Songs like Lessons Learned from Rocky I to Rocky III by Cornershop
Based on a tempo of (+/- 10%) and a similar genre
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Cornershop
Who Fingered Rock'n'Roll
123 bpm • C Maj • 03:47 • -3.57db
12% Popularity • 57% Danceability • 92% Energy • 22% Liveness
2% Instrumentalness • 87% Positiveness
12% Popularity • 57% Danceability • 92% Energy • 22% Liveness
2% Instrumentalness • 87% Positiveness
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Eugenius
Flame On
123 bpm • D Maj • 03:39 • -14.55db
9% Popularity • 44% Danceability • 76% Energy • 34% Liveness
73% Instrumentalness • 38% Positiveness
9% Popularity • 44% Danceability • 76% Energy • 34% Liveness
73% Instrumentalness • 38% Positiveness
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The Charlatans
Weirdo
123 bpm • B min • 03:38 • -11.6db
36% Popularity • 65% Danceability • 78% Energy • 52% Liveness
89% Instrumentalness • 93% Positiveness
36% Popularity • 65% Danceability • 78% Energy • 52% Liveness
89% Instrumentalness • 93% Positiveness
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Dodgy
In A Room - Full Version
123 bpm • D min • 04:15 • -6db
36% Popularity • 33% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 33% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Gorky's Zygotic Mynci
Poodle Rockin'
123 bpm • C Maj • 02:56 • -7db
17% Popularity • 45% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 45% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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The Beta Band
Out-Side
123 bpm • E min • 04:06 • -6.28db
14% Popularity • 46% Danceability • 81% Energy • 12% Liveness
11% Instrumentalness • 26% Positiveness
14% Popularity • 46% Danceability • 81% Energy • 12% Liveness
11% Instrumentalness • 26% Positiveness
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Black Rebel Motorcycle Club
Not What You Wanted
123 bpm • A Maj • 03:43 • -2.8db
19% Popularity • 45% Danceability • 89% Energy • 19% Liveness
11% Instrumentalness • 55% Positiveness
19% Popularity • 45% Danceability • 89% Energy • 19% Liveness
11% Instrumentalness • 55% Positiveness
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Cornershop
People Power
124 bpm • A# min • 03:54 • -5.15db
12% Popularity • 73% Danceability • 82% Energy • 27% Liveness
80% Instrumentalness • 75% Positiveness
12% Popularity • 73% Danceability • 82% Energy • 27% Liveness
80% Instrumentalness • 75% Positiveness
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Half Man Half Biscuit
The Light at the End of the Tunnel (Is t...
122 bpm • E Maj • 02:32 • -4.77db
27% Popularity • 43% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 43% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Stereo MC's
Fade Away
124 bpm • F# min • 04:26 • -12.21db
28% Popularity • 72% Danceability • 90% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
28% Popularity • 72% Danceability • 90% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
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PJ Harvey
Sheela-Na-Gig - Peel 29.10.91
124 bpm • A# Maj • 03:19 • -6.15db
27% Popularity • 47% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 47% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Sons And Daughters
Dance Me In
122 bpm • C Maj • 02:41 • -6db
15% Popularity • 53% Danceability • 94% Energy • 32% Liveness
4% Instrumentalness • 58% Positiveness
15% Popularity • 53% Danceability • 94% Energy • 32% Liveness
4% Instrumentalness • 58% Positiveness
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Orange Juice
What Presence?!
122 bpm • A Maj • 03:57 • -9db
27% Popularity • 63% Danceability • 70% Energy • 23% Liveness
1% Instrumentalness • 80% Positiveness
27% Popularity • 63% Danceability • 70% Energy • 23% Liveness
1% Instrumentalness • 80% Positiveness
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Cornershop
Lessons Learned from Rocky I to Rocky II...
