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Let it Go
Songs like
Let it Go
by
Levi Rowan
Based on a tempo of (+/- 10%) and a similar genre
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Point Blank Society
Let's Turn Gray
148 bpm • C# min • 03:42 • -9.92db
26% Popularity • 79% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Levi Rowan
Let it Go
148 bpm • G# Maj • 02:34 • -5.15db
28% Popularity • 70% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Arrested Youth
Jumping Ship
148 bpm • G Maj • 03:17 • -3.22db
26% Popularity • 50% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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WESLEY
SLEEP ALONE
148 bpm • E min • 03:28 • -5db
28% Popularity • 75% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
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Hastings
Take Mine
147 bpm • F min • 03:12 • -5db
30% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Nightly
lover/loner
147 bpm • A Maj • 02:31 • -5.68db
34% Popularity • 69% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Paycheck
NO WORRIES
149 bpm • A# Maj • 03:06 • -8db
42% Popularity • 79% Danceability • 53% Energy • 76% Liveness
0% Instrumentalness • 83% Positiveness
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MAGIC GIANT
Outta My Head
147 bpm • A Maj • 03:19 • -5.06db
29% Popularity • 52% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Grady
All In
147 bpm • G Maj • 02:43 • -7.77db
32% Popularity • 60% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
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lovelytheband
buzz cut
147 bpm • B Maj • 03:38 • -6.43db
43% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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daydream Masi
Night Like This
150 bpm • F min • 03:03 • -8.37db
30% Popularity • 66% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Raynes
Second Thought
150 bpm • B Maj • 03:21 • -4.99db
39% Popularity • 64% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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American Teeth
Tongue
146 bpm • C# Maj • 02:55 • -6db
29% Popularity • 54% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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TWIN XL
Upgrade
146 bpm • A min • 02:41 • -3.08db
34% Popularity • 57% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Kid Politics
Lost in the Jungle
150 bpm • F# min • 03:44 • -7.77db
34% Popularity • 57% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Nic D
TG4U
150 bpm • B Maj • 02:09 • -7db
32% Popularity • 83% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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good problem
Stitches
146 bpm • F# Maj • 02:40 • -6.96db
33% Popularity • 78% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Jack Omstead
Pink Whitney
150 bpm • E min • 02:20 • -11.65db
30% Popularity • 72% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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The Habits
Casual
146 bpm • G# Maj • 02:28 • -3.26db
33% Popularity • 56% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Arrested Youth
Ryan
150 bpm • C Maj • 02:37 • -7.66db
29% Popularity • 72% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Brendan Bennett
SAME DAMN SONG
150 bpm • C Maj • 02:22 • -8.52db
9% Popularity • 77% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Aidan Bissett
So High
150 bpm • C Maj • 02:49 • -6.14db
30% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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toast
i've been calling
150 bpm • A Maj • 02:24 • -7db
27% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Zach Oliver
Coat Check
146 bpm • E Maj • 02:56 • -7.28db
17% Popularity • 70% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Chris Wallace
Daydreaming
150 bpm • E min • 02:40 • -11db
32% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Ocean Park Standoff
Good Time
145 bpm • G# Maj • 02:52 • -5.9db
50% Popularity • 71% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Scotty Sire
THIS TIME
152 bpm • D# Maj • 02:40 • -6.35db
14% Popularity • 60% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Dionysia
Aura
144 bpm • C min • 03:51 • -4db
29% Popularity • 68% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Caleb Blair
Tropicana
144 bpm • D# Maj • 03:49 • -5db
33% Popularity • 58% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Skrizzly Adams
Motel Room
144 bpm • C min • 03:05 • -7db
26% Popularity • 63% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Jad Saad
Mojave
144 bpm • C min • 03:03 • -6db
29% Popularity • 80% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Grey
DEEP END
152 bpm • C# Maj • 02:38 • -8.46db
31% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Little Hurt
Good As It Gets
154 bpm • F Maj • 02:33 • -4.42db
44% Popularity • 66% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Golden Coast
Float on By
154 bpm • D Maj • 02:59 • -6db
24% Popularity • 64% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Scotty Sire
SOMETHING YOU SAID
155 bpm • F Maj • 03:12 • -4.74db
14% Popularity • 56% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Skrizzly Adams
Foolish
144 bpm • E Maj • 02:56 • -5.23db
19% Popularity • 83% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Ryan Caraveo
Psychic
155 bpm • D min • 02:38 • -6.55db
26% Popularity • 80% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Mob Rich
Funeral
155 bpm • A Maj • 03:08 • -7.28db
14% Popularity • 52% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Coleman Hell
Save Yourself
155 bpm • C# Maj • 02:39 • -4.5db
