Songs like Let It Snow! Let It Snow! Let It Snow! by Woody Herman & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Charlie Barnet
The Last Jump
124 bpm • A# Maj • 02:43 • -6.89db
18% Popularity • 64% Danceability • 71% Energy • 7% Liveness
60% Instrumentalness • 94% Positiveness
18% Popularity • 64% Danceability • 71% Energy • 7% Liveness
60% Instrumentalness • 94% Positiveness
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Benny Goodman Sextet
A Smo-o-o-oth One
124 bpm • G min • 03:16 • -13.28db
21% Popularity • 80% Danceability • 17% Energy • 8% Liveness
68% Instrumentalness • 55% Positiveness
21% Popularity • 80% Danceability • 17% Energy • 8% Liveness
68% Instrumentalness • 55% Positiveness
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James P. Johnson
Carolina Shout
124 bpm • C Maj • 02:34 • -18db
35% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 93% Positiveness
35% Popularity • 66% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 93% Positiveness
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Slim Gaillard
Atomic Cocktail - Alternate Take
124 bpm • F Maj • 02:43 • -14db
17% Popularity • 75% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 75% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny Mercer & The Pied Pipers
Ac-cent-tchu-ate The Positive
124 bpm • F Maj • 02:46 • -10.6db
14% Popularity • 67% Danceability • 27% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 67% Danceability • 27% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
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Martha Tilton
All Of Me
124 bpm • F Maj • 02:19 • -13.55db
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Original Dixieland Jazz Band
Clarinet Marmalade
123 bpm • F Maj • 02:36 • -12db
12% Popularity • 69% Danceability • 67% Energy • 11% Liveness
73% Instrumentalness • 96% Positiveness
12% Popularity • 69% Danceability • 67% Energy • 11% Liveness
73% Instrumentalness • 96% Positiveness
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Archie Semple
Sugar Babe
125 bpm • F min • 03:24 • -15.72db
11% Popularity • 75% Danceability • 22% Energy • 16% Liveness
40% Instrumentalness • 68% Positiveness
11% Popularity • 75% Danceability • 22% Energy • 16% Liveness
40% Instrumentalness • 68% Positiveness
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Margaret Whiting
They Can't Take That Away From Me
125 bpm • C min • 02:52 • -12.9db
44% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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King Oliver
When You're Smiling
125 bpm • C min • 03:20 • -12db
15% Popularity • 49% Danceability • 15% Energy • 26% Liveness
14% Instrumentalness • 27% Positiveness
15% Popularity • 49% Danceability • 15% Energy • 26% Liveness
14% Instrumentalness • 27% Positiveness
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Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
42% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
42% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
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The Big 18
Easy Does It
125 bpm • C# Maj • 05:14 • -20.58db
28% Popularity • 64% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
28% Popularity • 64% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Duke Ellington & His Cotton Club Orchestra
Jubilee Stomp
123 bpm • F min • 02:46 • -9db
20% Popularity • 66% Danceability • 41% Energy • 12% Liveness
71% Instrumentalness • 88% Positiveness
20% Popularity • 66% Danceability • 41% Energy • 12% Liveness
71% Instrumentalness • 88% Positiveness
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Bix Beiderbecke
Clarinet Marmalade
125 bpm • F Maj • 03:12 • -10db
31% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
31% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Jeri Southern
It's Bad For Me
123 bpm • D# Maj • 02:13 • -8.91db
42% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Cootie Williams
Do Nothing Till You Hear from Me
125 bpm • G min • 03:59 • -9.3db
12% Popularity • 74% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 74% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Woody Herman & His Orchestra
Farewell Blues
125 bpm • C min • 03:02 • -8.18db
1% Popularity • 67% Danceability • 64% Energy • 22% Liveness
15% Instrumentalness • 84% Positiveness
1% Popularity • 67% Danceability • 64% Energy • 22% Liveness
15% Instrumentalness • 84% Positiveness
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John Kirby
Rehearsin' for a Nervous Breakdown
126 bpm • G# Maj • 02:43 • -7.47db
8% Popularity • 73% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 70% Positiveness
8% Popularity • 73% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 70% Positiveness
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Bunny Berigan
Sophisticated Swing
126 bpm • C# Maj • 03:32 • -10.66db
11% Popularity • 80% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 71% Positiveness
11% Popularity • 80% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 71% Positiveness
