 60% Danceability • 46% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Les limbes