123 bpm • A Maj • 04:24 • -5.31db
27% Popularity • 57% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 57% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Half Man Half Biscuit
Every Time a Bell Rings
124 bpm • F Maj • 05:06 • -5.21db
24% Popularity • 50% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 50% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Coral
Skeleton Key
124 bpm • D min • 03:00 • -3.87db
20% Popularity • 30% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 30% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 37% Positiveness
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That Petrol Emotion
Swamp
124 bpm • G Maj • 03:20 • -8.9db
15% Popularity • 51% Danceability • 85% Energy • 17% Liveness
56% Instrumentalness • 83% Positiveness
15% Popularity • 51% Danceability • 85% Energy • 17% Liveness
56% Instrumentalness • 83% Positiveness
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The Fall
Lost in Music
125 bpm • G Maj • 03:50 • -6.22db
34% Popularity • 47% Danceability • 88% Energy • 86% Liveness
3% Instrumentalness • 53% Positiveness
34% Popularity • 47% Danceability • 88% Energy • 86% Liveness
3% Instrumentalness • 53% Positiveness
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Dogs Die In Hot Cars
Paul Newman's Eyes
121 bpm • D Maj • 03:26 • -3.74db
10% Popularity • 67% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 67% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Cornershop
Sugar Sugar
124 bpm • D Maj • 02:50 • -10.67db
8% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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The Godfathers
Birth, School, Work, Death
121 bpm • A Maj • 04:08 • -11db
36% Popularity • 52% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
36% Popularity • 52% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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Iggy Pop
Wild America
125 bpm • D# Maj • 05:45 • -6.53db
23% Popularity • 40% Danceability • 99% Energy • 63% Liveness
3% Instrumentalness • 9% Positiveness
23% Popularity • 40% Danceability • 99% Energy • 63% Liveness
3% Instrumentalness • 9% Positiveness
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The Lemonheads
Confetti - Remastered
121 bpm • D Maj • 02:44 • -7.02db
34% Popularity • 57% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 57% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Carter The Unstoppable Sex Machine
Sheriff Fatman
120 bpm • G Maj • 04:46 • -11.87db
37% Popularity • 62% Danceability • 57% Energy • 73% Liveness
43% Instrumentalness • 39% Positiveness
37% Popularity • 62% Danceability • 57% Energy • 73% Liveness
43% Instrumentalness • 39% Positiveness
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Frank Black
Speedy Marie
126 bpm • F Maj • 03:34 • -8.37db
25% Popularity • 58% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 58% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Cornershop
Music Plus 1
124 bpm • F# min • 04:46 • -8.88db
10% Popularity • 79% Danceability • 65% Energy • 11% Liveness
48% Instrumentalness • 68% Positiveness
10% Popularity • 79% Danceability • 65% Energy • 11% Liveness
48% Instrumentalness • 68% Positiveness
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The Coral
Don't Think You're the First
126 bpm • G min • 04:03 • -5.19db
22% Popularity • 53% Danceability • 86% Energy • 34% Liveness
5% Instrumentalness • 79% Positiveness
22% Popularity • 53% Danceability • 86% Energy • 34% Liveness
5% Instrumentalness • 79% Positiveness
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Pretenders
Alone
126 bpm • A Maj • 03:49 • -6.73db
24% Popularity • 47% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 47% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Joe Strummer
All In A Day
126 bpm • D Maj • 04:53 • -4.67db
23% Popularity • 61% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 61% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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22-20s
Why Don't You Do It For Me?
120 bpm • A min • 03:38 • -3.59db
14% Popularity • 36% Danceability • 95% Energy • 22% Liveness
71% Instrumentalness • 34% Positiveness
14% Popularity • 36% Danceability • 95% Energy • 22% Liveness
71% Instrumentalness • 34% Positiveness
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Graham Coxon
You & I
126 bpm • D Maj • 03:43 • -4.88db
30% Popularity • 64% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 64% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Cornershop
Spectral Mornings
124 bpm • D min • 14:24 • -5db
11% Popularity • 60% Danceability • 96% Energy • 14% Liveness
3% Instrumentalness • 61% Positiveness
11% Popularity • 60% Danceability • 96% Energy • 14% Liveness
3% Instrumentalness • 61% Positiveness