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Kid Ory's Creole Jazz Band
Savoy Blues
126 bpm • G min • 03:03 • -9db
30% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
30% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
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Johnny Dodds
New Orleans Stomp
126 bpm • F Maj • 02:43 • -12.19db
21% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
21% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
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Hot Swing Sextet
Bunny
122 bpm • C Maj • 03:18 • -9.25db
30% Popularity • 87% Danceability • 28% Energy • 8% Liveness
83% Instrumentalness • 46% Positiveness
30% Popularity • 87% Danceability • 28% Energy • 8% Liveness
83% Instrumentalness • 46% Positiveness
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Woody Herman & His Orchestra
Remember Me
122 bpm • D# Maj • 02:59 • -14.2db
1% Popularity • 60% Danceability • 21% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
1% Popularity • 60% Danceability • 21% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
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James P. Johnson
Keep Off The Grass
126 bpm • D min • 02:40 • -17.16db
24% Popularity • 73% Danceability • 41% Energy • 15% Liveness
81% Instrumentalness • 90% Positiveness
24% Popularity • 73% Danceability • 41% Energy • 15% Liveness
81% Instrumentalness • 90% Positiveness
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Kay Starr
If I Could Be with You (One Hour Tonight...
122 bpm • A min • 02:44 • -11db
28% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 75% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 85% Positiveness
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Lester Lanin
Just One Of Those Things - Society
121 bpm • D min • 02:12 • -14.52db
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
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Johnny Dodds
Clarinet Wobble
122 bpm • F Maj • 02:35 • -8.93db
24% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
24% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
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King Oliver
A Sheridan Square
121 bpm • G Maj • 03:22 • -11.74db
20% Popularity • 83% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 74% Positiveness
20% Popularity • 83% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 74% Positiveness
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Woody Herman & His Orchestra
Atlanta, GA - 78rpm Version
126 bpm • G min • 03:08 • -11.65db
4% Popularity • 66% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
4% Popularity • 66% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Cab Calloway
Hey Now, Hey Now
121 bpm • G# Maj • 02:53 • -9.36db
24% Popularity • 70% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 70% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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The Charleston Chasers
After You've Gone
121 bpm • A# Maj • 02:42 • -15.2db
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
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Ted Heath
Autumn Leaves
127 bpm • C min • 02:10 • -11db
16% Popularity • 55% Danceability • 20% Energy • 17% Liveness
22% Instrumentalness • 59% Positiveness
16% Popularity • 55% Danceability • 20% Energy • 17% Liveness
22% Instrumentalness • 59% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
121 bpm • D# Maj • 02:51 • -17.39db
14% Popularity • 71% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 67% Positiveness
14% Popularity • 71% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 67% Positiveness
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Jimmy Dorsey & His Orchestra
Charleston Alley
127 bpm • D min • 03:22 • -8.44db
9% Popularity • 70% Danceability • 52% Energy • 28% Liveness
87% Instrumentalness • 79% Positiveness
9% Popularity • 70% Danceability • 52% Energy • 28% Liveness
87% Instrumentalness • 79% Positiveness
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Woody Herman & His Orchestra
Lollipop
121 bpm • F min • 02:42 • -9.35db
3% Popularity • 57% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 57% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
26% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
26% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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The International Sweethearts Of Rhythm
Swing Shift
120 bpm • E Maj • 01:29 • -9.64db
17% Popularity • 60% Danceability • 77% Energy • 72% Liveness
87% Instrumentalness • 49% Positiveness
17% Popularity • 60% Danceability • 77% Energy • 72% Liveness
87% Instrumentalness • 49% Positiveness
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Bunny Berigan
Patty Cake, Patty Cake
120 bpm • C# Maj • 03:31 • -10.58db
9% Popularity • 77% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
9% Popularity • 77% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
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Lee Wiley
