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Let Go of the Myth
Songs like
Let Go of the Myth
by
Baerd
Based on a tempo of (+/- 10%) and a similar genre
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The Brazen Youth
Hometown
90 bpm • B Maj • 02:53 • -8db
41% Popularity • 51% Danceability • 46% Energy • 47% Liveness
0% Instrumentalness • 26% Positiveness
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Erin Donahue
love/fear
90 bpm • B Maj • 03:56 • -24.15db
26% Popularity • 42% Danceability • 5% Energy • 13% Liveness
28% Instrumentalness • 11% Positiveness
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Sophia James
Clockwork
90 bpm • C# Maj • 02:42 • -11.51db
44% Popularity • 55% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Baerd
Let Go of the Myth
90 bpm • D min • 02:45 • -10.5db
9% Popularity • 65% Danceability • 48% Energy • 12% Liveness
30% Instrumentalness • 48% Positiveness
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frogi
prairie
90 bpm • D# Maj • 04:04 • -10.38db
23% Popularity • 63% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Twin Tacoma
Tightropes
90 bpm • E Maj • 02:23 • -17.37db
44% Popularity • 60% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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juliet sunflower
drinking rain
90 bpm • E Maj • 02:59 • -16.69db
22% Popularity • 46% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Matilda Mann
You Look Like You Can't Swim
90 bpm • C# Maj • 02:48 • -9.94db
37% Popularity • 34% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 11% Positiveness
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Philip Brooks
creek
90 bpm • G Maj • 02:33 • -15.94db
52% Popularity • 33% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Baerd
Mountain Song
90 bpm • G Maj • 03:09 • -16.59db
1% Popularity • 54% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Ezra Glatt
Moving Light
90 bpm • B Maj • 01:32 • -14db
52% Popularity • 57% Danceability • 39% Energy • 10% Liveness
64% Instrumentalness • 67% Positiveness
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Quiet Houses
Cold Water Swimming
89 bpm • C Maj • 04:26 • -13.11db
39% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Timothy Edward Carpenter
the boy from ohio
89 bpm • C Maj • 03:24 • -14.17db
21% Popularity • 58% Danceability • 24% Energy • 14% Liveness
12% Instrumentalness • 38% Positiveness
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Vintz Desert
Sisyphus
89 bpm • A# min • 03:00 • -17.2db
14% Popularity • 47% Danceability • 29% Energy • 10% Liveness
8% Instrumentalness • 5% Positiveness
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vern matz
Another Land
88 bpm • G# Maj • 01:38 • -11.56db
30% Popularity • 52% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Baerd
Forgetting
89 bpm • C Maj • 04:30 • -11.23db
1% Popularity • 36% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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Hailaker
Phonetically
92 bpm • A Maj • 03:25 • -15.63db
29% Popularity • 30% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Ezra Glatt
For The Summertime
92 bpm • A Maj • 02:15 • -16.67db
36% Popularity • 56% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 62% Positiveness
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Aaron Percy
In Your Circle
92 bpm • D Maj • 02:39 • -14.58db
27% Popularity • 41% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Haley Blais
Baby Teeth
92 bpm • G# Maj • 03:34 • -12.54db
35% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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runo plum
jupiter
87 bpm • G Maj • 02:40 • -18.47db
39% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Baerd
Mama Taught (Live)
92 bpm • A# Maj • 03:40 • -13.49db
7% Popularity • 56% Danceability • 35% Energy • 26% Liveness
1% Instrumentalness • 29% Positiveness
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Philip Brooks
i just learned to love that way
93 bpm • F# Maj • 02:42 • -19.59db
30% Popularity • 44% Danceability • 15% Energy • 12% Liveness
40% Instrumentalness • 27% Positiveness
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Darryl Rahn
The Movie of Us
93 bpm • D Maj • 03:24 • -11.19db
22% Popularity • 63% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Gabe Goodman
When I Say That I Love You
93 bpm • G# Maj • 02:57 • -13.55db
36% Popularity • 60% Danceability • 40% Energy • 10% Liveness
48% Instrumentalness • 47% Positiveness
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Molly Parden
Nightswimming
94 bpm • C Maj • 04:37 • -15.23db
21% Popularity • 22% Danceability • 34% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Timothy Edward Carpenter
Madison in the Morning
86 bpm • E Maj • 01:17 • -10.02db
43% Popularity • 32% Danceability • 37% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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Baerd
Generosity
92 bpm • F Maj • 04:19 • -7.9db
1% Popularity • 37% Danceability • 58% Energy • 15% Liveness
1% Instrumentalness • 43% Positiveness
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The Dove & the Wolf
Queens
94 bpm • B Maj • 04:32 • -12.2db
21% Popularity • 49% Danceability • 33% Energy • 8% Liveness
5% Instrumentalness • 18% Positiveness
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Mon RovÃŽa
Borderline
95 bpm • F Maj • 04:33 • -11.89db
35% Popularity • 69% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Swimmingly
My Heart Can't Take A Hint
95 bpm • F Maj • 02:51 • -20.61db
34% Popularity • 59% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Runnner
Vines to Make It All Worth It
95 bpm • A Maj • 01:36 • -11.5db
