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Let Go
Songs like
Let Go
by
Jeff Wade
Based on a tempo of (+/- 10%) and a similar genre
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Steven Anderson
Thine Is The Glory
97 bpm • A# Maj • 01:57 • -19.59db
10% Popularity • 43% Danceability • 9% Energy • 21% Liveness
92% Instrumentalness • 19% Positiveness
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Tom McBryde
Somewhere In Time
97 bpm • C Maj • 04:27 • -20.46db
18% Popularity • 40% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Athol McGregor
Paquita, Rose of Aberdeen
97 bpm • F Maj • 02:06 • -22db
16% Popularity • 53% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
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Michael Allen Harrison
Autumn Leaves
97 bpm • E min • 02:56 • -19.09db
6% Popularity • 43% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Dan Gibson's Solitudes
Journey's End
97 bpm • G min • 05:46 • -19.7db
16% Popularity • 70% Danceability • 56% Energy • 92% Liveness
83% Instrumentalness • 71% Positiveness
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Robin Spielberg
I Dream of You
97 bpm • F Maj • 02:24 • -19.7db
27% Popularity • 52% Danceability • 7% Energy • 10% Liveness
69% Instrumentalness • 20% Positiveness
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The Hymn Ensemble
What Wondrous Love Is This
98 bpm • D min • 03:10 • -20db
40% Popularity • 61% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
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Ricardo Garcia Mota
Foi na Cruz
96 bpm • G Maj • 06:22 • -22.62db
34% Popularity • 40% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Irish Folk & Celtic Music
Land of Ireland
98 bpm • G# Maj • 04:09 • -18db
13% Popularity • 69% Danceability • 16% Energy • 11% Liveness
41% Instrumentalness • 29% Positiveness
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Studio Musicians
He Who Began A Good Work In You - Instru...
98 bpm • G# Maj • 01:48 • -13.71db
10% Popularity • 59% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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New York Guitar Company
Yesterday
98 bpm • F Maj • 02:00 • -12.84db
12% Popularity • 76% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
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Charlie Glass Piano Man
Perfect
96 bpm • G Maj • 04:14 • -19.16db
1% Popularity • 36% Danceability • 16% Energy • 17% Liveness
78% Instrumentalness • 18% Positiveness
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Sam Levine
Shower The People
98 bpm • F Maj • 04:34 • -8.75db
13% Popularity • 66% Danceability • 43% Energy • 8% Liveness
85% Instrumentalness • 39% Positiveness
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Steven C
In the Bleak Midwinter
96 bpm • F Maj • 04:05 • -21.02db
7% Popularity • 50% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 32% Positiveness
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Fox Music Crew
O Fathers of the Fatherless - Instrument...
96 bpm • G Maj • 04:19 • -14.79db
7% Popularity • 51% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 28% Positiveness
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The Marco Phillipe Orchestra
Leaving On a Jet Plane
98 bpm • D Maj • 02:28 • -17.6db
43% Popularity • 35% Danceability • 15% Energy • 15% Liveness
89% Instrumentalness • 40% Positiveness
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C.S. Heath
This Is My Father's World
96 bpm • G# Maj • 02:19 • -16db
22% Popularity • 80% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 41% Positiveness
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Western Lovers
Strawberry Wine
98 bpm • E Maj • 03:04 • -20.29db
13% Popularity • 75% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
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Melissa Barcelos
Dependente - Playback
96 bpm • D Maj • 03:47 • -22.59db
4% Popularity • 63% Danceability • 7% Energy • 22% Liveness
82% Instrumentalness • 19% Positiveness
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Steven C
Go Tell It On the Mountain / Mary Had A ...