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The House of Love
You Don't Understand
126 bpm • D Maj • 03:49 • -8db
21% Popularity • 49% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 49% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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The Beta Band
Assessment
120 bpm • C# Maj • 04:36 • -5.18db
23% Popularity • 31% Danceability • 84% Energy • 38% Liveness
83% Instrumentalness • 55% Positiveness
23% Popularity • 31% Danceability • 84% Energy • 38% Liveness
83% Instrumentalness • 55% Positiveness
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The Fall
Free Range
120 bpm • D Maj • 04:00 • -13.66db
13% Popularity • 59% Danceability • 85% Energy • 36% Liveness
46% Instrumentalness • 48% Positiveness
13% Popularity • 59% Danceability • 85% Energy • 36% Liveness
46% Instrumentalness • 48% Positiveness
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Louis XIV
Louis XIV - Album/EP Version
127 bpm • A Maj • 02:38 • -3db
23% Popularity • 45% Danceability • 95% Energy • 14% Liveness
18% Instrumentalness • 55% Positiveness
23% Popularity • 45% Danceability • 95% Energy • 14% Liveness
18% Instrumentalness • 55% Positiveness
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Clinic
If you could read your mind
127 bpm • C min • 02:59 • -5.88db
17% Popularity • 37% Danceability • 86% Energy • 9% Liveness
83% Instrumentalness • 28% Positiveness
17% Popularity • 37% Danceability • 86% Energy • 9% Liveness
83% Instrumentalness • 28% Positiveness
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Cornershop
Soul School
124 bpm • D Maj • 03:31 • -4.16db
8% Popularity • 68% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 68% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Happy Mondays
Twenty Four Hour Party People
127 bpm • D Maj • 04:40 • -15db
41% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Graham Coxon
Bittersweet Bundle of Misery
127 bpm • B Maj • 04:54 • -6db
27% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Elastica
Da Da Da
127 bpm • E Maj • 03:52 • -8.92db
21% Popularity • 77% Danceability • 65% Energy • 7% Liveness
1% Instrumentalness • 98% Positiveness
21% Popularity • 77% Danceability • 65% Energy • 7% Liveness
1% Instrumentalness • 98% Positiveness
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Eels
Dog Faced Boy
119 bpm • E Maj • 03:17 • -5.84db
28% Popularity • 66% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 66% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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The Electric Soft Parade
ThereÍs A Silence
127 bpm • E Maj • 02:52 • -6db
18% Popularity • 45% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 45% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Cornershop
Everywhere That Wog Army Roam
122 bpm • D Maj • 05:09 • -7.2db
10% Popularity • 76% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 76% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Black Grape
Set The Grass On Fire
127 bpm • C Maj • 03:18 • -6.31db
17% Popularity • 68% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 68% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Alabama 3
Mao Tse Tung Said
119 bpm • A Maj • 04:54 • -8.48db
23% Popularity • 70% Danceability • 86% Energy • 46% Liveness
13% Instrumentalness • 72% Positiveness
23% Popularity • 70% Danceability • 86% Energy • 46% Liveness
13% Instrumentalness • 72% Positiveness
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Joe Strummer
Love Kills
119 bpm • F# Maj • 03:59 • -6.06db
9% Popularity • 69% Danceability • 75% Energy • 42% Liveness
1% Instrumentalness • 72% Positiveness
9% Popularity • 69% Danceability • 75% Energy • 42% Liveness
1% Instrumentalness • 72% Positiveness
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The Boo Radleys
Find the Answer Within
119 bpm • G Maj • 04:34 • -6.02db
17% Popularity • 50% Danceability • 88% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
17% Popularity • 50% Danceability • 88% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Gomez
Hangover
128 bpm • G# Maj • 03:27 • -11.24db
30% Popularity • 46% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 46% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Cornershop
One Uncareful Lady Owner
121 bpm • A Maj • 03:52 • -5.88db
7% Popularity • 57% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 57% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Morrissey
Glamorous Glue - 2014 Remaster
128 bpm • E min • 04:03 • -4db
29% Popularity • 40% Danceability • 94% Energy • 27% Liveness
2% Instrumentalness • 43% Positiveness
29% Popularity • 40% Danceability • 94% Energy • 27% Liveness
2% Instrumentalness • 43% Positiveness
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Frank Black
I Don't Want To Hurt You (Every SingleTi...