46% Popularity • 57% Danceability • 63% Energy • 31% Liveness
1% Instrumentalness • 59% Positiveness
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Timothy Edward Carpenter
undergrad
95 bpm • C# Maj • 03:12 • -12.67db
27% Popularity • 55% Danceability • 26% Energy • 12% Liveness
13% Instrumentalness • 37% Positiveness
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Baerd
Canyons
95 bpm • G# Maj • 03:54 • -11.97db
5% Popularity • 39% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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The Brook & The Bluff
Interlude
95 bpm • D# Maj • 01:40 • -8.96db
41% Popularity • 58% Danceability • 60% Energy • 11% Liveness
85% Instrumentalness • 32% Positiveness
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Rocco Frattasio
Blueberry Wednesday
95 bpm • A Maj • 02:15 • -11.15db
39% Popularity • 68% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Jacob Slade
However You May
85 bpm • E Maj • 03:03 • -20.79db
44% Popularity • 60% Danceability • 30% Energy • 13% Liveness
87% Instrumentalness • 15% Positiveness
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Hailaker
Bathe
85 bpm • G# Maj • 03:39 • -15db
27% Popularity • 44% Danceability • 25% Energy • 12% Liveness
4% Instrumentalness • 15% Positiveness
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Ethan Tasch
Present
85 bpm • F# Maj • 01:46 • -8.28db
51% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Baerd
Canyons (Live)
92 bpm • G# Maj • 03:51 • -14.48db
7% Popularity • 50% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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The Brazen Youth
I've Never Killed Anything That Lived
85 bpm • E Maj • 01:54 • -13.65db
32% Popularity • 63% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Jack Van Cleaf
Pearl Harbor Day
95 bpm • B min • 03:32 • -12.87db
17% Popularity • 42% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Michigander
48
85 bpm • E Maj • 02:19 • -10db
36% Popularity • 46% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Pleasure Systems
When I Picture You Now
84 bpm • D Maj • 02:07 • -16.25db
31% Popularity • 51% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Del Water Gap
In The Yard - Mahogany Sessions
96 bpm • A Maj • 03:16 • -7.34db
27% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Baerd
Come on Come On
87 bpm • G# Maj • 02:44 • -10.41db
16% Popularity • 48% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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Max GarcÃa Conover
5 to 4
96 bpm • G# Maj • 02:45 • -10.98db
30% Popularity • 32% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Christian Leave
Pull
96 bpm • G Maj • 03:16 • -9.7db
40% Popularity • 36% Danceability • 31% Energy • 8% Liveness
3% Instrumentalness • 22% Positiveness
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Aaron Percy
Bold
84 bpm • C Maj • 02:14 • -12.8db
28% Popularity • 52% Danceability • 42% Energy • 10% Liveness
80% Instrumentalness • 57% Positiveness
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Mali Velasquez
Shove
84 bpm • F# Maj • 02:39 • -9.29db
36% Popularity • 58% Danceability • 66% Energy • 10% Liveness
43% Instrumentalness • 21% Positiveness
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Bendigo Fletcher
Pterodactyl
96 bpm • G Maj • 04:06 • -9.98db
35% Popularity • 48% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Baerd
Uncertain Refrain
94 bpm • D Maj • 01:12 • -10.07db
1% Popularity • 32% Danceability • 51% Energy • 14% Liveness
93% Instrumentalness • 24% Positiveness
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Max GarcÃa Conover
Handsome Suit
96 bpm • G# Maj • 02:54 • -11.62db
30% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kieran Campbell
Manitoba
96 bpm • B Maj • 01:58 • -11.25db
29% Popularity • 41% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Torri Weidinger
lily of the valley
84 bpm • G Maj • 03:23 • -12.53db
25% Popularity • 44% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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runo plum
Tacky Landlord
84 bpm • D# Maj • 03:07 • -14db
29% Popularity • 31% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Sumbuck
Are You Dreaming
84 bpm • B Maj • 02:51 • -11.79db
28% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Baerd
Safer Apathy
86 bpm • D Maj • 06:17 • -10.06db
1% Popularity • 28% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Joe Vann
Just Gettin By
97 bpm • A# Maj • 03:15 • -16.95db
16% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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lighthearted
again & again
84 bpm • D# Maj • 03:04 • -7db
20% Popularity • 40% Danceability • 74% Energy • 9% Liveness
24% Instrumentalness • 32% Positiveness
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The Paper Kites
Never Heard a Sound
97 bpm • D Maj • 02:54 • -17.17db
34% Popularity • 52% Danceability • 15% Energy • 13% Liveness
32% Instrumentalness • 36% Positiveness
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Ken Yates
Consolation Prize
97 bpm • E min • 04:00 • -11.64db
42% Popularity • 65% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Certainly So
Far from Home
83 bpm • A# Maj • 04:43 • -10.37db
23% Popularity • 42% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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Baerd
Sometimes I Miss
94 bpm • D# Maj • 02:42 • -13.81db
18% Popularity • 25% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Philip Brooks
fish food
97 bpm • G Maj • 02:47 • -12db
34% Popularity • 39% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Mieke
Twin
98 bpm • C# Maj • 05:17 • -13.79db