It's Only a Paper Moon
120 bpm • C Maj • 03:12 • -11.99db
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Eddie Condon
My Melancholy Baby
128 bpm • C min • 02:48 • -14.48db
30% Popularity • 64% Danceability • 15% Energy • 20% Liveness
89% Instrumentalness • 69% Positiveness
30% Popularity • 64% Danceability • 15% Energy • 20% Liveness
89% Instrumentalness • 69% Positiveness
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The Pied Pipers
In the middle of may
128 bpm • G min • 02:41 • -5.42db
5% Popularity • 74% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
5% Popularity • 74% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy Dorsey
Green Eyes
120 bpm • F min • 03:19 • -12.75db
25% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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The Big 18
Five O'Clock Drag
128 bpm • A# Maj • 05:43 • -20.04db
9% Popularity • 68% Danceability • 22% Energy • 20% Liveness
91% Instrumentalness • 70% Positiveness
9% Popularity • 68% Danceability • 22% Energy • 20% Liveness
91% Instrumentalness • 70% Positiveness
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The Kenny Clarke-Francy Boland Big Band
Lullaby of the Leaves
129 bpm • F min • 04:14 • -12.26db
28% Popularity • 50% Danceability • 41% Energy • 19% Liveness
18% Instrumentalness • 74% Positiveness
28% Popularity • 50% Danceability • 41% Energy • 19% Liveness
18% Instrumentalness • 74% Positiveness
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Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
32% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Erroll Garner Trio
Frantonality - Version 2
129 bpm • D# min • 02:53 • -17db
23% Popularity • 70% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
23% Popularity • 70% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
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Stan Kenton & His Orchestra
Artistry In Rhythm
119 bpm • F min • 03:18 • -9.73db
11% Popularity • 49% Danceability • 38% Energy • 42% Liveness
85% Instrumentalness • 36% Positiveness
11% Popularity • 49% Danceability • 38% Energy • 42% Liveness
85% Instrumentalness • 36% Positiveness
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Jelly Roll Morton
Black Bottom Stomp - 2002 Remastered
129 bpm • C min • 03:12 • -12.89db
31% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
31% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
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Una Mae Carlisle
Blitzkrieg Baby
129 bpm • C min • 03:21 • -14.39db
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Benny Goodman Quintet
Rachel's Dream
129 bpm • C Maj • 02:37 • -15.57db
16% Popularity • 63% Danceability • 36% Energy • 18% Liveness
85% Instrumentalness • 92% Positiveness
16% Popularity • 63% Danceability • 36% Energy • 18% Liveness
85% Instrumentalness • 92% Positiveness
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Turk Murphy
When My Sugar Walks Down The Street
119 bpm • C Maj • 02:44 • -13.4db
27% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmy Dorsey
Green Eyes
119 bpm • G Maj • 03:27 • -16.97db
19% Popularity • 53% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 53% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Barnet & His Orchestra
Southern Fried
129 bpm • A# Maj • 03:24 • -9.23db
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
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Les Brown & His Orchestra
I'm Making Believe
119 bpm • C# Maj • 02:02 • -15.45db
22% Popularity • 64% Danceability • 13% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 64% Danceability • 13% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
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Lee Wiley
Any Time, Any Day, Anywhere
119 bpm • C# Maj • 02:30 • -13.76db
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Woody Herman & His Orchestra
Back Talk - Alternate Take 2
119 bpm • D min • 03:00 • -10.14db
0% Popularity • 63% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 63% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Jonah Jones Sextet
Stars Fell on Alabama
119 bpm • G min • 02:53 • -10.09db
31% Popularity • 55% Danceability • 23% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
31% Popularity • 55% Danceability • 23% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
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Bob Florence Band
Moonlight on the Ganges
118 bpm • C min • 01:43 • -6.92db
22% Popularity • 58% Danceability • 93% Energy • 17% Liveness
89% Instrumentalness • 55% Positiveness
22% Popularity • 58% Danceability • 93% Energy • 17% Liveness
89% Instrumentalness • 55% Positiveness
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The Veterinary Street Jazz Band
Snag it
118 bpm • D# Maj • 04:32 • -16.49db
22% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
22% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
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Charlie Barnet
Shake, Rattle 'N Roll (Afternoon of a Mo...