118 bpm • F Maj • 03:02 • -8.63db
27% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Cud
Robinson Crusoe
128 bpm • A Maj • 03:20 • -6.43db
21% Popularity • 62% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 62% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Fall
Mountain Energei
128 bpm • D Maj • 03:22 • -6.31db
34% Popularity • 78% Danceability • 67% Energy • 13% Liveness
2% Instrumentalness • 65% Positiveness
34% Popularity • 78% Danceability • 67% Energy • 13% Liveness
2% Instrumentalness • 65% Positiveness
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The Clint Boon Experience
White No Sugar
128 bpm • E min • 04:10 • -7.06db
14% Popularity • 49% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 49% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
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Cornershop
Heavy Soup
120 bpm • E Maj • 03:21 • -6.07db
19% Popularity • 90% Danceability • 77% Energy • 12% Liveness
5% Instrumentalness • 96% Positiveness
19% Popularity • 90% Danceability • 77% Energy • 12% Liveness
5% Instrumentalness • 96% Positiveness
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Kula Shaker
Hey Dude
118 bpm • F Maj • 04:10 • -7.63db
45% Popularity • 48% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 48% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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The Dead 60s
The Last Resort
128 bpm • A Maj • 02:54 • -8.37db
10% Popularity • 70% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 70% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Happy Mondays
Kinky Afro - 2007 Remaster
118 bpm • C Maj • 03:59 • -6db
39% Popularity • 54% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 54% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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The Fall
Touch Sensitive
128 bpm • C# min • 03:15 • -9.22db
22% Popularity • 52% Danceability • 78% Energy • 13% Liveness
11% Instrumentalness • 26% Positiveness
22% Popularity • 52% Danceability • 78% Energy • 13% Liveness
11% Instrumentalness • 26% Positiveness
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Half Man Half Biscuit
National Shite Day
118 bpm • A min • 06:24 • -2.86db
31% Popularity • 32% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 32% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Cornershop
Heavy Soup - Outro
120 bpm • E Maj • 02:13 • -6.81db
15% Popularity • 94% Danceability • 81% Energy • 23% Liveness
77% Instrumentalness • 92% Positiveness
15% Popularity • 94% Danceability • 81% Energy • 23% Liveness
77% Instrumentalness • 92% Positiveness
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Kula Shaker
Hush
118 bpm • G# Maj • 02:54 • -6.9db
54% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Datsuns
Harmonic Generator
128 bpm • C# Maj • 03:03 • -3.76db
33% Popularity • 67% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 67% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
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Happy Mondays
Olive Oil
128 bpm • B Maj • 02:36 • -13.54db
27% Popularity • 45% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 45% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Sugar
JC Auto
129 bpm • E Maj • 06:13 • -4.42db
15% Popularity • 40% Danceability • 95% Energy • 51% Liveness
83% Instrumentalness • 31% Positiveness
15% Popularity • 40% Danceability • 95% Energy • 51% Liveness
83% Instrumentalness • 31% Positiveness
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Carter The Unstoppable Sex Machine
Twenty Four Minutes from Tulse Hill
117 bpm • G Maj • 03:26 • -11.6db
21% Popularity • 56% Danceability • 78% Energy • 38% Liveness
20% Instrumentalness • 27% Positiveness
21% Popularity • 56% Danceability • 78% Energy • 38% Liveness
20% Instrumentalness • 27% Positiveness
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Cornershop
The Holy Name
128 bpm • G Maj • 08:50 • -5.63db
5% Popularity • 57% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
5% Popularity • 57% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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The Dead 60s
Loaded Gun
129 bpm • B min • 02:50 • -6.5db
19% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Joe Strummer
Bummed Out City
117 bpm • C Maj • 05:32 • -7.83db
20% Popularity • 74% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 74% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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World Of Twist
Sons Of The Stage
129 bpm • F Maj • 05:09 • -7.4db
21% Popularity • 51% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 51% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Happy Mondays
Tart Tart
117 bpm • F Maj • 04:22 • -5.85db
33% Popularity • 64% Danceability • 94% Energy • 35% Liveness
23% Instrumentalness • 77% Positiveness
33% Popularity • 64% Danceability • 94% Energy • 35% Liveness
23% Instrumentalness • 77% Positiveness
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The Bees
Wash In The Rain
130 bpm • G Maj • 03:38 • -3.91db
22% Popularity • 44% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 44% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Cornershop
The Biro Pen
128 bpm • C Maj • 04:28 • -2.54db
10% Popularity • 70% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 70% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Iggy Pop
I'm Bored
130 bpm • B min • 02:47 • -6.04db
34% Popularity • 57% Danceability • 80% Energy • 32% Liveness
2% Instrumentalness • 86% Positiveness
34% Popularity • 57% Danceability • 80% Energy • 32% Liveness
2% Instrumentalness • 86% Positiveness
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Half Man Half Biscuit
The Trumpton Riots