34% Popularity • 38% Danceability • 39% Energy • 13% Liveness
18% Instrumentalness • 33% Positiveness
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Miki Fiki
That's Everything
98 bpm • A Maj • 03:45 • -15.29db
27% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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runo plum
very overdue goodbye
83 bpm • A# Maj • 03:36 • -9.89db
39% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Laney Tripp
Passing Sun
98 bpm • A Maj • 03:37 • -13.3db
25% Popularity • 58% Danceability • 27% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
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Baerd
Happiness
85 bpm • F min • 06:42 • -10.58db
1% Popularity • 33% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Sam Tudor
Change My Shape
98 bpm • D# min • 03:38 • -12.5db
17% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Greeting Committee
Wrapped Inside Of Your Arms
98 bpm • G Maj • 03:12 • -10.01db
31% Popularity • 63% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Darryl Rahn
Angels Bowling
98 bpm • G# Maj • 02:18 • -9.01db
30% Popularity • 30% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 27% Positiveness
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Wild Hunt
contagious - Wild Hunt Sessions
98 bpm • A# Maj • 03:30 • -15.73db
20% Popularity • 60% Danceability • 16% Energy • 11% Liveness
40% Instrumentalness • 18% Positiveness
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Oshima Brothers
Run to the River
98 bpm • A# Maj • 01:53 • -14.63db
27% Popularity • 56% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Baerd
Mountain Song (OurVinyl Sessions)
95 bpm • G Maj • 03:08 • -12.16db
2% Popularity • 38% Danceability • 57% Energy • 10% Liveness
30% Instrumentalness • 15% Positiveness
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Ruby Gill
All the birds under the westgate
82 bpm • C# Maj • 01:37 • -15.04db
30% Popularity • 51% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Humbird
May
82 bpm • D Maj • 03:58 • -10.86db
36% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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runo plum
red lights
82 bpm • F# Maj • 03:02 • -10.58db
42% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Hudson Freeman
I'm Most Me
82 bpm • C# min • 02:22 • -9.46db
32% Popularity • 63% Danceability • 56% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
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Anthony da Costa
Is It Enough
82 bpm • C# Maj • 03:37 • -9.41db
19% Popularity • 52% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Baerd
It's All Happening Now
96 bpm • D# Maj • 02:32 • -10.74db
26% Popularity • 52% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Hailaker
Airmail
82 bpm • A Maj • 02:58 • -9.74db
28% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Olivia Reid
Nightmare Machine
82 bpm • C Maj • 04:19 • -9.88db
31% Popularity • 61% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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John Vincent III
On And On
99 bpm • C Maj • 04:17 • -8.61db
32% Popularity • 46% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Covenhoven
Nothing Left to Be
99 bpm • C# Maj • 05:28 • -15.17db
24% Popularity • 27% Danceability • 28% Energy • 8% Liveness
83% Instrumentalness • 11% Positiveness
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Oshima Brothers
Love Is Tall
100 bpm • G Maj • 02:33 • -10.07db
44% Popularity • 52% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Baerd
Hospital
97 bpm • F# min • 03:40 • -11.97db
24% Popularity • 36% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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Hailaker
~
99 bpm • A Maj • 01:53 • -15.23db
39% Popularity • 66% Danceability • 15% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
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Will Hearn
Little Dog
81 bpm • D Maj • 03:36 • -10.32db
27% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Derek Ted
Someday Soon
100 bpm • E Maj • 02:13 • -12.8db
16% Popularity • 63% Danceability • 23% Energy • 13% Liveness
2% Instrumentalness • 46% Positiveness
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Hayden Everett
Redwoods
100 bpm • D Maj • 04:22 • -11.58db
34% Popularity • 35% Danceability • 19% Energy • 14% Liveness
2% Instrumentalness • 20% Positiveness
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River Whyless
Young Bird
81 bpm • B min • 01:36 • -13.66db
37% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Baerd
A Month Ago (OurVinyl Sessions)
82 bpm • A Maj • 02:26 • -12.32db
3% Popularity • 48% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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lighthearted
the cold
81 bpm • F# Maj • 03:47 • -9.37db
18% Popularity • 54% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Brazen Youth
Open Outside
81 bpm • A# Maj • 02:56 • -9.21db
32% Popularity • 56% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Paper Planes
Lonelier Together
100 bpm • E Maj • 01:45 • -16.77db
49% Popularity • 64% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Haley Blais
The Cabin
81 bpm • G Maj • 03:57 • -12.45db
37% Popularity • 66% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Vona Vella
Roll Into Forever
100 bpm • A# Maj • 02:32 • -9.44db
30% Popularity • 63% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Baerd
Canyons (OurVinyl Sessions)
99 bpm • G# Maj • 04:03 • -10.66db
1% Popularity • 29% Danceability • 56% Energy • 37% Liveness
1% Instrumentalness • 30% Positiveness
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Let Go of the Myth