130 bpm • G# Maj • 03:27 • -12db
21% Popularity • 80% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
21% Popularity • 80% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
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Glenn Crytzer
Mr. Rhythm
130 bpm • F min • 04:08 • -16db
27% Popularity • 60% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 82% Positiveness
27% Popularity • 60% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 82% Positiveness
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Woody Herman & His Orchestra
Who Dat up Dere?
130 bpm • D min • 03:09 • -14.31db
21% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Tommy Dorsey Orchestra
Dry Bones
118 bpm • A# Maj • 03:37 • -11.83db
16% Popularity • 57% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 71% Positiveness
16% Popularity • 57% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 71% Positiveness
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Jimmy Dorsey & His Orchestra
Contrasts
130 bpm • G# Maj • 03:02 • -9db
21% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
21% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
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Joe Lovano
Pavane, Op. 50 (Arr. For jazz ensemble)
118 bpm • G min • 06:20 • -16.99db
1% Popularity • 29% Danceability • 35% Energy • 11% Liveness
69% Instrumentalness • 31% Positiveness
1% Popularity • 29% Danceability • 35% Energy • 11% Liveness
69% Instrumentalness • 31% Positiveness
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June Christy
I Want To Be Happy
131 bpm • A min • 01:23 • -14db
43% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jeri Southern
Let's Fly Away
117 bpm • D Maj • 02:31 • -8.46db
44% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Woody Herman & His Orchestra
Mr. Ghost Goes to Town
118 bpm • C Maj • 03:15 • -13.01db
3% Popularity • 37% Danceability • 23% Energy • 23% Liveness
78% Instrumentalness • 49% Positiveness
3% Popularity • 37% Danceability • 23% Energy • 23% Liveness
78% Instrumentalness • 49% Positiveness
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Johnny Dodds
Little Bits
118 bpm • C Maj • 02:59 • -6.56db
20% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
20% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
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Charlie Barnet & His Orchestra
Scotch and Soda
131 bpm • D# Maj • 02:46 • -10db
22% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
22% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
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Charlie Barnet
Shake Rattle and Roll
132 bpm • F min • 03:24 • -7.71db
24% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
24% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
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Bix Beiderbecke
I'm Coming Virginia
132 bpm • A# Maj • 03:09 • -11.08db
26% Popularity • 69% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 50% Positiveness
26% Popularity • 69% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 50% Positiveness
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James P. Johnson
Ain't Misbehavin'
132 bpm • C min • 02:57 • -17.13db
35% Popularity • 77% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 72% Positiveness
35% Popularity • 77% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 72% Positiveness
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Lucky Millinder
Are You Ready?