13% Popularity • 51% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Modern Original
Turn It Around
155 bpm • A Maj • 02:55 • -4.02db
16% Popularity • 48% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Cook Thugless
bad luck
155 bpm • E Maj • 03:20 • -6.35db
21% Popularity • 50% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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niko+
temporary
155 bpm • F Maj • 03:05 • -6.26db
15% Popularity • 43% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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J.Cyrus
Quick Fix
156 bpm • A# min • 02:29 • -2.6db
28% Popularity • 75% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Wingtip
Leave Yourself Alone
156 bpm • A Maj • 03:09 • -5.39db
20% Popularity • 62% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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TWIN XL
Slow Heart
140 bpm • A min • 03:11 • -4.08db
26% Popularity • 58% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Kid Quill
90s kids
140 bpm • F min • 03:26 • -5.13db
41% Popularity • 77% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Dazy Chain
Alley-Oop
140 bpm • B Maj • 02:48 • -3.48db
29% Popularity • 79% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Ori Rose
DGAF BOY
140 bpm • B min • 02:09 • -5.52db
25% Popularity • 74% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Brighton Taylor
Dreaming
140 bpm • F# min • 03:32 • -3.75db
22% Popularity • 49% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Jimkata
Wait for You
140 bpm • A min • 04:55 • -7.79db
22% Popularity • 68% Danceability • 78% Energy • 61% Liveness
0% Instrumentalness • 76% Positiveness
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RILEY
Everybody Leaves
140 bpm • G Maj • 02:13 • -7.91db
20% Popularity • 85% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Little Hurt
Alaska
140 bpm • G Maj • 03:08 • -3.32db
46% Popularity • 79% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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New Friends
Doomed
140 bpm • E min • 02:25 • -3.4db
30% Popularity • 62% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Jefferson Clay
TMYLM
140 bpm • F Maj • 02:31 • -9.36db
35% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Top Bunk
Dang
157 bpm • C Maj • 03:09 • -5.79db
29% Popularity • 48% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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SUM SUN
2:38
158 bpm • B Maj • 02:04 • -3.91db
31% Popularity • 70% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Blake Rose
Heavy Shit
138 bpm • C Maj • 03:15 • -4db
42% Popularity • 61% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Free Arlo
monday
138 bpm • G# Maj • 03:17 • -5.67db
33% Popularity • 86% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Kai Straw
Motor Mouth
138 bpm • F Maj • 03:16 • -5.37db
34% Popularity • 90% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Ferris
Messing With Love
159 bpm • C# min • 03:07 • -6.42db
34% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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John Michael Howell
NEVER CRY AGAIN
160 bpm • C Maj • 02:44 • -4.57db
40% Popularity • 49% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Nic D
Koozie
160 bpm • G Maj • 02:06 • -6.34db
28% Popularity • 70% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Fuller
High Life
160 bpm • B min • 03:17 • -3.69db
20% Popularity • 42% Danceability • 71% Energy • 34% Liveness
16% Instrumentalness • 36% Positiveness
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Kyle Reynolds
Boogieman
160 bpm • B min • 02:58 • -5db
24% Popularity • 77% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Chad Tepper
I Wanna Be Your High
160 bpm • B Maj • 03:07 • -6db
45% Popularity • 50% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Myles Parrish
Dixie Cup
160 bpm • C Maj • 02:45 • -7.01db
30% Popularity • 82% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Moon Taxi
Say
160 bpm • A Maj • 03:09 • -6.83db
31% Popularity • 55% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Zekey
Fuck Being Famous
160 bpm • D Maj • 02:03 • -3.84db
27% Popularity • 63% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Williams*
Summer Fantasy
160 bpm • C# min • 03:27 • -5db
24% Popularity • 74% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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MAGIC GIANT
Superwoman
160 bpm • C Maj • 02:48 • -4.05db
13% Popularity • 51% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Mills
Five N' Dime
161 bpm • A Maj • 02:53 • -8.13db
34% Popularity • 61% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Hastings
Chapstick
161 bpm • C Maj • 03:05 • -4.72db
36% Popularity • 72% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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The Orphan The Poet
The Moxie
135 bpm • C Maj • 02:43 • -5.46db
40% Popularity • 67% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Noah Ransom
Goodbye
136 bpm • G# min • 02:31 • -15.45db
19% Popularity • 73% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Rightfield
Big Tex
135 bpm • G min • 02:48 • -3db
30% Popularity • 58% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Abe Parker
Seventeen
135 bpm • G Maj • 03:24 • -5.85db
27% Popularity • 72% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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almost monday
this is growing up
135 bpm • A# min • 03:04 • -7db
38% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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will hyde
over u.