96 bpm • C Maj • 02:54 • -19.04db
14% Popularity • 48% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Søren Bødker Madsen
Stairway to Heaven
95 bpm • G Maj • 03:14 • -19.57db
21% Popularity • 49% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Simon Lowy
On My Own
95 bpm • C Maj • 02:29 • -29.57db
13% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 15% Positiveness
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Robin Spielberg
Dream Dream Dream
95 bpm • F Maj • 02:06 • -18.95db
20% Popularity • 39% Danceability • 17% Energy • 9% Liveness
82% Instrumentalness • 43% Positiveness
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Mark Knopfler
Smooching
99 bpm • D Maj • 05:00 • -18.26db
29% Popularity • 70% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 18% Positiveness
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Tom McBryde
Second Time Around
99 bpm • C Maj • 03:13 • -19.73db
21% Popularity • 55% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Anthony Burger
Love Lifted Me
95 bpm • C Maj • 02:38 • -18.6db
5% Popularity • 59% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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Integrity Worship Musicians
Think About His Love
95 bpm • E Maj • 01:24 • -23.83db
14% Popularity • 20% Danceability • 11% Energy • 15% Liveness
79% Instrumentalness • 10% Positiveness
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Danny Wright
When You Wish Upon A Star
95 bpm • C Maj • 03:08 • -25.35db
26% Popularity • 32% Danceability • 4% Energy • 5% Liveness
82% Instrumentalness • 22% Positiveness
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Ellis Marsalis
Spring Can Really Hang You the Most
99 bpm • C Maj • 03:49 • -25.44db
7% Popularity • 55% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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George Winston
Billy in the Low Land
100 bpm • D# Maj • 02:31 • -18.82db
18% Popularity • 54% Danceability • 13% Energy • 11% Liveness
76% Instrumentalness • 30% Positiveness
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Bruce Hornsby
Song A - Instrumental
94 bpm • F Maj • 02:44 • -20.03db
20% Popularity • 36% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 37% Positiveness
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Greg Buchanan
Right Where We Are
94 bpm • F# Maj • 04:14 • -19db
19% Popularity • 67% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
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Willy Cruz
Forevermore
94 bpm • F Maj • 04:14 • -18.54db
30% Popularity • 45% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
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Michael Marc & The Gypsy Flamenco Masters
Out In The Rain
100 bpm • F# min • 07:05 • -12.81db
7% Popularity • 59% Danceability • 36% Energy • 37% Liveness
38% Instrumentalness • 10% Positiveness
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Steve Donovan
This Nearly Was Mine
94 bpm • D# Maj • 03:25 • -16.68db
18% Popularity • 45% Danceability • 11% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Steve Hall
On Holy Ground
100 bpm • C Maj • 05:31 • -20.13db
12% Popularity • 37% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Our Daily Bread
My Jesus, I Love Thee
100 bpm • D Maj • 02:55 • -21.64db
10% Popularity • 47% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Phillip Keveren & Anthony LaMarchina
All Hail The Power of Jesus' Name
100 bpm • D Maj • 03:28 • -16db
29% Popularity • 41% Danceability • 7% Energy • 11% Liveness
37% Instrumentalness • 28% Positiveness
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Mary Beth Carlson
The Look Of Love
94 bpm • D min • 04:42 • -20.55db
18% Popularity • 42% Danceability • 12% Energy • 10% Liveness
71% Instrumentalness • 18% Positiveness
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純音樂
一步一生
100 bpm • F Maj • 02:58 • -12.74db
8% Popularity • 72% Danceability • 45% Energy • 12% Liveness
88% Instrumentalness • 33% Positiveness
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楊新怡
臉紅的bossa - 演奏版
100 bpm • C Maj • 03:45 • -19.89db
9% Popularity • 64% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 60% Positiveness
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Sam Levine
Shall We Gather At The River
100 bpm • C min • 03:46 • -10.84db
18% Popularity • 64% Danceability • 46% Energy • 10% Liveness
71% Instrumentalness • 60% Positiveness
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The O'Neill Brothers Group
Believe - Instrumental Version
94 bpm • E Maj • 03:51 • -18.64db
20% Popularity • 54% Danceability • 11% Energy • 6% Liveness
89% Instrumentalness • 21% Positiveness
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Gilbert Yslas
Sunset Memories
100 bpm • D Maj • 04:05 • -12.38db
8% Popularity • 70% Danceability • 29% Energy • 9% Liveness
8% Instrumentalness • 33% Positiveness
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Jeremy Weinglass
Don't Know Why
100 bpm • F Maj • 02:55 • -22.7db
8% Popularity • 58% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Danny Wright
Edelweiss
94 bpm • A# Maj • 02:41 • -26.96db
8% Popularity • 35% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Robin Spielberg
O Mio Babbino Caro
101 bpm • G# Maj • 04:27 • -21db