132 bpm • G min • 03:05 • -12.51db
15% Popularity • 73% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 73% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Johnny Dodds
Blue Piano Stomp
132 bpm • D# Maj • 03:10 • -14.72db
16% Popularity • 56% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 74% Positiveness
16% Popularity • 56% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 74% Positiveness
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Charlie Barnet & His Orchestra
Swing Street Strut
116 bpm • G min • 02:47 • -10.63db
15% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
15% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
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Cab Calloway & His Orchestra
Manhattan Jam
133 bpm • G# Maj • 02:33 • -10.63db
11% Popularity • 75% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 96% Positiveness
11% Popularity • 75% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 96% Positiveness
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Bix Beiderbecke
Singin' The Blues
132 bpm • C min • 03:00 • -12db
38% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
38% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
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Woody Herman & His Orchestra
Non-Alcoholic
116 bpm • C min • 03:04 • -3.61db
1% Popularity • 51% Danceability • 77% Energy • 71% Liveness
76% Instrumentalness • 84% Positiveness
1% Popularity • 51% Danceability • 77% Energy • 71% Liveness
76% Instrumentalness • 84% Positiveness
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Francis Panama And His Savoy Sultans
Gettin' In The Groove
133 bpm • C# Maj • 03:06 • -11.89db
27% Popularity • 76% Danceability • 31% Energy • 7% Liveness
83% Instrumentalness • 65% Positiveness
27% Popularity • 76% Danceability • 31% Energy • 7% Liveness
83% Instrumentalness • 65% Positiveness
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Louis Jordan
Knock Me a Kiss
116 bpm • D# Maj • 02:48 • -11.59db
21% Popularity • 86% Danceability • 24% Energy • 24% Liveness
10% Instrumentalness • 34% Positiveness
21% Popularity • 86% Danceability • 24% Energy • 24% Liveness
10% Instrumentalness • 34% Positiveness
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Charlie Barnet & His Orchestra
Wild Mab Of Fish Pond
132 bpm • A# Maj • 03:15 • -6.51db
23% Popularity • 63% Danceability • 38% Energy • 9% Liveness
62% Instrumentalness • 82% Positiveness
23% Popularity • 63% Danceability • 38% Energy • 9% Liveness
62% Instrumentalness • 82% Positiveness
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Cab Calloway & His Orchestra
Nagasaki
116 bpm • G min • 02:56 • -12.99db
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
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Boilermaker Jazz Band
Until The Real Thing Comes Along
116 bpm • D# Maj • 04:41 • -8db
29% Popularity • 78% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 78% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Lil Hardin Armstrong
Harlem on Saturday Night
115 bpm • C Maj • 02:42 • -7.31db
17% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
17% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
24% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
24% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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Woody Herman & His Orchestra
Caldonia
134 bpm • G# Maj • 03:01 • -11db
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Vaughn Monroe
Seems Like Old Times
115 bpm • B min • 02:52 • -11db
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Benny Goodman Quintet
After You've Gone
134 bpm • G# Maj • 03:03 • -15.58db
30% Popularity • 63% Danceability • 40% Energy • 19% Liveness
33% Instrumentalness • 94% Positiveness
30% Popularity • 63% Danceability • 40% Energy • 19% Liveness
33% Instrumentalness • 94% Positiveness
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Casa Loma Orchestra
Casa Loma Stomp
134 bpm • F# Maj • 03:04 • -21.11db
11% Popularity • 68% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 93% Positiveness
11% Popularity • 68% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 93% Positiveness
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Annie Ross
It Don't Mean A Thing (If It Ain't Got T...
134 bpm • G# Maj • 02:09 • -7.79db
30% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Bunny Berigan
In the Dark
114 bpm • A min • 02:47 • -11.13db
11% Popularity • 54% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 55% Positiveness
11% Popularity • 54% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 55% Positiveness
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Woody Herman & His Orchestra
Back Talk
115 bpm • D min • 03:07 • -11db
6% Popularity • 64% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
6% Popularity • 64% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Les Brown & His Orchestra
The Song Is Ended
135 bpm • G# Maj • 02:34 • -20db
6% Popularity • 58% Danceability • 6% Energy • 26% Liveness
6% Instrumentalness • 80% Positiveness
6% Popularity • 58% Danceability • 6% Energy • 26% Liveness
6% Instrumentalness • 80% Positiveness