135 bpm • G min • 03:07 • -6.85db
28% Popularity • 96% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Retrograded
Hi I Miss You
134 bpm • C# min • 04:43 • -8.03db
31% Popularity • 67% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Last Youth
Too Soon
134 bpm • D# Maj • 03:07 • -4.41db
28% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Rence
Endless
164 bpm • G Maj • 03:26 • -6.18db
40% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Little Hurt
My Head Hurts
164 bpm • D Maj • 02:53 • -3.93db
28% Popularity • 50% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Silver Warehouse
The Mood
133 bpm • B Maj • 03:09 • -6.51db
20% Popularity • 64% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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The Orphan The Poet
Feelin' Good (Could Be Better)
133 bpm • C Maj • 02:48 • -6.44db
41% Popularity • 74% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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TWIN XL
Lemonade
133 bpm • F# min • 02:45 • -2.83db
34% Popularity • 63% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Vaines
All In My Head
133 bpm • E Maj • 03:02 • -6.32db
28% Popularity • 62% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Alex Di Leo
Brooklyn Bridge
133 bpm • B Maj • 03:01 • -6.15db
30% Popularity • 60% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Tano | Mark
Last Semester
133 bpm • C Maj • 02:38 • -3.69db
27% Popularity • 74% Danceability • 85% Energy • 47% Liveness
0% Instrumentalness • 85% Positiveness
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Sleep State
Awkward
165 bpm • G Maj • 04:12 • -3.73db
29% Popularity • 60% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Little Hurt
Get Out Of My Life
165 bpm • C# Maj • 03:07 • -5.84db
32% Popularity • 50% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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DYLVN
Feeling For Nothing
165 bpm • G Maj • 02:50 • -6.44db
33% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Chaz Cardigan
Live A Little
165 bpm • B Maj • 02:49 • -5.19db
50% Popularity • 59% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Typhoon Roulette
MIDAS
165 bpm • F# Maj • 02:15 • -9db
33% Popularity • 72% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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A Story Told
Home for the Summer
165 bpm • B min • 03:00 • -3.97db
39% Popularity • 48% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Justus Bennetts
Girls
165 bpm • G# Maj • 02:20 • -4.51db
38% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
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TWIN XL
Problematic
132 bpm • F# min • 02:46 • -5.25db
34% Popularity • 74% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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X Lovers
Too Fast
166 bpm • C# Maj • 02:33 • -4.11db
33% Popularity • 73% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Chaz Cardigan
Haircut
165 bpm • A# Maj • 03:33 • -6.39db
22% Popularity • 49% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Corey Harper
2 Tickets
132 bpm • C# min • 02:28 • -7.24db
33% Popularity • 86% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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LUNDØN
Don't Turn This Car Around
132 bpm • A Maj • 03:16 • -5.95db
30% Popularity • 58% Danceability • 73% Energy • 91% Liveness
0% Instrumentalness • 48% Positiveness
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Let it Go