35% Popularity • 39% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Simon Lowy
And This Is My Beloved - 2021 Remaster
101 bpm • D# Maj • 03:02 • -21.6db
11% Popularity • 32% Danceability • 12% Energy • 6% Liveness
87% Instrumentalness • 9% Positiveness
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Paul Wilbur
Blessed Is The Man
101 bpm • A Maj • 05:19 • -10.63db
18% Popularity • 71% Danceability • 52% Energy • 41% Liveness
76% Instrumentalness • 46% Positiveness
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The Flower Kings
House of Cards
101 bpm • F Maj • 01:55 • -22.2db
11% Popularity • 36% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 28% Positiveness
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Richard Sully
Wild Theme
93 bpm • F# Maj • 03:06 • -18.48db
28% Popularity • 33% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Christopher West
Wonder of You
101 bpm • F Maj • 02:30 • -17.68db
9% Popularity • 41% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 77% Positiveness
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Vince Gill
White Christmas
102 bpm • A# Maj • 04:40 • -15.57db
8% Popularity • 42% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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The O'Neill Brothers Group
Santa Baby (Instrumental Version)
93 bpm • A Maj • 02:59 • -26.3db
8% Popularity • 43% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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RW Nastrój to czytania
Spokojna medytacja
102 bpm • C# Maj • 03:32 • -21.71db
13% Popularity • 55% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 12% Positiveness
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Steve Hall
All The Things You Are
102 bpm • G# Maj • 03:43 • -19.22db
10% Popularity • 43% Danceability • 10% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Musik zum Lernen Hintergrundmusik
Zart
102 bpm • F Maj • 01:43 • -17.18db
24% Popularity • 69% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 41% Positiveness
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Massimo Roberti
God help the outcasts
102 bpm • F Maj • 02:23 • -18.93db
7% Popularity • 73% Danceability • 14% Energy • 14% Liveness
56% Instrumentalness • 48% Positiveness
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RW Myzyka dla umysłu
Kreatywne myślenie
102 bpm • G Maj • 04:03 • -20.9db
14% Popularity • 49% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
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RW Música para estimular o cérebro
Pensamento criativo
102 bpm • G Maj • 04:03 • -20.9db
14% Popularity • 49% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
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Christopher West
Silent Night
92 bpm • A# Maj • 03:47 • -19.73db
1% Popularity • 50% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Orquestra Albatroz
Bridge Over Troubled Water
92 bpm • A Maj • 03:46 • -19.32db
12% Popularity • 64% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Danny Wright
Lullaby (Goodnight, My Angel)
102 bpm • G Maj • 03:20 • -22.18db
19% Popularity • 46% Danceability • 10% Energy • 14% Liveness
89% Instrumentalness • 6% Positiveness
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Alberd Tanoni
Hope in the Storm
92 bpm • C Maj • 02:56 • -17.17db
20% Popularity • 64% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Jack Jezzro
You've Got A Friend
92 bpm • D Maj • 04:30 • -14.45db
11% Popularity • 71% Danceability • 43% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
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Brendan Ross
Lover
103 bpm • G Maj • 02:30 • -8.91db
20% Popularity • 62% Danceability • 32% Energy • 27% Liveness
90% Instrumentalness • 36% Positiveness
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Christopher West
Are You Lonesome Tonight
103 bpm • C Maj • 03:07 • -21.15db
15% Popularity • 44% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 11% Positiveness
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Steven Mitchell
Stretch/Adagio (Look to the Rainbow)
91 bpm • A# Maj • 02:43 • -22.8db
8% Popularity • 44% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
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Klaus
Conversations
91 bpm • D Maj • 03:20 • -14.7db
15% Popularity • 27% Danceability • 14% Energy • 14% Liveness
43% Instrumentalness • 16% Positiveness
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Música para Perros Clásicos
Amoroso (Perros Calmantes)
91 bpm • C min • 01:56 • -15.97db
12% Popularity • 72% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Ricardo Garcia Mota
Renova-me
91 bpm • C Maj • 05:15 • -12.81db
37% Popularity • 34% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Alan Birdsall
Master, the Tempest Is Raging
104 bpm • C Maj • 02:30 • -19.44db
19% Popularity • 46% Danceability • 14% Energy • 18% Liveness
89% Instrumentalness • 20% Positiveness
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Rosemary Siemens
The Old Rugged Cross
91 bpm • F Maj • 03:12 • -14.2db
19% Popularity • 25% Danceability • 15% Energy • 24% Liveness
9% Instrumentalness • 13% Positiveness
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Gene Miller
Love Someone (instrumental)
104 bpm • D Maj • 03:06 • -16.55db