130 bpm • D Maj • 03:19 • -11.94db
27% Popularity • 43% Danceability • 91% Energy • 36% Liveness
32% Instrumentalness • 57% Positiveness
27% Popularity • 43% Danceability • 91% Energy • 36% Liveness
32% Instrumentalness • 57% Positiveness
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Dodgy
Melodies Haunt You
130 bpm • D Maj • 03:40 • -6.48db
25% Popularity • 55% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 55% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Happy Mondays
Kuff Dam
130 bpm • A# Maj • 03:06 • -12.1db
27% Popularity • 53% Danceability • 80% Energy • 34% Liveness
33% Instrumentalness • 93% Positiveness
27% Popularity • 53% Danceability • 80% Energy • 34% Liveness
33% Instrumentalness • 93% Positiveness
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Dexys Midnight Runners
Burn It Down - 2000 Remaster
130 bpm • C min • 04:22 • -10.88db
25% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Cornershop
Non-Stop Radio
118 bpm • C# Maj • 03:00 • -5.07db
7% Popularity • 82% Danceability • 61% Energy • 7% Liveness
63% Instrumentalness • 96% Positiveness
7% Popularity • 82% Danceability • 61% Energy • 7% Liveness
63% Instrumentalness • 96% Positiveness
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The Jesus and Mary Chain
Far Gone and Out
116 bpm • D Maj • 02:51 • -5.51db
37% Popularity • 51% Danceability • 96% Energy • 40% Liveness
1% Instrumentalness • 76% Positiveness
37% Popularity • 51% Danceability • 96% Energy • 40% Liveness
1% Instrumentalness • 76% Positiveness
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Eels
Prizefighter
130 bpm • E Maj • 02:53 • -1.54db
36% Popularity • 53% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 53% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Black Francis
She Took All the Money
130 bpm • C Maj • 02:32 • -5.37db
19% Popularity • 62% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 62% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Mould
Star Machine
130 bpm • C# min • 03:25 • -4.44db
24% Popularity • 52% Danceability • 96% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
24% Popularity • 52% Danceability • 96% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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Happy Mondays
The Boys Are Back in Town
130 bpm • A min • 03:46 • -6.82db
25% Popularity • 43% Danceability • 96% Energy • 67% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 43% Danceability • 96% Energy • 67% Liveness
0% Instrumentalness • 34% Positiveness
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Cornershop
No Rock Save In Roll
118 bpm • A Maj • 03:42 • -7.23db
11% Popularity • 64% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 93% Positiveness
11% Popularity • 64% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 93% Positiveness
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The Lemonheads
Rockin' Stroll - Remastered
116 bpm • D Maj • 01:46 • -7.26db
30% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Doves
Catch The Sun
130 bpm • D Maj • 04:49 • -6.49db
38% Popularity • 35% Danceability • 84% Energy • 19% Liveness
4% Instrumentalness • 22% Positiveness
38% Popularity • 35% Danceability • 84% Energy • 19% Liveness
4% Instrumentalness • 22% Positiveness
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Teenage Fanclub
Ain't That Enough
116 bpm • G Maj • 03:42 • -7.38db
30% Popularity • 45% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 45% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Radio 4
Dance To The Underground
130 bpm • G Maj • 04:03 • -6.27db
27% Popularity • 67% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 67% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Sebadoh
Flame
130 bpm • F# Maj • 04:54 • -6.74db
36% Popularity • 49% Danceability • 96% Energy • 18% Liveness
43% Instrumentalness • 49% Positiveness
36% Popularity • 49% Danceability • 96% Energy • 18% Liveness
43% Instrumentalness • 49% Positiveness
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Cornershop
St Marie Under Canon
118 bpm • C Maj • 04:12 • -5.59db
15% Popularity • 57% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 57% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Longpigs
Far
116 bpm • E min • 03:44 • -7db
31% Popularity • 45% Danceability • 78% Energy • 24% Liveness
1% Instrumentalness • 67% Positiveness
31% Popularity • 45% Danceability • 78% Energy • 24% Liveness
1% Instrumentalness • 67% Positiveness
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The dB's
That Time Is Gone
130 bpm • A Maj • 03:32 • -4.46db
21% Popularity • 39% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 39% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Teenage Fanclub
Get Funky
116 bpm • D Maj • 01:22 • -13.96db
32% Popularity • 47% Danceability • 62% Energy • 76% Liveness
97% Instrumentalness • 51% Positiveness
32% Popularity • 47% Danceability • 62% Energy • 76% Liveness
97% Instrumentalness • 51% Positiveness
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Frank Black
(I Want to Live on an) Abstract Plain
130 bpm • E Maj • 02:17 • -5.65db
28% Popularity • 52% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 52% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Northside
Shall We Take a Trip?
131 bpm • C Maj • 04:26 • -8.11db
29% Popularity • 41% Danceability • 82% Energy • 7% Liveness
52% Instrumentalness • 80% Positiveness
29% Popularity • 41% Danceability • 82% Energy • 7% Liveness
52% Instrumentalness • 80% Positiveness
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Cornershop
The Roll Of Characteristics (Of History ...
129 bpm • C Maj • 04:38 • -3.95db
8% Popularity • 69% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 69% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