11% Popularity • 55% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
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Sam Levine
Giving You The Best That I Got
104 bpm • F Maj • 04:12 • -8.68db
9% Popularity • 66% Danceability • 51% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Cosmic life
Fields of gold
104 bpm • B min • 02:36 • -14.55db
23% Popularity • 68% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Spirit Of The Living God Performers
Freely, Freely AKA God Forgave My Sin
104 bpm • F Maj • 02:07 • -14.69db
11% Popularity • 64% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 62% Positiveness
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RW Música instrumental para oficinas
Concentración profunda
104 bpm • D# Maj • 04:09 • -20.03db
13% Popularity • 69% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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RW Muzyka do efektywnej pracy
Głęboka koncentracja
104 bpm • D# Maj • 04:09 • -20.03db
9% Popularity • 69% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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Owen Richards
You Light up My Life
90 bpm • D# Maj • 03:47 • -21.46db
17% Popularity • 47% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 18% Positiveness
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Our Daily Bread
Like a River Glorious
90 bpm • D Maj • 03:08 • -16.29db
15% Popularity • 72% Danceability • 12% Energy • 12% Liveness
7% Instrumentalness • 26% Positiveness
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David Benoit
You Make Me Smile
105 bpm • G min • 04:59 • -18.26db
8% Popularity • 43% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Spencer Brewer
Wonderland
105 bpm • A# Maj • 03:55 • -16.89db
28% Popularity • 66% Danceability • 29% Energy • 16% Liveness
86% Instrumentalness • 33% Positiveness
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Simon Lowy
Yesterday
105 bpm • F Maj • 02:44 • -28.04db
12% Popularity • 35% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 17% Positiveness
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DATT
fusiginokuni
105 bpm • C Maj • 02:08 • -18.83db
11% Popularity • 64% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 20% Positiveness
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Joshua David Harris
Angels From the Realms of Glory
105 bpm • A# Maj • 01:43 • -18.32db
8% Popularity • 59% Danceability • 18% Energy • 15% Liveness
89% Instrumentalness • 68% Positiveness
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Piano Worship
Change My Heart, Oh God
89 bpm • C Maj • 04:02 • -12.2db
9% Popularity • 65% Danceability • 36% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Richard Samuels
How Great Thou Art
105 bpm • D# Maj • 07:08 • -17.79db
9% Popularity • 40% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Ndabo Zulu
Nandi's Suite (Interlude Ii)
105 bpm • F min • 01:48 • -22.46db
17% Popularity • 55% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
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One Piano
Ma Belle Evangeline
106 bpm • D# Maj • 02:56 • -26.55db
22% Popularity • 34% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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Anthony Burger
In The Cross/At The Cross - Medley
105 bpm • D# Maj • 04:07 • -17.48db
33% Popularity • 43% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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David Osborne
Wonderful Tonight
106 bpm • G Maj • 03:45 • -14.1db
33% Popularity • 47% Danceability • 31% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
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Irish Folk & Celtic Music
The Flower of Sweet Strabane
106 bpm • A Maj • 03:50 • -17.75db
13% Popularity • 68% Danceability • 22% Energy • 11% Liveness
73% Instrumentalness • 28% Positiveness
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The O'Neill Brothers Group
Let Us Break Bread Together
106 bpm • D# Maj • 04:39 • -18.21db
8% Popularity • 75% Danceability • 24% Energy • 13% Liveness
91% Instrumentalness • 42% Positiveness
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Phillip Keveren
Savior, Like a Shepherd Lead Us
89 bpm • C# Maj • 02:29 • -26.99db
11% Popularity • 38% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
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Lorie Line
In Dreams
88 bpm • D Maj • 03:22 • -13.69db
15% Popularity • 25% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Amy Laurenson
Lament for Lowrie ida Lea
107 bpm • G Maj • 04:16 • -13.7db
10% Popularity • 42% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Steven C
Shout to the Lord
88 bpm • A Maj • 03:20 • -20.03db
16% Popularity • 66% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
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RW Música instrumental para oficinas
Relajarse antes del trabajo
88 bpm • E Maj • 05:23 • -19.53db
13% Popularity • 72% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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RW Muzyka do efektywnej pracy
Zrelaksuj się przed pracą
88 bpm • E Maj • 05:23 • -19.53db
11% Popularity • 72% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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